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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83710F it is the complementary color #7C8EF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83710F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83710F shade: #88710A, #99831D, #AA9530, #BBA743 and #CCB956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83710F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83710F shade: #83710F, #725F00, #614D00, #503B00 and #3F2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83710F shade: #84720F, #84520F, #84330F, #84130F and #840F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83710F shade: #84720F, #76840F, #57840F, #37840F and #18840F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83710F shade matches the following richer shades: #84720F and #907A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83710F shade: #84720F, #78691B, #6C6127, #605933 and #54513F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83710F shade: #84320F, #84510F, #84700F, #78840F and #59840F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83710F shade: #3A3206, #5F520B, #84720F, #A99213 and #CEB118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83710F shade: #83710F, #0F8413 and #420F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83710F shade: #83710F, #0F8470 and #700F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83710F shade: #83710F, #0F8413, #0F2384 and #840F80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83710F shade: #83710F, #0F8436, #0F2384 and #840F5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

Complementary color

CMYK 48 / 41 / 0 / 6

HEX #7C8EF0

RGB 124 142 240

HSL 230.69, 0.79%, 0.71%

LAB 61.59, 19.51, -51.42

 

CMYK 0 / 17 / 93 / 47

HEX #88710A

RGB 136 113 10

HSL 49.05, 0.86%, 0.29%

LAB 48.34, -0.62, 52.39

 

CMYK 0 / 14 / 81 / 40

HEX #99831D

RGB 153 131 29

HSL 49.35, 0.68%, 0.36%

LAB 55.17, -2.23, 53.62

 

CMYK 0 / 12 / 72 / 33

HEX #AA9530

RGB 170 149 48

HSL 49.67, 0.56%, 0.43%

LAB 61.87, -3.53, 53.51

 

CMYK 0 / 11 / 64 / 27

HEX #BBA743

RGB 187 167 67

HSL 50, 0.47%, 0.5%

LAB 68.47, -4.59, 52.77

 

CMYK 0 / 9 / 58 / 20

HEX #CCB956

RGB 204 185 86

HSL 50.34, 0.54%, 0.57%

LAB 74.96, -5.46, 51.74

 

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

CMYK 0 / 17 / 100 / 55

HEX #725F00

RGB 114 95 0

HSL 50, 1%, 0.22%

LAB 40.84, -1.08, 48.11

 

CMYK 0 / 21 / 100 / 62

HEX #614D00

RGB 97 77 0

HSL 47.63, 1%, 0.19%

LAB 33.67, 1.17, 42.2

 

CMYK 0 / 26 / 100 / 69

HEX #503B00

RGB 80 59 0

HSL 44.25, 1%, 0.16%

LAB 26.25, 3.6, 35.6

 

CMYK 0 / 35 / 100 / 75

HEX #3F2900

RGB 63 41 0

HSL 39.05, 1%, 0.12%

LAB 18.55, 6.28, 26.83

 

CMYK 0 / 14 / 89 / 48

HEX #84720F

RGB 132 114 15

HSL 50.77, 0.8%, 0.29%

LAB 48.23, -2.98, 50.98

 

CMYK 0 / 38 / 89 / 48

HEX #84520F

RGB 132 82 15

HSL 34.36, 0.8%, 0.29%

LAB 39.54, 15.69, 43.83

 

CMYK 0 / 61 / 89 / 48

HEX #84330F

RGB 132 51 15

HSL 18.46, 0.8%, 0.29%

LAB 32.5, 33.03, 37.98

 

CMYK 0 / 86 / 89 / 48

HEX #84130F

RGB 132 19 15

HSL 2.05, 0.8%, 0.29%

LAB 27.86, 45.68, 34.06

 

CMYK 0 / 89 / 89 / 48

HEX #840F0F

RGB 132 15 15

HSL 0, 0.8%, 0.29%

LAB 27.52, 46.64, 33.77

 

CMYK 0 / 14 / 89 / 48

HEX #84720F

RGB 132 114 15

HSL 50.77, 0.8%, 0.29%

LAB 48.23, -2.98, 50.98

 

CMYK 11 / 0 / 89 / 48

HEX #76840F

RGB 118 132 15

HSL 67.18, 0.8%, 0.29%

LAB 52.27, -19.31, 53.8

 

CMYK 34 / 0 / 89 / 48

HEX #57840F

RGB 87 132 15

HSL 83.08, 0.8%, 0.29%

LAB 50.17, -32.54, 51.18

 

CMYK 58 / 0 / 89 / 48

HEX #37840F

RGB 55 132 15

HSL 99.49, 0.8%, 0.29%

LAB 48.7, -43.51, 49.33

 

CMYK 82 / 0 / 89 / 48

HEX #18840F

RGB 24 132 15

HSL 115.38, 0.8%, 0.29%

LAB 47.92, -50.06, 48.34

 

CMYK 0 / 14 / 89 / 48

HEX #84720F

RGB 132 114 15

HSL 50.77, 0.8%, 0.29%

LAB 48.23, -2.98, 50.98

 

CMYK 0 / 15 / 98 / 44

HEX #907A03

RGB 144 122 3

HSL 50.64, 0.96%, 0.29%

LAB 51.67, -2.04, 56.64

 

CMYK 0 / 14 / 89 / 48

HEX #84720F

RGB 132 114 15

HSL 50.77, 0.8%, 0.29%

LAB 48.23, -2.98, 50.98

 

CMYK 0 / 13 / 78 / 53

HEX #78691B

RGB 120 105 27

HSL 50.32, 0.63%, 0.29%

LAB 44.48, -3.12, 43.29

 

CMYK 0 / 10 / 64 / 58

HEX #6C6127

RGB 108 97 39

HSL 50.43, 0.47%, 0.29%

LAB 41.03, -3.46, 33.89

 

CMYK 0 / 7 / 47 / 62

HEX #605933

RGB 96 89 51

HSL 50.67, 0.31%, 0.29%

LAB 37.61, -3.23, 22.96

 

CMYK 0 / 4 / 25 / 67

HEX #54513F

RGB 84 81 63

HSL 51.43, 0.14%, 0.29%

LAB 34.25, -2.17, 11.05

 

CMYK 0 / 62 / 89 / 48

HEX #84320F

RGB 132 50 15

HSL 17.95, 0.8%, 0.29%

LAB 32.31, 33.53, 37.81

 

CMYK 0 / 39 / 89 / 48

HEX #84510F

RGB 132 81 15

HSL 33.85, 0.8%, 0.29%

LAB 39.28, 16.28, 43.62

 

CMYK 0 / 15 / 89 / 48

HEX #84700F

RGB 132 112 15

HSL 49.74, 0.8%, 0.29%

LAB 47.66, -1.84, 50.51

 

CMYK 9 / 0 / 89 / 48

HEX #78840F

RGB 120 132 15

HSL 66.15, 0.8%, 0.29%

LAB 52.43, -18.41, 53.99

 

CMYK 33 / 0 / 89 / 48

HEX #59840F

RGB 89 132 15

HSL 82.05, 0.8%, 0.29%

LAB 50.29, -31.74, 51.33

 

CMYK 0 / 14 / 90 / 77

HEX #3A3206

RGB 58 50 6

HSL 50.77, 0.81%, 0.13%

LAB 20.8, -2.07, 26.79

 

CMYK 0 / 14 / 88 / 63

HEX #5F520B

RGB 95 82 11

HSL 50.71, 0.79%, 0.21%

LAB 34.99, -2.52, 39.49

 

CMYK 0 / 14 / 89 / 48

HEX #84720F

RGB 132 114 15

HSL 50.77, 0.8%, 0.29%

LAB 48.23, -2.98, 50.98

 

CMYK 0 / 14 / 89 / 34

HEX #A99213

RGB 169 146 19

HSL 50.8, 0.8%, 0.37%

LAB 60.82, -3.41, 61.74

 

CMYK 0 / 14 / 88 / 19

HEX #CEB118

RGB 206 177 24

HSL 50.44, 0.79%, 0.45%

LAB 72.65, -3.27, 71.59

 

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

CMYK 89 / 0 / 86 / 48

HEX #0F8413

RGB 15 132 19

HSL 122.05, 0.8%, 0.29%

LAB 47.82, -50.9, 47.18

 

CMYK 50 / 89 / 0 / 48

HEX #420F84

RGB 66 15 132

HSL 266.15, 0.8%, 0.29%

LAB 20.7, 47.16, -54.26

 

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

CMYK 89 / 0 / 15 / 48

HEX #0F8470

RGB 15 132 112

HSL 169.74, 0.8%, 0.29%

LAB 49.22, -34.74, 2.36

 

CMYK 15 / 89 / 0 / 48

HEX #700F84

RGB 112 15 132

HSL 289.74, 0.8%, 0.29%

LAB 27.99, 54.2, -42.05

 

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

CMYK 89 / 0 / 86 / 48

HEX #0F8413

RGB 15 132 19

HSL 122.05, 0.8%, 0.29%

LAB 47.82, -50.9, 47.18

 

CMYK 89 / 73 / 0 / 48

HEX #0F2384

RGB 15 35 132

HSL 229.74, 0.8%, 0.29%

LAB 19.92, 32.05, -55.68

 

CMYK 0 / 89 / 3 / 48

HEX #840F80

RGB 132 15 128

HSL 302.05, 0.8%, 0.29%

LAB 31.36, 57.27, -33.93

 

CMYK 0 / 14 / 89 / 49

HEX #83710F

RGB 131 113 15

HSL 50.69, 0.79%, 0.29%

LAB 47.84, -2.88, 50.62

 

CMYK 89 / 0 / 59 / 48

HEX #0F8436

RGB 15 132 54

HSL 140, 0.8%, 0.29%

LAB 48.1, -47.42, 33.3

 

CMYK 89 / 73 / 0 / 48

HEX #0F2384

RGB 15 35 132

HSL 229.74, 0.8%, 0.29%

LAB 19.92, 32.05, -55.68

 

CMYK 0 / 89 / 30 / 48

HEX #840F5D

RGB 132 15 93

HSL 320, 0.8%, 0.29%

LAB 29.51, 52.31, -14.42

 

Description

Color code: HEX #83710F | qconv.com Color code: HEX #83710F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 113 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 113 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 89 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 89% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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