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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #837F1B it is the complementary color #7C80E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #837F1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #837F1B shade: #887F16, #999129, #AAA33C, #BBB54F and #CCC762

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #837F1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #837F1B shade: #837F1B, #726D08, #615B00, #504900 and #3F3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #837F1B shade: #837F1A, #83631A, #83461A, #832A1A and #831A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #837F1B shade: #837F1A, #6B831A, #4E831A, #32831A and #1A831F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #837F1B shade matches the following richer shades: #837F1A, #908B0E and #9C9601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #837F1B shade: #837F1A, #767327, #696734, #5C5B41 and #504F4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #837F1B shade: #83461A, #83621A, #837E1A, #6C831A and #50831A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #837F1B shade: #3E3C0C, #605E13, #837F1A, #A5A021 and #C7C128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #837F1B shade: #837F1B, #1A832A and #541A83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #837F1B shade: #837F1B, #1A837E and #7E1A83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #837F1B shade: #837F1B, #1A832A, #1A2083 and #831A73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #837F1B shade: #837F1B, #1A8349, #1A2083 and #831A54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

Complementary color

CMYK 46 / 44 / 0 / 11

HEX #7C80E4

RGB 124 128 228

HSL 237.69, 0.66%, 0.69%

LAB 57.39, 24.23, -51.42

 

CMYK 0 / 7 / 84 / 47

HEX #887F16

RGB 136 127 22

HSL 55.26, 0.72%, 0.31%

LAB 52.37, -8.15, 52.7

 

CMYK 0 / 5 / 73 / 40

HEX #999129

RGB 153 145 41

HSL 55.71, 0.58%, 0.38%

LAB 59.14, -9.35, 53.04

 

CMYK 0 / 4 / 65 / 33

HEX #AAA33C

RGB 170 163 60

HSL 56.18, 0.48%, 0.45%

LAB 65.8, -10.31, 52.53

 

CMYK 0 / 3 / 58 / 27

HEX #BBB54F

RGB 187 181 79

HSL 56.67, 0.44%, 0.52%

LAB 72.35, -11.08, 51.62

 

CMYK 0 / 2 / 52 / 20

HEX #CCC762

RGB 204 199 98

HSL 57.17, 0.51%, 0.59%

LAB 78.79, -11.71, 50.54

 

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

CMYK 0 / 4 / 93 / 55

HEX #726D08

RGB 114 109 8

HSL 57.17, 0.87%, 0.24%

LAB 44.99, -8.93, 49.24

 

CMYK 0 / 6 / 100 / 62

HEX #615B00

RGB 97 91 0

HSL 56.29, 1%, 0.19%

LAB 37.88, -7.18, 45.2

 

CMYK 0 / 9 / 100 / 69

HEX #504900

RGB 80 73 0

HSL 54.75, 1%, 0.16%

LAB 30.57, -5.13, 39.13

 

CMYK 0 / 13 / 100 / 75

HEX #3F3700

RGB 63 55 0

HSL 52.38, 1%, 0.12%

LAB 22.96, -2.93, 31.7

 

CMYK 0 / 3 / 80 / 49

HEX #837F1A

RGB 131 127 26

HSL 57.71, 0.67%, 0.31%

LAB 51.93, -10.32, 50.91

 

CMYK 0 / 24 / 80 / 49

HEX #83631A

RGB 131 99 26

HSL 41.71, 0.67%, 0.31%

LAB 43.98, 5.58, 43.63

 

CMYK 0 / 47 / 80 / 49

HEX #83461A

RGB 131 70 26

HSL 25.14, 0.67%, 0.31%

LAB 36.52, 22.61, 36.49

 

CMYK 0 / 68 / 80 / 49

HEX #832A1A

RGB 131 42 26

HSL 9.14, 0.67%, 0.31%

LAB 30.77, 37.34, 30.7

 

CMYK 0 / 80 / 80 / 49

HEX #831A1A

RGB 131 26 26

HSL 0, 0.67%, 0.31%

LAB 28.48, 43.65, 28.29

 

CMYK 0 / 3 / 80 / 49

HEX #837F1A

RGB 131 127 26

HSL 57.71, 0.67%, 0.31%

LAB 51.93, -10.32, 50.91

 

CMYK 18 / 0 / 80 / 49

HEX #6B831A

RGB 107 131 26

HSL 73.71, 0.67%, 0.31%

LAB 51.19, -23.27, 49.52

 

CMYK 40 / 0 / 80 / 49

HEX #4E831A

RGB 78 131 26

HSL 90.29, 0.67%, 0.31%

LAB 49.41, -35.03, 47.22

 

CMYK 62 / 0 / 80 / 49

HEX #32831A

RGB 50 131 26

HSL 106.29, 0.67%, 0.31%

LAB 48.24, -43.9, 45.7

 

CMYK 80 / 0 / 76 / 49

HEX #1A831F

RGB 26 131 31

HSL 122.86, 0.67%, 0.31%

LAB 47.69, -48.42, 43.17

 

CMYK 0 / 3 / 80 / 49

HEX #837F1A

RGB 131 127 26

HSL 57.71, 0.67%, 0.31%

LAB 51.93, -10.32, 50.91

 

CMYK 0 / 3 / 90 / 44

HEX #908B0E

RGB 144 139 14

HSL 57.69, 0.82%, 0.31%

LAB 56.51, -11.18, 58.35

 

CMYK 0 / 4 / 99 / 39

HEX #9C9601

RGB 156 150 1

HSL 57.68, 0.99%, 0.31%

LAB 60.68, -11.77, 64.06

 

CMYK 0 / 3 / 80 / 49

HEX #837F1A

RGB 131 127 26

HSL 57.71, 0.67%, 0.31%

LAB 51.93, -10.32, 50.91

 

CMYK 0 / 3 / 67 / 54

HEX #767327

RGB 118 115 39

HSL 57.72, 0.5%, 0.31%

LAB 47.31, -9.04, 40.94

 

CMYK 0 / 2 / 50 / 59

HEX #696734

RGB 105 103 52

HSL 57.74, 0.34%, 0.31%

LAB 42.69, -7.15, 28.85

 

CMYK 0 / 1 / 29 / 64

HEX #5C5B41

RGB 92 91 65

HSL 57.78, 0.17%, 0.31%

LAB 38.09, -4.34, 15.18

 

CMYK 0 / 1 / 2 / 69

HEX #504F4E

RGB 80 79 78

HSL 30, 0.01%, 0.31%

LAB 33.66, 0.2, 0.73

 

CMYK 0 / 47 / 80 / 49

HEX #83461A

RGB 131 70 26

HSL 25.14, 0.67%, 0.31%

LAB 36.52, 22.61, 36.49

 

CMYK 0 / 25 / 80 / 49

HEX #83621A

RGB 131 98 26

HSL 41.14, 0.67%, 0.31%

LAB 43.71, 6.17, 43.38

 

CMYK 0 / 4 / 80 / 49

HEX #837E1A

RGB 131 126 26

HSL 57.14, 0.67%, 0.31%

LAB 51.63, -9.78, 50.65

 

CMYK 18 / 0 / 80 / 49

HEX #6C831A

RGB 108 131 26

HSL 73.14, 0.67%, 0.31%

LAB 51.26, -22.84, 49.61

 

CMYK 39 / 0 / 80 / 49

HEX #50831A

RGB 80 131 26

HSL 89.14, 0.67%, 0.31%

LAB 49.51, -34.28, 47.35

 

CMYK 0 / 3 / 81 / 76

HEX #3E3C0C

RGB 62 60 12

HSL 57.6, 0.68%, 0.15%

LAB 24.58, -5.95, 28.36

 

CMYK 0 / 2 / 80 / 62

HEX #605E13

RGB 96 94 19

HSL 58.44, 0.67%, 0.23%

LAB 38.79, -8.75, 40.17

 

CMYK 0 / 3 / 80 / 49

HEX #837F1A

RGB 131 127 26

HSL 57.71, 0.67%, 0.31%

LAB 51.93, -10.32, 50.91

 

CMYK 0 / 3 / 80 / 35

HEX #A5A021

RGB 165 160 33

HSL 57.73, 0.67%, 0.39%

LAB 64.36, -12.27, 60.95

 

CMYK 0 / 3 / 80 / 22

HEX #C7C128

RGB 199 193 40

HSL 57.74, 0.67%, 0.47%

LAB 76.34, -14.14, 70.57

 

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

CMYK 80 / 0 / 68 / 49

HEX #1A832A

RGB 26 131 42

HSL 129.14, 0.67%, 0.31%

LAB 47.78, -47.34, 38.69

 

CMYK 36 / 80 / 0 / 49

HEX #541A83

RGB 84 26 131

HSL 273.14, 0.67%, 0.31%

LAB 24.52, 45.58, -47.26

 

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

CMYK 80 / 0 / 4 / 49

HEX #1A837E

RGB 26 131 126

HSL 177.14, 0.67%, 0.31%

LAB 49.45, -29.13, -5.5

 

CMYK 4 / 80 / 0 / 49

HEX #7E1A83

RGB 126 26 131

HSL 297.14, 0.67%, 0.31%

LAB 31.38, 53.87, -35.85

 

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

CMYK 80 / 0 / 68 / 49

HEX #1A832A

RGB 26 131 42

HSL 129.14, 0.67%, 0.31%

LAB 47.78, -47.34, 38.69

 

CMYK 80 / 76 / 0 / 49

HEX #1A2083

RGB 26 32 131

HSL 236.57, 0.67%, 0.31%

LAB 19.6, 34.37, -55.56

 

CMYK 0 / 80 / 12 / 49

HEX #831A73

RGB 131 26 115

HSL 309.14, 0.67%, 0.31%

LAB 31.35, 52.35, -25.75

 

CMYK 0 / 3 / 79 / 49

HEX #837F1B

RGB 131 127 27

HSL 57.69, 0.66%, 0.31%

LAB 51.93, -10.28, 50.58

 

CMYK 80 / 0 / 44 / 49

HEX #1A8349

RGB 26 131 73

HSL 146.86, 0.67%, 0.31%

LAB 48.18, -42.6, 23.34

 

CMYK 80 / 76 / 0 / 49

HEX #1A2083

RGB 26 32 131

HSL 236.57, 0.67%, 0.31%

LAB 19.6, 34.37, -55.56

 

CMYK 0 / 80 / 36 / 49

HEX #831A54

RGB 131 26 84

HSL 326.86, 0.67%, 0.31%

LAB 29.92, 48.13, -7.91

 

Description

Color code: HEX #837F1B | qconv.com Color code: HEX #837F1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 127 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 127 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 79 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 79% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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