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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83830B it is the complementary color #7C7CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83830B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83830B shade: #888306, #999519, #AAA72C, #BBB93F and #CCCB52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83830B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83830B shade: #83830B, #727100, #615F00, #504D00 and #3F3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83830B shade: #84840A, #84630A, #84420A, #84210A and #840A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83830B shade: #84840A, #63840A, #42840A, #21840A and #0A8414

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83830B shade matches the following richer shades: #84840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83830B shade: #84840A, #787816, #6C6C21, #61612D and #555538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83830B shade: #84430A, #84630A, #84840A, #63840A and #43840A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83830B shade: #373704, #5D5D07, #84840A, #AAAA0D and #D0D010

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83830B shade: #83830B, #0A8422 and #530A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83830B shade: #83830B, #0A8484 and #840A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83830B shade: #83830B, #0A8422, #0A0A84 and #840A6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83830B shade: #83830B, #0A8447, #0A0A84 and #840A47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

Complementary color

CMYK 49 / 49 / 0 / 4

HEX #7C7CF4

RGB 124 124 244

HSL 240, 0.85%, 0.72%

LAB 57.3, 31.34, -60.46

 

CMYK 0 / 4 / 96 / 47

HEX #888306

RGB 136 131 6

HSL 57.69, 0.92%, 0.28%

LAB 53.47, -10.71, 57.08

 

CMYK 0 / 3 / 84 / 40

HEX #999519

RGB 153 149 25

HSL 58.13, 0.72%, 0.35%

LAB 60.19, -12.12, 59.17

 

CMYK 0 / 2 / 74 / 33

HEX #AAA72C

RGB 170 167 44

HSL 58.57, 0.59%, 0.42%

LAB 66.8, -13.27, 59.78

 

CMYK 0 / 1 / 66 / 27

HEX #BBB93F

RGB 187 185 63

HSL 59.03, 0.5%, 0.49%

LAB 73.3, -14.19, 59.52

 

CMYK 0 / 0 / 60 / 20

HEX #CCCB52

RGB 204 203 82

HSL 59.51, 0.54%, 0.56%

LAB 79.7, -14.95, 58.8

 

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

CMYK 0 / 1 / 100 / 55

HEX #727100

RGB 114 113 0

HSL 59.47, 1%, 0.22%

LAB 46.16, -11.35, 51.94

 

CMYK 0 / 2 / 100 / 62

HEX #615F00

RGB 97 95 0

HSL 58.76, 1%, 0.19%

LAB 39.11, -9.48, 46.09

 

CMYK 0 / 4 / 100 / 69

HEX #504D00

RGB 80 77 0

HSL 57.75, 1%, 0.16%

LAB 31.84, -7.53, 40.05

 

CMYK 0 / 6 / 100 / 75

HEX #3F3B00

RGB 63 59 0

HSL 56.19, 1%, 0.12%

LAB 24.27, -5.46, 33.02

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 0 / 25 / 92 / 48

HEX #84630A

RGB 132 99 10

HSL 43.77, 0.86%, 0.28%

LAB 44.02, 5.56, 48.83

 

CMYK 0 / 50 / 92 / 48

HEX #84420A

RGB 132 66 10

HSL 27.54, 0.86%, 0.28%

LAB 35.64, 24.83, 42.37

 

CMYK 0 / 75 / 92 / 48

HEX #84210A

RGB 132 33 10

HSL 11.31, 0.86%, 0.28%

LAB 29.45, 41.03, 37.69

 

CMYK 0 / 92 / 92 / 48

HEX #840A0A

RGB 132 10 10

HSL 0, 0.86%, 0.28%

LAB 27.14, 47.53, 35.78

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 25 / 0 / 92 / 48

HEX #63840A

RGB 99 132 10

HSL 76.23, 0.86%, 0.28%

LAB 50.89, -27.77, 53.11

 

CMYK 50 / 0 / 92 / 48

HEX #42840A

RGB 66 132 10

HSL 92.46, 0.86%, 0.28%

LAB 49.11, -40.33, 50.9

 

CMYK 75 / 0 / 92 / 48

HEX #21840A

RGB 33 132 10

HSL 108.69, 0.86%, 0.28%

LAB 48.07, -48.82, 49.6

 

CMYK 92 / 0 / 85 / 48

HEX #0A8414

RGB 10 132 20

HSL 124.92, 0.86%, 0.28%

LAB 47.77, -51.27, 46.85

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 0 / 0 / 82 / 53

HEX #787816

RGB 120 120 22

HSL 60, 0.69%, 0.28%

LAB 48.86, -11.77, 49.08

 

CMYK 0 / 0 / 69 / 58

HEX #6C6C21

RGB 108 108 33

HSL 60, 0.53%, 0.28%

LAB 44.27, -10.19, 40.18

 

CMYK 0 / 0 / 54 / 62

HEX #61612D

RGB 97 97 45

HSL 60, 0.37%, 0.28%

LAB 40.05, -8.11, 29.33

 

CMYK 0 / 0 / 34 / 67

HEX #555538

RGB 85 85 56

HSL 60, 0.21%, 0.28%

LAB 35.43, -5.24, 16.97

 

CMYK 0 / 49 / 92 / 48

HEX #84430A

RGB 132 67 10

HSL 28.03, 0.86%, 0.28%

LAB 35.87, 24.27, 42.55

 

CMYK 0 / 25 / 92 / 48

HEX #84630A

RGB 132 99 10

HSL 43.77, 0.86%, 0.28%

LAB 44.02, 5.56, 48.83

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 25 / 0 / 92 / 48

HEX #63840A

RGB 99 132 10

HSL 76.23, 0.86%, 0.28%

LAB 50.89, -27.77, 53.11

 

CMYK 49 / 0 / 92 / 48

HEX #43840A

RGB 67 132 10

HSL 91.97, 0.86%, 0.28%

LAB 49.15, -40, 50.95

 

CMYK 0 / 0 / 93 / 78

HEX #373704

RGB 55 55 4

HSL 60, 0.86%, 0.12%

LAB 22.14, -7.01, 28.95

 

CMYK 0 / 0 / 92 / 64

HEX #5D5D07

RGB 93 93 7

HSL 60, 0.86%, 0.2%

LAB 38.15, -10.09, 43.2

 

CMYK 0 / 0 / 92 / 48

HEX #84840A

RGB 132 132 10

HSL 60, 0.86%, 0.28%

LAB 53.42, -13.03, 56.19

 

CMYK 0 / 0 / 92 / 33

HEX #AAAA0D

RGB 170 170 13

HSL 60, 0.86%, 0.36%

LAB 67.52, -15.73, 68.1

 

CMYK 0 / 0 / 92 / 18

HEX #D0D010

RGB 208 208 16

HSL 60, 0.86%, 0.44%

LAB 81.05, -18.32, 79.47

 

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

CMYK 92 / 0 / 74 / 48

HEX #0A8422

RGB 10 132 34

HSL 131.8, 0.86%, 0.28%

LAB 47.86, -50.21, 42.11

 

CMYK 37 / 92 / 0 / 48

HEX #530A84

RGB 83 10 132

HSL 275.9, 0.86%, 0.28%

LAB 22.73, 50.72, -50.82

 

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

CMYK 92 / 0 / 0 / 48

HEX #0A8484

RGB 10 132 132

HSL 180, 0.86%, 0.28%

LAB 49.78, -28.97, -8.55

 

CMYK 0 / 92 / 0 / 48

HEX #840A84

RGB 132 10 132

HSL 300, 0.86%, 0.28%

LAB 31.32, 58.76, -36.5

 

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

CMYK 92 / 0 / 74 / 48

HEX #0A8422

RGB 10 132 34

HSL 131.8, 0.86%, 0.28%

LAB 47.86, -50.21, 42.11

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A84

RGB 10 10 132

HSL 240, 0.86%, 0.28%

LAB 15.21, 44.99, -63.5

 

CMYK 0 / 92 / 19 / 48

HEX #840A6B

RGB 132 10 107

HSL 312.3, 0.86%, 0.28%

LAB 29.87, 55.03, -22.94

 

CMYK 0 / 0 / 92 / 49

HEX #83830B

RGB 131 131 11

HSL 60, 0.85%, 0.28%

LAB 53.04, -12.94, 55.68

 

CMYK 92 / 0 / 46 / 48

HEX #0A8447

RGB 10 132 71

HSL 150, 0.86%, 0.28%

LAB 48.29, -44.95, 24.55

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A84

RGB 10 10 132

HSL 240, 0.86%, 0.28%

LAB 15.21, 44.99, -63.5

 

CMYK 0 / 92 / 46 / 48

HEX #840A47

RGB 132 10 71

HSL 330, 0.86%, 0.28%

LAB 28.32, 50.85, -1.63

 

Description

Color code: HEX #83830B | qconv.com Color code: HEX #83830B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 131 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 131 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 92 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 92% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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