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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8399CD it is the complementary color #7C6632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8399CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8399CD shade: #8899C8, #99ABDB, #AABDEE, #BBCFFF and #CCE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8399CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8399CD shade: #8399CD, #7287BA, #6175A7, #506394 and #3F5181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8399CD shade: #8399CD, #8385CD, #9583CD, #A983CD and #BD83CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8399CD shade: #8399CD, #8385CD and #8383CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8399CD shade matches the following richer shades: #8399CD, #7493DB, #668DE9 and #5888F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8399CD shade: #8399CD, #919EBF, #9FA4B1, #ADAAA3 and #BBAF95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8399CD shade: #83C1CD, #83ADCD, #8399CD, #8385CD and #9483CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8399CD shade: #4868B5, #6580C1, #8399CD, #A0B1D9 and #BEC9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8399CD shade: #8399CD, #C683CD and #B7CD83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8399CD shade: #8399CD, #CD8399 and #99CD83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8399CD shade: #8399CD, #C683CD, #CDB783 and #8ACD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8399CD shade: #8399CD, #CD83BE, #CDB783 and #83CD91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

Complementary color

CMYK 0 / 18 / 60 / 51

HEX #7C6632

RGB 124 102 50

HSL 42.16, 0.43%, 0.34%

LAB 44.26, 2.03, 32.25

 

CMYK 32 / 24 / 0 / 22

HEX #8899C8

RGB 136 153 200

HSL 224.06, 0.37%, 0.66%

LAB 63.5, 5.07, -26.15

 

CMYK 30 / 22 / 0 / 14

HEX #99ABDB

RGB 153 171 219

HSL 223.64, 0.48%, 0.73%

LAB 70.18, 4.72, -26.29

 

CMYK 29 / 21 / 0 / 7

HEX #AABDEE

RGB 170 189 238

HSL 223.24, 0.67%, 0.8%

LAB 76.75, 4.41, -26.46

 

CMYK 27 / 19 / 0 / 0

HEX #BBCFFF

RGB 187 207 255

HSL 222.35, 1%, 0.87%

LAB 83.13, 3.66, -25.7

 

CMYK 20 / 12 / 0 / 0

HEX #CCE1FF

RGB 204 225 255

HSL 215.29, 1%, 0.9%

LAB 88.88, -0.8, -16.89

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 39 / 27 / 0 / 27

HEX #7287BA

RGB 114 135 186

HSL 222.5, 0.34%, 0.59%

LAB 56.54, 5.41, -29.12

 

CMYK 42 / 30 / 0 / 35

HEX #6175A7

RGB 97 117 167

HSL 222.86, 0.28%, 0.52%

LAB 49.56, 5.95, -29.1

 

CMYK 46 / 33 / 0 / 42

HEX #506394

RGB 80 99 148

HSL 223.24, 0.3%, 0.45%

LAB 42.41, 6.61, -29.13

 

CMYK 51 / 37 / 0 / 49

HEX #3F5181

RGB 63 81 129

HSL 223.64, 0.34%, 0.38%

LAB 35.06, 7.44, -29.23

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 36 / 35 / 0 / 20

HEX #8385CD

RGB 131 133 205

HSL 238.38, 0.43%, 0.66%

LAB 58.04, 16.54, -37.45

 

CMYK 27 / 36 / 0 / 20

HEX #9583CD

RGB 149 131 205

HSL 254.59, 0.43%, 0.66%

LAB 59, 22.84, -35.84

 

CMYK 18 / 36 / 0 / 20

HEX #A983CD

RGB 169 131 205

HSL 270.81, 0.43%, 0.66%

LAB 60.85, 28.83, -32.83

 

CMYK 8 / 36 / 0 / 20

HEX #BD83CD

RGB 189 131 205

HSL 287.03, 0.43%, 0.66%

LAB 62.89, 35.02, -29.49

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 36 / 35 / 0 / 20

HEX #8385CD

RGB 131 133 205

HSL 238.38, 0.43%, 0.66%

LAB 58.04, 16.54, -37.45

 

CMYK 36 / 36 / 0 / 20

HEX #8383CD

RGB 131 131 205

HSL 240, 0.43%, 0.66%

LAB 57.53, 17.72, -38.26

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 47 / 33 / 0 / 14

HEX #7493DB

RGB 116 147 219

HSL 221.94, 0.59%, 0.66%

LAB 61.39, 8.44, -40.12

 

CMYK 56 / 39 / 0 / 9

HEX #668DE9

RGB 102 141 233

HSL 222.14, 0.75%, 0.66%

LAB 59.67, 13.18, -50.67

 

CMYK 64 / 45 / 0 / 3

HEX #5888F7

RGB 88 136 247

HSL 221.89, 0.91%, 0.66%

LAB 58.41, 18.23, -60.46

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 24 / 17 / 0 / 25

HEX #919EBF

RGB 145 158 191

HSL 223.04, 0.26%, 0.66%

LAB 65.15, 2.73, -18.54

 

CMYK 10 / 7 / 0 / 31

HEX #9FA4B1

RGB 159 164 177

HSL 223.33, 0.1%, 0.66%

LAB 67.35, 0.85, -7.32

 

CMYK 0 / 2 / 6 / 32

HEX #ADAAA3

RGB 173 170 163

HSL 42, 0.06%, 0.66%

LAB 69.67, -0.21, 3.97

 

CMYK 0 / 6 / 20 / 27

HEX #BBAF95

RGB 187 175 149

HSL 41.05, 0.22%, 0.66%

LAB 71.82, 0.01, 14.89

 

CMYK 36 / 6 / 0 / 20

HEX #83C1CD

RGB 131 193 205

HSL 189.73, 0.43%, 0.66%

LAB 74.43, -16.81, -12.34

 

CMYK 36 / 16 / 0 / 20

HEX #83ADCD

RGB 131 173 205

HSL 205.95, 0.43%, 0.66%

LAB 68.84, -6.2, -20.78

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 36 / 35 / 0 / 20

HEX #8385CD

RGB 131 133 205

HSL 238.38, 0.43%, 0.66%

LAB 58.04, 16.54, -37.45

 

CMYK 28 / 36 / 0 / 20

HEX #9483CD

RGB 148 131 205

HSL 253.78, 0.43%, 0.66%

LAB 58.92, 22.55, -35.98

 

CMYK 60 / 43 / 0 / 29

HEX #4868B5

RGB 72 104 181

HSL 222.39, 0.43%, 0.5%

LAB 45.1, 12.5, -44.39

 

CMYK 48 / 34 / 0 / 24

HEX #6580C1

RGB 101 128 193

HSL 222.39, 0.43%, 0.58%

LAB 54.09, 8.18, -36.99

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 26 / 18 / 0 / 15

HEX #A0B1D9

RGB 160 177 217

HSL 222.11, 0.43%, 0.74%

LAB 72.18, 2.99, -22.1

 

CMYK 17 / 12 / 0 / 10

HEX #BEC9E5

RGB 190 201 229

HSL 223.08, 0.43%, 0.82%

LAB 80.95, 1.95, -15.13

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 3 / 36 / 0 / 20

HEX #C683CD

RGB 198 131 205

HSL 294.32, 0.43%, 0.66%

LAB 63.87, 37.83, -27.9

 

CMYK 11 / 0 / 36 / 20

HEX #B7CD83

RGB 183 205 131

HSL 77.84, 0.43%, 0.66%

LAB 79.25, -19.56, 34.43

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 0 / 36 / 25 / 20

HEX #CD8399

RGB 205 131 153

HSL 342.16, 0.43%, 0.66%

LAB 62.94, 31.44, 0.2

 

CMYK 25 / 0 / 36 / 20

HEX #99CD83

RGB 153 205 131

HSL 102.16, 0.43%, 0.66%

LAB 77.32, -30.51, 31.54

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 3 / 36 / 0 / 20

HEX #C683CD

RGB 198 131 205

HSL 294.32, 0.43%, 0.66%

LAB 63.87, 37.83, -27.9

 

CMYK 0 / 11 / 36 / 20

HEX #CDB783

RGB 205 183 131

HSL 42.16, 0.43%, 0.66%

LAB 75.13, 0.35, 29.34

 

CMYK 33 / 0 / 36 / 20

HEX #8ACD83

RGB 138 205 131

HSL 114.32, 0.43%, 0.66%

LAB 76.5, -35.58, 30.3

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 0 / 36 / 7 / 20

HEX #CD83BE

RGB 205 131 190

HSL 312.16, 0.43%, 0.66%

LAB 64.1, 37.33, -19.04

 

CMYK 0 / 11 / 36 / 20

HEX #CDB783

RGB 205 183 131

HSL 42.16, 0.43%, 0.66%

LAB 75.13, 0.35, 29.34

 

CMYK 36 / 0 / 29 / 20

HEX #83CD91

RGB 131 205 145

HSL 131.35, 0.43%, 0.66%

LAB 76.39, -35.48, 22.78

 

Description

Color code: HEX #8399CD | qconv.com Color code: HEX #8399CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 153 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 153 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 25 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 25% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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