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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8390B8 it is the complementary color #7C6F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8390B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8390B8 shade: #8890B3, #99A2C6, #AAB4D9, #BBC6EC and #CCD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8390B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8390B8 shade: #8390B8, #727EA5, #616C92, #505A7F and #3F486C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8390B8 shade: #8390B8, #8583B8, #9383B8, #A183B8 and #AF83B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8390B8 shade: #8390B8 and #8383B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8390B8 shade matches the following richer shades: #8390B8, #7488C7, #6480D7, #5478E7 and #4570F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8390B8 shade: #8390B8, #9398A8, #A3A098, #B2A889 and #C2B079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8390B8 shade: #83ACB8, #839EB8, #8391B8, #8483B8 and #9283B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8390B8 shade: #556494, #6979A9, #8390B8, #9EA8C7 and #B8BFD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8390B8 shade: #8390B8, #B583B8 and #A5B883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8390B8 shade: #8390B8, #B88391 and #91B883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8390B8 shade: #8390B8, #B583B8, #B8AB83 and #86B883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8390B8 shade: #8390B8, #B883AB, #B8AB83 and #83B891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

Complementary color

CMYK 0 / 10 / 43 / 51

HEX #7C6F47

RGB 124 111 71

HSL 45.28, 0.27%, 0.38%

LAB 47.12, -1.05, 24.11

 

CMYK 24 / 20 / 0 / 30

HEX #8890B3

RGB 136 144 179

HSL 228.84, 0.22%, 0.62%

LAB 60.28, 4.94, -19.25

 

CMYK 23 / 18 / 0 / 22

HEX #99A2C6

RGB 153 162 198

HSL 228, 0.28%, 0.69%

LAB 67.04, 4.65, -19.5

 

CMYK 22 / 17 / 0 / 15

HEX #AAB4D9

RGB 170 180 217

HSL 227.23, 0.38%, 0.76%

LAB 73.67, 4.39, -19.77

 

CMYK 21 / 16 / 0 / 7

HEX #BBC6EC

RGB 187 198 236

HSL 226.53, 0.56%, 0.83%

LAB 80.18, 4.15, -20.05

 

CMYK 20 / 15 / 0 / 0

HEX #CCD8FF

RGB 204 216 255

HSL 225.88, 1%, 0.9%

LAB 86.59, 3.92, -20.34

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 31 / 24 / 0 / 35

HEX #727EA5

RGB 114 126 165

HSL 225.88, 0.22%, 0.55%

LAB 53.18, 4.98, -22.23

 

CMYK 34 / 26 / 0 / 43

HEX #616C92

RGB 97 108 146

HSL 226.53, 0.2%, 0.48%

LAB 46.1, 5.39, -22.11

 

CMYK 37 / 29 / 0 / 50

HEX #505A7F

RGB 80 90 127

HSL 227.23, 0.23%, 0.41%

LAB 38.81, 5.88, -22.04

 

CMYK 42 / 33 / 0 / 58

HEX #3F486C

RGB 63 72 108

HSL 228, 0.26%, 0.34%

LAB 31.29, 6.5, -22.04

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 20 / 29 / 0 / 28

HEX #9383B8

RGB 147 131 184

HSL 258.11, 0.27%, 0.62%

LAB 57.94, 17.13, -25.6

 

CMYK 13 / 29 / 0 / 28

HEX #A183B8

RGB 161 131 184

HSL 273.96, 0.27%, 0.62%

LAB 59.22, 21.65, -23.52

 

CMYK 5 / 29 / 0 / 28

HEX #AF83B8

RGB 175 131 184

HSL 289.81, 0.27%, 0.62%

LAB 60.61, 26.27, -21.27

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 29 / 29 / 0 / 28

HEX #8383B8

RGB 131 131 184

HSL 240, 0.27%, 0.62%

LAB 56.6, 12.16, -27.78

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 42 / 32 / 0 / 22

HEX #7488C7

RGB 116 136 199

HSL 225.54, 0.43%, 0.62%

LAB 57.51, 9.04, -34.98

 

CMYK 53 / 40 / 0 / 16

HEX #6480D7

RGB 100 128 215

HSL 225.39, 0.59%, 0.62%

LAB 55.13, 14.8, -47.82

 

CMYK 64 / 48 / 0 / 9

HEX #5478E7

RGB 84 120 231

HSL 225.31, 0.75%, 0.62%

LAB 53.04, 21.88, -60.19

 

CMYK 72 / 54 / 0 / 4

HEX #4570F6

RGB 69 112 246

HSL 225.42, 0.91%, 0.62%

LAB 51.28, 29.88, -71.46

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 13 / 10 / 0 / 34

HEX #9398A8

RGB 147 152 168

HSL 225.71, 0.11%, 0.62%

LAB 62.92, 1.51, -8.97

 

CMYK 0 / 2 / 7 / 36

HEX #A3A098

RGB 163 160 152

HSL 43.64, 0.06%, 0.62%

LAB 65.9, -0.39, 4.54

 

CMYK 0 / 6 / 23 / 30

HEX #B2A889

RGB 178 168 137

HSL 45.37, 0.21%, 0.62%

LAB 68.95, -1.49, 17.34

 

CMYK 0 / 9 / 38 / 24

HEX #C2B079

RGB 194 176 121

HSL 45.21, 0.37%, 0.62%

LAB 72.16, -1.53, 30.54

 

CMYK 29 / 7 / 0 / 28

HEX #83ACB8

RGB 131 172 184

HSL 193.58, 0.27%, 0.62%

LAB 67.87, -10.91, -10.64

 

CMYK 29 / 14 / 0 / 28

HEX #839EB8

RGB 131 158 184

HSL 209.43, 0.27%, 0.62%

LAB 63.95, -3.28, -16.53

 

CMYK 29 / 21 / 0 / 28

HEX #8391B8

RGB 131 145 184

HSL 224.15, 0.27%, 0.62%

LAB 60.37, 4.05, -21.98

 

CMYK 28 / 29 / 0 / 28

HEX #8483B8

RGB 132 131 184

HSL 241.13, 0.27%, 0.62%

LAB 56.68, 12.47, -27.65

 

CMYK 21 / 29 / 0 / 28

HEX #9283B8

RGB 146 131 184

HSL 256.98, 0.27%, 0.62%

LAB 57.85, 16.82, -25.75

 

CMYK 43 / 32 / 0 / 42

HEX #556494

RGB 85 100 148

HSL 225.71, 0.27%, 0.46%

LAB 43.04, 7.35, -28.12

 

CMYK 38 / 28 / 0 / 34

HEX #6979A9

RGB 105 121 169

HSL 225, 0.27%, 0.54%

LAB 51.32, 6.37, -27.49

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 21 / 16 / 0 / 22

HEX #9EA8C7

RGB 158 168 199

HSL 225.37, 0.27%, 0.7%

LAB 69.04, 3.12, -17

 

CMYK 14 / 11 / 0 / 16

HEX #B8BFD6

RGB 184 191 214

HSL 226, 0.27%, 0.78%

LAB 77.46, 2.2, -12.33

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 2 / 29 / 0 / 28

HEX #B583B8

RGB 181 131 184

HSL 296.6, 0.27%, 0.62%

LAB 61.24, 28.26, -20.26

 

CMYK 10 / 0 / 29 / 28

HEX #A5B883

RGB 165 184 131

HSL 81.51, 0.27%, 0.62%

LAB 72.17, -15.79, 24.82

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 0 / 29 / 21 / 28

HEX #B88391

RGB 184 131 145

HSL 344.15, 0.27%, 0.62%

LAB 60.31, 22.49, 0.64

 

CMYK 21 / 0 / 29 / 28

HEX #91B883

RGB 145 184 131

HSL 104.15, 0.27%, 0.62%

LAB 70.83, -23.15, 22.78

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 2 / 29 / 0 / 28

HEX #B583B8

RGB 181 131 184

HSL 296.6, 0.27%, 0.62%

LAB 61.24, 28.26, -20.26

 

CMYK 0 / 7 / 29 / 28

HEX #B8AB83

RGB 184 171 131

HSL 45.28, 0.27%, 0.62%

LAB 70.14, -1.6, 22.33

 

CMYK 27 / 0 / 29 / 28

HEX #86B883

RGB 134 184 131

HSL 116.6, 0.27%, 0.62%

LAB 70.17, -26.98, 21.77

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 0 / 29 / 7 / 28

HEX #B883AB

RGB 184 131 171

HSL 314.72, 0.27%, 0.62%

LAB 61.1, 26.85, -13.05

 

CMYK 0 / 7 / 29 / 28

HEX #B8AB83

RGB 184 171 131

HSL 45.28, 0.27%, 0.62%

LAB 70.14, -1.6, 22.33

 

CMYK 29 / 0 / 21 / 28

HEX #83B891

RGB 131 184 145

HSL 135.85, 0.27%, 0.62%

LAB 70.28, -25.48, 14.33

 

Description

Color code: HEX #8390B8 | qconv.com Color code: HEX #8390B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 144 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 144 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 22 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 22% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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