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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8392A4 it is the complementary color #7C6D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8392A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8392A4 shade: #88929F, #99A4B2, #AAB6C5, #BBC8D8 and #CCDAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8392A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8392A4 shade: #8392A4, #728091, #616E7E, #505C6B and #3F4A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8392A4 shade: #8392A3, #8389A3, #8683A3, #8F83A3 and #9783A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8392A4 shade: #8392A3, #8389A3 and #8383A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8392A4 shade matches the following richer shades: #8392A3, #7290B5, #618FC6, #4F8DD7 and #3E8CE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8392A4 shade: #8392A3, #959492, #A69581, #B7976F and #C9985E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8392A4 shade: #83A3A3, #839BA3, #8392A3, #838AA3 and #8583A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8392A4 shade: #5A697A, #6C7D92, #8392A3, #9BA7B5 and #B3BCC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8392A4 shade: #8392A4, #9B83A3 and #9FA383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8392A4 shade: #8392A4, #A38392 and #92A383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8392A4 shade: #8392A4, #9B83A3, #A39483 and #8CA383

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8392A4 shade: #8392A4, #A383A2, #A39483 and #83A384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

Complementary color

CMYK 0 / 12 / 27 / 51

HEX #7C6D5B

RGB 124 109 91

HSL 32.73, 0.15%, 0.42%

LAB 46.95, 2.85, 12.22

 

CMYK 14 / 8 / 0 / 38

HEX #88929F

RGB 136 146 159

HSL 213.91, 0.11%, 0.58%

LAB 60.15, -0.83, -8.08

 

CMYK 14 / 8 / 0 / 30

HEX #99A4B2

RGB 153 164 178

HSL 213.6, 0.14%, 0.65%

LAB 66.93, -0.96, -8.55

 

CMYK 14 / 8 / 0 / 23

HEX #AAB6C5

RGB 170 182 197

HSL 213.33, 0.19%, 0.72%

LAB 73.57, -1.09, -9.01

 

CMYK 13 / 7 / 0 / 15

HEX #BBC8D8

RGB 187 200 216

HSL 213.1, 0.27%, 0.79%

LAB 80.08, -1.21, -9.47

 

CMYK 13 / 7 / 0 / 8

HEX #CCDAEB

RGB 204 218 235

HSL 212.9, 0.44%, 0.86%

LAB 86.49, -1.34, -9.93

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 21 / 12 / 0 / 43

HEX #728091

RGB 114 128 145

HSL 212.9, 0.12%, 0.51%

LAB 53.02, -1.23, -10.88

 

CMYK 23 / 13 / 0 / 51

HEX #616E7E

RGB 97 110 126

HSL 213.1, 0.13%, 0.44%

LAB 45.91, -1.08, -10.48

 

CMYK 25 / 14 / 0 / 58

HEX #505C6B

RGB 80 92 107

HSL 213.33, 0.14%, 0.37%

LAB 38.59, -0.92, -10.1

 

CMYK 28 / 16 / 0 / 65

HEX #3F4A58

RGB 63 74 88

HSL 213.6, 0.17%, 0.3%

LAB 31.02, -0.74, -9.73

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 20 / 16 / 0 / 36

HEX #8389A3

RGB 131 137 163

HSL 228.75, 0.15%, 0.58%

LAB 57.43, 3.51, -14.5

 

CMYK 18 / 20 / 0 / 36

HEX #8683A3

RGB 134 131 163

HSL 245.63, 0.15%, 0.58%

LAB 56.03, 7.98, -16.59

 

CMYK 12 / 20 / 0 / 36

HEX #8F83A3

RGB 143 131 163

HSL 262.5, 0.15%, 0.58%

LAB 56.8, 11.02, -15.36

 

CMYK 7 / 20 / 0 / 36

HEX #9783A3

RGB 151 131 163

HSL 277.5, 0.15%, 0.58%

LAB 57.52, 13.77, -14.2

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 20 / 16 / 0 / 36

HEX #8389A3

RGB 131 137 163

HSL 228.75, 0.15%, 0.58%

LAB 57.43, 3.51, -14.5

 

CMYK 20 / 20 / 0 / 36

HEX #8383A3

RGB 131 131 163

HSL 240, 0.15%, 0.58%

LAB 55.79, 6.98, -16.98

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 37 / 20 / 0 / 29

HEX #7290B5

RGB 114 144 181

HSL 213.13, 0.31%, 0.58%

LAB 58.84, -1.17, -22.72

 

CMYK 51 / 28 / 0 / 22

HEX #618FC6

RGB 97 143 198

HSL 212.67, 0.47%, 0.58%

LAB 58.29, -0.07, -33.28

 

CMYK 63 / 34 / 0 / 16

HEX #4F8DD7

RGB 79 141 215

HSL 212.65, 0.63%, 0.58%

LAB 57.67, 2.87, -43.86

 

CMYK 73 / 40 / 0 / 9

HEX #3E8CE9

RGB 62 140 233

HSL 212.63, 0.8%, 0.58%

LAB 57.72, 7.13, -53.88

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 0 / 10 / 22 / 35

HEX #A69581

RGB 166 149 129

HSL 32.43, 0.17%, 0.58%

LAB 62.67, 3, 12.86

 

CMYK 0 / 17 / 39 / 28

HEX #B7976F

RGB 183 151 111

HSL 33.33, 0.33%, 0.58%

LAB 64.44, 6.33, 25.55

 

CMYK 0 / 24 / 53 / 21

HEX #C9985E

RGB 201 152 94

HSL 32.52, 0.5%, 0.58%

LAB 66.28, 11.55, 37.41

 

CMYK 20 / 0 / 0 / 36

HEX #83A3A3

RGB 131 163 163

HSL 180, 0.15%, 0.58%

LAB 64.7, -10.95, -3.65

 

CMYK 20 / 5 / 0 / 36

HEX #839BA3

RGB 131 155 163

HSL 195, 0.15%, 0.58%

LAB 62.43, -6.61, -7

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 20 / 15 / 0 / 36

HEX #838AA3

RGB 131 138 163

HSL 226.88, 0.15%, 0.58%

LAB 57.7, 2.94, -14.09

 

CMYK 18 / 20 / 0 / 36

HEX #8583A3

RGB 133 131 163

HSL 243.75, 0.15%, 0.58%

LAB 55.95, 7.64, -16.72

 

CMYK 26 / 14 / 0 / 52

HEX #5A697A

RGB 90 105 122

HSL 211.88, 0.15%, 0.42%

LAB 43.77, -1.48, -11.35

 

CMYK 26 / 14 / 0 / 43

HEX #6C7D92

RGB 108 125 146

HSL 213.16, 0.15%, 0.5%

LAB 51.76, -1.22, -13.4

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 14 / 8 / 0 / 29

HEX #9BA7B5

RGB 155 167 181

HSL 212.31, 0.15%, 0.66%

LAB 67.98, -1.3, -8.64

 

CMYK 10 / 6 / 0 / 22

HEX #B3BCC7

RGB 179 188 199

HSL 213, 0.15%, 0.74%

LAB 75.87, -0.93, -6.62

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 5 / 20 / 0 / 36

HEX #9B83A3

RGB 155 131 163

HSL 285, 0.15%, 0.58%

LAB 57.89, 15.17, -13.6

 

CMYK 2 / 0 / 20 / 36

HEX #9FA383

RGB 159 163 131

HSL 67.5, 0.15%, 0.58%

LAB 65.91, -7.06, 16.18

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 0 / 20 / 10 / 36

HEX #A38392

RGB 163 131 146

HSL 331.88, 0.15%, 0.58%

LAB 58.13, 14.79, -3.39

 

CMYK 10 / 0 / 20 / 36

HEX #92A383

RGB 146 163 131

HSL 91.88, 0.15%, 0.58%

LAB 64.92, -11.99, 14.65

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 5 / 20 / 0 / 36

HEX #9B83A3

RGB 155 131 163

HSL 285, 0.15%, 0.58%

LAB 57.89, 15.17, -13.6

 

CMYK 0 / 9 / 20 / 36

HEX #A39483

RGB 163 148 131

HSL 31.88, 0.15%, 0.58%

LAB 62.17, 2.69, 11

 

CMYK 14 / 0 / 20 / 36

HEX #8CA383

RGB 140 163 131

HSL 103.13, 0.15%, 0.58%

LAB 64.49, -14.21, 13.99

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 0 / 20 / 1 / 36

HEX #A383A2

RGB 163 131 162

HSL 301.88, 0.15%, 0.58%

LAB 58.63, 17.78, -11.84

 

CMYK 0 / 9 / 20 / 36

HEX #A39483

RGB 163 148 131

HSL 31.88, 0.15%, 0.58%

LAB 62.17, 2.69, 11

 

CMYK 20 / 0 / 19 / 36

HEX #83A384

RGB 131 163 132

HSL 121.88, 0.15%, 0.58%

LAB 63.91, -17.28, 12.53

 

Description

Color code: HEX #8392A4 | qconv.com Color code: HEX #8392A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 146 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 146 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 11 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 11% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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