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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839315 it is the complementary color #7C6CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839315 shade: #889310, #99A523, #AAB736, #BBC949 and #CCDB5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839315 shade: #839315, #728102, #616F00, #505D00 and #3F4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839315 shade: #839315, #938115, #935F15, #933D15 and #931B15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839315 shade: #839315, #619315, #3F9315, #1D9315 and #15932E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839315 shade matches the following richer shades: #839315 and #8DA007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839315 shade: #839315, #798522, #6E7830, #646A3D and #5A5C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839315 shade: #935E15, #938015, #849315, #629315 and #419315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839315 shade: #424B0A, #636F0F, #839315, #A3B71A and #C3DB1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839315 shade: #839315, #15933D and #6F1593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839315 shade: #839315, #158493 and #931584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839315 shade: #839315, #15933D, #231593 and #93156B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839315 shade: #839315, #159362, #231593 and #931545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

Complementary color

CMYK 47 / 54 / 0 / 8

HEX #7C6CEA

RGB 124 108 234

HSL 247.62, 0.75%, 0.67%

LAB 52.9, 37.8, -61.97

 

CMYK 7 / 0 / 89 / 42

HEX #889310

RGB 136 147 16

HSL 65.04, 0.8%, 0.32%

LAB 58.17, -18.96, 59.01

 

CMYK 7 / 0 / 79 / 35

HEX #99A523

RGB 153 165 35

HSL 65.54, 0.65%, 0.39%

LAB 64.81, -20.05, 60.37

 

CMYK 7 / 0 / 70 / 28

HEX #AAB736

RGB 170 183 54

HSL 66.05, 0.54%, 0.46%

LAB 71.34, -20.9, 60.57

 

CMYK 7 / 0 / 64 / 21

HEX #BBC949

RGB 187 201 73

HSL 66.56, 0.54%, 0.54%

LAB 77.77, -21.58, 60.12

 

CMYK 7 / 0 / 58 / 14

HEX #CCDB5C

RGB 204 219 92

HSL 67.09, 0.64%, 0.61%

LAB 84.11, -22.13, 59.33

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 12 / 0 / 98 / 49

HEX #728102

RGB 114 129 2

HSL 67.09, 0.97%, 0.26%

LAB 51.02, -19.86, 55.14

 

CMYK 13 / 0 / 100 / 56

HEX #616F00

RGB 97 111 0

HSL 67.57, 1%, 0.22%

LAB 44.1, -18.29, 49.78

 

CMYK 14 / 0 / 100 / 64

HEX #505D00

RGB 80 93 0

HSL 68.39, 1%, 0.18%

LAB 36.99, -16.64, 43.86

 

CMYK 16 / 0 / 100 / 71

HEX #3F4B00

RGB 63 75 0

HSL 69.6, 1%, 0.15%

LAB 29.64, -14.94, 37.73

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 0 / 12 / 86 / 42

HEX #938115

RGB 147 129 21

HSL 51.43, 0.75%, 0.33%

LAB 53.98, -4.16, 54.77

 

CMYK 0 / 35 / 86 / 42

HEX #935F15

RGB 147 95 21

HSL 35.24, 0.75%, 0.33%

LAB 44.86, 15.24, 47.04

 

CMYK 0 / 59 / 86 / 42

HEX #933D15

RGB 147 61 21

HSL 19.05, 0.75%, 0.33%

LAB 37.1, 34.13, 40.31

 

CMYK 0 / 82 / 86 / 42

HEX #931B15

RGB 147 27 21

HSL 2.86, 0.75%, 0.33%

LAB 31.9, 48.21, 35.66

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 34 / 0 / 86 / 42

HEX #619315

RGB 97 147 21

HSL 83.81, 0.75%, 0.33%

LAB 55.55, -35.22, 54.61

 

CMYK 57 / 0 / 86 / 42

HEX #3F9315

RGB 63 147 21

HSL 100, 0.75%, 0.33%

LAB 54, -46.67, 52.66

 

CMYK 80 / 0 / 86 / 42

HEX #1D9315

RGB 29 147 21

HSL 116.19, 0.75%, 0.33%

LAB 53.15, -53.84, 51.57

 

CMYK 86 / 0 / 69 / 42

HEX #15932E

RGB 21 147 46

HSL 131.9, 0.75%, 0.33%

LAB 53.19, -52.86, 42.82

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 12 / 0 / 96 / 37

HEX #8DA007

RGB 141 160 7

HSL 67.45, 0.92%, 0.33%

LAB 62.36, -23.5, 63.93

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 9 / 0 / 74 / 48

HEX #798522

RGB 121 133 34

HSL 67.27, 0.59%, 0.33%

LAB 52.9, -17.72, 48.71

 

CMYK 8 / 0 / 60 / 53

HEX #6E7830

RGB 110 120 48

HSL 68.33, 0.43%, 0.33%

LAB 48.21, -14.74, 37.46

 

CMYK 6 / 0 / 42 / 58

HEX #646A3D

RGB 100 106 61

HSL 68, 0.27%, 0.33%

LAB 43.29, -10.06, 24.47

 

CMYK 2 / 0 / 18 / 64

HEX #5A5C4B

RGB 90 92 75

HSL 67.06, 0.1%, 0.33%

LAB 38.44, -4.14, 9.54

 

CMYK 0 / 36 / 86 / 42

HEX #935E15

RGB 147 94 21

HSL 34.76, 0.75%, 0.33%

LAB 44.61, 15.82, 46.83

 

CMYK 0 / 13 / 86 / 42

HEX #938015

RGB 147 128 21

HSL 50.95, 0.75%, 0.33%

LAB 53.7, -3.61, 54.54

 

CMYK 10 / 0 / 86 / 42

HEX #849315

RGB 132 147 21

HSL 67.14, 0.75%, 0.33%

LAB 57.87, -20.6, 57.53

 

CMYK 33 / 0 / 86 / 42

HEX #629315

RGB 98 147 21

HSL 83.33, 0.75%, 0.33%

LAB 55.6, -34.84, 54.68

 

CMYK 56 / 0 / 86 / 42

HEX #419315

RGB 65 147 21

HSL 99.05, 0.75%, 0.33%

LAB 54.08, -46.1, 52.75

 

CMYK 12 / 0 / 87 / 71

HEX #424B0A

RGB 66 75 10

HSL 68.31, 0.76%, 0.17%

LAB 29.94, -12.98, 34.31

 

CMYK 11 / 0 / 86 / 56

HEX #636F0F

RGB 99 111 15

HSL 67.5, 0.76%, 0.25%

LAB 44.31, -16.93, 46.47

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 11 / 0 / 86 / 28

HEX #A3B71A

RGB 163 183 26

HSL 67.64, 0.75%, 0.41%

LAB 70.68, -24.99, 68.08

 

CMYK 11 / 0 / 86 / 14

HEX #C3DB1F

RGB 195 219 31

HSL 67.66, 0.75%, 0.49%

LAB 83.11, -28.78, 78.29

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 86 / 0 / 59 / 42

HEX #15933D

RGB 21 147 61

HSL 139.05, 0.75%, 0.33%

LAB 53.35, -50.99, 36.05

 

CMYK 24 / 86 / 0 / 42

HEX #6F1593

RGB 111 21 147

HSL 282.86, 0.75%, 0.33%

LAB 29.47, 55.47, -48.98

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 86 / 10 / 0 / 42

HEX #158493

RGB 21 132 147

HSL 187.14, 0.75%, 0.33%

LAB 50.42, -23.31, -16.35

 

CMYK 0 / 86 / 10 / 42

HEX #931584

RGB 147 21 132

HSL 307.14, 0.75%, 0.33%

LAB 34.81, 59.71, -30.78

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 86 / 0 / 59 / 42

HEX #15933D

RGB 21 147 61

HSL 139.05, 0.75%, 0.33%

LAB 53.35, -50.99, 36.05

 

CMYK 76 / 86 / 0 / 42

HEX #231593

RGB 35 21 147

HSL 246.67, 0.75%, 0.33%

LAB 20.04, 46.21, -64.82

 

CMYK 0 / 86 / 27 / 42

HEX #93156B

RGB 147 21 107

HSL 319.05, 0.75%, 0.33%

LAB 33.56, 56.29, -16.97

 

CMYK 11 / 0 / 86 / 42

HEX #839315

RGB 131 147 21

HSL 67.62, 0.75%, 0.33%

LAB 57.8, -21.04, 57.43

 

CMYK 86 / 0 / 33 / 42

HEX #159362

RGB 21 147 98

HSL 156.67, 0.75%, 0.33%

LAB 53.93, -44.15, 17.04

 

CMYK 76 / 86 / 0 / 42

HEX #231593

RGB 35 21 147

HSL 246.67, 0.75%, 0.33%

LAB 20.04, 46.21, -64.82

 

CMYK 0 / 86 / 53 / 42

HEX #931545

RGB 147 21 69

HSL 337.14, 0.75%, 0.33%

LAB 32.19, 52.36, 5.69

 

Description

Color code: HEX #839315 | qconv.com Color code: HEX #839315 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 147 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 147 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 86 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 86% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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