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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839ED7 it is the complementary color #7C6128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839ED7 shade: #889ED2, #99B0E5, #AAC2F8, #BBD4FF and #CCE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839ED7 shade: #839ED7, #728CC4, #617AB1, #50689E and #3F568B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839ED7 shade: #839ED7, #8388D7, #9583D7, #AC83D7 and #C283D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839ED7 shade: #839ED7, #8388D7 and #8383D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839ED7 shade matches the following richer shades: #839ED7, #7699E4, #6995F1 and #5C90FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839ED7 shade: #839ED7, #90A3C9, #9EA7BC, #ABACAF and #B8B1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839ED7 shade: #83CBD7, #83B5D7, #839FD7, #8389D7 and #9483D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839ED7 shade: #456DC2, #6486CC, #839ED7, #A2B6E1 and #C2CFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839ED7 shade: #839ED7, #CB83D7 and #C0D783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839ED7 shade: #839ED7, #D7839F and #9FD783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839ED7 shade: #839ED7, #CB83D7, #D7BB83 and #8ED783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839ED7 shade: #839ED7, #D783C9, #D7BB83 and #83D791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

Complementary color

CMYK 0 / 22 / 68 / 51

HEX #7C6128

RGB 124 97 40

HSL 40.71, 0.51%, 0.32%

LAB 42.74, 4.21, 35.75

 

CMYK 35 / 25 / 0 / 18

HEX #889ED2

RGB 136 158 210

HSL 222.16, 0.45%, 0.68%

LAB 65.23, 4.84, -29.04

 

CMYK 33 / 23 / 0 / 10

HEX #99B0E5

RGB 153 176 229

HSL 221.84, 0.59%, 0.75%

LAB 71.88, 4.46, -29.15

 

CMYK 31 / 22 / 0 / 3

HEX #AAC2F8

RGB 170 194 248

HSL 221.54, 0.85%, 0.82%

LAB 78.41, 4.13, -29.29

 

CMYK 27 / 17 / 0 / 0

HEX #BBD4FF

RGB 187 212 255

HSL 217.94, 1%, 0.87%

LAB 84.42, 1, -23.74

 

CMYK 20 / 10 / 0 / 0

HEX #CCE6FF

RGB 204 230 255

HSL 209.41, 1%, 0.9%

LAB 90.16, -3.39, -14.96

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 42 / 29 / 0 / 23

HEX #728CC4

RGB 114 140 196

HSL 220.98, 0.41%, 0.61%

LAB 58.34, 5.32, -31.99

 

CMYK 45 / 31 / 0 / 31

HEX #617AB1

RGB 97 122 177

HSL 221.25, 0.34%, 0.54%

LAB 51.42, 5.91, -32

 

CMYK 49 / 34 / 0 / 38

HEX #50689E

RGB 80 104 158

HSL 221.54, 0.33%, 0.47%

LAB 44.34, 6.65, -32.06

 

CMYK 55 / 38 / 0 / 45

HEX #3F568B

RGB 63 86 139

HSL 221.84, 0.38%, 0.4%

LAB 37.07, 7.59, -32.17

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 39 / 37 / 0 / 16

HEX #8388D7

RGB 131 136 215

HSL 236.43, 0.51%, 0.68%

LAB 59.29, 17.54, -41.12

 

CMYK 31 / 39 / 0 / 16

HEX #9583D7

RGB 149 131 215

HSL 252.86, 0.51%, 0.68%

LAB 59.46, 25.37, -40.75

 

CMYK 20 / 39 / 0 / 16

HEX #AC83D7

RGB 172 131 215

HSL 269.29, 0.51%, 0.68%

LAB 61.58, 32, -37.28

 

CMYK 10 / 39 / 0 / 16

HEX #C283D7

RGB 194 131 215

HSL 285, 0.51%, 0.68%

LAB 63.84, 38.58, -33.58

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 39 / 37 / 0 / 16

HEX #8388D7

RGB 131 136 215

HSL 236.43, 0.51%, 0.68%

LAB 59.29, 17.54, -41.12

 

CMYK 39 / 39 / 0 / 16

HEX #8383D7

RGB 131 131 215

HSL 240, 0.51%, 0.68%

LAB 58, 20.48, -43.14

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 48 / 33 / 0 / 11

HEX #7699E4

RGB 118 153 228

HSL 220.91, 0.67%, 0.68%

LAB 63.54, 8.11, -41.74

 

CMYK 56 / 38 / 0 / 5

HEX #6995F1

RGB 105 149 241

HSL 220.59, 0.83%, 0.68%

LAB 62.38, 11.61, -50.78

 

CMYK 64 / 43 / 0 / 0

HEX #5C90FE

RGB 92 144 254

HSL 220.74, 0.99%, 0.68%

LAB 61.11, 16.45, -59.97

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 28 / 19 / 0 / 21

HEX #90A3C9

RGB 144 163 201

HSL 220, 0.35%, 0.68%

LAB 66.78, 2.06, -21.63

 

CMYK 16 / 11 / 0 / 26

HEX #9EA7BC

RGB 158 167 188

HSL 222, 0.18%, 0.68%

LAB 68.41, 1.21, -11.85

 

CMYK 2 / 2 / 0 / 31

HEX #ABACAF

RGB 171 172 175

HSL 225, 0.02%, 0.68%

LAB 70.36, 0.22, -1.67

 

CMYK 0 / 4 / 12 / 28

HEX #B8B1A2

RGB 184 177 162

HSL 40.91, 0.13%, 0.68%

LAB 72.39, -0.12, 8.55

 

CMYK 39 / 6 / 0 / 16

HEX #83CBD7

RGB 131 203 215

HSL 188.57, 0.51%, 0.68%

LAB 77.55, -19.43, -13.08

 

CMYK 39 / 16 / 0 / 16

HEX #83B5D7

RGB 131 181 215

HSL 204.29, 0.51%, 0.68%

LAB 71.4, -7.92, -22.36

 

CMYK 39 / 26 / 0 / 16

HEX #839FD7

RGB 131 159 215

HSL 220, 0.51%, 0.68%

LAB 65.38, 4.25, -31.61

 

CMYK 39 / 36 / 0 / 16

HEX #8389D7

RGB 131 137 215

HSL 235.71, 0.51%, 0.68%

LAB 59.55, 16.95, -40.71

 

CMYK 31 / 39 / 0 / 16

HEX #9483D7

RGB 148 131 215

HSL 252.14, 0.51%, 0.68%

LAB 59.37, 25.09, -40.89

 

CMYK 64 / 44 / 0 / 24

HEX #456DC2

RGB 69 109 194

HSL 220.8, 0.51%, 0.52%

LAB 47.1, 13.32, -48.74

 

CMYK 51 / 34 / 0 / 20

HEX #6486CC

RGB 100 134 204

HSL 220.38, 0.5%, 0.6%

LAB 56.21, 7.75, -39.91

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 28 / 19 / 0 / 12

HEX #A2B6E1

RGB 162 182 225

HSL 220.95, 0.51%, 0.76%

LAB 73.92, 2.76, -23.8

 

CMYK 17 / 12 / 0 / 8

HEX #C2CFEB

RGB 194 207 235

HSL 220.98, 0.51%, 0.84%

LAB 82.96, 1.29, -15.28

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 6 / 39 / 0 / 16

HEX #CB83D7

RGB 203 131 215

HSL 291.43, 0.51%, 0.68%

LAB 64.83, 41.32, -31.96

 

CMYK 11 / 0 / 39 / 16

HEX #C0D783

RGB 192 215 131

HSL 76.43, 0.51%, 0.68%

LAB 82.62, -21.09, 38.9

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 0 / 39 / 26 / 16

HEX #D7839F

RGB 215 131 159

HSL 340, 0.51%, 0.68%

LAB 64.31, 35.88, -1.07

 

CMYK 26 / 0 / 39 / 16

HEX #9FD783

RGB 159 215 131

HSL 100, 0.51%, 0.68%

LAB 80.52, -33.11, 35.78

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 6 / 39 / 0 / 16

HEX #CB83D7

RGB 203 131 215

HSL 291.43, 0.51%, 0.68%

LAB 64.83, 41.32, -31.96

 

CMYK 0 / 13 / 39 / 16

HEX #D7BB83

RGB 215 187 131

HSL 40, 0.51%, 0.68%

LAB 77.06, 2.23, 32.05

 

CMYK 34 / 0 / 39 / 16

HEX #8ED783

RGB 142 215 131

HSL 112.14, 0.51%, 0.68%

LAB 79.61, -38.81, 34.42

 

CMYK 39 / 27 / 0 / 16

HEX #839ED7

RGB 131 158 215

HSL 220.71, 0.51%, 0.68%

LAB 65.11, 4.81, -32.03

 

CMYK 0 / 39 / 7 / 16

HEX #D783C9

RGB 215 131 201

HSL 310, 0.51%, 0.68%

LAB 65.67, 42.48, -22.74

 

CMYK 0 / 13 / 39 / 16

HEX #D7BB83

RGB 215 187 131

HSL 40, 0.51%, 0.68%

LAB 77.06, 2.23, 32.05

 

CMYK 39 / 0 / 33 / 16

HEX #83D791

RGB 131 215 145

HSL 130, 0.51%, 0.68%

LAB 79.31, -40.01, 26.74

 

Description

Color code: HEX #839ED7 | qconv.com Color code: HEX #839ED7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 158 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 158 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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