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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87A20F it is the complementary color #785DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87A20F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87A20F shade: #8CA20A, #9DB41D, #AEC630, #BFD843 and #D0EA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87A20F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87A20F shade: #87A20F, #769000, #657E00, #546C00 and #435A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87A20F shade: #88A30F, #A3960F, #A36E0F, #A3460F and #A31E0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87A20F shade: #88A30F, #60A30F, #38A30F, #10A30F and #0FA336

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87A20F shade matches the following richer shades: #88A30F and #91B100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87A20F shade: #88A30F, #7E941D, #75862C, #6C783A and #636948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87A20F shade: #A36F0F, #A3960F, #88A30F, #60A30F and #39A30F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87A20F shade: #495708, #687D0B, #88A30F, #A7C912 and #C3E91B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87A20F shade: #87A20F, #0FA347 and #830FA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87A20F shade: #87A20F, #0F88A3 and #A30F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87A20F shade: #87A20F, #0FA347, #2A0FA3 and #A30F6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87A20F shade: #87A20F, #0FA374, #2A0FA3 and #A30F3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

Complementary color

CMYK 50 / 61 / 0 / 6

HEX #785DF0

RGB 120 93 240

HSL 251.02, 0.83%, 0.65%

LAB 49.63, 47.35, -70.63

 

CMYK 14 / 0 / 94 / 36

HEX #8CA20A

RGB 140 162 10

HSL 68.68, 0.88%, 0.34%

LAB 62.88, -24.87, 63.89

 

CMYK 13 / 0 / 84 / 29

HEX #9DB41D

RGB 157 180 29

HSL 69.14, 0.72%, 0.41%

LAB 69.4, -25.98, 66.14

 

CMYK 12 / 0 / 76 / 22

HEX #AEC630

RGB 174 198 48

HSL 69.6, 0.61%, 0.48%

LAB 75.82, -26.86, 67.02

 

CMYK 12 / 0 / 69 / 15

HEX #BFD843

RGB 191 216 67

HSL 70.07, 0.66%, 0.55%

LAB 82.16, -27.56, 67.05

 

CMYK 11 / 0 / 63 / 8

HEX #D0EA56

RGB 208 234 86

HSL 70.54, 0.78%, 0.63%

LAB 88.41, -28.13, 66.58

 

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

CMYK 18 / 0 / 100 / 44

HEX #769000

RGB 118 144 0

HSL 70.83, 1%, 0.28%

LAB 55.89, -25.7, 59.31

 

CMYK 20 / 0 / 100 / 51

HEX #657E00

RGB 101 126 0

HSL 71.9, 1%, 0.25%

LAB 49.12, -24.2, 53.67

 

CMYK 22 / 0 / 100 / 58

HEX #546C00

RGB 84 108 0

HSL 73.33, 1%, 0.21%

LAB 42.17, -22.68, 47.89

 

CMYK 26 / 0 / 100 / 65

HEX #435A00

RGB 67 90 0

HSL 75.33, 1%, 0.18%

LAB 35.01, -21.13, 41.93

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 0 / 8 / 91 / 36

HEX #A3960F

RGB 163 150 15

HSL 54.73, 0.83%, 0.35%

LAB 61.34, -8.37, 62.71

 

CMYK 0 / 33 / 91 / 36

HEX #A36E0F

RGB 163 110 15

HSL 38.51, 0.83%, 0.35%

LAB 50.66, 13.84, 54.39

 

CMYK 0 / 57 / 91 / 36

HEX #A3460F

RGB 163 70 15

HSL 22.3, 0.83%, 0.35%

LAB 41.53, 35.81, 47.4

 

CMYK 0 / 82 / 91 / 36

HEX #A31E0F

RGB 163 30 15

HSL 6.08, 0.83%, 0.35%

LAB 35.5, 52.1, 42.89

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 41 / 0 / 91 / 36

HEX #60A30F

RGB 96 163 15

HSL 87.16, 0.83%, 0.35%

LAB 60.53, -42.7, 60.11

 

CMYK 66 / 0 / 91 / 36

HEX #38A30F

RGB 56 163 15

HSL 103.38, 0.83%, 0.35%

LAB 59.04, -54.36, 58.26

 

CMYK 90 / 0 / 91 / 36

HEX #10A30F

RGB 16 163 15

HSL 119.59, 0.83%, 0.35%

LAB 58.36, -60.29, 57.4

 

CMYK 91 / 0 / 67 / 36

HEX #0FA336

RGB 15 163 54

HSL 135.81, 0.83%, 0.35%

LAB 58.57, -57.6, 45.21

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 18 / 0 / 100 / 31

HEX #91B100

RGB 145 177 0

HSL 70.85, 1%, 0.35%

LAB 67.62, -30.15, 68.98

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 15 / 0 / 80 / 42

HEX #7E941D

RGB 126 148 29

HSL 71.09, 0.67%, 0.35%

LAB 57.76, -23.44, 55.07

 

CMYK 13 / 0 / 67 / 47

HEX #75862C

RGB 117 134 44

HSL 71.33, 0.51%, 0.35%

LAB 52.96, -19.38, 44.62

 

CMYK 10 / 0 / 52 / 53

HEX #6C783A

RGB 108 120 58

HSL 71.61, 0.35%, 0.35%

LAB 48.17, -14.65, 32.27

 

CMYK 6 / 0 / 31 / 59

HEX #636948

RGB 99 105 72

HSL 70.91, 0.19%, 0.35%

LAB 43.1, -8.39, 17.83

 

CMYK 0 / 32 / 91 / 36

HEX #A36F0F

RGB 163 111 15

HSL 38.92, 0.83%, 0.35%

LAB 50.91, 13.27, 54.58

 

CMYK 0 / 8 / 91 / 36

HEX #A3960F

RGB 163 150 15

HSL 54.73, 0.83%, 0.35%

LAB 61.34, -8.37, 62.71

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 41 / 0 / 91 / 36

HEX #60A30F

RGB 96 163 15

HSL 87.16, 0.83%, 0.35%

LAB 60.53, -42.7, 60.11

 

CMYK 65 / 0 / 91 / 36

HEX #39A30F

RGB 57 163 15

HSL 102.97, 0.83%, 0.35%

LAB 59.07, -54.14, 58.29

 

CMYK 16 / 0 / 91 / 66

HEX #495708

RGB 73 87 8

HSL 70.63, 0.83%, 0.19%

LAB 34.5, -16.4, 39.17

 

CMYK 17 / 0 / 91 / 51

HEX #687D0B

RGB 104 125 11

HSL 71.05, 0.84%, 0.27%

LAB 49.05, -22.09, 51.55

 

CMYK 17 / 0 / 91 / 36

HEX #88A30F

RGB 136 163 15

HSL 70.95, 0.83%, 0.35%

LAB 62.9, -26.98, 63.03

 

CMYK 17 / 0 / 91 / 21

HEX #A7C912

RGB 167 201 18

HSL 71.15, 0.84%, 0.43%

LAB 76.09, -32.08, 74.03

 

CMYK 16 / 0 / 88 / 9

HEX #C3E91B

RGB 195 233 27

HSL 71.07, 0.82%, 0.51%

LAB 86.98, -35.34, 82.17

 

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

CMYK 91 / 0 / 56 / 36

HEX #0FA347

RGB 15 163 71

HSL 142.7, 0.83%, 0.35%

LAB 58.74, -55.42, 37.55

 

CMYK 20 / 91 / 0 / 36

HEX #830FA3

RGB 131 15 163

HSL 287.03, 0.83%, 0.35%

LAB 33.59, 63.15, -51.91

 

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

CMYK 91 / 17 / 0 / 36

HEX #0F88A3

RGB 15 136 163

HSL 190.95, 0.83%, 0.35%

LAB 52.24, -20.29, -22.86

 

CMYK 0 / 91 / 17 / 36

HEX #A30F88

RGB 163 15 136

HSL 310.95, 0.83%, 0.35%

LAB 37.67, 64.65, -28.55

 

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

CMYK 91 / 0 / 56 / 36

HEX #0FA347

RGB 15 163 71

HSL 142.7, 0.83%, 0.35%

LAB 58.74, -55.42, 37.55

 

CMYK 74 / 91 / 0 / 36

HEX #2A0FA3

RGB 42 15 163

HSL 250.95, 0.83%, 0.35%

LAB 21.87, 53.48, -71.61

 

CMYK 0 / 91 / 35 / 36

HEX #A30F6A

RGB 163 15 106

HSL 323.11, 0.83%, 0.35%

LAB 36.31, 61.01, -11.86

 

CMYK 17 / 0 / 91 / 36

HEX #87A20F

RGB 135 162 15

HSL 71.02, 0.83%, 0.35%

LAB 62.53, -26.92, 62.7

 

CMYK 91 / 0 / 29 / 36

HEX #0FA374

RGB 15 163 116

HSL 160.95, 0.83%, 0.35%

LAB 59.49, -46.75, 14.64

 

CMYK 74 / 91 / 0 / 36

HEX #2A0FA3

RGB 42 15 163

HSL 250.95, 0.83%, 0.35%

LAB 21.87, 53.48, -71.61

 

CMYK 0 / 91 / 62 / 36

HEX #A30F3E

RGB 163 15 62

HSL 340.95, 0.83%, 0.35%

LAB 34.96, 57.27, 14.63

 

Description

Color code: HEX #87A20F | qconv.com Color code: HEX #87A20F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 162 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 162 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 91 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 91% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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