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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87B610 it is the complementary color #7849EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87B610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87B610 shade: #8CB60B, #9DC81E, #AEDA31, #BFEC44 and #D0FE57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87B610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87B610 shade: #87B610, #76A400, #659200, #548000 and #436E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87B610 shade: #87B60F, #B4B60F, #B68C0F, #B65F0F and #B6320F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87B610 shade: #87B60F, #5AB60F, #2DB60F, #0FB61F and #0FB64C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87B610 shade matches the following richer shades: #87B60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87B610 shade: #87B60F, #80A620, #799630, #728640 and #6B7650

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87B610 shade: #B68A0F, #B6B60F, #8AB60F, #5DB60F and #31B60F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87B610 shade: #4F6B09, #6B910C, #87B60F, #A3DC13 and #B6EC2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87B610 shade: #87B610, #0FB65D and #A00FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87B610 shade: #87B610, #0F8AB6 and #B60F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87B610 shade: #87B610, #0FB65D, #3C0FB6 and #B60F69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87B610 shade: #87B610, #0FB690, #3C0FB6 and #B60F36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

Complementary color

CMYK 50 / 69 / 0 / 6

HEX #7849EF

RGB 120 73 239

HSL 256.99, 0.84%, 0.61%

LAB 45.62, 57.75, -76.6

 

CMYK 23 / 0 / 94 / 29

HEX #8CB60B

RGB 140 182 11

HSL 74.74, 0.89%, 0.38%

LAB 68.79, -34.37, 68.43

 

CMYK 22 / 0 / 85 / 22

HEX #9DC81E

RGB 157 200 30

HSL 75.18, 0.74%, 0.45%

LAB 75.18, -35.36, 70.84

 

CMYK 20 / 0 / 78 / 15

HEX #AEDA31

RGB 174 218 49

HSL 75.62, 0.7%, 0.52%

LAB 81.49, -36.14, 71.95

 

CMYK 19 / 0 / 71 / 7

HEX #BFEC44

RGB 191 236 68

HSL 76.07, 0.82%, 0.6%

LAB 87.72, -36.76, 72.2

 

CMYK 18 / 0 / 66 / 0

HEX #D0FE57

RGB 208 254 87

HSL 76.53, 0.99%, 0.67%

LAB 93.88, -37.25, 71.92

 

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

CMYK 28 / 0 / 100 / 36

HEX #76A400

RGB 118 164 0

HSL 76.83, 1%, 0.32%

LAB 62, -35.16, 63.95

 

CMYK 31 / 0 / 100 / 43

HEX #659200

RGB 101 146 0

HSL 78.49, 1%, 0.29%

LAB 55.4, -33.76, 58.46

 

CMYK 34 / 0 / 100 / 50

HEX #548000

RGB 84 128 0

HSL 80.63, 1%, 0.25%

LAB 48.66, -32.32, 52.85

 

CMYK 39 / 0 / 100 / 57

HEX #436E00

RGB 67 110 0

HSL 83.45, 1%, 0.22%

LAB 41.76, -30.84, 47.11

 

CMYK 26 / 0 / 92 / 29

HEX #87B60F

RGB 135 182 15

HSL 76.89, 0.85%, 0.39%

LAB 68.49, -36.29, 67.52

 

CMYK 1 / 0 / 92 / 29

HEX #B4B60F

RGB 180 182 15

HSL 60.72, 0.85%, 0.39%

LAB 71.69, -17.42, 71.4

 

CMYK 0 / 23 / 92 / 29

HEX #B68C0F

RGB 182 140 15

HSL 44.91, 0.85%, 0.39%

LAB 60.55, 5.71, 62.92

 

CMYK 0 / 48 / 92 / 29

HEX #B65F0F

RGB 182 95 15

HSL 28.74, 0.85%, 0.39%

LAB 49.69, 30.52, 54.79

 

CMYK 0 / 73 / 92 / 29

HEX #B6320F

RGB 182 50 15

HSL 12.57, 0.85%, 0.39%

LAB 41.63, 51.55, 49.01

 

CMYK 26 / 0 / 92 / 29

HEX #87B60F

RGB 135 182 15

HSL 76.89, 0.85%, 0.39%

LAB 68.49, -36.29, 67.52

 

CMYK 51 / 0 / 92 / 29

HEX #5AB60F

RGB 90 182 15

HSL 93.05, 0.85%, 0.39%

LAB 66.26, -52.16, 64.77

 

CMYK 75 / 0 / 92 / 29

HEX #2DB60F

RGB 45 182 15

HSL 109.22, 0.85%, 0.39%

LAB 65, -62.56, 63.21

 

CMYK 92 / 0 / 83 / 29

HEX #0FB61F

RGB 15 182 31

HSL 125.75, 0.85%, 0.39%

LAB 64.69, -65.14, 59.43

 

CMYK 92 / 0 / 58 / 29

HEX #0FB64C

RGB 15 182 76

HSL 141.92, 0.85%, 0.39%

LAB 65.03, -60.9, 42.61

 

CMYK 26 / 0 / 92 / 29

HEX #87B60F

RGB 135 182 15

HSL 76.89, 0.85%, 0.39%

LAB 68.49, -36.29, 67.52

 

CMYK 26 / 0 / 92 / 29

HEX #87B60F

RGB 135 182 15

HSL 76.89, 0.85%, 0.39%

LAB 68.49, -36.29, 67.52

 

CMYK 23 / 0 / 81 / 35

HEX #80A620

RGB 128 166 32

HSL 77.01, 0.68%, 0.39%

LAB 63.31, -31.21, 59.25

 

CMYK 19 / 0 / 68 / 41

HEX #799630

RGB 121 150 48

HSL 77.06, 0.52%, 0.39%

LAB 58.12, -25.49, 48.4

 

CMYK 15 / 0 / 52 / 47

HEX #728640

RGB 114 134 64

HSL 77.14, 0.35%, 0.39%

LAB 52.95, -18.88, 34.97

 

CMYK 9 / 0 / 32 / 54

HEX #6B7650

RGB 107 118 80

HSL 77.37, 0.19%, 0.39%

LAB 47.83, -11.14, 19.61

 

CMYK 0 / 24 / 92 / 29

HEX #B68A0F

RGB 182 138 15

HSL 44.19, 0.85%, 0.39%

LAB 60.03, 6.81, 62.52

 

CMYK 0 / 0 / 92 / 29

HEX #B6B60F

RGB 182 182 15

HSL 60, 0.85%, 0.39%

LAB 71.85, -16.55, 71.6

 

CMYK 24 / 0 / 92 / 29

HEX #8AB60F

RGB 138 182 15

HSL 75.81, 0.85%, 0.39%

LAB 68.67, -35.1, 67.74

 

CMYK 49 / 0 / 92 / 29

HEX #5DB60F

RGB 93 182 15

HSL 91.98, 0.85%, 0.39%

LAB 66.38, -51.25, 64.92

 

CMYK 73 / 0 / 92 / 29

HEX #31B60F

RGB 49 182 15

HSL 107.78, 0.85%, 0.39%

LAB 65.08, -61.91, 63.3

 

CMYK 26 / 0 / 92 / 58

HEX #4F6B09

RGB 79 107 9

HSL 77.14, 0.84%, 0.23%

LAB 41.53, -24.09, 45.02

 

CMYK 26 / 0 / 92 / 43

HEX #6B910C

RGB 107 145 12

HSL 77.14, 0.85%, 0.31%

LAB 55.49, -30.59, 56.72

 

CMYK 26 / 0 / 92 / 29

HEX #87B60F

RGB 135 182 15

HSL 76.89, 0.85%, 0.39%

LAB 68.49, -36.29, 67.52

 

CMYK 26 / 0 / 91 / 14

HEX #A3DC13

RGB 163 220 19

HSL 77.01, 0.84%, 0.47%

LAB 81.3, -42.19, 77.96

 

CMYK 23 / 0 / 81 / 7

HEX #B6EC2C

RGB 182 236 44

HSL 76.88, 0.83%, 0.55%

LAB 87.05, -41.27, 78.46

 

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

CMYK 92 / 0 / 49 / 29

HEX #0FB65D

RGB 15 182 93

HSL 148.02, 0.85%, 0.39%

LAB 65.24, -58.32, 34.55

 

CMYK 12 / 92 / 0 / 29

HEX #A00FB6

RGB 160 15 182

HSL 292.1, 0.85%, 0.39%

LAB 39.9, 71.12, -52.81

 

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

CMYK 92 / 24 / 0 / 29

HEX #0F8AB6

RGB 15 138 182

HSL 195.81, 0.85%, 0.39%

LAB 53.66, -14.58, -31.58

 

CMYK 0 / 92 / 24 / 29

HEX #B60F8A

RGB 182 15 138

HSL 315.81, 0.85%, 0.39%

LAB 41.41, 68.8, -23.68

 

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

CMYK 92 / 0 / 49 / 29

HEX #0FB65D

RGB 15 182 93

HSL 148.02, 0.85%, 0.39%

LAB 65.24, -58.32, 34.55

 

CMYK 67 / 92 / 0 / 29

HEX #3C0FB6

RGB 60 15 182

HSL 256.17, 0.85%, 0.39%

LAB 25.8, 59.56, -76.47

 

CMYK 0 / 92 / 42 / 29

HEX #B60F69

RGB 182 15 105

HSL 327.66, 0.85%, 0.39%

LAB 40.09, 65.27, -5.16

 

CMYK 26 / 0 / 91 / 29

HEX #87B610

RGB 135 182 16

HSL 76.99, 0.84%, 0.39%

LAB 68.49, -36.27, 67.37

 

CMYK 92 / 0 / 21 / 29

HEX #0FB690

RGB 15 182 144

HSL 166.35, 0.85%, 0.39%

LAB 66.19, -47.47, 8.61

 

CMYK 67 / 92 / 0 / 29

HEX #3C0FB6

RGB 60 15 182

HSL 256.17, 0.85%, 0.39%

LAB 25.8, 59.56, -76.47

 

CMYK 0 / 92 / 70 / 29

HEX #B60F36

RGB 182 15 54

HSL 345.99, 0.85%, 0.39%

LAB 38.82, 61.75, 25.54

 

Description

Color code: HEX #87B610 | qconv.com Color code: HEX #87B610 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 182 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 182 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 91 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 91% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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