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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87B809 it is the complementary color #7847F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87B809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87B809 shade: #8CB804, #9DCA17, #AEDC2A, #BFEE3D and #D0FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87B809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87B809 shade: #87B809, #76A600, #659400, #548200 and #437000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87B809 shade: #87B908, #B7B908, #B98B08, #B95B08 and #B92C08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87B809 shade: #87B908, #58B908, #28B908, #08B918 and #08B947

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87B809 shade matches the following richer shades: #87B908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87B809 shade: #87B908, #80A918, #799928, #738A37 and #6C7A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87B809 shade: #B98A08, #B9B908, #8AB908, #5BB908 and #2BB908

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87B809 shade: #4D6A05, #6A9106, #87B908, #A4E00A and #B8F41F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87B809 shade: #87B809, #08B95B and #A108B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87B809 shade: #87B809, #088AB9 and #B9088A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87B809 shade: #87B809, #08B95B, #3708B9 and #B90866

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87B809 shade: #87B809, #08B98F, #3708B9 and #B90831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

Complementary color

CMYK 51 / 71 / 0 / 4

HEX #7847F6

RGB 120 71 246

HSL 256.8, 0.91%, 0.62%

LAB 45.84, 60.62, -80.17

 

CMYK 24 / 0 / 98 / 28

HEX #8CB804

RGB 140 184 4

HSL 74.67, 0.96%, 0.37%

LAB 69.37, -35.38, 69.7

 

CMYK 22 / 0 / 89 / 21

HEX #9DCA17

RGB 157 202 23

HSL 75.08, 0.8%, 0.44%

LAB 75.74, -36.45, 72.68

 

CMYK 21 / 0 / 81 / 14

HEX #AEDC2A

RGB 174 220 42

HSL 75.51, 0.72%, 0.51%

LAB 82.03, -37.32, 74.34

 

CMYK 20 / 0 / 74 / 7

HEX #BFEE3D

RGB 191 238 61

HSL 75.93, 0.84%, 0.59%

LAB 88.24, -38.01, 75

 

CMYK 18 / 0 / 69 / 0

HEX #D0FF50

RGB 208 255 80

HSL 76.11, 1%, 0.66%

LAB 94.1, -38.12, 74.72

 

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

CMYK 29 / 0 / 100 / 35

HEX #76A600

RGB 118 166 0

HSL 77.35, 1%, 0.33%

LAB 62.61, -36.06, 64.42

 

CMYK 32 / 0 / 100 / 42

HEX #659400

RGB 101 148 0

HSL 79.05, 1%, 0.29%

LAB 56.03, -34.66, 58.95

 

CMYK 35 / 0 / 100 / 49

HEX #548200

RGB 84 130 0

HSL 81.23, 1%, 0.25%

LAB 49.31, -33.23, 53.35

 

CMYK 40 / 0 / 100 / 56

HEX #437000

RGB 67 112 0

HSL 84.11, 1%, 0.22%

LAB 42.43, -31.75, 47.63

 

CMYK 27 / 0 / 96 / 27

HEX #87B908

RGB 135 185 8

HSL 76.95, 0.92%, 0.38%

LAB 69.37, -37.76, 69.11

 

CMYK 1 / 0 / 96 / 27

HEX #B7B908

RGB 183 185 8

HSL 60.68, 0.92%, 0.38%

LAB 72.75, -17.71, 73.17

 

CMYK 0 / 25 / 96 / 27

HEX #B98B08

RGB 185 139 8

HSL 44.41, 0.92%, 0.38%

LAB 60.6, 7.52, 64.26

 

CMYK 0 / 51 / 96 / 27

HEX #B95B08

RGB 185 91 8

HSL 28.14, 0.92%, 0.38%

LAB 49.27, 33.78, 56.35

 

CMYK 0 / 76 / 96 / 27

HEX #B92C08

RGB 185 44 8

HSL 12.2, 0.92%, 0.38%

LAB 41.43, 54.51, 51.42

 

CMYK 27 / 0 / 96 / 27

HEX #87B908

RGB 135 185 8

HSL 76.95, 0.92%, 0.38%

LAB 69.37, -37.76, 69.11

 

CMYK 52 / 0 / 96 / 27

HEX #58B908

RGB 88 185 8

HSL 92.88, 0.92%, 0.38%

LAB 67.12, -54.01, 66.36

 

CMYK 78 / 0 / 96 / 27

HEX #28B908

RGB 40 185 8

HSL 109.15, 0.92%, 0.38%

LAB 65.88, -64.37, 64.83

 

CMYK 96 / 0 / 87 / 27

HEX #08B918

RGB 8 185 24

HSL 125.42, 0.92%, 0.38%

LAB 65.6, -66.68, 61.91

 

CMYK 96 / 0 / 62 / 27

HEX #08B947

RGB 8 185 71

HSL 141.36, 0.92%, 0.38%

LAB 65.91, -62.83, 45.93

 

CMYK 27 / 0 / 96 / 27

HEX #87B908

RGB 135 185 8

HSL 76.95, 0.92%, 0.38%

LAB 69.37, -37.76, 69.11

 

CMYK 27 / 0 / 96 / 27

HEX #87B908

RGB 135 185 8

HSL 76.95, 0.92%, 0.38%

LAB 69.37, -37.76, 69.11

 

CMYK 24 / 0 / 86 / 34

HEX #80A918

RGB 128 169 24

HSL 76.97, 0.75%, 0.38%

LAB 64.19, -32.9, 62.08

 

CMYK 21 / 0 / 74 / 40

HEX #799928

RGB 121 153 40

HSL 76.99, 0.59%, 0.38%

LAB 58.97, -27.47, 52.39

 

CMYK 17 / 0 / 60 / 46

HEX #738A37

RGB 115 138 55

HSL 76.63, 0.43%, 0.38%

LAB 54.13, -21.41, 40.83

 

CMYK 11 / 0 / 42 / 52

HEX #6C7A47

RGB 108 122 71

HSL 76.47, 0.26%, 0.38%

LAB 48.96, -14.19, 26.2

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 0 / 96 / 27

HEX #B9B908

RGB 185 185 8

HSL 60, 0.92%, 0.38%

LAB 72.91, -16.84, 73.37

 

CMYK 25 / 0 / 96 / 27

HEX #8AB908

RGB 138 185 8

HSL 75.93, 0.92%, 0.38%

LAB 69.55, -36.57, 69.32

 

CMYK 51 / 0 / 96 / 27

HEX #5BB908

RGB 91 185 8

HSL 91.86, 0.92%, 0.38%

LAB 67.23, -53.13, 66.49

 

CMYK 77 / 0 / 96 / 27

HEX #2BB908

RGB 43 185 8

HSL 108.14, 0.92%, 0.38%

LAB 65.93, -63.95, 64.89

 

CMYK 27 / 0 / 95 / 58

HEX #4D6A05

RGB 77 106 5

HSL 77.23, 0.91%, 0.22%

LAB 41.05, -24.6, 45.55

 

CMYK 27 / 0 / 96 / 43

HEX #6A9106

RGB 106 145 6

HSL 76.83, 0.92%, 0.3%

LAB 55.41, -31.13, 57.61

 

CMYK 27 / 0 / 96 / 27

HEX #87B908

RGB 135 185 8

HSL 76.95, 0.92%, 0.38%

LAB 69.37, -37.76, 69.11

 

CMYK 27 / 0 / 96 / 12

HEX #A4E00A

RGB 164 224 10

HSL 76.82, 0.91%, 0.46%

LAB 82.5, -43.67, 79.92

 

CMYK 25 / 0 / 87 / 4

HEX #B8F41F

RGB 184 244 31

HSL 76.9, 0.91%, 0.54%

LAB 89.39, -44.37, 83.19

 

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

CMYK 96 / 0 / 51 / 27

HEX #08B95B

RGB 8 185 91

HSL 148.14, 0.92%, 0.38%

LAB 66.14, -59.98, 36.67

 

CMYK 13 / 96 / 0 / 27

HEX #A108B9

RGB 161 8 185

HSL 291.86, 0.92%, 0.38%

LAB 40, 72.61, -54.41

 

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

CMYK 96 / 25 / 0 / 27

HEX #088AB9

RGB 8 138 185

HSL 195.93, 0.92%, 0.38%

LAB 53.74, -13.76, -33.18

 

CMYK 0 / 96 / 25 / 27

HEX #B9088A

RGB 185 8 138

HSL 315.93, 0.92%, 0.38%

LAB 41.72, 70.18, -23.14

 

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

CMYK 96 / 0 / 51 / 27

HEX #08B95B

RGB 8 185 91

HSL 148.14, 0.92%, 0.38%

LAB 66.14, -59.98, 36.67

 

CMYK 70 / 96 / 0 / 27

HEX #3708B9

RGB 55 8 185

HSL 255.93, 0.92%, 0.38%

LAB 25.23, 61.6, -79.23

 

CMYK 0 / 96 / 45 / 27

HEX #B90866

RGB 185 8 102

HSL 328.14, 0.92%, 0.38%

LAB 40.32, 66.49, -2.85

 

CMYK 27 / 0 / 95 / 28

HEX #87B809

RGB 135 184 9

HSL 76.8, 0.91%, 0.38%

LAB 69.08, -37.29, 68.76

 

CMYK 96 / 0 / 23 / 27

HEX #08B98F

RGB 8 185 143

HSL 165.76, 0.92%, 0.38%

LAB 67.08, -49.21, 10.41

 

CMYK 70 / 96 / 0 / 27

HEX #3708B9

RGB 55 8 185

HSL 255.93, 0.92%, 0.38%

LAB 25.23, 61.6, -79.23

 

CMYK 0 / 96 / 74 / 27

HEX #B90831

RGB 185 8 49

HSL 346.1, 0.92%, 0.38%

LAB 39.09, 63.13, 29.14

 

Description

Color code: HEX #87B809 | qconv.com Color code: HEX #87B809 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 184 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 184 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 95 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 95% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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