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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87BC28 it is the complementary color #7843D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87BC28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87BC28 shade: #8CBC23, #9DCE36, #AEE049, #BFF25C and #D0FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87BC28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87BC28 shade: #87BC28, #76AA15, #659802, #548600 and #437400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87BC28 shade: #87BD28, #B0BD28, #BDA228, #BD7A28 and #BD5128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87BC28 shade: #87BD28, #5FBD28, #37BD28, #28BD41 and #28BD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87BC28 shade matches the following richer shades: #87BD28, #8DCF15 and #92E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87BC28 shade: #87BD28, #82AA3A, #7D984D, #78855F and #727372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87BC28 shade: #BDA128, #B0BD28, #89BD28, #61BD28 and #39BD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87BC28 shade: #577919, #6F9B20, #87BD28, #9DD539 and #AEDC5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87BC28 shade: #87BC28, #28BD7A and #B528BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87BC28 shade: #87BC28, #2889BD and #BD2889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87BC28 shade: #87BC28, #28BD7A, #5C28BD and #BD286B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87BC28 shade: #87BC28, #28BDA6, #5C28BD and #BD283E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

Complementary color

CMYK 44 / 69 / 0 / 16

HEX #7843D7

RGB 120 67 215

HSL 261.49, 0.65%, 0.55%

LAB 42.63, 54.35, -67.85

 

CMYK 26 / 0 / 81 / 26

HEX #8CBC23

RGB 140 188 35

HSL 78.82, 0.69%, 0.44%

LAB 70.64, -36.44, 65.27

 

CMYK 24 / 0 / 74 / 19

HEX #9DCE36

RGB 157 206 54

HSL 79.34, 0.61%, 0.51%

LAB 77.03, -37.08, 65.81

 

CMYK 22 / 0 / 67 / 12

HEX #AEE049

RGB 174 224 73

HSL 79.87, 0.71%, 0.58%

LAB 83.33, -37.55, 65.65

 

CMYK 21 / 0 / 62 / 5

HEX #BFF25C

RGB 191 242 92

HSL 80.4, 0.85%, 0.65%

LAB 89.56, -37.91, 65.06

 

CMYK 18 / 0 / 56 / 0

HEX #D0FF6F

RGB 208 255 111

HSL 79.58, 1%, 0.72%

LAB 94.35, -35.92, 62.7

 

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

CMYK 31 / 0 / 88 / 33

HEX #76AA15

RGB 118 170 21

HSL 80.94, 0.78%, 0.37%

LAB 63.88, -37.41, 62.24

 

CMYK 34 / 0 / 99 / 40

HEX #659802

RGB 101 152 2

HSL 80.4, 0.97%, 0.3%

LAB 57.3, -36.41, 59.6

 

CMYK 37 / 0 / 100 / 47

HEX #548600

RGB 84 134 0

HSL 82.39, 1%, 0.26%

LAB 50.61, -35.03, 54.35

 

CMYK 42 / 0 / 100 / 55

HEX #437400

RGB 67 116 0

HSL 85.34, 1%, 0.23%

LAB 43.78, -33.54, 48.67

 

CMYK 29 / 0 / 79 / 26

HEX #87BD28

RGB 135 189 40

HSL 81.74, 0.65%, 0.45%

LAB 70.66, -38.6, 63.77

 

CMYK 7 / 0 / 79 / 26

HEX #B0BD28

RGB 176 189 40

HSL 65.23, 0.65%, 0.45%

LAB 73.4, -21.97, 67.28

 

CMYK 0 / 14 / 79 / 26

HEX #BDA228

RGB 189 162 40

HSL 49.13, 0.65%, 0.45%

LAB 67.14, -2.4, 62.07

 

CMYK 0 / 35 / 79 / 26

HEX #BD7A28

RGB 189 122 40

HSL 33.02, 0.65%, 0.45%

LAB 56.97, 19.47, 52.7

 

CMYK 0 / 57 / 79 / 26

HEX #BD5128

RGB 189 81 40

HSL 16.51, 0.65%, 0.45%

LAB 48.08, 41.19, 44.11

 

CMYK 29 / 0 / 79 / 26

HEX #87BD28

RGB 135 189 40

HSL 81.74, 0.65%, 0.45%

LAB 70.66, -38.6, 63.77

 

CMYK 50 / 0 / 79 / 26

HEX #5FBD28

RGB 95 189 40

HSL 97.85, 0.65%, 0.45%

LAB 68.74, -52.32, 61.29

 

CMYK 71 / 0 / 79 / 26

HEX #37BD28

RGB 55 189 40

HSL 113.96, 0.65%, 0.45%

LAB 67.55, -61.95, 59.74

 

CMYK 79 / 0 / 66 / 26

HEX #28BD41

RGB 40 189 65

HSL 130.07, 0.65%, 0.45%

LAB 67.45, -62.16, 50.36

 

CMYK 79 / 0 / 44 / 26

HEX #28BD69

RGB 40 189 105

HSL 146.17, 0.65%, 0.45%

LAB 67.92, -56.5, 31.89

 

CMYK 29 / 0 / 79 / 26

HEX #87BD28

RGB 135 189 40

HSL 81.74, 0.65%, 0.45%

LAB 70.66, -38.6, 63.77

 

CMYK 32 / 0 / 90 / 19

HEX #8DCF15

RGB 141 207 21

HSL 81.29, 0.82%, 0.45%

LAB 76.28, -44.8, 73.08

 

CMYK 35 / 0 / 99 / 11

HEX #92E203

RGB 146 226 3

HSL 81.52, 0.97%, 0.45%

LAB 82.11, -51.15, 79.82

 

CMYK 29 / 0 / 79 / 26

HEX #87BD28

RGB 135 189 40

HSL 81.74, 0.65%, 0.45%

LAB 70.66, -38.6, 63.77

 

CMYK 24 / 0 / 66 / 33

HEX #82AA3A

RGB 130 170 58

HSL 81.43, 0.49%, 0.45%

LAB 64.8, -30.76, 51.42

 

CMYK 18 / 0 / 49 / 40

HEX #7D984D

RGB 125 152 77

HSL 81.6, 0.33%, 0.45%

LAB 59.3, -22.17, 36.14

 

CMYK 10 / 0 / 29 / 48

HEX #78855F

RGB 120 133 95

HSL 80.53, 0.17%, 0.45%

LAB 53.59, -11.79, 18.96

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 0 / 15 / 79 / 26

HEX #BDA128

RGB 189 161 40

HSL 48.72, 0.65%, 0.45%

LAB 66.87, -1.87, 61.83

 

CMYK 7 / 0 / 79 / 26

HEX #B0BD28

RGB 176 189 40

HSL 65.23, 0.65%, 0.45%

LAB 73.4, -21.97, 67.28

 

CMYK 28 / 0 / 79 / 26

HEX #89BD28

RGB 137 189 40

HSL 80.94, 0.65%, 0.45%

LAB 70.78, -37.84, 63.92

 

CMYK 49 / 0 / 79 / 26

HEX #61BD28

RGB 97 189 40

HSL 97.05, 0.65%, 0.45%

LAB 68.82, -51.72, 61.39

 

CMYK 70 / 0 / 79 / 26

HEX #39BD28

RGB 57 189 40

HSL 113.15, 0.65%, 0.45%

LAB 67.59, -61.58, 59.79

 

CMYK 28 / 0 / 79 / 53

HEX #577919

RGB 87 121 25

HSL 81.25, 0.66%, 0.29%

LAB 46.67, -26.9, 45.16

 

CMYK 28 / 0 / 79 / 39

HEX #6F9B20

RGB 111 155 32

HSL 81.46, 0.66%, 0.37%

LAB 58.91, -32.91, 54.83

 

CMYK 29 / 0 / 79 / 26

HEX #87BD28

RGB 135 189 40

HSL 81.74, 0.65%, 0.45%

LAB 70.66, -38.6, 63.77

 

CMYK 26 / 0 / 73 / 16

HEX #9DD539

RGB 157 213 57

HSL 81.54, 0.65%, 0.53%

LAB 79.07, -40.04, 66.79

 

CMYK 21 / 0 / 59 / 14

HEX #AEDC5B

RGB 174 220 91

HSL 81.4, 0.65%, 0.61%

LAB 82.35, -34.39, 57.23

 

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

CMYK 79 / 0 / 35 / 26

HEX #28BD7A

RGB 40 189 122

HSL 153.02, 0.65%, 0.45%

LAB 68.21, -53.26, 23.36

 

CMYK 4 / 79 / 0 / 26

HEX #B528BD

RGB 181 40 189

HSL 296.78, 0.65%, 0.45%

LAB 45.66, 70.85, -47.5

 

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

CMYK 79 / 28 / 0 / 26

HEX #2889BD

RGB 40 137 189

HSL 200.94, 0.65%, 0.45%

LAB 54.04, -9.53, -34.95

 

CMYK 0 / 79 / 28 / 26

HEX #BD2889

RGB 189 40 137

HSL 320.94, 0.65%, 0.45%

LAB 44.44, 65.15, -18.29

 

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

CMYK 79 / 0 / 35 / 26

HEX #28BD7A

RGB 40 189 122

HSL 153.02, 0.65%, 0.45%

LAB 68.21, -53.26, 23.36

 

CMYK 51 / 79 / 0 / 26

HEX #5C28BD

RGB 92 40 189

HSL 260.94, 0.65%, 0.45%

LAB 32.85, 55.74, -68.87

 

CMYK 0 / 79 / 43 / 26

HEX #BD286B

RGB 189 40 107

HSL 333.02, 0.65%, 0.45%

LAB 43.36, 61.92, -1.43

 

CMYK 28 / 0 / 79 / 26

HEX #87BC28

RGB 135 188 40

HSL 81.49, 0.65%, 0.45%

LAB 70.37, -38.16, 63.5

 

CMYK 79 / 0 / 12 / 26

HEX #28BDA6

RGB 40 189 166

HSL 170.74, 0.65%, 0.45%

LAB 69.18, -42.78, 0.87

 

CMYK 51 / 79 / 0 / 26

HEX #5C28BD

RGB 92 40 189

HSL 260.94, 0.65%, 0.45%

LAB 32.85, 55.74, -68.87

 

CMYK 0 / 79 / 67 / 26

HEX #BD283E

RGB 189 40 62

HSL 351.14, 0.65%, 0.45%

LAB 42.28, 58.61, 25.18

 

Description

Color code: HEX #87BC28 | qconv.com Color code: HEX #87BC28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 188 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 188 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 79 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 79% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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