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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87E88C it is the complementary color #781773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87E88C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87E88C shade: #8CE887, #9DFA9A, #AEFFAD, #BFFFC0 and #D0FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87E88C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87E88C shade: #87E88C, #76D679, #65C466, #54B253 and #43A040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87E88C shade: #87E88C, #9CE887, #B6E887, #D0E887 and #E8E587

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87E88C shade: #87E88C, #87E8A6, #87E8C0, #87E8DA and #87DBE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87E88C shade matches the following richer shades: #87E88C and #7BF381

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87E88C shade: #87E88C, #92DC96, #9ED1A0, #A9C5AB and #B5B9B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87E88C shade: #B5E887, #9CE887, #87E88B, #87E8A5 and #87E8BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87E88C shade: #41DA49, #64E16A, #87E88C, #A9EEAD and #CCF5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87E88C shade: #87E88C, #87CFE8 and #E887A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87E88C shade: #87E88C, #8B87E8 and #E88B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87E88C shade: #87E88C, #87CFE8, #E887E3 and #E89F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87E88C shade: #87E88C, #87B2E8, #E887E3 and #E8BC87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

Complementary color

CMYK 0 / 81 / 4 / 53

HEX #781773

RGB 120 23 115

HSL 303.09, 0.68%, 0.28%

LAB 29.01, 50.71, -29.57

 

CMYK 40 / 0 / 42 / 9

HEX #8CE887

RGB 140 232 135

HSL 116.91, 0.68%, 0.72%

LAB 84.5, -46.28, 38.73

 

CMYK 37 / 0 / 38 / 2

HEX #9DFA9A

RGB 157 250 154

HSL 118.13, 0.91%, 0.79%

LAB 90.72, -46.09, 37.54

 

CMYK 32 / 0 / 32 / 0

HEX #AEFFAD

RGB 174 255 173

HSL 119.27, 1%, 0.84%

LAB 93.25, -40.18, 31.57

 

CMYK 25 / 0 / 25 / 0

HEX #BFFFC0

RGB 191 255 192

HSL 120.94, 1%, 0.87%

LAB 94.48, -31.77, 23.81

 

CMYK 18 / 0 / 17 / 0

HEX #D0FFD3

RGB 208 255 211

HSL 123.83, 1%, 0.91%

LAB 95.84, -23.09, 16.16

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 45 / 0 / 43 / 16

HEX #76D679

RGB 118 214 121

HSL 121.88, 0.54%, 0.65%

LAB 78.07, -47.18, 37.25

 

CMYK 48 / 0 / 48 / 23

HEX #65C466

RGB 101 196 102

HSL 120.63, 0.45%, 0.58%

LAB 71.69, -47.27, 38.54

 

CMYK 53 / 0 / 53 / 30

HEX #54B253

RGB 84 178 83

HSL 119.37, 0.38%, 0.51%

LAB 65.24, -47.24, 39.85

 

CMYK 58 / 0 / 60 / 37

HEX #43A040

RGB 67 160 64

HSL 118.13, 0.43%, 0.44%

LAB 58.7, -47, 41.12

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 33 / 0 / 42 / 9

HEX #9CE887

RGB 156 232 135

HSL 107.01, 0.68%, 0.72%

LAB 85.27, -41.27, 39.86

 

CMYK 22 / 0 / 42 / 9

HEX #B6E887

RGB 182 232 135

HSL 90.93, 0.68%, 0.72%

LAB 86.71, -32.4, 41.99

 

CMYK 10 / 0 / 42 / 9

HEX #D0E887

RGB 208 232 135

HSL 74.85, 0.68%, 0.72%

LAB 88.39, -22.84, 44.47

 

CMYK 0 / 1 / 42 / 9

HEX #E8E587

RGB 232 229 135

HSL 58.14, 0.68%, 0.72%

LAB 89.37, -12.14, 46.08

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 42 / 0 / 28 / 9

HEX #87E8A6

RGB 135 232 166

HSL 139.18, 0.68%, 0.72%

LAB 84.8, -42.69, 23.36

 

CMYK 42 / 0 / 17 / 9

HEX #87E8C0

RGB 135 232 192

HSL 155.26, 0.68%, 0.72%

LAB 85.34, -37.62, 10.58

 

CMYK 42 / 0 / 6 / 9

HEX #87E8DA

RGB 135 232 218

HSL 171.34, 0.68%, 0.72%

LAB 85.97, -31.89, -2.17

 

CMYK 42 / 6 / 0 / 9

HEX #87DBE8

RGB 135 219 232

HSL 188.04, 0.68%, 0.72%

LAB 82.72, -22.2, -14.39

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 49 / 0 / 47 / 5

HEX #7BF381

RGB 123 243 129

HSL 123, 0.83%, 0.72%

LAB 86.95, -56.41, 44.62

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 34 / 0 / 32 / 14

HEX #92DC96

RGB 146 220 150

HSL 123.24, 0.51%, 0.72%

LAB 81.57, -36.85, 27.31

 

CMYK 24 / 0 / 23 / 18

HEX #9ED1A0

RGB 158 209 160

HSL 122.35, 0.36%, 0.72%

LAB 79.28, -26.1, 19.06

 

CMYK 14 / 0 / 13 / 23

HEX #A9C5AB

RGB 169 197 171

HSL 124.29, 0.19%, 0.72%

LAB 76.87, -14.43, 9.9

 

CMYK 2 / 0 / 2 / 27

HEX #B5B9B5

RGB 181 185 181

HSL 120, 0.03%, 0.72%

LAB 74.74, -2.14, 1.53

 

CMYK 22 / 0 / 42 / 9

HEX #B5E887

RGB 181 232 135

HSL 91.55, 0.68%, 0.72%

LAB 86.65, -32.75, 41.9

 

CMYK 33 / 0 / 42 / 9

HEX #9CE887

RGB 156 232 135

HSL 107.01, 0.68%, 0.72%

LAB 85.27, -41.27, 39.86

 

CMYK 42 / 0 / 40 / 9

HEX #87E88B

RGB 135 232 139

HSL 122.47, 0.68%, 0.72%

LAB 84.34, -47.17, 36.49

 

CMYK 42 / 0 / 29 / 9

HEX #87E8A5

RGB 135 232 165

HSL 138.56, 0.68%, 0.72%

LAB 84.78, -42.87, 23.85

 

CMYK 42 / 0 / 18 / 9

HEX #87E8BF

RGB 135 232 191

HSL 154.64, 0.68%, 0.72%

LAB 85.31, -37.83, 11.07

 

CMYK 70 / 0 / 67 / 15

HEX #41DA49

RGB 65 218 73

HSL 123.14, 0.67%, 0.55%

LAB 77.13, -66.94, 57.75

 

CMYK 56 / 0 / 53 / 12

HEX #64E16A

RGB 100 225 106

HSL 122.88, 0.68%, 0.64%

LAB 80.52, -58.38, 47.43

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 29 / 0 / 27 / 7

HEX #A9EEAD

RGB 169 238 173

HSL 123.48, 0.67%, 0.8%

LAB 88.26, -34.05, 24.76

 

CMYK 17 / 0 / 16 / 4

HEX #CCF5CE

RGB 204 245 206

HSL 122.93, 0.67%, 0.88%

LAB 92.84, -20.42, 14.45

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 42 / 11 / 0 / 9

HEX #87CFE8

RGB 135 207 232

HSL 195.46, 0.68%, 0.72%

LAB 79.39, -16.13, -19.41

 

CMYK 0 / 42 / 27 / 9

HEX #E887A9

RGB 232 135 169

HSL 338.97, 0.68%, 0.72%

LAB 67.54, 41.13, -1.74

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 40 / 42 / 0 / 9

HEX #8B87E8

RGB 139 135 232

HSL 242.47, 0.68%, 0.72%

LAB 60.47, 24.92, -48.7

 

CMYK 0 / 40 / 42 / 9

HEX #E88B87

RGB 232 139 135

HSL 2.47, 0.68%, 0.72%

LAB 67.55, 34.92, 17.39

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 42 / 11 / 0 / 9

HEX #87CFE8

RGB 135 207 232

HSL 195.46, 0.68%, 0.72%

LAB 79.39, -16.13, -19.41

 

CMYK 0 / 42 / 2 / 9

HEX #E887E3

RGB 232 135 227

HSL 303.09, 0.68%, 0.72%

LAB 69.49, 50.19, -31.14

 

CMYK 0 / 31 / 42 / 9

HEX #E89F87

RGB 232 159 135

HSL 14.85, 0.68%, 0.72%

LAB 72.03, 24.33, 23.51

 

CMYK 42 / 0 / 40 / 9

HEX #87E88C

RGB 135 232 140

HSL 123.09, 0.68%, 0.72%

LAB 84.36, -47.02, 36.01

 

CMYK 42 / 23 / 0 / 9

HEX #87B2E8

RGB 135 178 232

HSL 213.4, 0.68%, 0.72%

LAB 71.43, -0.68, -31.57

 

CMYK 0 / 42 / 2 / 9

HEX #E887E3

RGB 232 135 227

HSL 303.09, 0.68%, 0.72%

LAB 69.49, 50.19, -31.14

 

CMYK 0 / 19 / 42 / 9

HEX #E8BC87

RGB 232 188 135

HSL 32.78, 0.68%, 0.72%

LAB 78.97, 8.91, 32.76

 

Description

Color code: HEX #87E88C | qconv.com Color code: HEX #87E88C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 232 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 232 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 40 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 40% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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