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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87EE61 it is the complementary color #78119E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87EE61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87EE61 shade: #8CEE5C, #9DFF6F, #AEFF82, #BFFF95 and #D0FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87EE61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87EE61 shade: #87EE61, #76DC4E, #65CA3B, #54B828 and #43A615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87EE61 shade: #87EE62, #ADEE62, #D3EE62, #EEE362 and #EEBD62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87EE61 shade: #87EE62, #62EE62, #62EE87, #62EEAD and #62EED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87EE61 shade matches the following richer shades: #87EE62 and #81FC54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87EE61 shade: #87EE62, #8EE070, #94D27E, #9BC48C and #A1B69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87EE61 shade: #D4EE62, #AFEE62, #89EE62, #64EE62 and #62EE85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87EE61 shade: #4FE518, #6BEA3C, #87EE62, #A4F287 and #C0F6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87EE61 shade: #87EE61, #62EEE2 and #EE62C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87EE61 shade: #87EE61, #6289EE and #EE6289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87EE61 shade: #87EE61, #62EEE2, #C662EE and #EE626D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87EE61 shade: #87EE61, #62D0EE, #C662EE and #EE8062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

Complementary color

CMYK 24 / 89 / 0 / 38

HEX #78119E

RGB 120 17 158

HSL 283.83, 0.81%, 0.34%

LAB 31.49, 60.09, -52.36

 

CMYK 41 / 0 / 61 / 7

HEX #8CEE5C

RGB 140 238 92

HSL 100.27, 0.81%, 0.65%

LAB 85.75, -53.81, 60.12

 

CMYK 38 / 0 / 56 / 0

HEX #9DFF6F

RGB 157 255 111

HSL 100.83, 1%, 0.72%

LAB 91.61, -53.51, 58.84

 

CMYK 32 / 0 / 49 / 0

HEX #AEFF82

RGB 174 255 130

HSL 98.88, 1%, 0.75%

LAB 92.63, -45.99, 51.67

 

CMYK 25 / 0 / 42 / 0

HEX #BFFF95

RGB 191 255 149

HSL 96.23, 1%, 0.79%

LAB 93.78, -38.01, 44.28

 

CMYK 18 / 0 / 34 / 0

HEX #D0FFA8

RGB 208 255 168

HSL 92.41, 1%, 0.83%

LAB 95.06, -29.67, 36.81

 

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

CMYK 46 / 0 / 65 / 14

HEX #76DC4E

RGB 118 220 78

HSL 103.1, 0.67%, 0.58%

LAB 79.38, -54.66, 58.64

 

CMYK 50 / 0 / 71 / 21

HEX #65CA3B

RGB 101 202 59

HSL 102.38, 0.57%, 0.51%

LAB 73.1, -54.27, 59.23

 

CMYK 54 / 0 / 78 / 28

HEX #54B828

RGB 84 184 40

HSL 101.67, 0.64%, 0.44%

LAB 66.76, -53.61, 59.27

 

CMYK 60 / 0 / 87 / 35

HEX #43A615

RGB 67 166 21

HSL 100.97, 0.78%, 0.37%

LAB 60.36, -52.55, 58.32

 

CMYK 43 / 0 / 59 / 7

HEX #87EE62

RGB 135 238 98

HSL 104.14, 0.8%, 0.66%

LAB 85.6, -54.76, 57.33

 

CMYK 27 / 0 / 59 / 7

HEX #ADEE62

RGB 173 238 98

HSL 87.86, 0.8%, 0.66%

LAB 87.44, -42.22, 59.92

 

CMYK 11 / 0 / 59 / 7

HEX #D3EE62

RGB 211 238 98

HSL 71.57, 0.8%, 0.66%

LAB 89.8, -27.98, 63.21

 

CMYK 0 / 5 / 59 / 7

HEX #EEE362

RGB 238 227 98

HSL 55.29, 0.8%, 0.66%

LAB 88.92, -11.88, 62.8

 

CMYK 0 / 21 / 59 / 7

HEX #EEBD62

RGB 238 189 98

HSL 39, 0.8%, 0.66%

LAB 79.3, 7.54, 51.92

 

CMYK 43 / 0 / 59 / 7

HEX #87EE62

RGB 135 238 98

HSL 104.14, 0.8%, 0.66%

LAB 85.6, -54.76, 57.33

 

CMYK 59 / 0 / 59 / 7

HEX #62EE62

RGB 98 238 98

HSL 120, 0.8%, 0.66%

LAB 84.29, -64.54, 55.49

 

CMYK 59 / 0 / 43 / 7

HEX #62EE87

RGB 98 238 135

HSL 135.86, 0.8%, 0.66%

LAB 84.74, -59.57, 38.73

 

CMYK 59 / 0 / 27 / 7

HEX #62EEAD

RGB 98 238 173

HSL 152.14, 0.8%, 0.66%

LAB 85.38, -52.7, 20.35

 

CMYK 59 / 0 / 11 / 7

HEX #62EED3

RGB 98 238 211

HSL 168.43, 0.8%, 0.66%

LAB 86.23, -44.23, 1.74

 

CMYK 43 / 0 / 59 / 7

HEX #87EE62

RGB 135 238 98

HSL 104.14, 0.8%, 0.66%

LAB 85.6, -54.76, 57.33

 

CMYK 49 / 0 / 67 / 1

HEX #81FC54

RGB 129 252 84

HSL 103.93, 0.97%, 0.66%

LAB 89.36, -63.1, 67.11

 

CMYK 43 / 0 / 59 / 7

HEX #87EE62

RGB 135 238 98

HSL 104.14, 0.8%, 0.66%

LAB 85.6, -54.76, 57.33

 

CMYK 37 / 0 / 50 / 12

HEX #8EE070

RGB 142 224 112

HSL 103.93, 0.64%, 0.66%

LAB 81.96, -45.28, 46.75

 

CMYK 30 / 0 / 40 / 18

HEX #94D27E

RGB 148 210 126

HSL 104.29, 0.48%, 0.66%

LAB 78.4, -35.27, 35.45

 

CMYK 21 / 0 / 29 / 23

HEX #9BC48C

RGB 155 196 140

HSL 103.93, 0.32%, 0.66%

LAB 75.04, -24.1, 23.8

 

CMYK 12 / 0 / 15 / 29

HEX #A1B69A

RGB 161 182 154

HSL 105, 0.16%, 0.66%

LAB 71.8, -12.53, 11.85

 

CMYK 11 / 0 / 59 / 7

HEX #D4EE62

RGB 212 238 98

HSL 71.14, 0.8%, 0.66%

LAB 89.87, -27.59, 63.3

 

CMYK 26 / 0 / 59 / 7

HEX #AFEE62

RGB 175 238 98

HSL 87, 0.8%, 0.66%

LAB 87.56, -41.5, 60.08

 

CMYK 42 / 0 / 59 / 7

HEX #89EE62

RGB 137 238 98

HSL 103.29, 0.8%, 0.66%

LAB 85.68, -54.15, 57.45

 

CMYK 58 / 0 / 59 / 7

HEX #64EE62

RGB 100 238 98

HSL 119.14, 0.8%, 0.66%

LAB 84.35, -64.09, 55.57

 

CMYK 59 / 0 / 44 / 7

HEX #62EE85

RGB 98 238 133

HSL 135, 0.8%, 0.66%

LAB 84.71, -59.88, 39.67

 

CMYK 66 / 0 / 90 / 10

HEX #4FE518

RGB 79 229 24

HSL 103.9, 0.81%, 0.5%

LAB 80.61, -70.74, 75.27

 

CMYK 54 / 0 / 74 / 8

HEX #6BEA3C

RGB 107 234 60

HSL 103.79, 0.81%, 0.58%

LAB 83.07, -64.26, 68.95

 

CMYK 43 / 0 / 59 / 7

HEX #87EE62

RGB 135 238 98

HSL 104.14, 0.8%, 0.66%

LAB 85.6, -54.76, 57.33

 

CMYK 32 / 0 / 44 / 5

HEX #A4F287

RGB 164 242 135

HSL 103.74, 0.8%, 0.74%

LAB 88.52, -43.05, 44.08

 

CMYK 22 / 0 / 30 / 4

HEX #C0F6AC

RGB 192 246 172

HSL 103.78, 0.8%, 0.82%

LAB 91.73, -30.39, 30.2

 

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

CMYK 59 / 0 / 5 / 7

HEX #62EEE2

RGB 98 238 226

HSL 174.86, 0.8%, 0.66%

LAB 86.62, -40.49, -5.56

 

CMYK 0 / 59 / 18 / 7

HEX #EE62C2

RGB 238 98 194

HSL 318.86, 0.8%, 0.66%

LAB 62.34, 64.22, -23.61

 

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

CMYK 59 / 42 / 0 / 7

HEX #6289EE

RGB 98 137 238

HSL 223.29, 0.8%, 0.66%

LAB 58.66, 16.4, -55.06

 

CMYK 0 / 59 / 42 / 7

HEX #EE6289

RGB 238 98 137

HSL 343.29, 0.8%, 0.66%

LAB 60.53, 57.33, 6.48

 

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

CMYK 59 / 0 / 5 / 7

HEX #62EEE2

RGB 98 238 226

HSL 174.86, 0.8%, 0.66%

LAB 86.62, -40.49, -5.56

 

CMYK 17 / 59 / 0 / 7

HEX #C662EE

RGB 198 98 238

HSL 282.86, 0.8%, 0.66%

LAB 58.89, 61.28, -54.16

 

CMYK 0 / 59 / 54 / 7

HEX #EE626D

RGB 238 98 109

HSL 355.29, 0.8%, 0.66%

LAB 59.9, 54.84, 21.84

 

CMYK 43 / 0 / 59 / 7

HEX #87EE61

RGB 135 238 97

HSL 103.83, 0.81%, 0.66%

LAB 85.59, -54.86, 57.75

 

CMYK 59 / 13 / 0 / 7

HEX #62D0EE

RGB 98 208 238

HSL 192.86, 0.8%, 0.66%

LAB 78.39, -22.95, -24.27

 

CMYK 17 / 59 / 0 / 7

HEX #C662EE

RGB 198 98 238

HSL 282.86, 0.8%, 0.66%

LAB 58.89, 61.28, -54.16

 

CMYK 0 / 46 / 59 / 7

HEX #EE8062

RGB 238 128 98

HSL 12.86, 0.8%, 0.66%

LAB 65.36, 39.56, 35.1

 

Description

Color code: HEX #87EE61 | qconv.com Color code: HEX #87EE61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 238 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 238 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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