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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87FBAA it is the complementary color #780455. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87FBAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87FBAA shade: #8CFBA5, #9DFFB8, #AEFFCB, #BFFFDE and #D0FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87FBAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87FBAA shade: #87FBAA, #76E997, #65D784, #54C571 and #43B35E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87FBAA shade: #88FBAA, #88FB8B, #A3FB88, #C2FB88 and #E1FB88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87FBAA shade: #88FBAA, #88FBCA, #88FBE9, #88EEFB and #88CFFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87FBAA shade matches the following richer shades: #88FBAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87FBAA shade: #88FBAA, #92F1AE, #9CE7B2, #A5DDB6 and #AFD3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87FBAA shade: #A3FB88, #88FB8C, #88FBAA, #88FBC9 and #88FBE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87FBAA shade: #38F872, #60FA8E, #88FBAA, #B0FCC7 and #D8FDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87FBAA shade: #87FBAA, #88C1FB and #FB8893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87FBAA shade: #87FBAA, #AA88FB and #FBAA88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87FBAA shade: #87FBAA, #88C1FB, #FB88D8 and #FBC188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87FBAA shade: #87FBAA, #889FFB, #FB88D8 and #FBE488

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

Complementary color

CMYK 0 / 97 / 29 / 53

HEX #780455

RGB 120 4 85

HSL 318.1, 0.94%, 0.24%

LAB 25.97, 50.56, -14.8

 

CMYK 44 / 0 / 34 / 2

HEX #8CFBA5

RGB 140 251 165

HSL 133.51, 0.93%, 0.77%

LAB 90.45, -49.64, 31.57

 

CMYK 38 / 0 / 28 / 0

HEX #9DFFB8

RGB 157 255 184

HSL 136.53, 1%, 0.81%

LAB 92.64, -43.41, 25.06

 

CMYK 32 / 0 / 20 / 0

HEX #AEFFCB

RGB 174 255 203

HSL 141.48, 1%, 0.84%

LAB 93.81, -35.09, 17.12

 

CMYK 25 / 0 / 13 / 0

HEX #BFFFDE

RGB 191 255 222

HSL 149.06, 1%, 0.87%

LAB 95.11, -26.45, 9.34

 

CMYK 18 / 0 / 5 / 0

HEX #D0FFF1

RGB 208 255 241

HSL 162.13, 1%, 0.91%

LAB 96.53, -17.61, 1.74

 

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

CMYK 49 / 0 / 35 / 9

HEX #76E997

RGB 118 233 151

HSL 137.22, 0.72%, 0.69%

LAB 84.15, -50.27, 30.07

 

CMYK 53 / 0 / 39 / 16

HEX #65D784

RGB 101 215 132

HSL 136.32, 0.59%, 0.62%

LAB 77.89, -50.37, 31.34

 

CMYK 57 / 0 / 43 / 23

HEX #54C571

RGB 84 197 113

HSL 135.4, 0.49%, 0.55%

LAB 71.56, -50.35, 32.69

 

CMYK 63 / 0 / 47 / 30

HEX #43B35E

RGB 67 179 94

HSL 134.46, 0.46%, 0.48%

LAB 65.15, -50.17, 34.12

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 46 / 0 / 45 / 2

HEX #88FB8B

RGB 136 251 139

HSL 121.57, 0.93%, 0.76%

LAB 89.9, -54.71, 43.64

 

CMYK 35 / 0 / 46 / 2

HEX #A3FB88

RGB 163 251 136

HSL 105.91, 0.93%, 0.76%

LAB 91.03, -47.12, 46.75

 

CMYK 23 / 0 / 46 / 2

HEX #C2FB88

RGB 194 251 136

HSL 89.74, 0.93%, 0.76%

LAB 92.68, -36.72, 49.16

 

CMYK 10 / 0 / 46 / 2

HEX #E1FB88

RGB 225 251 136

HSL 73.57, 0.93%, 0.76%

LAB 94.64, -25.4, 52.02

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 46 / 0 / 20 / 2

HEX #88FBCA

RGB 136 251 202

HSL 154.43, 0.93%, 0.76%

LAB 91, -43.78, 13.44

 

CMYK 46 / 0 / 7 / 2

HEX #88FBE9

RGB 136 251 233

HSL 170.61, 0.93%, 0.76%

LAB 91.73, -36.99, -1.55

 

CMYK 46 / 5 / 0 / 2

HEX #88EEFB

RGB 136 238 251

HSL 186.78, 0.93%, 0.76%

LAB 88.61, -26.48, -15.56

 

CMYK 46 / 18 / 0 / 2

HEX #88CFFB

RGB 136 207 251

HSL 202.96, 0.93%, 0.76%

LAB 80.08, -10.84, -28.49

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 39 / 0 / 28 / 5

HEX #92F1AE

RGB 146 241 174

HSL 137.68, 0.77%, 0.76%

LAB 88.01, -42.14, 23.72

 

CMYK 32 / 0 / 23 / 9

HEX #9CE7B2

RGB 156 231 178

HSL 137.6, 0.61%, 0.76%

LAB 85.72, -33.97, 18.57

 

CMYK 25 / 0 / 18 / 13

HEX #A5DDB6

RGB 165 221 182

HSL 138.21, 0.45%, 0.76%

LAB 83.49, -25.7, 13.41

 

CMYK 17 / 0 / 12 / 17

HEX #AFD3BA

RGB 175 211 186

HSL 138.33, 0.29%, 0.76%

LAB 81.43, -16.76, 8.44

 

CMYK 35 / 0 / 46 / 2

HEX #A3FB88

RGB 163 251 136

HSL 105.91, 0.93%, 0.76%

LAB 91.03, -47.12, 46.75

 

CMYK 46 / 0 / 44 / 2

HEX #88FB8C

RGB 136 251 140

HSL 122.09, 0.93%, 0.76%

LAB 89.92, -54.57, 43.17

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 46 / 0 / 20 / 2

HEX #88FBC9

RGB 136 251 201

HSL 153.91, 0.93%, 0.76%

LAB 90.98, -43.99, 13.93

 

CMYK 46 / 0 / 8 / 2

HEX #88FBE8

RGB 136 251 232

HSL 170.09, 0.93%, 0.76%

LAB 91.71, -37.22, -1.07

 

CMYK 77 / 0 / 54 / 3

HEX #38F872

RGB 56 248 114

HSL 138.13, 0.93%, 0.6%

LAB 86.6, -73.13, 50.84

 

CMYK 62 / 0 / 43 / 2

HEX #60FA8E

RGB 96 250 142

HSL 137.92, 0.94%, 0.68%

LAB 88.36, -63.34, 39.95

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 15 / 0 / 10 / 1

HEX #D8FDE3

RGB 216 253 227

HSL 137.84, 0.9%, 0.92%

LAB 96.16, -16.72, 8.47

 

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

CMYK 46 / 23 / 0 / 2

HEX #88C1FB

RGB 136 193 251

HSL 210.26, 0.93%, 0.76%

LAB 76.28, -3.38, -34.35

 

CMYK 0 / 46 / 41 / 2

HEX #FB8893

RGB 251 136 147

HSL 354.26, 0.93%, 0.76%

LAB 69.63, 44.65, 13.93

 

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

CMYK 32 / 46 / 0 / 2

HEX #AA88FB

RGB 170 136 251

HSL 257.74, 0.93%, 0.76%

LAB 64.26, 37.29, -53.01

 

CMYK 0 / 32 / 46 / 2

HEX #FBAA88

RGB 251 170 136

HSL 17.74, 0.93%, 0.76%

LAB 76.7, 25.99, 29.61

 

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

CMYK 46 / 23 / 0 / 2

HEX #88C1FB

RGB 136 193 251

HSL 210.26, 0.93%, 0.76%

LAB 76.28, -3.38, -34.35

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D8

RGB 251 136 216

HSL 318.26, 0.93%, 0.76%

LAB 71.61, 53.63, -21.62

 

CMYK 0 / 23 / 46 / 2

HEX #FBC188

RGB 251 193 136

HSL 29.74, 0.93%, 0.76%

LAB 82.07, 13.92, 36.64

 

CMYK 46 / 0 / 32 / 2

HEX #87FBAA

RGB 135 251 170

HSL 138.1, 0.94%, 0.76%

LAB 90.34, -50.11, 28.87

 

CMYK 46 / 37 / 0 / 2

HEX #889FFB

RGB 136 159 251

HSL 228, 0.93%, 0.76%

LAB 67.27, 15.64, -48.4

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D8

RGB 251 136 216

HSL 318.26, 0.93%, 0.76%

LAB 71.61, 53.63, -21.62

 

CMYK 0 / 9 / 46 / 2

HEX #FBE488

RGB 251 228 136

HSL 48, 0.93%, 0.76%

LAB 90.68, -4.08, 47.56

 

Description

Color code: HEX #87FBAA | qconv.com Color code: HEX #87FBAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 251 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 251 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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