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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8407BA it is the complementary color #7BF845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8407BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8407BA shade: #8907B5, #9A19C8, #AB2BDB, #BC3DEE and #CD4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8407BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8407BA shade: #8407BA, #7300A7, #620094, #510081 and #40006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8407BA shade: #8406BB, #B506BB, #BB0690, #BB065F and #BB062E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8407BA shade: #8406BB, #5406BB, #2306BB and #0606BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8407BA shade matches the following richer shades: #8406BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8407BA shade: #8406BB, #7E16AB, #78269B, #71358B and #6B457C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8407BA shade: #2106BB, #5106BB, #8106BB, #B206BB and #BB0693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8407BA shade: #4C036B, #680593, #8406BB, #A008E2 and #B51DF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8407BA shade: #8407BA, #BB061B and #06BB39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8407BA shade: #8407BA, #BB8106 and #06BB81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8407BA shade: #8407BA, #BB061B, #3FBB06 and #06BBA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8407BA shade: #8407BA, #BB2706, #3FBB06 and #0699BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

Complementary color

CMYK 50 / 0 / 72 / 3

HEX #7BF845

RGB 123 248 69

HSL 101.9, 0.93%, 0.62%

LAB 87.86, -64.4, 70.9

 

CMYK 24 / 96 / 0 / 29

HEX #8907B5

RGB 137 7 181

HSL 284.83, 0.93%, 0.37%

LAB 35.61, 68.52, -59.36

 

CMYK 23 / 88 / 0 / 22

HEX #9A19C8

RGB 154 25 200

HSL 284.23, 0.78%, 0.44%

LAB 40.79, 71.67, -61.98

 

CMYK 22 / 80 / 0 / 14

HEX #AB2BDB

RGB 171 43 219

HSL 283.64, 0.71%, 0.51%

LAB 46.31, 73.52, -63.86

 

CMYK 21 / 74 / 0 / 7

HEX #BC3DEE

RGB 188 61 238

HSL 283.05, 0.84%, 0.59%

LAB 52.06, 74.44, -65.19

 

CMYK 20 / 69 / 0 / 0

HEX #CD4FFF

RGB 205 79 255

HSL 282.95, 1%, 0.65%

LAB 57.84, 74.36, -65.24

 

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

CMYK 31 / 100 / 0 / 35

HEX #7300A7

RGB 115 0 167

HSL 281.32, 1%, 0.33%

LAB 30.48, 63.98, -59.5

 

CMYK 34 / 100 / 0 / 42

HEX #620094

RGB 98 0 148

HSL 279.73, 1%, 0.29%

LAB 25.97, 58.13, -55.41

 

CMYK 37 / 100 / 0 / 49

HEX #510081

RGB 81 0 129

HSL 277.67, 1%, 0.25%

LAB 21.34, 52.14, -51.23

 

CMYK 42 / 100 / 0 / 57

HEX #40006E

RGB 64 0 110

HSL 274.91, 1%, 0.22%

LAB 16.58, 46.02, -46.93

 

CMYK 29 / 97 / 0 / 27

HEX #8406BB

RGB 132 6 187

HSL 281.77, 0.94%, 0.38%

LAB 35.25, 69.13, -63.54

 

CMYK 3 / 97 / 0 / 27

HEX #B506BB

RGB 181 6 187

HSL 298.01, 0.94%, 0.38%

LAB 43.57, 76.29, -49.67

 

CMYK 0 / 97 / 23 / 27

HEX #BB0690

RGB 187 6 144

HSL 314.25, 0.94%, 0.38%

LAB 42.32, 71.49, -25.85

 

CMYK 0 / 97 / 49 / 27

HEX #BB065F

RGB 187 6 95

HSL 330.5, 0.94%, 0.38%

LAB 40.44, 66.57, 1.81

 

CMYK 0 / 97 / 75 / 27

HEX #BB062E

RGB 187 6 46

HSL 346.74, 0.94%, 0.38%

LAB 39.4, 63.73, 31.46

 

CMYK 29 / 97 / 0 / 27

HEX #8406BB

RGB 132 6 187

HSL 281.77, 0.94%, 0.38%

LAB 35.25, 69.13, -63.54

 

CMYK 55 / 97 / 0 / 27

HEX #5406BB

RGB 84 6 187

HSL 265.86, 0.94%, 0.38%

LAB 28.39, 64.23, -75.08

 

CMYK 81 / 97 / 0 / 27

HEX #2306BB

RGB 35 6 187

HSL 249.61, 0.94%, 0.38%

LAB 23.92, 61.82, -82.63

 

CMYK 97 / 97 / 0 / 27

HEX #0606BB

RGB 6 6 187

HSL 240, 0.94%, 0.38%

LAB 22.85, 61.36, -84.44

 

CMYK 29 / 97 / 0 / 27

HEX #8406BB

RGB 132 6 187

HSL 281.77, 0.94%, 0.38%

LAB 35.25, 69.13, -63.54

 

CMYK 29 / 97 / 0 / 27

HEX #8406BB

RGB 132 6 187

HSL 281.77, 0.94%, 0.38%

LAB 35.25, 69.13, -63.54

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AB

RGB 126 22 171

HSL 281.88, 0.77%, 0.38%

LAB 33.88, 62.47, -56.29

 

CMYK 23 / 75 / 0 / 39

HEX #78269B

RGB 120 38 155

HSL 282.05, 0.61%, 0.38%

LAB 33.45, 53.14, -47.37

 

CMYK 19 / 62 / 0 / 45

HEX #71358B

RGB 113 53 139

HSL 281.86, 0.45%, 0.38%

LAB 33.82, 41.18, -37.04

 

CMYK 14 / 44 / 0 / 51

HEX #6B457C

RGB 107 69 124

HSL 281.45, 0.28%, 0.38%

LAB 35.67, 26.93, -24.89

 

CMYK 82 / 97 / 0 / 27

HEX #2106BB

RGB 33 6 187

HSL 248.95, 0.94%, 0.38%

LAB 23.81, 61.77, -82.82

 

CMYK 57 / 97 / 0 / 27

HEX #5106BB

RGB 81 6 187

HSL 264.86, 0.94%, 0.38%

LAB 28.03, 64.01, -75.68

 

CMYK 31 / 97 / 0 / 27

HEX #8106BB

RGB 129 6 187

HSL 280.77, 0.94%, 0.38%

LAB 34.77, 68.75, -64.34

 

CMYK 5 / 97 / 0 / 27

HEX #B206BB

RGB 178 6 187

HSL 297.02, 0.94%, 0.38%

LAB 43.04, 75.81, -50.55

 

CMYK 0 / 97 / 21 / 27

HEX #BB0693

RGB 187 6 147

HSL 313.26, 0.94%, 0.38%

LAB 42.46, 71.85, -27.46

 

CMYK 29 / 97 / 0 / 58

HEX #4C036B

RGB 76 3 107

HSL 282.12, 0.95%, 0.22%

LAB 18.64, 46.02, -41.52

 

CMYK 29 / 97 / 0 / 42

HEX #680593

RGB 104 5 147

HSL 281.83, 0.93%, 0.3%

LAB 27.18, 57.76, -52.76

 

CMYK 29 / 97 / 0 / 27

HEX #8406BB

RGB 132 6 187

HSL 281.77, 0.94%, 0.38%

LAB 35.25, 69.13, -63.54

 

CMYK 29 / 96 / 0 / 11

HEX #A008E2

RGB 160 8 226

HSL 281.83, 0.93%, 0.46%

LAB 42.97, 79.74, -73.37

 

CMYK 26 / 88 / 0 / 4

HEX #B51DF6

RGB 181 29 246

HSL 282.03, 0.92%, 0.54%

LAB 48.71, 83.29, -75.18

 

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

CMYK 0 / 97 / 86 / 27

HEX #BB061B

RGB 187 6 27

HSL 353.04, 0.94%, 0.38%

LAB 39.2, 63.18, 42.2

 

CMYK 97 / 0 / 70 / 27

HEX #06BB39

RGB 6 187 57

HSL 136.91, 0.94%, 0.38%

LAB 66.42, -65.07, 52.43

 

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

CMYK 0 / 31 / 97 / 27

HEX #BB8106

RGB 187 129 6

HSL 40.77, 0.94%, 0.38%

LAB 58.3, 13.92, 63.04

 

CMYK 97 / 0 / 31 / 27

HEX #06BB81

RGB 6 187 129

HSL 160.77, 0.94%, 0.38%

LAB 67.4, -53.38, 18.46

 

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

CMYK 0 / 97 / 86 / 27

HEX #BB061B

RGB 187 6 27

HSL 353.04, 0.94%, 0.38%

LAB 39.2, 63.18, 42.2

 

CMYK 66 / 0 / 97 / 27

HEX #3FBB06

RGB 63 187 6

HSL 101.1, 0.94%, 0.38%

LAB 66.98, -61.02, 66.16

 

CMYK 97 / 0 / 12 / 27

HEX #06BBA5

RGB 6 187 165

HSL 172.71, 0.94%, 0.38%

LAB 68.24, -44.29, 0.01

 

CMYK 29 / 96 / 0 / 27

HEX #8407BA

RGB 132 7 186

HSL 281.9, 0.93%, 0.38%

LAB 35.21, 68.81, -63.01

 

CMYK 0 / 79 / 97 / 27

HEX #BB2706

RGB 187 39 6

HSL 10.94, 0.94%, 0.38%

LAB 41.26, 56.66, 52.16

 

CMYK 66 / 0 / 97 / 27

HEX #3FBB06

RGB 63 187 6

HSL 101.1, 0.94%, 0.38%

LAB 66.98, -61.02, 66.16

 

CMYK 97 / 18 / 0 / 27

HEX #0699BB

RGB 6 153 187

HSL 191.27, 0.94%, 0.38%

LAB 58.42, -21.25, -27.04

 

Description

Color code: HEX #8407BA | qconv.com Color code: HEX #8407BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 7 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 7 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 96 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 96% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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