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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #840A71 it is the complementary color #7BF58E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #840A71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #840A71 shade: #890A6C, #9A1C7F, #AB2E92, #BC40A5 and #CD52B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #840A71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #840A71 shade: #840A71, #73005E, #62004B, #510038 and #400025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #840A71 shade: #840971, #840950, #84092F, #84090E and #840909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #840A71 shade: #840971, #760984, #550984, #340984 and #130984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #840A71 shade matches the following richer shades: #840971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #840A71 shade: #840971, #791569, #6D2161, #622C59 and #563851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #840A71 shade: #550984, #760984, #840972, #840951 and #840930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #840A71 shade: #38042F, #5E0750, #840971, #AB0C92 and #D10FB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #840A71 shade: #840A71, #843409 and #098466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #840A71 shade: #840A71, #728409 and #097284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #840A71 shade: #840A71, #843409, #09841C and #095984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #840A71 shade: #840A71, #845909, #09841C and #093484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

Complementary color

CMYK 50 / 0 / 42 / 4

HEX #7BF58E

RGB 123 245 142

HSL 129.34, 0.86%, 0.72%

LAB 87.71, -55.32, 39.28

 

CMYK 0 / 93 / 21 / 46

HEX #890A6C

RGB 137 10 108

HSL 313.7, 0.86%, 0.29%

LAB 30.92, 56.24, -21.87

 

CMYK 0 / 82 / 18 / 40

HEX #9A1C7F

RGB 154 28 127

HSL 312.86, 0.69%, 0.36%

LAB 36.43, 58.85, -25.04

 

CMYK 0 / 73 / 15 / 33

HEX #AB2E92

RGB 171 46 146

HSL 312, 0.58%, 0.43%

LAB 42.29, 60.15, -27.34

 

CMYK 0 / 66 / 12 / 26

HEX #BC40A5

RGB 188 64 165

HSL 311.13, 0.49%, 0.49%

LAB 48.35, 60.62, -29.04

 

CMYK 0 / 60 / 10 / 20

HEX #CD52B8

RGB 205 82 184

HSL 310.24, 0.55%, 0.56%

LAB 54.53, 60.58, -30.35

 

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

CMYK 0 / 100 / 18 / 55

HEX #73005E

RGB 115 0 94

HSL 310.96, 1%, 0.23%

LAB 25.12, 51.44, -22.17

 

CMYK 0 / 100 / 23 / 62

HEX #62004B

RGB 98 0 75

HSL 314.08, 1%, 0.19%

LAB 20.46, 45.28, -16.97

 

CMYK 0 / 100 / 31 / 68

HEX #510038

RGB 81 0 56

HSL 318.52, 1%, 0.16%

LAB 15.67, 38.95, -11.42

 

CMYK 0 / 100 / 42 / 75

HEX #400025

RGB 64 0 37

HSL 325.31, 1%, 0.13%

LAB 10.73, 32.45, -5.4

 

CMYK 0 / 93 / 14 / 48

HEX #840971

RGB 132 9 113

HSL 309.27, 0.87%, 0.28%

LAB 30.14, 56.02, -26.37

 

CMYK 0 / 93 / 39 / 48

HEX #840950

RGB 132 9 80

HSL 325.37, 0.87%, 0.28%

LAB 28.59, 51.91, -7.24

 

CMYK 0 / 93 / 64 / 48

HEX #84092F

RGB 132 9 47

HSL 341.46, 0.87%, 0.28%

LAB 27.59, 49.15, 13.56

 

CMYK 0 / 93 / 89 / 48

HEX #84090E

RGB 132 9 14

HSL 357.56, 0.87%, 0.28%

LAB 27.11, 47.78, 33.93

 

CMYK 0 / 93 / 93 / 48

HEX #840909

RGB 132 9 9

HSL 0, 0.87%, 0.28%

LAB 27.08, 47.69, 36.13

 

CMYK 0 / 93 / 14 / 48

HEX #840971

RGB 132 9 113

HSL 309.27, 0.87%, 0.28%

LAB 30.14, 56.02, -26.37

 

CMYK 11 / 93 / 0 / 48

HEX #760984

RGB 118 9 132

HSL 293.17, 0.87%, 0.28%

LAB 28.68, 56.39, -40.89

 

CMYK 36 / 93 / 0 / 48

HEX #550984

RGB 85 9 132

HSL 277.07, 0.87%, 0.28%

LAB 22.97, 51.21, -50.41

 

CMYK 61 / 93 / 0 / 48

HEX #340984

RGB 52 9 132

HSL 260.98, 0.87%, 0.28%

LAB 18.33, 47.51, -58.23

 

CMYK 86 / 93 / 0 / 48

HEX #130984

RGB 19 9 132

HSL 244.88, 0.87%, 0.28%

LAB 15.49, 45.58, -63.03

 

CMYK 0 / 93 / 14 / 48

HEX #840971

RGB 132 9 113

HSL 309.27, 0.87%, 0.28%

LAB 30.14, 56.02, -26.37

 

CMYK 0 / 93 / 14 / 48

HEX #840971

RGB 132 9 113

HSL 309.27, 0.87%, 0.28%

LAB 30.14, 56.02, -26.37

 

CMYK 0 / 83 / 13 / 53

HEX #791569

RGB 121 21 105

HSL 309.6, 0.7%, 0.28%

LAB 28.44, 49.92, -24.06

 

CMYK 0 / 70 / 11 / 57

HEX #6D2161

RGB 109 33 97

HSL 309.47, 0.54%, 0.28%

LAB 27.3, 41.32, -20.8

 

CMYK 0 / 55 / 9 / 62

HEX #622C59

RGB 98 44 89

HSL 310, 0.38%, 0.28%

LAB 27.07, 31.08, -16.07

 

CMYK 0 / 35 / 6 / 66

HEX #563851

RGB 86 56 81

HSL 310, 0.21%, 0.28%

LAB 27.85, 17.93, -9.78

 

CMYK 36 / 93 / 0 / 48

HEX #550984

RGB 85 9 132

HSL 277.07, 0.87%, 0.28%

LAB 22.97, 51.21, -50.41

 

CMYK 11 / 93 / 0 / 48

HEX #760984

RGB 118 9 132

HSL 293.17, 0.87%, 0.28%

LAB 28.68, 56.39, -40.89

 

CMYK 0 / 93 / 14 / 48

HEX #840972

RGB 132 9 114

HSL 308.78, 0.87%, 0.28%

LAB 30.2, 56.17, -26.92

 

CMYK 0 / 93 / 39 / 48

HEX #840951

RGB 132 9 81

HSL 324.88, 0.87%, 0.28%

LAB 28.63, 52.02, -7.85

 

CMYK 0 / 93 / 64 / 48

HEX #840930

RGB 132 9 48

HSL 340.98, 0.87%, 0.28%

LAB 27.61, 49.21, 12.92

 

CMYK 0 / 93 / 16 / 78

HEX #38042F

RGB 56 4 47

HSL 310.38, 0.87%, 0.12%

LAB 10.05, 29.93, -14.06

 

CMYK 0 / 93 / 15 / 63

HEX #5E0750

RGB 94 7 80

HSL 309.66, 0.86%, 0.2%

LAB 20.48, 43.37, -20.4

 

CMYK 0 / 93 / 14 / 48

HEX #840971

RGB 132 9 113

HSL 309.27, 0.87%, 0.28%

LAB 30.14, 56.02, -26.37

 

CMYK 0 / 93 / 15 / 33

HEX #AB0C92

RGB 171 12 146

HSL 309.43, 0.87%, 0.36%

LAB 39.57, 67.98, -31.59

 

CMYK 0 / 93 / 14 / 18

HEX #D10FB3

RGB 209 15 179

HSL 309.28, 0.87%, 0.44%

LAB 48.45, 79.21, -36.89

 

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

CMYK 0 / 61 / 93 / 48

HEX #843409

RGB 132 52 9

HSL 20.98, 0.87%, 0.28%

LAB 32.66, 32.38, 40.47

 

CMYK 93 / 0 / 23 / 48

HEX #098466

RGB 9 132 102

HSL 165.37, 0.87%, 0.28%

LAB 48.91, -37.88, 7.74

 

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

CMYK 14 / 0 / 93 / 48

HEX #728409

RGB 114 132 9

HSL 68.78, 0.87%, 0.28%

LAB 51.95, -21.25, 54.58

 

CMYK 93 / 14 / 0 / 48

HEX #097284

RGB 9 114 132

HSL 188.78, 0.87%, 0.28%

LAB 43.88, -19.78, -17.47

 

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

CMYK 0 / 61 / 93 / 48

HEX #843409

RGB 132 52 9

HSL 20.98, 0.87%, 0.28%

LAB 32.66, 32.38, 40.47

 

CMYK 93 / 0 / 79 / 48

HEX #09841C

RGB 9 132 28

HSL 129.27, 0.87%, 0.28%

LAB 47.81, -50.8, 44.32

 

CMYK 93 / 33 / 0 / 48

HEX #095984

RGB 9 89 132

HSL 200.98, 0.87%, 0.28%

LAB 35.73, -5.23, -30.14

 

CMYK 0 / 92 / 14 / 48

HEX #840A71

RGB 132 10 113

HSL 309.34, 0.86%, 0.28%

LAB 30.19, 55.87, -26.28

 

CMYK 0 / 33 / 93 / 48

HEX #845909

RGB 132 89 9

HSL 39.02, 0.87%, 0.28%

LAB 41.33, 11.42, 47

 

CMYK 93 / 0 / 79 / 48

HEX #09841C

RGB 9 132 28

HSL 129.27, 0.87%, 0.28%

LAB 47.81, -50.8, 44.32

 

CMYK 93 / 61 / 0 / 48

HEX #093484

RGB 9 52 132

HSL 219.02, 0.87%, 0.28%

LAB 24.26, 19.93, -48.56

 

Description

Color code: HEX #840A71 | qconv.com Color code: HEX #840A71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 10 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 10 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 14 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 14% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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