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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8419F9 it is the complementary color #7BE606. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8419F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8419F9 shade: #8919F4, #9A2BFF, #AB3DFF, #BC4FFF and #CD61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8419F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8419F9 shade: #8419F9, #7307E6, #6200D3, #5100C0 and #4000AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8419F9 shade: #841AF9, #C01AF9, #F91AF5, #F91AB9 and #F91A7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8419F9 shade: #841AF9, #481AF9 and #1A1AF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8419F9 shade matches the following richer shades: #841AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8419F9 shade: #841AF9, #852DE6, #8640D3, #8753C0 and #8866AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8419F9 shade: #1A29F9, #461AF9, #821AF9, #BD1AF9 and #F91AF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8419F9 shade: #5C04BC, #7005E4, #841AF9, #9A42FA and #AF6AFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8419F9 shade: #8419F9, #F91A64 and #1AF929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8419F9 shade: #8419F9, #F9821A and #1AF982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8419F9 shade: #8419F9, #F91A64, #91F91A and #1AF9AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8419F9 shade: #8419F9, #F91A21, #91F91A and #1AF9F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

Complementary color

CMYK 47 / 0 / 97 / 10

HEX #7BE606

RGB 123 230 6

HSL 88.66, 0.95%, 0.46%

LAB 82.28, -60.2, 79.25

 

CMYK 44 / 90 / 0 / 4

HEX #8919F4

RGB 137 25 244

HSL 270.68, 0.91%, 0.53%

LAB 42.07, 78.36, -85.17

 

CMYK 40 / 83 / 0 / 0

HEX #9A2BFF

RGB 154 43 255

HSL 271.42, 1%, 0.58%

LAB 46.73, 78.3, -83.59

 

CMYK 33 / 76 / 0 / 0

HEX #AB3DFF

RGB 171 61 255

HSL 274.02, 1%, 0.62%

LAB 50.94, 74.95, -76.63

 

CMYK 26 / 69 / 0 / 0

HEX #BC4FFF

RGB 188 79 255

HSL 277.16, 1%, 0.65%

LAB 55.59, 71.01, -68.98

 

CMYK 20 / 62 / 0 / 0

HEX #CD61FF

RGB 205 97 255

HSL 281.01, 1%, 0.69%

LAB 60.56, 66.79, -60.87

 

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

CMYK 50 / 97 / 0 / 10

HEX #7307E6

RGB 115 7 230

HSL 269.06, 0.94%, 0.46%

LAB 36.95, 76.09, -85.79

 

CMYK 54 / 100 / 0 / 17

HEX #6200D3

RGB 98 0 211

HSL 267.87, 1%, 0.41%

LAB 32.48, 71.61, -82.32

 

CMYK 58 / 100 / 0 / 25

HEX #5100C0

RGB 81 0 192

HSL 265.31, 1%, 0.38%

LAB 28.26, 66.22, -78.26

 

CMYK 63 / 100 / 0 / 32

HEX #4000AD

RGB 64 0 173

HSL 262.2, 1%, 0.34%

LAB 24.02, 60.8, -74.02

 

CMYK 47 / 90 / 0 / 2

HEX #841AF9

RGB 132 26 249

HSL 268.52, 0.95%, 0.54%

LAB 41.98, 78.73, -88.16

 

CMYK 23 / 90 / 0 / 2

HEX #C01AF9

RGB 192 26 249

HSL 284.66, 0.95%, 0.54%

LAB 50.43, 85.84, -73.97

 

CMYK 0 / 90 / 2 / 2

HEX #F91AF5

RGB 249 26 245

HSL 301.08, 0.95%, 0.54%

LAB 59.41, 93.93, -56.8

 

CMYK 0 / 90 / 26 / 2

HEX #F91AB9

RGB 249 26 185

HSL 317.22, 0.95%, 0.54%

LAB 56.47, 86.35, -27.34

 

CMYK 0 / 90 / 50 / 2

HEX #F91A7D

RGB 249 26 125

HSL 333.36, 0.95%, 0.54%

LAB 54.41, 80.77, 5.03

 

CMYK 47 / 90 / 0 / 2

HEX #841AF9

RGB 132 26 249

HSL 268.52, 0.95%, 0.54%

LAB 41.98, 78.73, -88.16

 

CMYK 71 / 90 / 0 / 2

HEX #481AF9

RGB 72 26 249

HSL 252.38, 0.95%, 0.54%

LAB 35.9, 74.39, -98.42

 

CMYK 90 / 90 / 0 / 2

HEX #1A1AF9

RGB 26 26 249

HSL 240, 0.95%, 0.54%

LAB 33.56, 72.95, -102.38

 

CMYK 47 / 90 / 0 / 2

HEX #841AF9

RGB 132 26 249

HSL 268.52, 0.95%, 0.54%

LAB 41.98, 78.73, -88.16

 

CMYK 47 / 90 / 0 / 2

HEX #841AF9

RGB 132 26 249

HSL 268.52, 0.95%, 0.54%

LAB 41.98, 78.73, -88.16

 

CMYK 42 / 80 / 0 / 10

HEX #852DE6

RGB 133 45 230

HSL 268.54, 0.79%, 0.54%

LAB 42.12, 69.4, -77.19

 

CMYK 36 / 70 / 0 / 17

HEX #8640D3

RGB 134 64 211

HSL 268.57, 0.63%, 0.54%

LAB 43.42, 57.37, -64.2

 

CMYK 30 / 57 / 0 / 25

HEX #8753C0

RGB 135 83 192

HSL 268.62, 0.46%, 0.54%

LAB 45.83, 43.25, -49.33

 

CMYK 21 / 41 / 0 / 32

HEX #8866AD

RGB 136 102 173

HSL 268.73, 0.3%, 0.54%

LAB 49.2, 28.04, -32.92

 

CMYK 90 / 84 / 0 / 2

HEX #1A29F9

RGB 26 41 249

HSL 235.96, 0.95%, 0.54%

LAB 35.29, 67.73, -99.49

 

CMYK 72 / 90 / 0 / 2

HEX #461AF9

RGB 70 26 249

HSL 251.84, 0.95%, 0.54%

LAB 35.75, 74.29, -98.66

 

CMYK 48 / 90 / 0 / 2

HEX #821AF9

RGB 130 26 249

HSL 267.98, 0.95%, 0.54%

LAB 41.73, 78.53, -88.58

 

CMYK 24 / 90 / 0 / 2

HEX #BD1AF9

RGB 189 26 249

HSL 283.86, 0.95%, 0.54%

LAB 49.97, 85.43, -74.74

 

CMYK 0 / 90 / 0 / 2

HEX #F91AF9

RGB 249 26 249

HSL 300, 0.95%, 0.54%

LAB 59.63, 94.49, -58.67

 

CMYK 51 / 98 / 0 / 26

HEX #5C04BC

RGB 92 4 188

HSL 268.7, 0.96%, 0.38%

LAB 29.39, 65.43, -73.97

 

CMYK 51 / 98 / 0 / 11

HEX #7005E4

RGB 112 5 228

HSL 268.79, 0.96%, 0.46%

LAB 36.28, 75.67, -85.76

 

CMYK 47 / 90 / 0 / 2

HEX #841AF9

RGB 132 26 249

HSL 268.52, 0.95%, 0.54%

LAB 41.98, 78.73, -88.16

 

CMYK 38 / 74 / 0 / 2

HEX #9A42FA

RGB 154 66 250

HSL 268.7, 0.95%, 0.62%

LAB 49.09, 69.18, -76.94

 

CMYK 30 / 58 / 0 / 2

HEX #AF6AFB

RGB 175 106 251

HSL 268.55, 0.95%, 0.7%

LAB 58.4, 54.76, -62.32

 

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

CMYK 0 / 90 / 60 / 2

HEX #F91A64

RGB 249 26 100

HSL 340.09, 0.95%, 0.54%

LAB 53.81, 79.12, 19.27

 

CMYK 90 / 0 / 84 / 2

HEX #1AF929

RGB 26 249 41

HSL 124.04, 0.95%, 0.54%

LAB 86.07, -82.6, 76.46

 

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

CMYK 0 / 48 / 90 / 2

HEX #F9821A

RGB 249 130 26

HSL 27.98, 0.95%, 0.54%

LAB 66.66, 39.77, 68.71

 

CMYK 90 / 0 / 48 / 2

HEX #1AF982

RGB 26 249 130

HSL 147.98, 0.95%, 0.54%

LAB 86.79, -73.66, 43.53

 

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

CMYK 0 / 90 / 60 / 2

HEX #F91A64

RGB 249 26 100

HSL 340.09, 0.95%, 0.54%

LAB 53.81, 79.12, 19.27

 

CMYK 42 / 0 / 90 / 2

HEX #91F91A

RGB 145 249 26

HSL 87.98, 0.95%, 0.54%

LAB 88.85, -60.12, 82.75

 

CMYK 90 / 0 / 30 / 2

HEX #1AF9AE

RGB 26 249 174

HSL 159.82, 0.95%, 0.54%

LAB 87.5, -65.45, 22.57

 

CMYK 47 / 90 / 0 / 2

HEX #8419F9

RGB 132 25 249

HSL 268.66, 0.95%, 0.54%

LAB 41.91, 78.93, -88.27

 

CMYK 0 / 90 / 87 / 2

HEX #F91A21

RGB 249 26 33

HSL 358.12, 0.95%, 0.54%

LAB 52.94, 76.65, 55.89

 

CMYK 42 / 0 / 90 / 2

HEX #91F91A

RGB 145 249 26

HSL 87.98, 0.95%, 0.54%

LAB 88.85, -60.12, 82.75

 

CMYK 90 / 0 / 3 / 2

HEX #1AF9F1

RGB 26 249 241

HSL 177.85, 0.95%, 0.54%

LAB 89.07, -48.8, -9.89

 

Description

Color code: HEX #8419F9 | qconv.com Color code: HEX #8419F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 25 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 25 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 90 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 90% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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