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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841A9C it is the complementary color #7BE563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841A9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841A9C shade: #891A97, #9A2CAA, #AB3EBD, #BC50D0 and #CD62E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841A9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841A9C shade: #841A9C, #730889, #620076, #510063 and #400050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841A9C shade: #841A9C, #9C1A91, #9C1A6E, #9C1A4B and #9C1A28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841A9C shade: #841A9C, #611A9C, #3E1A9C, #1B1A9C and #1A1A9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841A9C shade matches the following richer shades: #841A9C and #8E0BAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841A9C shade: #841A9C, #7B298E, #72387F, #684770 and #5F5661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841A9C shade: #3D1A9C, #601A9C, #821A9C, #9C1A94 and #9C1A71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841A9C shade: #490E56, #671479, #841A9C, #A220C0 and #BB2EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841A9C shade: #841A9C, #9C1A1A and #1A9C4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841A9C shade: #841A9C, #9C821A and #1A9C82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841A9C shade: #841A9C, #9C1A1A, #349C1A and #1A9C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841A9C shade: #841A9C, #9C411A, #349C1A and #1A759C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

Complementary color

CMYK 46 / 0 / 57 / 10

HEX #7BE563

RGB 123 229 99

HSL 108.92, 0.71%, 0.64%

LAB 82.46, -54.64, 53.15

 

CMYK 9 / 83 / 0 / 41

HEX #891A97

RGB 137 26 151

HSL 293.28, 0.71%, 0.35%

LAB 34.58, 59.6, -42.96

 

CMYK 9 / 74 / 0 / 33

HEX #9A2CAA

RGB 154 44 170

HSL 292.38, 0.59%, 0.42%

LAB 40.53, 60.9, -44.73

 

CMYK 10 / 67 / 0 / 26

HEX #AB3EBD

RGB 171 62 189

HSL 291.5, 0.51%, 0.49%

LAB 46.68, 61.33, -45.95

 

CMYK 10 / 62 / 0 / 18

HEX #BC50D0

RGB 188 80 208

HSL 290.63, 0.58%, 0.56%

LAB 52.93, 61.24, -46.82

 

CMYK 10 / 57 / 0 / 11

HEX #CD62E3

RGB 205 98 227

HSL 289.77, 0.7%, 0.64%

LAB 59.21, 60.85, -47.46

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 16 / 94 / 0 / 46

HEX #730889

RGB 115 8 137

HSL 289.77, 0.89%, 0.28%

LAB 28.45, 56.96, -44.41

 

CMYK 17 / 100 / 0 / 54

HEX #620076

RGB 98 0 118

HSL 289.83, 1%, 0.23%

LAB 23.35, 52.26, -40.8

 

CMYK 18 / 100 / 0 / 61

HEX #510063

RGB 81 0 99

HSL 289.09, 1%, 0.19%

LAB 18.58, 46.01, -36.31

 

CMYK 20 / 100 / 0 / 69

HEX #400050

RGB 64 0 80

HSL 288, 1%, 0.16%

LAB 13.65, 39.55, -31.68

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 0 / 83 / 7 / 39

HEX #9C1A91

RGB 156 26 145

HSL 305.08, 0.71%, 0.36%

LAB 37.57, 62.41, -34.33

 

CMYK 0 / 83 / 29 / 39

HEX #9C1A6E

RGB 156 26 110

HSL 321.23, 0.71%, 0.36%

LAB 35.85, 57.62, -15.22

 

CMYK 0 / 83 / 52 / 39

HEX #9C1A4B

RGB 156 26 75

HSL 337.38, 0.71%, 0.36%

LAB 34.63, 54.05, 5.48

 

CMYK 0 / 83 / 74 / 39

HEX #9C1A28

RGB 156 26 40

HSL 353.54, 0.71%, 0.36%

LAB 33.9, 51.85, 27.13

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 38 / 83 / 0 / 39

HEX #611A9C

RGB 97 26 156

HSL 272.77, 0.71%, 0.36%

LAB 28.59, 53.65, -56.03

 

CMYK 60 / 83 / 0 / 39

HEX #3E1A9C

RGB 62 26 156

HSL 256.62, 0.71%, 0.36%

LAB 24.2, 49.04, -63.4

 

CMYK 83 / 83 / 0 / 39

HEX #1B1A9C

RGB 27 26 156

HSL 240.46, 0.71%, 0.36%

LAB 21.48, 46.26, -68

 

CMYK 83 / 83 / 0 / 39

HEX #1A1A9C

RGB 26 26 156

HSL 240, 0.71%, 0.36%

LAB 21.43, 46.21, -68.09

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 17 / 94 / 0 / 33

HEX #8E0BAB

RGB 142 11 171

HSL 289.13, 0.88%, 0.36%

LAB 35.85, 66.93, -52.97

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 13 / 71 / 0 / 44

HEX #7B298E

RGB 123 41 142

HSL 288.71, 0.55%, 0.36%

LAB 33.46, 49.9, -39.38

 

CMYK 10 / 56 / 0 / 50

HEX #72387F

RGB 114 56 127

HSL 289.01, 0.39%, 0.36%

LAB 33.85, 37.22, -29.54

 

CMYK 7 / 37 / 0 / 56

HEX #684770

RGB 104 71 112

HSL 288.29, 0.22%, 0.36%

LAB 35.24, 21.96, -18.11

 

CMYK 2 / 11 / 0 / 62

HEX #5F5661

RGB 95 86 97

HSL 289.09, 0.06%, 0.36%

LAB 37.76, 5.94, -5.02

 

CMYK 61 / 83 / 0 / 39

HEX #3D1A9C

RGB 61 26 156

HSL 256.15, 0.71%, 0.36%

LAB 24.1, 48.93, -63.57

 

CMYK 38 / 83 / 0 / 39

HEX #601A9C

RGB 96 26 156

HSL 272.31, 0.71%, 0.36%

LAB 28.45, 53.5, -56.27

 

CMYK 17 / 83 / 0 / 39

HEX #821A9C

RGB 130 26 156

HSL 288, 0.71%, 0.36%

LAB 33.74, 59.21, -47.42

 

CMYK 0 / 83 / 5 / 39

HEX #9C1A94

RGB 156 26 148

HSL 303.69, 0.71%, 0.36%

LAB 37.74, 62.87, -35.89

 

CMYK 0 / 83 / 28 / 39

HEX #9C1A71

RGB 156 26 113

HSL 319.85, 0.71%, 0.36%

LAB 35.98, 57.98, -16.92

 

CMYK 15 / 84 / 0 / 66

HEX #490E56

RGB 73 14 86

HSL 289.17, 0.72%, 0.2%

LAB 17.47, 37.73, -29.5

 

CMYK 15 / 83 / 0 / 53

HEX #671479

RGB 103 20 121

HSL 289.31, 0.72%, 0.28%

LAB 26.05, 49.1, -38.31

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 16 / 83 / 0 / 25

HEX #A220C0

RGB 162 32 192

HSL 288.75, 0.71%, 0.44%

LAB 42.03, 69.93, -55.24

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDB

RGB 187 46 219

HSL 288.9, 0.71%, 0.52%

LAB 49.05, 75.45, -59.32

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 0 / 83 / 83 / 39

HEX #9C1A1A

RGB 156 26 26

HSL 0, 0.71%, 0.36%

LAB 33.73, 51.35, 35.31

 

CMYK 83 / 0 / 50 / 39

HEX #1A9C4E

RGB 26 156 78

HSL 144, 0.71%, 0.36%

LAB 56.63, -50.97, 31.45

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 0 / 17 / 83 / 39

HEX #9C821A

RGB 156 130 26

HSL 48, 0.71%, 0.36%

LAB 55.18, -0.39, 54.7

 

CMYK 83 / 0 / 17 / 39

HEX #1A9C82

RGB 26 156 130

HSL 168, 0.71%, 0.36%

LAB 57.66, -39.47, 4.21

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 0 / 83 / 83 / 39

HEX #9C1A1A

RGB 156 26 26

HSL 0, 0.71%, 0.36%

LAB 33.73, 51.35, 35.31

 

CMYK 67 / 0 / 83 / 39

HEX #349C1A

RGB 52 156 26

HSL 108, 0.71%, 0.36%

LAB 56.67, -52.39, 53.61

 

CMYK 83 / 0 / 0 / 39

HEX #1A9C9C

RGB 26 156 156

HSL 180, 0.71%, 0.36%

LAB 58.41, -31.94, -9.46

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 0 / 58 / 83 / 39

HEX #9C411A

RGB 156 65 26

HSL 18, 0.71%, 0.36%

LAB 39.45, 35.84, 40.69

 

CMYK 67 / 0 / 83 / 39

HEX #349C1A

RGB 52 156 26

HSL 108, 0.71%, 0.36%

LAB 56.67, -52.39, 53.61

 

CMYK 83 / 25 / 0 / 39

HEX #1A759C

RGB 26 117 156

HSL 198, 0.71%, 0.36%

LAB 46.1, -11.46, -28.27

 

Description

Color code: HEX #841A9C | qconv.com Color code: HEX #841A9C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 26 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 26 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 83 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 83% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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