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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841BDA it is the complementary color #7BE425. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841BDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841BDA shade: #891BD5, #9A2DE8, #AB3FFB, #BC51FF and #CD63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841BDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841BDA shade: #841BDA, #7309C7, #6200B4, #5100A1 and #40008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841BDA shade: #831AD9, #B71AD9, #D91AC8, #D91A95 and #D91A61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841BDA shade: #831AD9, #501AD9, #1C1AD9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841BDA shade matches the following richer shades: #831AD9 and #8507ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841BDA shade: #831AD9, #812EC6, #7F42B2, #7D569E and #7C6A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841BDA shade: #1A1AD9, #4D1AD9, #801AD9, #B31AD9 and #D91ACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841BDA shade: #571190, #6D16B5, #831AD9, #9737E6 and #AA5CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841BDA shade: #841BDA, #D91A4D and #1AD934

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841BDA shade: #841BDA, #D9801A and #1AD980

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841BDA shade: #841BDA, #D91A4D, #74D91A and #1AD9A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841BDA shade: #841BDA, #D9211A, #74D91A and #1AD3D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

Complementary color

CMYK 46 / 0 / 84 / 11

HEX #7BE425

RGB 123 228 37

HSL 92.98, 0.78%, 0.52%

LAB 81.75, -58.74, 74.3

 

CMYK 36 / 87 / 0 / 16

HEX #891BD5

RGB 137 27 213

HSL 275.48, 0.78%, 0.47%

LAB 39.42, 71.41, -71.85

 

CMYK 34 / 81 / 0 / 9

HEX #9A2DE8

RGB 154 45 232

HSL 274.97, 0.8%, 0.54%

LAB 45.04, 72.83, -73.43

 

CMYK 32 / 75 / 0 / 2

HEX #AB3FFB

RGB 171 63 251

HSL 274.47, 0.96%, 0.62%

LAB 50.89, 73.37, -74.47

 

CMYK 26 / 68 / 0 / 0

HEX #BC51FF

RGB 188 81 255

HSL 276.9, 1%, 0.66%

LAB 55.88, 70.18, -68.51

 

CMYK 20 / 61 / 0 / 0

HEX #CD63FF

RGB 205 99 255

HSL 280.77, 1%, 0.69%

LAB 60.89, 65.89, -60.35

 

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

CMYK 42 / 95 / 0 / 22

HEX #7309C7

RGB 115 9 199

HSL 273.47, 0.91%, 0.41%

LAB 33.91, 69.2, -72.89

 

CMYK 46 / 100 / 0 / 29

HEX #6200B4

RGB 98 0 180

HSL 272.67, 1%, 0.35%

LAB 29.14, 64.86, -69.61

 

CMYK 50 / 100 / 0 / 37

HEX #5100A1

RGB 81 0 161

HSL 270.19, 1%, 0.32%

LAB 24.71, 59.19, -65.54

 

CMYK 55 / 100 / 0 / 44

HEX #40008E

RGB 64 0 142

HSL 267.04, 1%, 0.28%

LAB 20.22, 53.45, -61.34

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 16 / 88 / 0 / 15

HEX #B71AD9

RGB 183 26 217

HSL 289.32, 0.79%, 0.48%

LAB 46.73, 78.96, -61.94

 

CMYK 0 / 88 / 8 / 15

HEX #D91AC8

RGB 217 26 200

HSL 305.34, 0.79%, 0.48%

LAB 51.45, 82.1, -44.29

 

CMYK 0 / 88 / 31 / 15

HEX #D91A95

RGB 217 26 149

HSL 321.36, 0.79%, 0.48%

LAB 49.08, 75.83, -17.97

 

CMYK 0 / 88 / 55 / 15

HEX #D91A61

RGB 217 26 97

HSL 337.7, 0.79%, 0.48%

LAB 47.43, 71.27, 11.33

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 63 / 88 / 0 / 15

HEX #501AD9

RGB 80 26 217

HSL 256.96, 0.79%, 0.48%

LAB 32.82, 66.81, -85.29

 

CMYK 87 / 88 / 0 / 15

HEX #1C1AD9

RGB 28 26 217

HSL 240.63, 0.79%, 0.48%

LAB 29.4, 64.36, -91.07

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 44 / 97 / 0 / 7

HEX #8507ED

RGB 133 7 237

HSL 272.87, 0.94%, 0.48%

LAB 40, 79.11, -84.64

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 35 / 77 / 0 / 22

HEX #812EC6

RGB 129 46 198

HSL 272.76, 0.62%, 0.48%

LAB 39.07, 61.14, -63.78

 

CMYK 29 / 63 / 0 / 30

HEX #7F42B2

RGB 127 66 178

HSL 272.68, 0.46%, 0.48%

LAB 40.61, 46.99, -49.56

 

CMYK 21 / 46 / 0 / 38

HEX #7D569E

RGB 125 86 158

HSL 272.5, 0.3%, 0.48%

LAB 43.48, 30.51, -33.13

 

CMYK 10 / 23 / 0 / 46

HEX #7C6A8A

RGB 124 106 138

HSL 273.75, 0.13%, 0.48%

LAB 47.53, 13.58, -14.96

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 65 / 88 / 0 / 15

HEX #4D1AD9

RGB 77 26 217

HSL 256.02, 0.79%, 0.48%

LAB 32.54, 66.6, -85.76

 

CMYK 41 / 88 / 0 / 15

HEX #801AD9

RGB 128 26 217

HSL 272.04, 0.79%, 0.48%

LAB 38.44, 71.38, -75.82

 

CMYK 18 / 88 / 0 / 15

HEX #B31AD9

RGB 179 26 217

HSL 288.06, 0.79%, 0.48%

LAB 46.09, 78.34, -63.02

 

CMYK 0 / 88 / 6 / 15

HEX #D91ACD

RGB 217 26 205

HSL 303.77, 0.79%, 0.48%

LAB 51.72, 82.8, -46.74

 

CMYK 40 / 88 / 0 / 44

HEX #571190

RGB 87 17 144

HSL 273.07, 0.79%, 0.32%

LAB 25.08, 52.22, -54.45

 

CMYK 40 / 88 / 0 / 29

HEX #6D16B5

RGB 109 22 181

HSL 272.83, 0.78%, 0.4%

LAB 32.17, 62.17, -65.16

 

CMYK 40 / 88 / 0 / 15

HEX #831AD9

RGB 131 26 217

HSL 272.98, 0.79%, 0.48%

LAB 38.85, 71.74, -75.12

 

CMYK 34 / 76 / 0 / 10

HEX #9737E6

RGB 151 55 230

HSL 272.91, 0.78%, 0.56%

LAB 45.67, 68.5, -71.29

 

CMYK 27 / 61 / 0 / 8

HEX #AA5CEA

RGB 170 92 234

HSL 272.96, 0.77%, 0.64%

LAB 54.18, 56.77, -59.67

 

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

CMYK 0 / 88 / 65 / 15

HEX #D91A4D

RGB 217 26 77

HSL 343.98, 0.79%, 0.48%

LAB 47.01, 70.06, 23.1

 

CMYK 88 / 0 / 76 / 15

HEX #1AD934

RGB 26 217 52

HSL 128.17, 0.79%, 0.48%

LAB 76.13, -73.11, 64.15

 

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

CMYK 0 / 41 / 88 / 15

HEX #D9801A

RGB 217 128 26

HSL 32.04, 0.79%, 0.48%

LAB 61.88, 27.8, 63.17

 

CMYK 88 / 0 / 41 / 15

HEX #1AD980

RGB 26 217 128

HSL 152.04, 0.79%, 0.48%

LAB 76.92, -63.4, 31.82

 

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

CMYK 0 / 88 / 65 / 15

HEX #D91A4D

RGB 217 26 77

HSL 343.98, 0.79%, 0.48%

LAB 47.01, 70.06, 23.1

 

CMYK 47 / 0 / 88 / 15

HEX #74D91A

RGB 116 217 26

HSL 91.73, 0.79%, 0.48%

LAB 78.12, -57.12, 73.29

 

CMYK 88 / 0 / 24 / 15

HEX #1AD9A6

RGB 26 217 166

HSL 163.98, 0.79%, 0.48%

LAB 77.64, -55.33, 12.98

 

CMYK 39 / 88 / 0 / 15

HEX #841BDA

RGB 132 27 218

HSL 272.98, 0.78%, 0.48%

LAB 39.16, 71.84, -75.19

 

CMYK 0 / 85 / 88 / 15

HEX #D9211A

RGB 217 33 26

HSL 2.2, 0.79%, 0.48%

LAB 46.86, 66.98, 51.52

 

CMYK 47 / 0 / 88 / 15

HEX #74D91A

RGB 116 217 26

HSL 91.73, 0.79%, 0.48%

LAB 78.12, -57.12, 73.29

 

CMYK 88 / 3 / 0 / 15

HEX #1AD3D9

RGB 26 211 217

HSL 181.88, 0.79%, 0.48%

LAB 77.17, -39.02, -14.99

 

Description

Color code: HEX #841BDA | qconv.com Color code: HEX #841BDA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 27 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 27 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 88 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 88% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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