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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84282A it is the complementary color #7BD7D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84282A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84282A shade: #892825, #9A3A38, #AB4C4B, #BC5E5E and #CD7071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84282A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84282A shade: #84282A, #731617, #620404, #510000 and #400000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84282A shade: #84282A and #842828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84282A shade: #84282A, #842843, #84285C, #842875 and #7B2884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84282A shade matches the following richer shades: #84282A, #921A1D and #A00C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84282A shade: #84282A, #763638, #684445, #5A5253 and #4C6060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84282A shade: #84285C, #842844, #84282B, #843E28 and #845628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84282A shade: #451516, #651F20, #84282A, #A43234 and #C33C3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84282A shade: #84282A, #758428 and #285084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84282A shade: #84282A, #2B8428 and #282B84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84282A shade: #84282A, #758428, #288481 and #382884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84282A shade: #84282A, #598428, #288481 and #532884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

Complementary color

CMYK 43 / 0 / 1 / 16

HEX #7BD7D5

RGB 123 215 213

HSL 178.7, 0.53%, 0.66%

LAB 80.52, -27.87, -7.6

 

CMYK 0 / 71 / 73 / 46

HEX #892825

RGB 137 40 37

HSL 1.8, 0.57%, 0.34%

LAB 31.74, 40.88, 25.51

 

CMYK 0 / 62 / 64 / 40

HEX #9A3A38

RGB 154 58 56

HSL 1.22, 0.47%, 0.41%

LAB 38.17, 40.01, 22.31

 

CMYK 0 / 56 / 56 / 33

HEX #AB4C4B

RGB 171 76 75

HSL 0.62, 0.39%, 0.48%

LAB 44.71, 38.9, 19.75

 

CMYK 0 / 50 / 50 / 26

HEX #BC5E5E

RGB 188 94 94

HSL 0, 0.41%, 0.55%

LAB 51.27, 37.75, 17.65

 

CMYK 0 / 45 / 45 / 20

HEX #CD7071

RGB 205 112 113

HSL 359.35, 0.48%, 0.62%

LAB 57.81, 36.63, 15.88

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 81 / 80 / 55

HEX #731617

RGB 115 22 23

HSL 359.35, 0.68%, 0.27%

LAB 24.58, 39.67, 24.95

 

CMYK 0 / 96 / 96 / 62

HEX #620404

RGB 98 4 4

HSL 0, 0.92%, 0.2%

LAB 18.77, 38.76, 27.13

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 70 / 70 / 48

HEX #842828

RGB 132 40 40

HSL 0, 0.53%, 0.34%

LAB 30.82, 39.29, 22.3

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 70 / 49 / 48

HEX #842843

RGB 132 40 67

HSL 342.39, 0.53%, 0.34%

LAB 31.41, 41.4, 5.5

 

CMYK 0 / 70 / 30 / 48

HEX #84285C

RGB 132 40 92

HSL 326.09, 0.53%, 0.34%

LAB 32.25, 44.29, -9.59

 

CMYK 0 / 70 / 11 / 48

HEX #842875

RGB 132 40 117

HSL 309.78, 0.53%, 0.34%

LAB 33.37, 48, -23.85

 

CMYK 7 / 70 / 0 / 48

HEX #7B2884

RGB 123 40 132

HSL 294.13, 0.53%, 0.34%

LAB 32.69, 48.36, -34.41

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 82 / 80 / 43

HEX #921A1D

RGB 146 26 29

HSL 358.5, 0.7%, 0.34%

LAB 31.67, 48.44, 30.81

 

CMYK 0 / 93 / 91 / 37

HEX #A00C0F

RGB 160 12 15

HSL 358.78, 0.86%, 0.34%

LAB 33.5, 55.11, 41.13

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 54 / 53 / 54

HEX #763638

RGB 118 54 56

HSL 358.13, 0.37%, 0.34%

LAB 31.29, 28.24, 12.14

 

CMYK 0 / 35 / 34 / 59

HEX #684445

RGB 104 68 69

HSL 358.33, 0.21%, 0.34%

LAB 32.93, 15.7, 5.75

 

CMYK 0 / 9 / 8 / 65

HEX #5A5253

RGB 90 82 83

HSL 352.5, 0.05%, 0.34%

LAB 35.66, 3.48, 0.6

 

CMYK 21 / 0 / 0 / 62

HEX #4C6060

RGB 76 96 96

HSL 180, 0.12%, 0.34%

LAB 39.15, -7.53, -2.51

 

CMYK 0 / 70 / 30 / 48

HEX #84285C

RGB 132 40 92

HSL 326.09, 0.53%, 0.34%

LAB 32.25, 44.29, -9.59

 

CMYK 0 / 70 / 48 / 48

HEX #842844

RGB 132 40 68

HSL 341.74, 0.53%, 0.34%

LAB 31.44, 41.5, 4.88

 

CMYK 0 / 70 / 67 / 48

HEX #84282B

RGB 132 40 43

HSL 358.04, 0.53%, 0.34%

LAB 30.87, 39.47, 20.45

 

CMYK 0 / 53 / 70 / 48

HEX #843E28

RGB 132 62 40

HSL 14.35, 0.53%, 0.34%

LAB 35.01, 28.29, 27.3

 

CMYK 0 / 35 / 70 / 48

HEX #845628

RGB 132 86 40

HSL 30, 0.53%, 0.34%

LAB 40.76, 14.45, 33.84

 

CMYK 0 / 70 / 68 / 73

HEX #451516

RGB 69 21 22

HSL 358.75, 0.53%, 0.18%

LAB 14.73, 23.18, 11.57

 

CMYK 0 / 69 / 68 / 60

HEX #651F20

RGB 101 31 32

HSL 359.14, 0.53%, 0.26%

LAB 23.17, 31.53, 16.71

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 0 / 70 / 68 / 36

HEX #A43234

RGB 164 50 52

HSL 358.95, 0.53%, 0.42%

LAB 38.59, 46.8, 25.69

 

CMYK 0 / 69 / 68 / 24

HEX #C33C3F

RGB 195 60 63

HSL 358.67, 0.53%, 0.5%

LAB 45.9, 53.64, 29.3

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 11 / 0 / 70 / 48

HEX #758428

RGB 117 132 40

HSL 69.78, 0.53%, 0.34%

LAB 52.33, -18.61, 45.66

 

CMYK 70 / 39 / 0 / 48

HEX #285084

RGB 40 80 132

HSL 213.91, 0.53%, 0.34%

LAB 33.68, 4.16, -33.34

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 67 / 0 / 70 / 48

HEX #2B8428

RGB 43 132 40

HSL 118.04, 0.53%, 0.34%

LAB 48.47, -44.8, 40.44

 

CMYK 70 / 67 / 0 / 48

HEX #282B84

RGB 40 43 132

HSL 238.04, 0.53%, 0.34%

LAB 23.15, 29.26, -50.32

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 11 / 0 / 70 / 48

HEX #758428

RGB 117 132 40

HSL 69.78, 0.53%, 0.34%

LAB 52.33, -18.61, 45.66

 

CMYK 70 / 0 / 2 / 48

HEX #288481

RGB 40 132 129

HSL 178.04, 0.53%, 0.34%

LAB 50.14, -26.9, -6.2

 

CMYK 58 / 70 / 0 / 48

HEX #382884

RGB 56 40 132

HSL 250.43, 0.53%, 0.34%

LAB 23.75, 33.7, -49.28

 

CMYK 0 / 70 / 68 / 48

HEX #84282A

RGB 132 40 42

HSL 358.7, 0.53%, 0.34%

LAB 30.86, 39.41, 21.06

 

CMYK 33 / 0 / 70 / 48

HEX #598428

RGB 89 132 40

HSL 88.04, 0.53%, 0.34%

LAB 50.43, -30.35, 43.1

 

CMYK 70 / 0 / 2 / 48

HEX #288481

RGB 40 132 129

HSL 178.04, 0.53%, 0.34%

LAB 50.14, -26.9, -6.2

 

CMYK 37 / 70 / 0 / 48

HEX #532884

RGB 83 40 132

HSL 268.04, 0.53%, 0.34%

LAB 26.8, 39.04, -44.19

 

Description

Color code: HEX #84282A | qconv.com Color code: HEX #84282A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 40 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 40 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 68 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 68% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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