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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842952 it is the complementary color #7BD6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842952 shade: #89294D, #9A3B60, #AB4D73, #BC5F86 and #CD7199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842952 shade: #842952, #73173F, #62052C, #510019 and #400006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842952 shade: #842852, #842839 and #842828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842952 shade: #842852, #84286A, #842883, #6C2884 and #542884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842952 shade matches the following richer shades: #842852, #921A50 and #A00C4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842952 shade: #842852, #763653, #684454, #5A5256 and #4C6057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842952 shade: #842884, #84286C, #842853, #84283B and #842E28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842952 shade: #45152B, #651F3E, #842852, #A43265 and #C33C79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842952 shade: #842952, #846C28 and #287884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842952 shade: #842952, #538428 and #285384

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842952 shade: #842952, #846C28, #288459 and #284184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842952 shade: #842952, #818428, #288459 and #2B2884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

Complementary color

CMYK 43 / 0 / 19 / 16

HEX #7BD6AD

RGB 123 214 173

HSL 152.97, 0.53%, 0.66%

LAB 79.23, -36.52, 11.84

 

CMYK 0 / 70 / 44 / 46

HEX #89294D

RGB 137 41 77

HSL 337.5, 0.54%, 0.35%

LAB 32.79, 43.63, 1.05

 

CMYK 0 / 62 / 38 / 40

HEX #9A3B60

RGB 154 59 96

HSL 336.63, 0.45%, 0.42%

LAB 39.31, 43.3, -1.22

 

CMYK 0 / 55 / 33 / 33

HEX #AB4D73

RGB 171 77 115

HSL 335.74, 0.38%, 0.49%

LAB 45.91, 42.64, -2.95

 

CMYK 0 / 49 / 29 / 26

HEX #BC5F86

RGB 188 95 134

HSL 334.84, 0.41%, 0.55%

LAB 52.51, 41.84, -4.35

 

CMYK 0 / 45 / 25 / 20

HEX #CD7199

RGB 205 113 153

HSL 333.91, 0.48%, 0.62%

LAB 59.06, 41.01, -5.51

 

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

CMYK 0 / 80 / 45 / 55

HEX #73173F

RGB 115 23 63

HSL 333.91, 0.67%, 0.27%

LAB 25.61, 42.23, -0.62

 

CMYK 0 / 95 / 55 / 62

HEX #62052C

RGB 98 5 44

HSL 334.84, 0.9%, 0.2%

LAB 19.59, 40.54, 3.41

 

CMYK 0 / 100 / 69 / 68

HEX #510019

RGB 81 0 25

HSL 341.48, 1%, 0.16%

LAB 14.51, 35.92, 9.59

 

CMYK 0 / 100 / 91 / 75

HEX #400006

RGB 64 0 6

HSL 354.38, 1%, 0.13%

LAB 9.82, 30.04, 13.04

 

CMYK 0 / 70 / 38 / 48

HEX #842852

RGB 132 40 82

HSL 332.61, 0.53%, 0.34%

LAB 31.88, 43.03, -3.65

 

CMYK 0 / 70 / 57 / 48

HEX #842839

RGB 132 40 57

HSL 348.91, 0.53%, 0.34%

LAB 31.16, 40.49, 11.71

 

CMYK 0 / 70 / 70 / 48

HEX #842828

RGB 132 40 40

HSL 0, 0.53%, 0.34%

LAB 30.82, 39.29, 22.3

 

CMYK 0 / 70 / 38 / 48

HEX #842852

RGB 132 40 82

HSL 332.61, 0.53%, 0.34%

LAB 31.88, 43.03, -3.65

 

CMYK 0 / 70 / 20 / 48

HEX #84286A

RGB 132 40 106

HSL 316.96, 0.53%, 0.34%

LAB 32.84, 46.28, -17.69

 

CMYK 0 / 70 / 1 / 48

HEX #842883

RGB 132 40 131

HSL 300.65, 0.53%, 0.34%

LAB 34.11, 50.38, -31.44

 

CMYK 18 / 70 / 0 / 48

HEX #6C2884

RGB 108 40 132

HSL 284.35, 0.53%, 0.34%

LAB 30.33, 44.75, -38.31

 

CMYK 36 / 70 / 0 / 48

HEX #542884

RGB 84 40 132

HSL 268.7, 0.53%, 0.34%

LAB 26.93, 39.26, -43.97

 

CMYK 0 / 70 / 38 / 48

HEX #842852

RGB 132 40 82

HSL 332.61, 0.53%, 0.34%

LAB 31.88, 43.03, -3.65

 

CMYK 0 / 82 / 45 / 43

HEX #921A50

RGB 146 26 80

HSL 333, 0.7%, 0.34%

LAB 32.76, 51.79, -0.73

 

CMYK 0 / 93 / 51 / 37

HEX #A00C4F

RGB 160 12 79

HSL 332.84, 0.86%, 0.34%

LAB 34.6, 58.19, 2.94

 

CMYK 0 / 70 / 38 / 48

HEX #842852

RGB 132 40 82

HSL 332.61, 0.53%, 0.34%

LAB 31.88, 43.03, -3.65

 

CMYK 0 / 54 / 30 / 54

HEX #763653

RGB 118 54 83

HSL 332.81, 0.37%, 0.34%

LAB 32.07, 31.6, -4.29

 

CMYK 0 / 35 / 19 / 59

HEX #684454

RGB 104 68 84

HSL 333.33, 0.21%, 0.34%

LAB 33.39, 18.15, -3.19

 

CMYK 0 / 9 / 4 / 65

HEX #5A5256

RGB 90 82 86

HSL 330, 0.05%, 0.34%

LAB 35.75, 4.09, -1.15

 

CMYK 21 / 0 / 9 / 62

HEX #4C6057

RGB 76 96 87

HSL 153, 0.12%, 0.34%

LAB 38.88, -9.65, 2.64

 

CMYK 0 / 70 / 0 / 48

HEX #842884

RGB 132 40 132

HSL 300, 0.53%, 0.34%

LAB 34.17, 50.55, -31.97

 

CMYK 0 / 70 / 18 / 48

HEX #84286C

RGB 132 40 108

HSL 315.65, 0.53%, 0.34%

LAB 32.93, 46.58, -18.82

 

CMYK 0 / 70 / 37 / 48

HEX #842853

RGB 132 40 83

HSL 331.96, 0.53%, 0.34%

LAB 31.92, 43.15, -4.25

 

CMYK 0 / 70 / 55 / 48

HEX #84283B

RGB 132 40 59

HSL 347.61, 0.53%, 0.34%

LAB 31.2, 40.66, 10.47

 

CMYK 0 / 65 / 70 / 48

HEX #842E28

RGB 132 46 40

HSL 3.91, 0.53%, 0.34%

LAB 31.84, 36.55, 23.53

 

CMYK 0 / 70 / 38 / 73

HEX #45152B

RGB 69 21 43

HSL 332.5, 0.53%, 0.18%

LAB 15.36, 25.57, -2.78

 

CMYK 0 / 69 / 39 / 60

HEX #651F3E

RGB 101 31 62

HSL 333.43, 0.53%, 0.26%

LAB 23.98, 34.48, -2.65

 

CMYK 0 / 70 / 38 / 48

HEX #842852

RGB 132 40 82

HSL 332.61, 0.53%, 0.34%

LAB 31.88, 43.03, -3.65

 

CMYK 0 / 70 / 38 / 36

HEX #A43265

RGB 164 50 101

HSL 333.16, 0.53%, 0.42%

LAB 39.77, 50.93, -3.49

 

CMYK 0 / 69 / 38 / 24

HEX #C33C79

RGB 195 60 121

HSL 332.89, 0.53%, 0.5%

LAB 47.25, 58.34, -4.18

 

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

CMYK 0 / 18 / 70 / 48

HEX #846C28

RGB 132 108 40

HSL 44.35, 0.53%, 0.34%

LAB 46.69, 1.55, 40.24

 

CMYK 70 / 9 / 0 / 48

HEX #287884

RGB 40 120 132

HSL 187.83, 0.53%, 0.34%

LAB 46.38, -19.75, -13.62

 

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

CMYK 37 / 0 / 70 / 48

HEX #538428

RGB 83 132 40

HSL 91.96, 0.53%, 0.34%

LAB 50.09, -32.64, 42.65

 

CMYK 70 / 37 / 0 / 48

HEX #285384

RGB 40 83 132

HSL 211.96, 0.53%, 0.34%

LAB 34.61, 2.2, -31.86

 

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

CMYK 0 / 18 / 70 / 48

HEX #846C28

RGB 132 108 40

HSL 44.35, 0.53%, 0.34%

LAB 46.69, 1.55, 40.24

 

CMYK 70 / 0 / 33 / 48

HEX #288459

RGB 40 132 89

HSL 151.96, 0.53%, 0.34%

LAB 49.1, -37.46, 15.59

 

CMYK 70 / 51 / 0 / 48

HEX #284184

RGB 40 65 132

HSL 223.7, 0.53%, 0.34%

LAB 29.15, 14.26, -40.57

 

CMYK 0 / 69 / 38 / 48

HEX #842952

RGB 132 41 82

HSL 332.97, 0.53%, 0.34%

LAB 32.03, 42.61, -3.42

 

CMYK 2 / 0 / 70 / 48

HEX #818428

RGB 129 132 40

HSL 61.96, 0.53%, 0.34%

LAB 53.3, -13.25, 46.96

 

CMYK 70 / 0 / 33 / 48

HEX #288459

RGB 40 132 89

HSL 151.96, 0.53%, 0.34%

LAB 49.1, -37.46, 15.59

 

CMYK 67 / 70 / 0 / 48

HEX #2B2884

RGB 43 40 132

HSL 241.96, 0.53%, 0.34%

LAB 22.64, 31.63, -51.14

 

Description

Color code: HEX #842952 | qconv.com Color code: HEX #842952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 41 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 41 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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