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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8420CF it is the complementary color #7BDF30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8420CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8420CF shade: #8920CA, #9A32DD, #AB44F0, #BC56FF and #CD68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8420CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8420CF shade: #8420CF, #730EBC, #6200A9, #510096 and #400083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8420CF shade: #8420CF, #B320CF, #CF20BB, #CF208C and #CF205D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8420CF shade: #8420CF, #5520CF, #2520CF and #2020CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8420CF shade matches the following richer shades: #8420CF and #870CE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8420CF shade: #8420CF, #8133BB, #7E47A8, #7C5A95 and #796D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8420CF shade: #2620CF, #5420CF, #8320CF, #B220CF and #CF20BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8420CF shade: #561587, #6D1AAB, #8420CF, #9838E0 and #AA5CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8420CF shade: #8420CF, #CF2049 and #20CF3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8420CF shade: #8420CF, #CF8320 and #20CF83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8420CF shade: #8420CF, #CF2049, #6CCF20 and #20CFA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8420CF shade: #8420CF, #CF2C20, #6CCF20 and #20C3CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

Complementary color

CMYK 45 / 0 / 78 / 13

HEX #7BDF30

RGB 123 223 48

HSL 94.29, 0.73%, 0.53%

LAB 80.29, -56.36, 70.16

 

CMYK 32 / 84 / 0 / 21

HEX #8920CA

RGB 137 32 202

HSL 277.06, 0.73%, 0.46%

LAB 38.93, 67.87, -66.29

 

CMYK 30 / 77 / 0 / 13

HEX #9A32DD

RGB 154 50 221

HSL 276.49, 0.72%, 0.53%

LAB 44.76, 68.87, -67.63

 

CMYK 29 / 72 / 0 / 6

HEX #AB44F0

RGB 171 68 240

HSL 275.93, 0.85%, 0.6%

LAB 50.78, 69.11, -68.5

 

CMYK 26 / 66 / 0 / 0

HEX #BC56FF

RGB 188 86 255

HSL 276.21, 1%, 0.67%

LAB 56.65, 68.04, -67.27

 

CMYK 20 / 59 / 0 / 0

HEX #CD68FF

RGB 205 104 255

HSL 280.13, 1%, 0.7%

LAB 61.74, 63.57, -58.99

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 39 / 93 / 0 / 26

HEX #730EBC

RGB 115 14 188

HSL 274.83, 0.86%, 0.4%

LAB 33.11, 66.12, -67.73

 

CMYK 42 / 100 / 0 / 34

HEX #6200A9

RGB 98 0 169

HSL 274.79, 1%, 0.33%

LAB 28.01, 62.51, -64.87

 

CMYK 46 / 100 / 0 / 41

HEX #510096

RGB 81 0 150

HSL 272.4, 1%, 0.29%

LAB 23.51, 56.73, -60.78

 

CMYK 51 / 100 / 0 / 49

HEX #400083

RGB 64 0 131

HSL 269.31, 1%, 0.26%

LAB 18.92, 50.86, -56.56

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 14 / 85 / 0 / 19

HEX #B320CF

RGB 179 32 207

HSL 290.4, 0.73%, 0.47%

LAB 45.8, 75.44, -57.73

 

CMYK 0 / 85 / 10 / 19

HEX #CF20BB

RGB 207 32 187

HSL 306.86, 0.73%, 0.47%

LAB 49.36, 77.41, -40.17

 

CMYK 0 / 85 / 32 / 19

HEX #CF208C

RGB 207 32 140

HSL 322.97, 0.73%, 0.47%

LAB 47.23, 71.59, -15.55

 

CMYK 0 / 85 / 55 / 19

HEX #CF205D

RGB 207 32 93

HSL 339.09, 0.73%, 0.47%

LAB 45.76, 67.39, 11.17

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 59 / 85 / 0 / 19

HEX #5520CF

RGB 85 32 207

HSL 258.17, 0.73%, 0.47%

LAB 32.85, 62.75, -79.43

 

CMYK 82 / 85 / 0 / 19

HEX #2520CF

RGB 37 32 207

HSL 241.71, 0.73%, 0.47%

LAB 29.24, 59.56, -85.53

 

CMYK 85 / 85 / 0 / 19

HEX #2020CF

RGB 32 32 207

HSL 240, 0.73%, 0.47%

LAB 29.02, 59.37, -85.9

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 40 / 95 / 0 / 11

HEX #870CE2

RGB 135 12 226

HSL 274.49, 0.9%, 0.47%

LAB 39.42, 76.49, -79.33

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 31 / 73 / 0 / 27

HEX #8133BB

RGB 129 51 187

HSL 274.41, 0.57%, 0.47%

LAB 38.94, 56.61, -57.55

 

CMYK 25 / 58 / 0 / 34

HEX #7E47A8

RGB 126 71 168

HSL 274.02, 0.41%, 0.47%

LAB 40.85, 41.7, -43.26

 

CMYK 17 / 40 / 0 / 42

HEX #7C5A95

RGB 124 90 149

HSL 274.58, 0.25%, 0.47%

LAB 43.9, 25.69, -27.12

 

CMYK 6 / 16 / 0 / 49

HEX #796D81

RGB 121 109 129

HSL 276, 0.08%, 0.47%

LAB 47.74, 8.73, -9.32

 

CMYK 82 / 85 / 0 / 19

HEX #2620CF

RGB 38 32 207

HSL 242.06, 0.73%, 0.47%

LAB 29.29, 59.6, -85.45

 

CMYK 59 / 85 / 0 / 19

HEX #5420CF

RGB 84 32 207

HSL 257.83, 0.73%, 0.47%

LAB 32.75, 62.66, -79.6

 

CMYK 37 / 85 / 0 / 19

HEX #8320CF

RGB 131 32 207

HSL 273.94, 0.73%, 0.47%

LAB 38.49, 68.08, -69.95

 

CMYK 14 / 85 / 0 / 19

HEX #B220CF

RGB 178 32 207

HSL 290.06, 0.73%, 0.47%

LAB 45.64, 75.28, -58

 

CMYK 0 / 85 / 9 / 19

HEX #CF20BD

RGB 207 32 189

HSL 306.17, 0.73%, 0.47%

LAB 49.46, 77.69, -41.17

 

CMYK 36 / 84 / 0 / 47

HEX #561587

RGB 86 21 135

HSL 274.21, 0.73%, 0.31%

LAB 24.53, 48.73, -49.75

 

CMYK 36 / 85 / 0 / 33

HEX #6D1AAB

RGB 109 26 171

HSL 274.34, 0.74%, 0.39%

LAB 31.65, 58.85, -60.04

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 32 / 75 / 0 / 12

HEX #9838E0

RGB 152 56 224

HSL 274.29, 0.73%, 0.55%

LAB 45.48, 66.98, -68.19

 

CMYK 26 / 60 / 0 / 10

HEX #AA5CE5

RGB 170 92 229

HSL 274.16, 0.72%, 0.63%

LAB 53.88, 55.64, -57.35

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 0 / 85 / 65 / 19

HEX #CF2049

RGB 207 32 73

HSL 345.94, 0.73%, 0.47%

LAB 45.33, 66.15, 23

 

CMYK 85 / 0 / 71 / 19

HEX #20CF3D

RGB 32 207 61

HSL 129.94, 0.73%, 0.47%

LAB 73.07, -68.99, 57.94

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 0 / 37 / 85 / 19

HEX #CF8320

RGB 207 131 32

HSL 33.94, 0.73%, 0.47%

LAB 61.31, 22.08, 60.35

 

CMYK 85 / 0 / 37 / 19

HEX #20CF83

RGB 32 207 131

HSL 153.94, 0.73%, 0.47%

LAB 73.91, -58.86, 26.29

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 0 / 85 / 65 / 19

HEX #CF2049

RGB 207 32 73

HSL 345.94, 0.73%, 0.47%

LAB 45.33, 66.15, 23

 

CMYK 48 / 0 / 85 / 19

HEX #6CCF20

RGB 108 207 32

HSL 93.94, 0.73%, 0.47%

LAB 74.77, -55.6, 69.06

 

CMYK 85 / 0 / 20 / 19

HEX #20CFA6

RGB 32 207 166

HSL 165.94, 0.73%, 0.47%

LAB 74.63, -50.99, 8.71

 

CMYK 36 / 85 / 0 / 19

HEX #8420CF

RGB 132 32 207

HSL 274.29, 0.73%, 0.47%

LAB 38.63, 68.22, -69.72

 

CMYK 0 / 79 / 85 / 19

HEX #CF2C20

RGB 207 44 32

HSL 4.11, 0.73%, 0.47%

LAB 45.87, 61.58, 47.1

 

CMYK 48 / 0 / 85 / 19

HEX #6CCF20

RGB 108 207 32

HSL 93.94, 0.73%, 0.47%

LAB 74.77, -55.6, 69.06

 

CMYK 85 / 6 / 0 / 19

HEX #20C3CF

RGB 32 195 207

HSL 184.11, 0.73%, 0.47%

LAB 72.12, -34.29, -17.19

 

Description

Color code: HEX #8420CF | qconv.com Color code: HEX #8420CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 32 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 32 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 85 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 85% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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