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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842A4B it is the complementary color #7BD5B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842A4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842A4B shade: #892A46, #9A3C59, #AB4E6C, #BC607F and #CD7292

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842A4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842A4B shade: #842A4B, #731838, #620625, #510012 and #400000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842A4B shade: #83294A, #832932 and #832929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842A4B shade: #83294A, #832962, #83297B, #732983 and #5B2983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842A4B shade matches the following richer shades: #83294A, #911B46 and #9F0D43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842A4B shade: #83294A, #75374E, #674552, #595355 and #4B6159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842A4B shade: #83297A, #832962, #83294A, #832932 and #833829

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842A4B shade: #451527, #641F38, #83294A, #A3335C and #C23D6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842A4B shade: #842A4B, #837429 and #296E83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842A4B shade: #842A4B, #4A8329 and #294A83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842A4B shade: #842A4B, #837429, #298362 and #293883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842A4B shade: #842A4B, #778329, #298362 and #352983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

Complementary color

CMYK 42 / 0 / 15 / 16

HEX #7BD5B4

RGB 123 213 180

HSL 158, 0.52%, 0.66%

LAB 79.1, -34.58, 7.93

 

CMYK 0 / 69 / 49 / 46

HEX #892A46

RGB 137 42 70

HSL 342.32, 0.53%, 0.35%

LAB 32.74, 42.49, 5.54

 

CMYK 0 / 61 / 42 / 40

HEX #9A3C59

RGB 154 60 89

HSL 341.49, 0.44%, 0.42%

LAB 39.28, 42.02, 3.14

 

CMYK 0 / 54 / 37 / 33

HEX #AB4E6C

RGB 171 78 108

HSL 340.65, 0.37%, 0.49%

LAB 45.89, 41.26, 1.29

 

CMYK 0 / 49 / 32 / 26

HEX #BC607F

RGB 188 96 127

HSL 339.78, 0.41%, 0.56%

LAB 52.5, 40.4, -0.21

 

CMYK 0 / 44 / 29 / 20

HEX #CD7292

RGB 205 114 146

HSL 338.9, 0.48%, 0.63%

LAB 59.06, 39.52, -1.46

 

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

CMYK 0 / 79 / 51 / 55

HEX #731838

RGB 115 24 56

HSL 338.9, 0.65%, 0.27%

LAB 25.51, 41.19, 4.01

 

CMYK 0 / 94 / 62 / 62

HEX #620625

RGB 98 6 37

HSL 339.78, 0.88%, 0.2%

LAB 19.48, 39.73, 8.26

 

CMYK 0 / 100 / 78 / 68

HEX #510012

RGB 81 0 18

HSL 346.67, 1%, 0.16%

LAB 14.36, 35.52, 14.27

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 69 / 62 / 49

HEX #832932

RGB 131 41 50

HSL 354, 0.52%, 0.34%

LAB 30.98, 39.16, 16.01

 

CMYK 0 / 69 / 69 / 49

HEX #832929

RGB 131 41 41

HSL 0, 0.52%, 0.34%

LAB 30.81, 38.55, 21.6

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 69 / 25 / 49

HEX #832962

RGB 131 41 98

HSL 322, 0.52%, 0.34%

LAB 32.46, 44.4, -13.15

 

CMYK 0 / 69 / 6 / 49

HEX #83297B

RGB 131 41 123

HSL 305.33, 0.52%, 0.34%

LAB 33.65, 48.33, -27.19

 

CMYK 12 / 69 / 0 / 49

HEX #732983

RGB 115 41 131

HSL 289.33, 0.52%, 0.34%

LAB 31.51, 45.78, -35.75

 

CMYK 31 / 69 / 0 / 49

HEX #5B2983

RGB 91 41 131

HSL 273.33, 0.52%, 0.34%

LAB 27.98, 40.05, -41.61

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 81 / 52 / 43

HEX #911B46

RGB 145 27 70

HSL 338.14, 0.69%, 0.34%

LAB 32.36, 50.31, 5.22

 

CMYK 0 / 92 / 58 / 38

HEX #9F0D43

RGB 159 13 67

HSL 337.81, 0.85%, 0.34%

LAB 34.12, 56.89, 10.08

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 53 / 33 / 54

HEX #75374E

RGB 117 55 78

HSL 337.74, 0.36%, 0.34%

LAB 31.95, 29.96, -1.23

 

CMYK 0 / 33 / 20 / 60

HEX #674552

RGB 103 69 82

HSL 337.06, 0.2%, 0.34%

LAB 33.45, 16.78, -1.83

 

CMYK 0 / 7 / 4 / 65

HEX #595355

RGB 89 83 85

HSL 340, 0.03%, 0.34%

LAB 35.92, 2.86, -0.29

 

CMYK 23 / 0 / 8 / 62

HEX #4B6159

RGB 75 97 89

HSL 158.18, 0.13%, 0.34%

LAB 39.18, -10.14, 1.84

 

CMYK 0 / 69 / 7 / 49

HEX #83297A

RGB 131 41 122

HSL 306, 0.52%, 0.34%

LAB 33.6, 48.16, -26.64

 

CMYK 0 / 69 / 25 / 49

HEX #832962

RGB 131 41 98

HSL 322, 0.52%, 0.34%

LAB 32.46, 44.4, -13.15

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 69 / 62 / 49

HEX #832932

RGB 131 41 50

HSL 354, 0.52%, 0.34%

LAB 30.98, 39.16, 16.01

 

CMYK 0 / 57 / 69 / 49

HEX #833829

RGB 131 56 41

HSL 10, 0.52%, 0.34%

LAB 33.59, 31.19, 24.98

 

CMYK 0 / 70 / 43 / 73

HEX #451527

RGB 69 21 39

HSL 337.5, 0.53%, 0.18%

LAB 15.21, 25.02, -0.1

 

CMYK 0 / 69 / 44 / 61

HEX #641F38

RGB 100 31 56

HSL 338.26, 0.53%, 0.26%

LAB 23.59, 33.4, 0.85

 

CMYK 0 / 69 / 44 / 49

HEX #83294A

RGB 131 41 74

HSL 338, 0.52%, 0.34%

LAB 31.59, 41.37, 1.14

 

CMYK 0 / 69 / 44 / 36

HEX #A3335C

RGB 163 51 92

HSL 338.04, 0.52%, 0.42%

LAB 39.46, 49.26, 1.7

 

CMYK 0 / 69 / 43 / 24

HEX #C23D6E

RGB 194 61 110

HSL 337.89, 0.52%, 0.5%

LAB 46.89, 56.53, 1.97

 

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

CMYK 0 / 11 / 69 / 49

HEX #837429

RGB 131 116 41

HSL 50, 0.52%, 0.34%

LAB 48.85, -3.44, 42.02

 

CMYK 69 / 16 / 0 / 49

HEX #296E83

RGB 41 110 131

HSL 194, 0.52%, 0.34%

LAB 43.16, -14.41, -17.93

 

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

CMYK 44 / 0 / 69 / 49

HEX #4A8329

RGB 74 131 41

HSL 98, 0.52%, 0.34%

LAB 49.31, -35.37, 41.25

 

CMYK 69 / 44 / 0 / 49

HEX #294A83

RGB 41 74 131

HSL 218, 0.52%, 0.34%

LAB 31.82, 7.94, -35.67

 

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

CMYK 0 / 11 / 69 / 49

HEX #837429

RGB 131 116 41

HSL 50, 0.52%, 0.34%

LAB 48.85, -3.44, 42.02

 

CMYK 69 / 0 / 25 / 49

HEX #298362

RGB 41 131 98

HSL 158, 0.52%, 0.34%

LAB 48.99, -34.74, 10.25

 

CMYK 69 / 57 / 0 / 49

HEX #293883

RGB 41 56 131

HSL 230, 0.52%, 0.34%

LAB 26.56, 20.24, -44.14

 

CMYK 0 / 68 / 43 / 48

HEX #842A4B

RGB 132 42 75

HSL 338, 0.52%, 0.34%

LAB 31.96, 41.37, 1.05

 

CMYK 9 / 0 / 69 / 49

HEX #778329

RGB 119 131 41

HSL 68, 0.52%, 0.34%

LAB 52.19, -17.14, 45.15

 

CMYK 69 / 0 / 25 / 49

HEX #298362

RGB 41 131 98

HSL 158, 0.52%, 0.34%

LAB 48.99, -34.74, 10.25

 

CMYK 60 / 69 / 0 / 49

HEX #352983

RGB 53 41 131

HSL 248, 0.52%, 0.34%

LAB 23.61, 32.24, -48.9

 

Description

Color code: HEX #842A4B | qconv.com Color code: HEX #842A4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 42 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 42 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 43 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 43% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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