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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842D4D it is the complementary color #7BD2B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842D4D shade: #892D48, #9A3F5B, #AB516E, #BC6381 and #CD7594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842D4D shade: #842D4D, #731B3A, #620927, #510014 and #400001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842D4D shade: #842D4D, #842D36 and #842D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842D4D shade: #842D4D, #842D65, #842D7C, #752D84 and #5D2D84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842D4D shade matches the following richer shades: #842D4D, #931F49, #A11046 and #B00242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842D4D shade: #842D4D, #763B51, #684A55, #595859 and #4B675C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842D4D shade: #842D7D, #842D66, #842D4F, #842D37 and #843A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842D4D shade: #471829, #66223B, #842D4D, #A3385F and #BF4572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842D4D shade: #842D4D, #84742D and #2D7284

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842D4D shade: #842D4D, #4F842D and #2D4F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842D4D shade: #842D4D, #84742D, #2D8463 and #2D3D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842D4D shade: #842D4D, #7A842D, #2D8463 and #372D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

Complementary color

CMYK 41 / 0 / 15 / 18

HEX #7BD2B2

RGB 123 210 178

HSL 157.93, 0.49%, 0.65%

LAB 78.18, -33.61, 7.69

 

CMYK 0 / 67 / 47 / 46

HEX #892D48

RGB 137 45 72

HSL 342.39, 0.51%, 0.36%

LAB 33.27, 41.38, 5

 

CMYK 0 / 59 / 41 / 40

HEX #9A3F5B

RGB 154 63 91

HSL 341.54, 0.42%, 0.43%

LAB 39.88, 40.8, 2.75

 

CMYK 0 / 53 / 36 / 33

HEX #AB516E

RGB 171 81 110

HSL 340.67, 0.36%, 0.49%

LAB 46.54, 39.98, 1.01

 

CMYK 0 / 47 / 31 / 26

HEX #BC6381

RGB 188 99 129

HSL 339.78, 0.4%, 0.56%

LAB 53.17, 39.1, -0.41

 

CMYK 0 / 43 / 28 / 20

HEX #CD7594

RGB 205 117 148

HSL 338.86, 0.47%, 0.63%

LAB 59.74, 38.22, -1.61

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 77 / 50 / 55

HEX #731B3A

RGB 115 27 58

HSL 338.86, 0.62%, 0.28%

LAB 25.96, 40.29, 3.29

 

CMYK 0 / 91 / 60 / 62

HEX #620927

RGB 98 9 39

HSL 339.78, 0.83%, 0.21%

LAB 19.8, 39.11, 7.27

 

CMYK 0 / 100 / 75 / 68

HEX #510014

RGB 81 0 20

HSL 345.19, 1%, 0.16%

LAB 14.4, 35.62, 13.05

 

CMYK 0 / 100 / 98 / 75

HEX #400001

RGB 64 0 1

HSL 359.06, 1%, 0.13%

LAB 9.74, 29.81, 14.96

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 66 / 59 / 48

HEX #842D36

RGB 132 45 54

HSL 353.79, 0.49%, 0.35%

LAB 31.92, 38, 14.7

 

CMYK 0 / 66 / 66 / 48

HEX #842D2D

RGB 132 45 45

HSL 0, 0.49%, 0.35%

LAB 31.74, 37.34, 20.26

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 66 / 23 / 48

HEX #842D65

RGB 132 45 101

HSL 321.38, 0.49%, 0.35%

LAB 33.4, 43.39, -13.64

 

CMYK 0 / 66 / 6 / 48

HEX #842D7C

RGB 132 45 124

HSL 305.52, 0.49%, 0.35%

LAB 34.47, 47.08, -26.51

 

CMYK 11 / 66 / 0 / 48

HEX #752D84

RGB 117 45 132

HSL 289.66, 0.49%, 0.35%

LAB 32.53, 44.66, -34.71

 

CMYK 30 / 66 / 0 / 48

HEX #5D2D84

RGB 93 45 132

HSL 273.1, 0.49%, 0.35%

LAB 29.08, 38.68, -40.44

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 79 / 50 / 42

HEX #931F49

RGB 147 31 73

HSL 338.28, 0.65%, 0.35%

LAB 33.27, 49.93, 4.61

 

CMYK 0 / 90 / 57 / 37

HEX #A11046

RGB 161 16 70

HSL 337.66, 0.82%, 0.35%

LAB 34.78, 57.12, 9.11

 

CMYK 0 / 99 / 63 / 31

HEX #B00242

RGB 176 2 66

HSL 337.93, 0.98%, 0.35%

LAB 37.24, 62.42, 15.58

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 50 / 31 / 54

HEX #763B51

RGB 118 59 81

HSL 337.63, 0.33%, 0.35%

LAB 33.08, 28.52, -1.5

 

CMYK 0 / 29 / 18 / 59

HEX #684A55

RGB 104 74 85

HSL 338, 0.17%, 0.35%

LAB 35, 14.63, -1.45

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 27 / 0 / 11 / 60

HEX #4B675C

RGB 75 103 92

HSL 156.43, 0.16%, 0.35%

LAB 41.17, -12.88, 2.87

 

CMYK 0 / 66 / 5 / 48

HEX #842D7D

RGB 132 45 125

HSL 304.83, 0.49%, 0.35%

LAB 34.52, 47.26, -27.05

 

CMYK 0 / 66 / 23 / 48

HEX #842D66

RGB 132 45 102

HSL 320.69, 0.49%, 0.35%

LAB 33.44, 43.54, -14.21

 

CMYK 0 / 66 / 40 / 48

HEX #842D4F

RGB 132 45 79

HSL 336.55, 0.49%, 0.35%

LAB 32.58, 40.48, -0.66

 

CMYK 0 / 66 / 58 / 48

HEX #842D37

RGB 132 45 55

HSL 353.1, 0.49%, 0.35%

LAB 31.94, 38.09, 14.08

 

CMYK 0 / 56 / 66 / 48

HEX #843A2D

RGB 132 58 45

HSL 8.97, 0.49%, 0.35%

LAB 34.23, 30.79, 23.36

 

CMYK 0 / 66 / 42 / 72

HEX #471829

RGB 71 24 41

HSL 338.3, 0.49%, 0.19%

LAB 16.27, 24.44, 0.05

 

CMYK 0 / 67 / 42 / 60

HEX #66223B

RGB 102 34 59

HSL 337.94, 0.5%, 0.27%

LAB 24.59, 33.02, 0.31

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 66 / 42 / 36

HEX #A3385F

RGB 163 56 95

HSL 338.13, 0.49%, 0.43%

LAB 40.31, 47.47, 1.06

 

CMYK 0 / 64 / 40 / 25

HEX #BF4572

RGB 191 69 114

HSL 337.87, 0.49%, 0.51%

LAB 47.68, 52.76, 0.63

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 12 / 66 / 48

HEX #84742D

RGB 132 116 45

HSL 48.97, 0.49%, 0.35%

LAB 48.99, -2.71, 40.33

 

CMYK 66 / 14 / 0 / 48

HEX #2D7284

RGB 45 114 132

HSL 192.41, 0.49%, 0.35%

LAB 44.6, -15.61, -16.31

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 40 / 0 / 66 / 48

HEX #4F842D

RGB 79 132 45

HSL 96.55, 0.49%, 0.35%

LAB 49.92, -33.67, 40.2

 

CMYK 66 / 40 / 0 / 48

HEX #2D4F84

RGB 45 79 132

HSL 216.55, 0.49%, 0.35%

LAB 33.6, 5.74, -33.45

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 0 / 12 / 66 / 48

HEX #84742D

RGB 132 116 45

HSL 48.97, 0.49%, 0.35%

LAB 48.99, -2.71, 40.33

 

CMYK 66 / 0 / 25 / 48

HEX #2D8463

RGB 45 132 99

HSL 157.24, 0.49%, 0.35%

LAB 49.45, -34.2, 10.33

 

CMYK 66 / 54 / 0 / 48

HEX #2D3D84

RGB 45 61 132

HSL 228.97, 0.49%, 0.35%

LAB 28.28, 17.89, -41.97

 

CMYK 0 / 66 / 42 / 48

HEX #842D4D

RGB 132 45 77

HSL 337.93, 0.49%, 0.35%

LAB 32.52, 40.25, 0.55

 

CMYK 8 / 0 / 66 / 48

HEX #7A842D

RGB 122 132 45

HSL 66.9, 0.49%, 0.35%

LAB 52.76, -16.06, 44.09

 

CMYK 66 / 0 / 25 / 48

HEX #2D8463

RGB 45 132 99

HSL 157.24, 0.49%, 0.35%

LAB 49.45, -34.2, 10.33

 

CMYK 58 / 66 / 0 / 48

HEX #372D84

RGB 55 45 132

HSL 246.9, 0.49%, 0.35%

LAB 24.81, 30.41, -47.56

 

Description

Color code: HEX #842D4D | qconv.com Color code: HEX #842D4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 45 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 45 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 42 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 42% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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