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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8439A1 it is the complementary color #7BC65E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8439A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8439A1 shade: #89399C, #9A4BAF, #AB5DC2, #BC6FD5 and #CD81E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8439A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8439A1 shade: #8439A1, #73278E, #62157B, #510368 and #400055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8439A1 shade: #8439A2, #A139A2, #A23986, #A2396A and #A2394E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8439A1 shade: #8439A2, #6839A2, #4C39A2 and #3939A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8439A1 shade matches the following richer shades: #8439A2, #8C27B4, #9415C5 and #9C03D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8439A1 shade: #8439A2, #7D4A90, #755C7E, #6D6E6D and #657F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8439A1 shade: #4C39A2, #6839A2, #8439A2, #A039A2 and #A23987

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8439A1 shade: #522365, #6B2E83, #8439A2, #9C46BE and #AD64C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8439A1 shade: #8439A1, #A23941 and #39A25A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8439A1 shade: #8439A1, #A28439 and #39A284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8439A1 shade: #8439A1, #A23941, #56A239 and #39A299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8439A1 shade: #8439A1, #A24F39, #56A239 and #398BA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

Complementary color

CMYK 38 / 0 / 53 / 22

HEX #7BC65E

RGB 123 198 94

HSL 103.27, 0.48%, 0.57%

LAB 73.16, -42.43, 44.46

 

CMYK 12 / 63 / 0 / 39

HEX #89399C

RGB 137 57 156

HSL 288.48, 0.46%, 0.42%

LAB 38.98, 48.99, -38.97

 

CMYK 12 / 57 / 0 / 31

HEX #9A4BAF

RGB 154 75 175

HSL 287.4, 0.4%, 0.49%

LAB 45.63, 48.53, -39.57

 

CMYK 12 / 52 / 0 / 24

HEX #AB5DC2

RGB 171 93 194

HSL 286.34, 0.45%, 0.56%

LAB 52.27, 47.86, -39.99

 

CMYK 12 / 48 / 0 / 16

HEX #BC6FD5

RGB 188 111 213

HSL 285.29, 0.55%, 0.64%

LAB 58.85, 47.12, -40.31

 

CMYK 12 / 44 / 0 / 9

HEX #CD81E8

RGB 205 129 232

HSL 284.27, 0.69%, 0.71%

LAB 65.36, 46.34, -40.56

 

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

CMYK 19 / 73 / 0 / 44

HEX #73278E

RGB 115 39 142

HSL 284.27, 0.57%, 0.35%

LAB 31.92, 48.93, -41.91

 

CMYK 20 / 83 / 0 / 52

HEX #62157B

RGB 98 21 123

HSL 285.29, 0.71%, 0.28%

LAB 25.45, 48.21, -40.59

 

CMYK 22 / 97 / 0 / 59

HEX #510368

RGB 81 3 104

HSL 286.34, 0.94%, 0.21%

LAB 19.28, 46.17, -38.47

 

CMYK 25 / 100 / 0 / 67

HEX #400055

RGB 64 0 85

HSL 285.18, 1%, 0.17%

LAB 14.09, 40.57, -34.37

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 1 / 65 / 0 / 36

HEX #A139A2

RGB 161 57 162

HSL 299.43, 0.48%, 0.43%

LAB 42.93, 56.12, -36.07

 

CMYK 0 / 65 / 17 / 36

HEX #A23986

RGB 162 57 134

HSL 316, 0.48%, 0.43%

LAB 41.73, 51.81, -21.01

 

CMYK 0 / 65 / 35 / 36

HEX #A2396A

RGB 162 57 106

HSL 332, 0.48%, 0.43%

LAB 40.65, 47.99, -5.35

 

CMYK 0 / 65 / 52 / 36

HEX #A2394E

RGB 162 57 78

HSL 348, 0.48%, 0.43%

LAB 39.84, 45.02, 11.05

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 36 / 65 / 0 / 36

HEX #6839A2

RGB 104 57 162

HSL 266.86, 0.48%, 0.43%

LAB 34.96, 42.47, -49.27

 

CMYK 53 / 65 / 0 / 36

HEX #4C39A2

RGB 76 57 162

HSL 250.86, 0.48%, 0.43%

LAB 31.97, 36.64, -54.26

 

CMYK 65 / 65 / 0 / 36

HEX #3939A2

RGB 57 57 162

HSL 240, 0.48%, 0.43%

LAB 30.41, 33.38, -56.87

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 22 / 78 / 0 / 29

HEX #8C27B4

RGB 140 39 180

HSL 282.98, 0.64%, 0.43%

LAB 38.41, 61.75, -54.19

 

CMYK 25 / 89 / 0 / 23

HEX #9415C5

RGB 148 21 197

HSL 283.3, 0.81%, 0.43%

LAB 39.35, 71, -62.62

 

CMYK 27 / 99 / 0 / 16

HEX #9C03D7

RGB 156 3 215

HSL 283.3, 0.97%, 0.43%

LAB 41.28, 77.72, -69.86

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 13 / 49 / 0 / 44

HEX #7D4A90

RGB 125 74 144

HSL 283.71, 0.32%, 0.43%

LAB 40.03, 34.21, -30.15

 

CMYK 7 / 27 / 0 / 51

HEX #755C7E

RGB 117 92 126

HSL 284.12, 0.16%, 0.43%

LAB 42.68, 16.86, -15.21

 

CMYK 1 / 0 / 1 / 57

HEX #6D6E6D

RGB 109 110 109

HSL 120, 0%, 0.43%

LAB 46.32, -0.59, 0.42

 

CMYK 20 / 0 / 28 / 50

HEX #657F5B

RGB 101 127 91

HSL 103.33, 0.17%, 0.43%

LAB 50.34, -16.66, 16.59

 

CMYK 53 / 65 / 0 / 36

HEX #4C39A2

RGB 76 57 162

HSL 250.86, 0.48%, 0.43%

LAB 31.97, 36.64, -54.26

 

CMYK 36 / 65 / 0 / 36

HEX #6839A2

RGB 104 57 162

HSL 266.86, 0.48%, 0.43%

LAB 34.96, 42.47, -49.27

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 1 / 65 / 0 / 36

HEX #A039A2

RGB 160 57 162

HSL 298.86, 0.48%, 0.43%

LAB 42.78, 55.88, -36.33

 

CMYK 0 / 65 / 17 / 36

HEX #A23987

RGB 162 57 135

HSL 315.43, 0.48%, 0.43%

LAB 41.78, 51.96, -21.55

 

CMYK 19 / 65 / 0 / 60

HEX #522365

RGB 82 35 101

HSL 282.73, 0.49%, 0.27%

LAB 23.46, 33.66, -29.77

 

CMYK 18 / 65 / 0 / 49

HEX #6B2E83

RGB 107 46 131

HSL 283.06, 0.48%, 0.35%

LAB 31.16, 41.41, -36.38

 

CMYK 19 / 65 / 0 / 36

HEX #8439A2

RGB 132 57 162

HSL 282.86, 0.48%, 0.43%

LAB 38.62, 49.01, -43.19

 

CMYK 18 / 63 / 0 / 25

HEX #9C46BE

RGB 156 70 190

HSL 283, 0.48%, 0.51%

LAB 45.86, 54.55, -47.97

 

CMYK 14 / 50 / 0 / 22

HEX #AD64C8

RGB 173 100 200

HSL 283.8, 0.48%, 0.59%

LAB 54.21, 46.01, -40.36

 

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

CMYK 0 / 65 / 60 / 36

HEX #A23941

RGB 162 57 65

HSL 355.43, 0.48%, 0.43%

LAB 39.56, 43.96, 18.81

 

CMYK 65 / 0 / 44 / 36

HEX #39A25A

RGB 57 162 90

HSL 138.86, 0.48%, 0.43%

LAB 59.39, -46.29, 28.78

 

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

CMYK 0 / 19 / 65 / 36

HEX #A28439

RGB 162 132 57

HSL 42.86, 0.48%, 0.43%

LAB 56.56, 2.77, 43.73

 

CMYK 65 / 0 / 19 / 36

HEX #39A284

RGB 57 162 132

HSL 162.86, 0.48%, 0.43%

LAB 60.23, -37.38, 6.84

 

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

CMYK 0 / 65 / 60 / 36

HEX #A23941

RGB 162 57 65

HSL 355.43, 0.48%, 0.43%

LAB 39.56, 43.96, 18.81

 

CMYK 47 / 0 / 65 / 36

HEX #56A239

RGB 86 162 57

HSL 103.43, 0.48%, 0.43%

LAB 59.99, -43.12, 45.96

 

CMYK 65 / 0 / 6 / 36

HEX #39A299

RGB 57 162 153

HSL 174.86, 0.48%, 0.43%

LAB 60.79, -31.84, -4.17

 

CMYK 18 / 65 / 0 / 37

HEX #8439A1

RGB 132 57 161

HSL 283.27, 0.48%, 0.43%

LAB 38.56, 48.8, -42.69

 

CMYK 0 / 51 / 65 / 36

HEX #A24F39

RGB 162 79 57

HSL 12.57, 0.48%, 0.43%

LAB 43.61, 32.49, 28.76

 

CMYK 47 / 0 / 65 / 36

HEX #56A239

RGB 86 162 57

HSL 103.43, 0.48%, 0.43%

LAB 59.99, -43.12, 45.96

 

CMYK 65 / 14 / 0 / 36

HEX #398BA2

RGB 57 139 162

HSL 193.14, 0.48%, 0.43%

LAB 53.97, -17.45, -19.56

 

Description

Color code: HEX #8439A1 | qconv.com Color code: HEX #8439A1 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 57 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 57 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 65 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 65% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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