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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #843357 it is the complementary color #7BCCA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #843357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #843357 shade: #893352, #9A4565, #AB5778, #BC698B and #CD7B9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #843357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #843357 shade: #843357, #732144, #620F31, #51001E and #40000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #843357 shade: #843357, #843341 and #843333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #843357 shade: #843357, #84336D, #843382, #6F3384 and #593384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #843357 shade matches the following richer shades: #843357, #932455, #A11554 and #B00652

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #843357 shade: #843357, #754258, #66515A, #575F5C and #486E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #843357 shade: #843382, #84336D, #843357, #843342 and #843A33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #843357 shade: #481C30, #662743, #843357, #A13E6A and #BA4F7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #843357 shade: #843357, #846F33 and #337884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #843357 shade: #843357, #578433 and #335784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #843357 shade: #843357, #846F33, #33845F and #334784

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #843357 shade: #843357, #808433, #33845F and #373384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

Complementary color

CMYK 40 / 0 / 18 / 20

HEX #7BCCA8

RGB 123 204 168

HSL 153.33, 0.44%, 0.64%

LAB 76.21, -32.92, 10.22

 

CMYK 0 / 63 / 40 / 46

HEX #893352

RGB 137 51 82

HSL 338.37, 0.46%, 0.37%

LAB 34.59, 39.71, 0.44

 

CMYK 0 / 55 / 34 / 40

HEX #9A4565

RGB 154 69 101

HSL 337.41, 0.38%, 0.44%

LAB 41.32, 39.01, -1.4

 

CMYK 0 / 49 / 30 / 33

HEX #AB5778

RGB 171 87 120

HSL 336.43, 0.33%, 0.51%

LAB 48.05, 38.17, -2.84

 

CMYK 0 / 44 / 26 / 26

HEX #BC698B

RGB 188 105 139

HSL 335.42, 0.38%, 0.57%

LAB 54.72, 37.31, -4.02

 

CMYK 0 / 40 / 23 / 20

HEX #CD7B9E

RGB 205 123 158

HSL 334.39, 0.45%, 0.64%

LAB 61.32, 36.46, -5.04

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 71 / 41 / 55

HEX #732144

RGB 115 33 68

HSL 334.39, 0.55%, 0.29%

LAB 27.16, 38.94, -1.73

 

CMYK 0 / 85 / 50 / 62

HEX #620F31

RGB 98 15 49

HSL 335.42, 0.73%, 0.22%

LAB 20.67, 38.34, 1.43

 

CMYK 0 / 100 / 63 / 68

HEX #51001E

RGB 81 0 30

HSL 337.78, 1%, 0.16%

LAB 14.64, 36.27, 6.05

 

CMYK 0 / 100 / 83 / 75

HEX #40000B

RGB 64 0 11

HSL 349.69, 1%, 0.13%

LAB 9.91, 30.27, 11.12

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 61 / 51 / 48

HEX #843341

RGB 132 51 65

HSL 349.63, 0.44%, 0.36%

LAB 33.25, 36.1, 9.39

 

CMYK 0 / 61 / 61 / 48

HEX #843333

RGB 132 51 51

HSL 0, 0.44%, 0.36%

LAB 32.95, 34.86, 17.98

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 61 / 17 / 48

HEX #84336D

RGB 132 51 109

HSL 317.04, 0.44%, 0.36%

LAB 34.76, 41.84, -16.64

 

CMYK 0 / 61 / 2 / 48

HEX #843382

RGB 132 51 130

HSL 301.48, 0.44%, 0.36%

LAB 35.76, 45.45, -28.22

 

CMYK 16 / 61 / 0 / 48

HEX #6F3384

RGB 111 51 132

HSL 284.44, 0.44%, 0.36%

LAB 32.73, 40.12, -34.46

 

CMYK 33 / 61 / 0 / 48

HEX #593384

RGB 89 51 132

HSL 268.15, 0.44%, 0.36%

LAB 29.81, 34.34, -39.3

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 76 / 42 / 42

HEX #932455

RGB 147 36 85

HSL 333.51, 0.61%, 0.36%

LAB 34.23, 49.43, -1.81

 

CMYK 0 / 87 / 48 / 37

HEX #A11554

RGB 161 21 84

HSL 333, 0.77%, 0.36%

LAB 35.51, 57.29, 1.03

 

CMYK 0 / 97 / 53 / 31

HEX #B00652

RGB 176 6 82

HSL 333.18, 0.93%, 0.36%

LAB 37.79, 63.01, 6.01

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 44 / 25 / 54

HEX #754258

RGB 117 66 88

HSL 334.12, 0.28%, 0.36%

LAB 34.77, 25.17, -3.5

 

CMYK 0 / 21 / 12 / 60

HEX #66515A

RGB 102 81 90

HSL 334.29, 0.11%, 0.36%

LAB 36.83, 10.4, -1.93

 

CMYK 8 / 0 / 3 / 63

HEX #575F5C

RGB 87 95 92

HSL 157.5, 0.04%, 0.36%

LAB 39.55, -3.77, 0.64

 

CMYK 35 / 0 / 15 / 57

HEX #486E5D

RGB 72 110 93

HSL 153.16, 0.21%, 0.36%

LAB 43.24, -17.56, 5.23

 

CMYK 0 / 61 / 2 / 48

HEX #843382

RGB 132 51 130

HSL 301.48, 0.44%, 0.36%

LAB 35.76, 45.45, -28.22

 

CMYK 0 / 61 / 17 / 48

HEX #84336D

RGB 132 51 109

HSL 317.04, 0.44%, 0.36%

LAB 34.76, 41.84, -16.64

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 61 / 50 / 48

HEX #843342

RGB 132 51 66

HSL 348.89, 0.44%, 0.36%

LAB 33.28, 36.2, 8.78

 

CMYK 0 / 56 / 61 / 48

HEX #843A33

RGB 132 58 51

HSL 5.19, 0.44%, 0.36%

LAB 34.34, 31.24, 19.77

 

CMYK 0 / 61 / 33 / 72

HEX #481C30

RGB 72 28 48

HSL 332.73, 0.44%, 0.2%

LAB 17.56, 23.59, -3.03

 

CMYK 0 / 62 / 34 / 60

HEX #662743

RGB 102 39 67

HSL 333.33, 0.45%, 0.28%

LAB 25.81, 31.54, -3.32

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 61 / 34 / 37

HEX #A13E6A

RGB 161 62 106

HSL 333.33, 0.44%, 0.44%

LAB 41.32, 45.42, -4.38

 

CMYK 0 / 58 / 32 / 27

HEX #BA4F7F

RGB 186 79 127

HSL 333.08, 0.44%, 0.52%

LAB 48.96, 48.17, -5.45

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 16 / 61 / 48

HEX #846F33

RGB 132 111 51

HSL 44.44, 0.44%, 0.36%

LAB 47.64, 0.59, 35.85

 

CMYK 61 / 9 / 0 / 48

HEX #337884

RGB 51 120 132

HSL 188.89, 0.44%, 0.36%

LAB 46.71, -17.78, -13.08

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 34 / 0 / 61 / 48

HEX #578433

RGB 87 132 51

HSL 93.33, 0.44%, 0.36%

LAB 50.41, -30.12, 38.06

 

CMYK 61 / 34 / 0 / 48

HEX #335784

RGB 51 87 132

HSL 213.33, 0.44%, 0.36%

LAB 36.34, 1.77, -29.1

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 0 / 16 / 61 / 48

HEX #846F33

RGB 132 111 51

HSL 44.44, 0.44%, 0.36%

LAB 47.64, 0.59, 35.85

 

CMYK 61 / 0 / 28 / 48

HEX #33845F

RGB 51 132 95

HSL 152.59, 0.44%, 0.36%

LAB 49.54, -33.88, 12.79

 

CMYK 61 / 46 / 0 / 48

HEX #334784

RGB 51 71 132

HSL 225.19, 0.44%, 0.36%

LAB 31.52, 12.28, -36.74

 

CMYK 0 / 61 / 34 / 48

HEX #843357

RGB 132 51 87

HSL 333.33, 0.44%, 0.36%

LAB 33.9, 38.63, -3.89

 

CMYK 3 / 0 / 61 / 48

HEX #808433

RGB 128 132 51

HSL 62.96, 0.44%, 0.36%

LAB 53.31, -12.95, 42.09

 

CMYK 61 / 0 / 28 / 48

HEX #33845F

RGB 51 132 95

HSL 152.59, 0.44%, 0.36%

LAB 49.54, -33.88, 12.79

 

CMYK 58 / 61 / 0 / 48

HEX #373384

RGB 55 51 132

HSL 242.96, 0.44%, 0.36%

LAB 26.29, 26.54, -45.15

 

Description

Color code: HEX #843357 | qconv.com Color code: HEX #843357 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 51 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 51 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 34 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 34% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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