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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #843C98 it is the complementary color #7BC367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #843C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #843C98 shade: #893C93, #9A4EA6, #AB60B9, #BC72CC and #CD84DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #843C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #843C98 shade: #843C98, #732A85, #621872, #51065F and #40004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #843C98 shade: #853D99, #993D94, #993D7B, #993D62 and #993D49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #843C98 shade: #853D99, #6C3D99, #533D99 and #3D3D99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #843C98 shade matches the following richer shades: #853D99, #8E2BAA, #981ABB and #A209CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #843C98 shade: #853D99, #7B4E87, #715F76, #677165 and #5D8253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #843C98 shade: #523D99, #6B3D99, #833D99, #993D96 and #993D7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #843C98 shade: #51255E, #6B317B, #853D99, #9E49B6 and #AE66C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #843C98 shade: #843C98, #993D40 and #3D995E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #843C98 shade: #843C98, #99833D and #3D9983

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #843C98 shade: #843C98, #993D40, #52993D and #3D9996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #843C98 shade: #843C98, #99553D, #52993D and #3D8099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

Complementary color

CMYK 37 / 0 / 47 / 24

HEX #7BC367

RGB 123 195 103

HSL 106.96, 0.43%, 0.58%

LAB 72.38, -40, 39.1

 

CMYK 7 / 59 / 0 / 42

HEX #893C93

RGB 137 60 147

HSL 293.1, 0.42%, 0.41%

LAB 39, 45.76, -33.49

 

CMYK 7 / 53 / 0 / 35

HEX #9A4EA6

RGB 154 78 166

HSL 291.82, 0.36%, 0.48%

LAB 45.73, 45.19, -34.1

 

CMYK 8 / 48 / 0 / 27

HEX #AB60B9

RGB 171 96 185

HSL 290.56, 0.39%, 0.55%

LAB 52.43, 44.48, -34.55

 

CMYK 8 / 44 / 0 / 20

HEX #BC72CC

RGB 188 114 204

HSL 289.33, 0.47%, 0.62%

LAB 59.05, 43.72, -34.9

 

CMYK 8 / 41 / 0 / 13

HEX #CD84DF

RGB 205 132 223

HSL 288.13, 0.59%, 0.7%

LAB 65.6, 42.95, -35.2

 

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

CMYK 14 / 68 / 0 / 48

HEX #732A85

RGB 115 42 133

HSL 288.13, 0.52%, 0.34%

LAB 31.79, 45.74, -36.54

 

CMYK 14 / 79 / 0 / 55

HEX #621872

RGB 98 24 114

HSL 289.33, 0.65%, 0.27%

LAB 25.15, 45.34, -35.33

 

CMYK 15 / 94 / 0 / 63

HEX #51065F

RGB 81 6 95

HSL 290.56, 0.88%, 0.2%

LAB 18.82, 43.57, -33.27

 

CMYK 16 / 100 / 0 / 70

HEX #40004C

RGB 64 0 76

HSL 290.53, 1%, 0.15%

LAB 13.3, 38.75, -29.48

 

CMYK 13 / 60 / 0 / 40

HEX #853D99

RGB 133 61 153

HSL 286.96, 0.43%, 0.42%

LAB 38.94, 45.41, -37.25

 

CMYK 0 / 60 / 3 / 40

HEX #993D94

RGB 153 61 148

HSL 303.26, 0.43%, 0.42%

LAB 41.61, 49.83, -29.83

 

CMYK 0 / 60 / 20 / 40

HEX #993D7B

RGB 153 61 123

HSL 319.57, 0.43%, 0.42%

LAB 40.48, 45.71, -16.31

 

CMYK 0 / 60 / 36 / 40

HEX #993D62

RGB 153 61 98

HSL 335.87, 0.43%, 0.42%

LAB 39.57, 42.26, -2.12

 

CMYK 0 / 60 / 52 / 40

HEX #993D49

RGB 153 61 73

HSL 352.17, 0.43%, 0.42%

LAB 38.88, 39.56, 12.63

 

CMYK 13 / 60 / 0 / 40

HEX #853D99

RGB 133 61 153

HSL 286.96, 0.43%, 0.42%

LAB 38.94, 45.41, -37.25

 

CMYK 29 / 60 / 0 / 40

HEX #6C3D99

RGB 108 61 153

HSL 270.65, 0.43%, 0.42%

LAB 35.65, 38.92, -42.7

 

CMYK 46 / 60 / 0 / 40

HEX #533D99

RGB 83 61 153

HSL 254.35, 0.43%, 0.42%

LAB 32.87, 32.92, -47.32

 

CMYK 60 / 60 / 0 / 40

HEX #3D3D99

RGB 61 61 153

HSL 240, 0.43%, 0.42%

LAB 30.95, 28.39, -50.52

 

CMYK 13 / 60 / 0 / 40

HEX #853D99

RGB 133 61 153

HSL 286.96, 0.43%, 0.42%

LAB 38.94, 45.41, -37.25

 

CMYK 16 / 75 / 0 / 33

HEX #8E2BAA

RGB 142 43 170

HSL 286.77, 0.6%, 0.42%

LAB 38.52, 58.77, -48.06

 

CMYK 19 / 86 / 0 / 27

HEX #981ABB

RGB 152 26 187

HSL 286.96, 0.76%, 0.42%

LAB 39.58, 68.74, -56.34

 

CMYK 21 / 96 / 0 / 20

HEX #A209CD

RGB 162 9 205

HSL 286.84, 0.92%, 0.42%

LAB 41.66, 76.09, -63.41

 

CMYK 13 / 60 / 0 / 40

HEX #853D99

RGB 133 61 153

HSL 286.96, 0.43%, 0.42%

LAB 38.94, 45.41, -37.25

 

CMYK 9 / 42 / 0 / 47

HEX #7B4E87

RGB 123 78 135

HSL 287.37, 0.27%, 0.42%

LAB 40.26, 29.28, -24.34

 

CMYK 4 / 19 / 0 / 54

HEX #715F76

RGB 113 95 118

HSL 286.96, 0.11%, 0.42%

LAB 42.77, 11.83, -10.25

 

CMYK 9 / 0 / 11 / 56

HEX #677165

RGB 103 113 101

HSL 110, 0.06%, 0.42%

LAB 46.49, -6.26, 5.37

 

CMYK 28 / 0 / 36 / 49

HEX #5D8253

RGB 93 130 83

HSL 107.23, 0.22%, 0.42%

LAB 50.59, -22.6, 21.4

 

CMYK 46 / 60 / 0 / 40

HEX #523D99

RGB 82 61 153

HSL 253.7, 0.43%, 0.42%

LAB 32.77, 32.7, -47.48

 

CMYK 30 / 60 / 0 / 40

HEX #6B3D99

RGB 107 61 153

HSL 270, 0.43%, 0.42%

LAB 35.52, 38.67, -42.9

 

CMYK 14 / 60 / 0 / 40

HEX #833D99

RGB 131 61 153

HSL 285.65, 0.43%, 0.42%

LAB 38.66, 44.88, -37.71

 

CMYK 0 / 60 / 2 / 40

HEX #993D96

RGB 153 61 150

HSL 301.96, 0.43%, 0.42%

LAB 41.71, 50.19, -30.88

 

CMYK 0 / 60 / 18 / 40

HEX #993D7D

RGB 153 61 125

HSL 318.26, 0.43%, 0.42%

LAB 40.56, 46.02, -17.42

 

CMYK 14 / 61 / 0 / 63

HEX #51255E

RGB 81 37 94

HSL 286.32, 0.44%, 0.26%

LAB 23.27, 30.64, -25.49

 

CMYK 13 / 60 / 0 / 52

HEX #6B317B

RGB 107 49 123

HSL 287.03, 0.43%, 0.34%

LAB 31.24, 38.1, -31.25

 

CMYK 13 / 60 / 0 / 40

HEX #853D99

RGB 133 61 153

HSL 286.96, 0.43%, 0.42%

LAB 38.94, 45.41, -37.25

 

CMYK 13 / 60 / 0 / 29

HEX #9E49B6

RGB 158 73 182

HSL 286.79, 0.43%, 0.5%

LAB 46.19, 51.97, -42.75

 

CMYK 10 / 47 / 0 / 24

HEX #AE66C2

RGB 174 102 194

HSL 286.96, 0.43%, 0.58%

LAB 54.45, 43.99, -36.54

 

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 60 / 0 / 39 / 40

HEX #3D995E

RGB 61 153 94

HSL 141.52, 0.43%, 0.42%

LAB 56.67, -41.01, 23.09

 

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

CMYK 0 / 14 / 60 / 40

HEX #99833D

RGB 153 131 61

HSL 45.65, 0.43%, 0.42%

LAB 55.42, -0.42, 40.24

 

CMYK 60 / 0 / 14 / 40

HEX #3D9983

RGB 61 153 131

HSL 165.65, 0.43%, 0.42%

LAB 57.48, -32.73, 3.47

 

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 46 / 0 / 60 / 40

HEX #52993D

RGB 82 153 61

HSL 106.3, 0.43%, 0.42%

LAB 56.99, -40.2, 40.72

 

CMYK 60 / 0 / 2 / 40

HEX #3D9996

RGB 61 153 150

HSL 178.04, 0.43%, 0.42%

LAB 58.01, -27.6, -6.56

 

CMYK 13 / 61 / 0 / 40

HEX #843C98

RGB 132 60 152

HSL 286.96, 0.43%, 0.42%

LAB 38.56, 45.43, -37.26

 

CMYK 0 / 44 / 60 / 40

HEX #99553D

RGB 153 85 61

HSL 15.65, 0.43%, 0.42%

LAB 43.66, 25.8, 26.2

 

CMYK 46 / 0 / 60 / 40

HEX #52993D

RGB 82 153 61

HSL 106.3, 0.43%, 0.42%

LAB 56.99, -40.2, 40.72

 

CMYK 60 / 16 / 0 / 40

HEX #3D8099

RGB 61 128 153

HSL 196.3, 0.43%, 0.42%

LAB 50.37, -13.54, -19.83

 

Description

Color code: HEX #843C98 | qconv.com Color code: HEX #843C98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 60 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 60 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 61 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 61% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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