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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #843D57 it is the complementary color #7BC2A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #843D57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #843D57 shade: #893D52, #9A4F65, #AB6178, #BC738B and #CD859E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #843D57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #843D57 shade: #843D57, #732B44, #621931, #51071E and #40000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #843D57 shade: #843D57, #843D43 and #843D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #843D57 shade: #843D57, #843D6A, #843D7D, #783D84 and #643D84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #843D57 shade matches the following richer shades: #843D57, #942D53, #A41D4E and #B30E4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #843D57 shade: #843D57, #754C5B, #655C5F, #556C63 and #467B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #843D57 shade: #843D7D, #843D6A, #843D57, #843D44 and #84483D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #843D57 shade: #4C2332, #683044, #843D57, #A14A69 and #B55E7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #843D57 shade: #843D57, #84783D and #3D7484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #843D57 shade: #843D57, #57843D and #3D5784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #843D57 shade: #843D57, #84783D, #3D846A and #3D4884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #843D57 shade: #843D57, #7B843D, #3D846A and #463D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

Complementary color

CMYK 37 / 0 / 13 / 24

HEX #7BC2A8

RGB 123 194 168

HSL 158.03, 0.37%, 0.62%

LAB 73.3, -28.15, 6.07

 

CMYK 0 / 55 / 40 / 46

HEX #893D52

RGB 137 61 82

HSL 343.42, 0.38%, 0.39%

LAB 36.49, 34.68, 3.19

 

CMYK 0 / 49 / 34 / 40

HEX #9A4F65

RGB 154 79 101

HSL 342.4, 0.32%, 0.46%

LAB 43.36, 33.75, 1.58

 

CMYK 0 / 43 / 30 / 33

HEX #AB6178

RGB 171 97 120

HSL 341.35, 0.31%, 0.53%

LAB 50.17, 32.81, 0.28

 

CMYK 0 / 39 / 26 / 26

HEX #BC738B

RGB 188 115 139

HSL 340.27, 0.35%, 0.59%

LAB 56.9, 31.91, -0.82

 

CMYK 0 / 35 / 23 / 20

HEX #CD859E

RGB 205 133 158

HSL 339.17, 0.42%, 0.66%

LAB 63.53, 31.08, -1.78

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 63 / 41 / 55

HEX #732B44

RGB 115 43 68

HSL 339.17, 0.46%, 0.31%

LAB 28.88, 34.27, 0.79

 

CMYK 0 / 74 / 50 / 62

HEX #621931

RGB 98 25 49

HSL 340.27, 0.59%, 0.24%

LAB 21.99, 34.64, 3.33

 

CMYK 0 / 91 / 63 / 68

HEX #51071E

RGB 81 7 30

HSL 341.35, 0.84%, 0.17%

LAB 15.46, 33.9, 7.19

 

CMYK 0 / 100 / 83 / 75

HEX #40000B

RGB 64 0 11

HSL 349.69, 1%, 0.13%

LAB 9.91, 30.27, 11.12

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 54 / 49 / 48

HEX #843D43

RGB 132 61 67

HSL 354.93, 0.37%, 0.38%

LAB 35.3, 31.09, 10.94

 

CMYK 0 / 54 / 54 / 48

HEX #843D3D

RGB 132 61 61

HSL 0, 0.37%, 0.38%

LAB 35.16, 30.49, 14.56

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 54 / 20 / 48

HEX #843D6A

RGB 132 61 106

HSL 321.97, 0.37%, 0.38%

LAB 36.52, 36.31, -12.04

 

CMYK 0 / 54 / 5 / 48

HEX #843D7D

RGB 132 61 125

HSL 305.92, 0.37%, 0.38%

LAB 37.34, 39.59, -22.65

 

CMYK 9 / 54 / 0 / 48

HEX #783D84

RGB 120 61 132

HSL 289.86, 0.37%, 0.38%

LAB 35.98, 37.35, -29.24

 

CMYK 24 / 54 / 0 / 48

HEX #643D84

RGB 100 61 132

HSL 272.96, 0.37%, 0.38%

LAB 33.38, 31.49, -33.52

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 70 / 44 / 42

HEX #942D53

RGB 148 45 83

HSL 337.86, 0.53%, 0.38%

LAB 35.59, 46.09, 1.49

 

CMYK 0 / 82 / 52 / 36

HEX #A41D4E

RGB 164 29 78

HSL 338.22, 0.7%, 0.38%

LAB 36.6, 55.69, 6.55

 

CMYK 0 / 92 / 59 / 30

HEX #B30E4A

RGB 179 14 74

HSL 338.18, 0.85%, 0.38%

LAB 38.54, 62.24, 12.3

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 35 / 22 / 54

HEX #754C5B

RGB 117 76 91

HSL 338.05, 0.21%, 0.38%

LAB 37.31, 19.71, -1.65

 

CMYK 0 / 9 / 6 / 60

HEX #655C5F

RGB 101 92 95

HSL 340, 0.05%, 0.38%

LAB 39.99, 4.21, -0.41

 

CMYK 21 / 0 / 8 / 58

HEX #556C63

RGB 85 108 99

HSL 156.52, 0.12%, 0.38%

LAB 43.59, -10.56, 2.23

 

CMYK 43 / 0 / 15 / 52

HEX #467B68

RGB 70 123 104

HSL 158.49, 0.27%, 0.38%

LAB 47.58, -22.48, 4.89

 

CMYK 0 / 54 / 5 / 48

HEX #843D7D

RGB 132 61 125

HSL 305.92, 0.37%, 0.38%

LAB 37.34, 39.59, -22.65

 

CMYK 0 / 54 / 20 / 48

HEX #843D6A

RGB 132 61 106

HSL 321.97, 0.37%, 0.38%

LAB 36.52, 36.31, -12.04

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 54 / 48 / 48

HEX #843D44

RGB 132 61 68

HSL 354.08, 0.37%, 0.38%

LAB 35.32, 31.19, 10.34

 

CMYK 0 / 45 / 54 / 48

HEX #84483D

RGB 132 72 61

HSL 9.3, 0.37%, 0.38%

LAB 37.62, 24.33, 17.84

 

CMYK 0 / 54 / 34 / 70

HEX #4C2332

RGB 76 35 50

HSL 338.05, 0.37%, 0.22%

LAB 19.92, 21.35, -0.88

 

CMYK 0 / 54 / 35 / 59

HEX #683044

RGB 104 48 68

HSL 338.57, 0.37%, 0.3%

LAB 28.05, 27.52, -0.65

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 54 / 35 / 37

HEX #A14A69

RGB 161 74 105

HSL 338.62, 0.37%, 0.46%

LAB 43.5, 39.42, -0.55

 

CMYK 0 / 48 / 30 / 29

HEX #B55E7E

RGB 181 94 126

HSL 337.93, 0.37%, 0.54%

LAB 51.08, 38.84, -1.81

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 9 / 54 / 48

HEX #84783D

RGB 132 120 61

HSL 49.86, 0.37%, 0.38%

LAB 50.31, -3.67, 33.75

 

CMYK 54 / 12 / 0 / 48

HEX #3D7484

RGB 61 116 132

HSL 193.52, 0.37%, 0.38%

LAB 45.84, -13.4, -14.37

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 34 / 0 / 54 / 48

HEX #57843D

RGB 87 132 61

HSL 98.03, 0.37%, 0.38%

LAB 50.53, -28.99, 33.2

 

CMYK 54 / 34 / 0 / 48

HEX #3D5784

RGB 61 87 132

HSL 218.03, 0.37%, 0.38%

LAB 36.88, 4.08, -28.21

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 0 / 9 / 54 / 48

HEX #84783D

RGB 132 120 61

HSL 49.86, 0.37%, 0.38%

LAB 50.31, -3.67, 33.75

 

CMYK 54 / 0 / 20 / 48

HEX #3D846A

RGB 61 132 106

HSL 158.03, 0.37%, 0.38%

LAB 50.14, -28.95, 7.32

 

CMYK 54 / 45 / 0 / 48

HEX #3D4884

RGB 61 72 132

HSL 230.7, 0.37%, 0.38%

LAB 32.46, 13.88, -35.2

 

CMYK 0 / 54 / 34 / 48

HEX #843D57

RGB 132 61 87

HSL 338.03, 0.37%, 0.38%

LAB 35.85, 33.49, -1.02

 

CMYK 7 / 0 / 54 / 48

HEX #7B843D

RGB 123 132 61

HSL 67.61, 0.37%, 0.38%

LAB 53, -14.28, 36.74

 

CMYK 54 / 0 / 20 / 48

HEX #3D846A

RGB 61 132 106

HSL 158.03, 0.37%, 0.38%

LAB 50.14, -28.95, 7.32

 

CMYK 47 / 54 / 0 / 48

HEX #463D84

RGB 70 61 132

HSL 247.61, 0.37%, 0.38%

LAB 30.17, 23.34, -38.82

 

Description

Color code: HEX #843D57 | qconv.com Color code: HEX #843D57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 61 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 61 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 34 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 34% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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