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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84415E it is the complementary color #7BBEA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84415E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84415E shade: #894159, #9A536C, #AB657F, #BC7792 and #CD89A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84415E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84415E shade: #84415E, #732F4B, #621D38, #510B25 and #400012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84415E shade: #85415E, #85414C and #854141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84415E shade: #85415E, #854171, #854183, #744185 and #624185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84415E shade matches the following richer shades: #85415E, #95315C, #A5215A, #B51158 and #C50156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84415E shade: #85415E, #755161, #656163, #547165 and #448267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84415E shade: #854183, #854170, #85415E, #85414C and #854841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84415E shade: #4D2637, #69344B, #85415E, #A04F72 and #B36587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84415E shade: #84415E, #857541 and #417985

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84415E shade: #84415E, #5E8541 and #415E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84415E shade: #84415E, #857541, #418567 and #415185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84415E shade: #84415E, #808541, #418567 and #464185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

Complementary color

CMYK 35 / 0 / 15 / 25

HEX #7BBEA1

RGB 123 190 161

HSL 154.03, 0.34%, 0.61%

LAB 71.97, -27.7, 7.96

 

CMYK 0 / 53 / 35 / 46

HEX #894159

RGB 137 65 89

HSL 340, 0.36%, 0.4%

LAB 37.52, 33.44, 0.24

 

CMYK 0 / 46 / 30 / 40

HEX #9A536C

RGB 154 83 108

HSL 338.87, 0.3%, 0.46%

LAB 44.43, 32.52, -1.15

 

CMYK 0 / 41 / 26 / 33

HEX #AB657F

RGB 171 101 127

HSL 337.71, 0.29%, 0.53%

LAB 51.26, 31.61, -2.29

 

CMYK 0 / 37 / 22 / 26

HEX #BC7792

RGB 188 119 146

HSL 336.52, 0.34%, 0.6%

LAB 58, 30.76, -3.26

 

CMYK 0 / 33 / 20 / 20

HEX #CD89A5

RGB 205 137 165

HSL 335.29, 0.4%, 0.67%

LAB 64.63, 29.97, -4.13

 

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

CMYK 0 / 59 / 35 / 55

HEX #732F4B

RGB 115 47 75

HSL 335.29, 0.42%, 0.32%

LAB 29.88, 33.12, -2.36

 

CMYK 0 / 70 / 43 / 62

HEX #621D38

RGB 98 29 56

HSL 336.52, 0.54%, 0.25%

LAB 22.86, 33.65, -0.25

 

CMYK 0 / 86 / 54 / 68

HEX #510B25

RGB 81 11 37

HSL 337.71, 0.76%, 0.18%

LAB 16.12, 33.24, 2.98

 

CMYK 0 / 100 / 72 / 75

HEX #400012

RGB 64 0 18

HSL 343.13, 1%, 0.13%

LAB 10.06, 30.68, 7.7

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 51 / 43 / 48

HEX #85414C

RGB 133 65 76

HSL 350.29, 0.34%, 0.39%

LAB 36.53, 30.3, 6.98

 

CMYK 0 / 51 / 51 / 48

HEX #854141

RGB 133 65 65

HSL 0, 0.34%, 0.39%

LAB 36.27, 29.09, 13.56

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 51 / 15 / 48

HEX #854171

RGB 133 65 113

HSL 317.65, 0.34%, 0.39%

LAB 37.77, 35.67, -14.52

 

CMYK 0 / 51 / 2 / 48

HEX #854183

RGB 133 65 131

HSL 301.76, 0.34%, 0.39%

LAB 38.56, 38.93, -24.44

 

CMYK 13 / 51 / 0 / 48

HEX #744185

RGB 116 65 133

HSL 285, 0.34%, 0.39%

LAB 36.34, 34.14, -29.32

 

CMYK 26 / 51 / 0 / 48

HEX #624185

RGB 98 65 133

HSL 269.12, 0.34%, 0.39%

LAB 34.13, 28.77, -32.96

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 67 / 38 / 42

HEX #95315C

RGB 149 49 92

HSL 334.2, 0.51%, 0.39%

LAB 36.67, 45.72, -2.68

 

CMYK 0 / 80 / 45 / 35

HEX #A5215A

RGB 165 33 90

HSL 334.09, 0.67%, 0.39%

LAB 37.53, 55.91, 0.21

 

CMYK 0 / 91 / 51 / 29

HEX #B51158

RGB 181 17 88

HSL 334.02, 0.83%, 0.39%

LAB 39.46, 63.3, 4.69

 

CMYK 0 / 99 / 56 / 23

HEX #C50156

RGB 197 1 86

HSL 333.98, 0.99%, 0.39%

LAB 42.1, 68.72, 10.16

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 31 / 17 / 54

HEX #755161

RGB 117 81 97

HSL 333.33, 0.18%, 0.39%

LAB 38.78, 17.73, -3.24

 

CMYK 0 / 4 / 2 / 60

HEX #656163

RGB 101 97 99

HSL 330, 0.02%, 0.39%

LAB 41.56, 1.99, -0.58

 

CMYK 26 / 0 / 11 / 56

HEX #547165

RGB 84 113 101

HSL 155.17, 0.15%, 0.39%

LAB 45.13, -13.28, 3.24

 

CMYK 48 / 0 / 21 / 49

HEX #448267

RGB 68 130 103

HSL 153.87, 0.31%, 0.39%

LAB 49.71, -26.83, 8.49

 

CMYK 0 / 51 / 2 / 48

HEX #854183

RGB 133 65 131

HSL 301.76, 0.34%, 0.39%

LAB 38.56, 38.93, -24.44

 

CMYK 0 / 51 / 16 / 48

HEX #854170

RGB 133 65 112

HSL 318.53, 0.34%, 0.39%

LAB 37.73, 35.5, -13.96

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 51 / 43 / 48

HEX #85414C

RGB 133 65 76

HSL 350.29, 0.34%, 0.39%

LAB 36.53, 30.3, 6.98

 

CMYK 0 / 46 / 51 / 48

HEX #854841

RGB 133 72 65

HSL 6.18, 0.34%, 0.39%

LAB 37.85, 25.15, 15.69

 

CMYK 0 / 51 / 29 / 70

HEX #4D2637

RGB 77 38 55

HSL 333.85, 0.34%, 0.23%

LAB 20.98, 20.72, -2.76

 

CMYK 0 / 50 / 29 / 59

HEX #69344B

RGB 105 52 75

HSL 333.96, 0.34%, 0.31%

LAB 29.33, 26.65, -3.35

 

CMYK 0 / 51 / 29 / 48

HEX #85415E

RGB 133 65 94

HSL 334.41, 0.34%, 0.39%

LAB 37.07, 32.67, -3.64

 

CMYK 0 / 51 / 29 / 37

HEX #A04F72

RGB 160 79 114

HSL 334.07, 0.34%, 0.47%

LAB 44.63, 37.68, -4.42

 

CMYK 0 / 44 / 25 / 30

HEX #B36587

RGB 179 101 135

HSL 333.85, 0.34%, 0.55%

LAB 52.55, 35.68, -5

 

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

CMYK 0 / 12 / 51 / 48

HEX #857541

RGB 133 117 65

HSL 45.88, 0.34%, 0.39%

LAB 49.61, -1.14, 30.78

 

CMYK 51 / 9 / 0 / 48

HEX #417985

RGB 65 121 133

HSL 190.59, 0.34%, 0.39%

LAB 47.61, -14.93, -12.26

 

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

CMYK 29 / 0 / 51 / 48

HEX #5E8541

RGB 94 133 65

HSL 94.41, 0.34%, 0.39%

LAB 51.31, -26.33, 32.16

 

CMYK 51 / 29 / 0 / 48

HEX #415E85

RGB 65 94 133

HSL 214.41, 0.34%, 0.39%

LAB 39.28, 1, -25.05

 

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

CMYK 0 / 12 / 51 / 48

HEX #857541

RGB 133 117 65

HSL 45.88, 0.34%, 0.39%

LAB 49.61, -1.14, 30.78

 

CMYK 51 / 0 / 23 / 48

HEX #418567

RGB 65 133 103

HSL 153.53, 0.34%, 0.39%

LAB 50.54, -29.11, 9.66

 

CMYK 51 / 39 / 0 / 48

HEX #415185

RGB 65 81 133

HSL 225.88, 0.34%, 0.39%

LAB 35.4, 9.29, -31.13

 

CMYK 0 / 51 / 29 / 48

HEX #84415E

RGB 132 65 94

HSL 334.03, 0.34%, 0.39%

LAB 36.92, 32.3, -3.88

 

CMYK 4 / 0 / 51 / 48

HEX #808541

RGB 128 133 65

HSL 64.41, 0.34%, 0.39%

LAB 53.76, -12.25, 35.68

 

CMYK 51 / 0 / 23 / 48

HEX #418567

RGB 65 133 103

HSL 153.53, 0.34%, 0.39%

LAB 50.54, -29.11, 9.66

 

CMYK 47 / 51 / 0 / 48

HEX #464185

RGB 70 65 133

HSL 244.41, 0.34%, 0.39%

LAB 31.29, 21.06, -37.65

 

Description

Color code: HEX #84415E | qconv.com Color code: HEX #84415E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 65 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 65 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 29 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 29% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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