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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844328 it is the complementary color #7BBCD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844328 shade: #894323, #9A5536, #AB6749, #BC795C and #CD8B6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844328 shade: #844328, #733115, #621F02, #510D00 and #400000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844328 shade: #844328, #842A28 and #842828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844328 shade: #844328, #845C28, #847528, #7B8428 and #628428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844328 shade matches the following richer shades: #844328, #923D1A and #A0380C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844328 shade: #844328, #764936, #684F44, #5A5552 and #4C5A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844328 shade: #84283F, #842A28, #844228, #845B28 and #847328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844328 shade: #452315, #65331F, #844328, #A45332 and #C3643C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844328 shade: #844328, #588428 and #283384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844328 shade: #844328, #288442 and #422884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844328 shade: #844328, #588428, #286A84 and #552884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844328 shade: #844328, #3C8428, #286A84 and #702884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

Complementary color

CMYK 43 / 13 / 0 / 16

HEX #7BBCD7

RGB 123 188 215

HSL 197.61, 0.53%, 0.66%

LAB 72.95, -13.71, -20.05

 

CMYK 0 / 51 / 74 / 46

HEX #894323

RGB 137 67 35

HSL 18.82, 0.59%, 0.34%

LAB 36.84, 27.35, 32.44

 

CMYK 0 / 45 / 65 / 40

HEX #9A5536

RGB 154 85 54

HSL 18.6, 0.48%, 0.41%

LAB 43.7, 25.7, 30.31

 

CMYK 0 / 40 / 57 / 33

HEX #AB6749

RGB 171 103 73

HSL 18.37, 0.4%, 0.48%

LAB 50.5, 24.25, 28.39

 

CMYK 0 / 36 / 51 / 26

HEX #BC795C

RGB 188 121 92

HSL 18.13, 0.42%, 0.55%

LAB 57.21, 23, 26.69

 

CMYK 0 / 32 / 46 / 20

HEX #CD8B6F

RGB 205 139 111

HSL 17.87, 0.48%, 0.62%

LAB 63.83, 21.91, 25.16

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 57 / 82 / 55

HEX #733115

RGB 115 49 21

HSL 17.87, 0.69%, 0.27%

LAB 29.15, 27.26, 30.88

 

CMYK 0 / 68 / 98 / 62

HEX #621F02

RGB 98 31 2

HSL 18.13, 0.96%, 0.2%

LAB 22.23, 29.03, 31.8

 

CMYK 0 / 84 / 100 / 68

HEX #510D00

RGB 81 13 0

HSL 9.63, 1%, 0.16%

LAB 15.68, 30.38, 24.08

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 68 / 70 / 48

HEX #842A28

RGB 132 42 40

HSL 1.3, 0.53%, 0.34%

LAB 31.15, 38.4, 22.69

 

CMYK 0 / 70 / 70 / 48

HEX #842828

RGB 132 40 40

HSL 0, 0.53%, 0.34%

LAB 30.82, 39.29, 22.3

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 30 / 70 / 48

HEX #845C28

RGB 132 92 40

HSL 33.91, 0.53%, 0.34%

LAB 42.33, 10.91, 35.56

 

CMYK 0 / 11 / 70 / 48

HEX #847528

RGB 132 117 40

HSL 50.22, 0.53%, 0.34%

LAB 49.23, -3.6, 42.9

 

CMYK 7 / 0 / 70 / 48

HEX #7B8428

RGB 123 132 40

HSL 65.87, 0.53%, 0.34%

LAB 52.8, -15.95, 46.3

 

CMYK 26 / 0 / 70 / 48

HEX #628428

RGB 98 132 40

HSL 82.17, 0.53%, 0.34%

LAB 50.98, -26.74, 43.85

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 58 / 82 / 43

HEX #923D1A

RGB 146 61 26

HSL 17.5, 0.7%, 0.34%

LAB 36.97, 33.89, 37.76

 

CMYK 0 / 65 / 93 / 37

HEX #A0380C

RGB 160 56 12

HSL 17.84, 0.86%, 0.34%

LAB 38.43, 41.36, 45.9

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 38 / 54 / 54

HEX #764936

RGB 118 73 54

HSL 17.81, 0.37%, 0.34%

LAB 35.76, 16.97, 19.33

 

CMYK 0 / 24 / 35 / 59

HEX #684F44

RGB 104 79 68

HSL 18.33, 0.21%, 0.34%

LAB 35.89, 8.76, 10.54

 

CMYK 0 / 6 / 9 / 65

HEX #5A5552

RGB 90 85 82

HSL 22.5, 0.05%, 0.34%

LAB 36.52, 1.43, 2.47

 

CMYK 21 / 6 / 0 / 62

HEX #4C5A60

RGB 76 90 96

HSL 198, 0.12%, 0.34%

LAB 37.29, -3.93, -5.27

 

CMYK 0 / 70 / 52 / 48

HEX #84283F

RGB 132 40 63

HSL 345, 0.53%, 0.34%

LAB 31.31, 41.02, 7.98

 

CMYK 0 / 68 / 70 / 48

HEX #842A28

RGB 132 42 40

HSL 1.3, 0.53%, 0.34%

LAB 31.15, 38.4, 22.69

 

CMYK 0 / 50 / 70 / 48

HEX #844228

RGB 132 66 40

HSL 16.96, 0.53%, 0.34%

LAB 35.9, 26.06, 28.33

 

CMYK 0 / 31 / 70 / 48

HEX #845B28

RGB 132 91 40

HSL 33.26, 0.53%, 0.34%

LAB 42.06, 11.5, 35.27

 

CMYK 0 / 13 / 70 / 48

HEX #847328

RGB 132 115 40

HSL 48.91, 0.53%, 0.34%

LAB 48.66, -2.46, 42.31

 

CMYK 0 / 49 / 70 / 73

HEX #452315

RGB 69 35 21

HSL 17.5, 0.53%, 0.18%

LAB 18.02, 14.68, 16.38

 

CMYK 0 / 50 / 69 / 60

HEX #65331F

RGB 101 51 31

HSL 17.14, 0.53%, 0.26%

LAB 27.39, 20.52, 22.5

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 0 / 49 / 70 / 36

HEX #A45332

RGB 164 83 50

HSL 17.37, 0.53%, 0.42%

LAB 44.67, 30.72, 34.06

 

CMYK 0 / 49 / 69 / 24

HEX #C3643C

RGB 195 100 60

HSL 17.78, 0.53%, 0.5%

LAB 53, 34.81, 39.35

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 33 / 0 / 70 / 48

HEX #588428

RGB 88 132 40

HSL 88.7, 0.53%, 0.34%

LAB 50.37, -30.74, 43.02

 

CMYK 70 / 61 / 0 / 48

HEX #283384

RGB 40 51 132

HSL 232.83, 0.53%, 0.34%

LAB 25.21, 23.89, -46.95

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 70 / 0 / 50 / 48

HEX #288442

RGB 40 132 66

HSL 136.96, 0.53%, 0.34%

LAB 48.69, -41.95, 27.88

 

CMYK 50 / 70 / 0 / 48

HEX #422884

RGB 66 40 132

HSL 256.96, 0.53%, 0.34%

LAB 24.77, 35.54, -47.58

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 33 / 0 / 70 / 48

HEX #588428

RGB 88 132 40

HSL 88.7, 0.53%, 0.34%

LAB 50.37, -30.74, 43.02

 

CMYK 70 / 20 / 0 / 48

HEX #286A84

RGB 40 106 132

HSL 196.96, 0.53%, 0.34%

LAB 41.88, -11.94, -20.49

 

CMYK 36 / 70 / 0 / 48

HEX #552884

RGB 85 40 132

HSL 269.35, 0.53%, 0.34%

LAB 27.06, 39.48, -43.76

 

CMYK 0 / 49 / 70 / 48

HEX #844328

RGB 132 67 40

HSL 17.61, 0.53%, 0.34%

LAB 36.12, 25.5, 28.6

 

CMYK 55 / 0 / 70 / 48

HEX #3C8428

RGB 60 132 40

HSL 106.96, 0.53%, 0.34%

LAB 49.03, -40.4, 41.2

 

CMYK 70 / 20 / 0 / 48

HEX #286A84

RGB 40 106 132

HSL 196.96, 0.53%, 0.34%

LAB 41.88, -11.94, -20.49

 

CMYK 15 / 70 / 0 / 48

HEX #702884

RGB 112 40 132

HSL 286.96, 0.53%, 0.34%

LAB 30.95, 45.7, -37.3

 

Description

Color code: HEX #844328 | qconv.com Color code: HEX #844328 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 67 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 67 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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