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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845532 it is the complementary color #7BAACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845532 shade: #89552D, #9A6740, #AB7953, #BC8B66 and #CD9D79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845532 shade: #845532, #73431F, #62310C, #511F00 and #400D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845532 shade: #855532, #853F32 and #853232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845532 shade: #855532, #856C32, #858232, #718532 and #5B8532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845532 shade matches the following richer shades: #855532, #935323, #A25114 and #B14F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845532 shade: #855532, #765741, #675A50, #585C5F and #495E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845532 shade: #85323C, #853E32, #855432, #856A32 and #858032

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845532 shade: #492F1B, #674227, #855532, #A3693D and #BB7D4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845532 shade: #845532, #528532 and #333285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845532 shade: #845532, #328554 and #543285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845532 shade: #845532, #528532, #326285 and #653285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845532 shade: #845532, #398532, #326285 and #7E3285

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

Complementary color

CMYK 40 / 17 / 0 / 20

HEX #7BAACD

RGB 123 170 205

HSL 205.61, 0.45%, 0.64%

LAB 67.55, -6.73, -22.78

 

CMYK 0 / 38 / 67 / 46

HEX #89552D

RGB 137 85 45

HSL 26.09, 0.51%, 0.36%

LAB 41.22, 17.65, 31.85

 

CMYK 0 / 33 / 58 / 40

HEX #9A6740

RGB 154 103 64

HSL 26, 0.41%, 0.43%

LAB 48.19, 16.22, 30.11

 

CMYK 0 / 29 / 51 / 33

HEX #AB7953

RGB 171 121 83

HSL 25.91, 0.35%, 0.5%

LAB 55.03, 15.03, 28.51

 

CMYK 0 / 26 / 46 / 26

HEX #BC8B66

RGB 188 139 102

HSL 25.81, 0.39%, 0.57%

LAB 61.75, 14.02, 27.05

 

CMYK 0 / 23 / 41 / 20

HEX #CD9D79

RGB 205 157 121

HSL 25.71, 0.46%, 0.64%

LAB 68.37, 13.17, 25.71

 

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

CMYK 0 / 42 / 73 / 55

HEX #73431F

RGB 115 67 31

HSL 25.71, 0.58%, 0.29%

LAB 33.47, 17.36, 29.99

 

CMYK 0 / 50 / 88 / 62

HEX #62310C

RGB 98 49 12

HSL 25.81, 0.78%, 0.22%

LAB 26.22, 19.33, 31.59

 

CMYK 0 / 62 / 100 / 68

HEX #511F00

RGB 81 31 0

HSL 22.96, 1%, 0.16%

LAB 18.93, 21.67, 28.02

 

CMYK 0 / 80 / 100 / 75

HEX #400D00

RGB 64 13 0

HSL 12.19, 1%, 0.13%

LAB 11.81, 23.87, 18.26

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 53 / 62 / 48

HEX #853F32

RGB 133 63 50

HSL 9.4, 0.45%, 0.36%

LAB 35.54, 28.85, 21.95

 

CMYK 0 / 62 / 62 / 48

HEX #853232

RGB 133 50 50

HSL 0, 0.45%, 0.36%

LAB 32.91, 35.66, 18.61

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 19 / 62 / 48

HEX #856C32

RGB 133 108 50

HSL 41.93, 0.45%, 0.36%

LAB 46.9, 2.71, 35.55

 

CMYK 0 / 2 / 62 / 48

HEX #858232

RGB 133 130 50

HSL 57.83, 0.45%, 0.36%

LAB 53.15, -9.7, 42.5

 

CMYK 15 / 0 / 62 / 48

HEX #718532

RGB 113 133 50

HSL 74.46, 0.45%, 0.36%

LAB 52.42, -20.13, 41.24

 

CMYK 32 / 0 / 62 / 48

HEX #5B8532

RGB 91 133 50

HSL 90.36, 0.45%, 0.36%

LAB 50.95, -29.16, 39.21

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 44 / 76 / 42

HEX #935323

RGB 147 83 35

HSL 25.71, 0.62%, 0.36%

LAB 42.02, 22.68, 38.36

 

CMYK 0 / 50 / 88 / 36

HEX #A25114

RGB 162 81 20

HSL 25.77, 0.78%, 0.36%

LAB 43.68, 29.73, 47.26

 

CMYK 0 / 55 / 97 / 31

HEX #B14F05

RGB 177 79 5

HSL 25.81, 0.95%, 0.36%

LAB 45.57, 36.69, 54.05

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 26 / 45 / 54

HEX #765741

RGB 118 87 65

HSL 24.91, 0.29%, 0.36%

LAB 39.66, 9.74, 17.77

 

CMYK 0 / 13 / 22 / 60

HEX #675A50

RGB 103 90 80

HSL 26.09, 0.13%, 0.36%

LAB 39.2, 3.48, 7.71

 

CMYK 7 / 3 / 0 / 63

HEX #585C5F

RGB 88 92 95

HSL 205.71, 0.04%, 0.36%

LAB 38.82, -0.91, -2.27

 

CMYK 33 / 14 / 0 / 57

HEX #495E6D

RGB 73 94 109

HSL 205, 0.2%, 0.36%

LAB 38.77, -3.95, -11.1

 

CMYK 0 / 62 / 55 / 48

HEX #85323C

RGB 133 50 60

HSL 352.77, 0.45%, 0.36%

LAB 33.12, 36.49, 12.47

 

CMYK 0 / 53 / 62 / 48

HEX #853E32

RGB 133 62 50

HSL 8.67, 0.45%, 0.36%

LAB 35.33, 29.4, 21.68

 

CMYK 0 / 37 / 62 / 48

HEX #855432

RGB 133 84 50

HSL 24.58, 0.45%, 0.36%

LAB 40.5, 16.8, 28.06

 

CMYK 0 / 20 / 62 / 48

HEX #856A32

RGB 133 106 50

HSL 40.48, 0.45%, 0.36%

LAB 46.34, 3.87, 34.92

 

CMYK 0 / 4 / 62 / 48

HEX #858032

RGB 133 128 50

HSL 56.39, 0.45%, 0.36%

LAB 52.57, -8.6, 41.87

 

CMYK 0 / 36 / 63 / 71

HEX #492F1B

RGB 73 47 27

HSL 26.09, 0.46%, 0.2%

LAB 22.05, 9.37, 17.56

 

CMYK 0 / 36 / 62 / 60

HEX #674227

RGB 103 66 39

HSL 25.31, 0.45%, 0.28%

LAB 31.64, 12.94, 22.83

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 36 / 63 / 36

HEX #A3693D

RGB 163 105 61

HSL 25.88, 0.46%, 0.44%

LAB 49.77, 18.77, 33.94

 

CMYK 0 / 33 / 58 / 27

HEX #BB7D4E

RGB 187 125 78

HSL 25.87, 0.44%, 0.52%

LAB 57.83, 19.16, 35.16

 

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

CMYK 38 / 0 / 62 / 48

HEX #528532

RGB 82 133 50

HSL 96.87, 0.45%, 0.36%

LAB 50.45, -32.55, 38.5

 

CMYK 62 / 62 / 0 / 48

HEX #333285

RGB 51 50 133

HSL 240.72, 0.45%, 0.36%

LAB 25.8, 26.78, -46.59

 

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

CMYK 62 / 0 / 37 / 48

HEX #328554

RGB 50 133 84

HSL 144.58, 0.45%, 0.36%

LAB 49.61, -36.92, 19.18

 

CMYK 37 / 62 / 0 / 48

HEX #543285

RGB 84 50 133

HSL 264.58, 0.45%, 0.36%

LAB 29.06, 33.95, -41.16

 

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

CMYK 38 / 0 / 62 / 48

HEX #528532

RGB 82 133 50

HSL 96.87, 0.45%, 0.36%

LAB 50.45, -32.55, 38.5

 

CMYK 62 / 26 / 0 / 48

HEX #326285

RGB 50 98 133

HSL 205.3, 0.45%, 0.36%

LAB 39.76, -4.96, -24.36

 

CMYK 24 / 62 / 0 / 48

HEX #653285

RGB 101 50 133

HSL 276.87, 0.45%, 0.36%

LAB 31.21, 38.24, -37.58

 

CMYK 0 / 36 / 62 / 48

HEX #845532

RGB 132 85 50

HSL 25.61, 0.45%, 0.36%

LAB 40.63, 15.76, 28.18

 

CMYK 57 / 0 / 62 / 48

HEX #398532

RGB 57 133 50

HSL 114.94, 0.45%, 0.36%

LAB 49.34, -40.6, 36.95

 

CMYK 62 / 26 / 0 / 48

HEX #326285

RGB 50 98 133

HSL 205.3, 0.45%, 0.36%

LAB 39.76, -4.96, -24.36

 

CMYK 5 / 62 / 0 / 48

HEX #7E3285

RGB 126 50 133

HSL 294.94, 0.45%, 0.36%

LAB 34.82, 44.86, -31.62

 

Description

Color code: HEX #845532 | qconv.com Color code: HEX #845532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 85 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 85 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 62 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 62% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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