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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845957 it is the complementary color #7BA6A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845957 shade: #895952, #9A6B65, #AB7D78, #BC8F8B and #CDA19E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845957 shade: #845957, #734744, #623531, #51231E and #40110B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845957 shade: #845856 and #845656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845957 shade: #845856, #846556, #847156, #847D56 and #7F8456

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845957 shade matches the following richer shades: #845856, #964844, #A83833, #B92821 and #CB180F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845957 shade: #845856, #726868, #61787A, #4F898B and #3D999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845957 shade: #84566D, #845661, #845856, #846456 and #847056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845957 shade: #523736, #6B4746, #845856, #9C6A68 and #AC8281

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845957 shade: #845957, #798456 and #566784

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845957 shade: #845957, #568458 and #585684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845957 shade: #845957, #798456, #568384 and #615684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845957 shade: #845957, #6C8456, #568384 and #6F5684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

Complementary color

CMYK 27 / 1 / 0 / 34

HEX #7BA6A8

RGB 123 166 168

HSL 182.67, 0.21%, 0.57%

LAB 65.21, -13.92, -5.74

 

CMYK 0 / 35 / 40 / 46

HEX #895952

RGB 137 89 82

HSL 7.64, 0.25%, 0.43%

LAB 42.87, 18.89, 12.2

 

CMYK 0 / 31 / 34 / 40

HEX #9A6B65

RGB 154 107 101

HSL 6.79, 0.21%, 0.5%

LAB 49.89, 17.95, 10.89

 

CMYK 0 / 27 / 30 / 33

HEX #AB7D78

RGB 171 125 120

HSL 5.88, 0.23%, 0.57%

LAB 56.76, 17.14, 9.75

 

CMYK 0 / 24 / 26 / 26

HEX #BC8F8B

RGB 188 143 139

HSL 4.9, 0.27%, 0.64%

LAB 63.51, 16.43, 8.72

 

CMYK 0 / 21 / 23 / 20

HEX #CDA19E

RGB 205 161 158

HSL 3.83, 0.32%, 0.71%

LAB 70.13, 15.8, 7.78

 

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

CMYK 0 / 38 / 41 / 55

HEX #734744

RGB 115 71 68

HSL 3.83, 0.26%, 0.36%

LAB 35.14, 18.46, 9.7

 

CMYK 0 / 46 / 50 / 62

HEX #623531

RGB 98 53 49

HSL 4.9, 0.33%, 0.29%

LAB 27.75, 19.65, 11.36

 

CMYK 0 / 57 / 63 / 68

HEX #51231E

RGB 81 35 30

HSL 5.88, 0.46%, 0.22%

LAB 20.22, 21.03, 13.54

 

CMYK 0 / 73 / 83 / 75

HEX #40110B

RGB 64 17 11

HSL 6.79, 0.71%, 0.15%

LAB 12.7, 22.46, 14.98

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 35 / 35 / 48

HEX #845656

RGB 132 86 86

HSL 0, 0.21%, 0.43%

LAB 41.58, 19.1, 7.86

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 23 / 35 / 48

HEX #846556

RGB 132 101 86

HSL 19.57, 0.21%, 0.43%

LAB 45.48, 10.22, 13.29

 

CMYK 0 / 14 / 35 / 48

HEX #847156

RGB 132 113 86

HSL 35.22, 0.21%, 0.43%

LAB 48.74, 3.19, 17.76

 

CMYK 0 / 5 / 35 / 48

HEX #847D56

RGB 132 125 86

HSL 50.87, 0.21%, 0.43%

LAB 52.11, -3.67, 22.26

 

CMYK 4 / 0 / 35 / 48

HEX #7F8456

RGB 127 132 86

HSL 66.52, 0.21%, 0.43%

LAB 53.69, -9.68, 24.26

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 52 / 55 / 41

HEX #964844

RGB 150 72 68

HSL 2.93, 0.38%, 0.43%

LAB 40.47, 32.32, 17.8

 

CMYK 0 / 67 / 70 / 34

HEX #A83833

RGB 168 56 51

HSL 2.56, 0.53%, 0.43%

LAB 40.23, 45.6, 28.46

 

CMYK 0 / 78 / 82 / 27

HEX #B92821

RGB 185 40 33

HSL 2.76, 0.7%, 0.43%

LAB 41.12, 56.25, 40.64

 

CMYK 0 / 88 / 93 / 20

HEX #CB180F

RGB 203 24 15

HSL 2.87, 0.86%, 0.43%

LAB 43.34, 64.77, 52.17

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 9 / 9 / 55

HEX #726868

RGB 114 104 104

HSL 0, 0.05%, 0.43%

LAB 44.91, 3.93, 1.42

 

CMYK 20 / 2 / 0 / 52

HEX #61787A

RGB 97 120 122

HSL 184.8, 0.11%, 0.43%

LAB 48.73, -7.88, -3.88

 

CMYK 43 / 1 / 0 / 45

HEX #4F898B

RGB 79 137 139

HSL 182, 0.28%, 0.43%

LAB 53.4, -18.38, -7.02

 

CMYK 61 / 3 / 0 / 38

HEX #3D999D

RGB 61 153 157

HSL 182.5, 0.44%, 0.43%

LAB 58.23, -25.58, -10.22

 

CMYK 0 / 35 / 17 / 48

HEX #84566D

RGB 132 86 109

HSL 330, 0.21%, 0.43%

LAB 42.25, 22.68, -5.3

 

CMYK 0 / 35 / 27 / 48

HEX #845661

RGB 132 86 97

HSL 345.65, 0.21%, 0.43%

LAB 41.88, 20.71, 1.53

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 24 / 35 / 48

HEX #846456

RGB 132 100 86

HSL 18.26, 0.21%, 0.43%

LAB 45.21, 10.81, 12.93

 

CMYK 0 / 15 / 35 / 48

HEX #847056

RGB 132 112 86

HSL 33.91, 0.21%, 0.43%

LAB 48.47, 3.78, 17.38

 

CMYK 0 / 33 / 34 / 68

HEX #523736

RGB 82 55 54

HSL 2.14, 0.21%, 0.27%

LAB 26.14, 11.91, 5.48

 

CMYK 0 / 34 / 35 / 58

HEX #6B4746

RGB 107 71 70

HSL 1.62, 0.21%, 0.35%

LAB 34.14, 15.3, 6.88

 

CMYK 0 / 33 / 35 / 48

HEX #845856

RGB 132 88 86

HSL 2.61, 0.21%, 0.43%

LAB 42.09, 17.92, 8.57

 

CMYK 0 / 32 / 33 / 39

HEX #9C6A68

RGB 156 106 104

HSL 2.31, 0.21%, 0.51%

LAB 49.95, 19.74, 9.24

 

CMYK 0 / 24 / 25 / 33

HEX #AC8281

RGB 172 130 129

HSL 1.4, 0.21%, 0.59%

LAB 58.34, 16.01, 6.82

 

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

CMYK 8 / 0 / 35 / 48

HEX #798456

RGB 121 132 86

HSL 74.35, 0.21%, 0.43%

LAB 53.21, -12.17, 23.53

 

CMYK 35 / 22 / 0 / 48

HEX #566784

RGB 86 103 132

HSL 217.83, 0.21%, 0.43%

LAB 43.28, 1.13, -18.15

 

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

CMYK 35 / 0 / 33 / 48

HEX #568458

RGB 86 132 88

HSL 122.61, 0.21%, 0.43%

LAB 50.9, -25.26, 18.92

 

CMYK 33 / 35 / 0 / 48

HEX #585684

RGB 88 86 132

HSL 242.61, 0.21%, 0.43%

LAB 38.54, 12.32, -25.46

 

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

CMYK 8 / 0 / 35 / 48

HEX #798456

RGB 121 132 86

HSL 74.35, 0.21%, 0.43%

LAB 53.21, -12.17, 23.53

 

CMYK 35 / 1 / 0 / 48

HEX #568384

RGB 86 131 132

HSL 181.3, 0.21%, 0.43%

LAB 51.7, -15.04, -5.45

 

CMYK 27 / 35 / 0 / 48

HEX #615684

RGB 97 86 132

HSL 254.35, 0.21%, 0.43%

LAB 39.35, 15.17, -24.15

 

CMYK 0 / 33 / 34 / 48

HEX #845957

RGB 132 89 87

HSL 2.67, 0.21%, 0.43%

LAB 42.37, 17.47, 8.35

 

CMYK 18 / 0 / 35 / 48

HEX #6C8456

RGB 108 132 86

HSL 91.3, 0.21%, 0.43%

LAB 52.24, -17.42, 22.08

 

CMYK 35 / 1 / 0 / 48

HEX #568384

RGB 86 131 132

HSL 181.3, 0.21%, 0.43%

LAB 51.7, -15.04, -5.45

 

CMYK 16 / 35 / 0 / 48

HEX #6F5684

RGB 111 86 132

HSL 272.61, 0.21%, 0.43%

LAB 40.74, 19.81, -21.89

 

Description

Color code: HEX #845957 | qconv.com Color code: HEX #845957 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 89 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 89 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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