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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84629D it is the complementary color #7B9D62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84629D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84629D shade: #896298, #9A74AB, #AB86BE, #BC98D1 and #CDAAE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84629D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84629D shade: #84629D, #73508A, #623E77, #512C64 and #401A51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84629D shade: #83629C, #93629C, #9C6296, #9C6286 and #9C6276

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84629D shade: #83629C, #74629C, #64629C and #62629C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84629D shade matches the following richer shades: #83629C, #874DB1, #8A38C6, #8D24DA and #900FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84629D shade: #83629C, #807688, #7D8B73, #7AA05E and #77B44A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84629D shade: #64629C, #73629C, #83629C, #93629C and #9C6296

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84629D shade: #59426A, #6E5283, #83629C, #977BAC and #AB94BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84629D shade: #84629D, #9C626F and #629C6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84629D shade: #84629D, #9C8362 and #629C83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84629D shade: #84629D, #9C626F, #7B9C62 and #629C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84629D shade: #84629D, #9C6662, #7B9C62 and #62989C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

Complementary color

CMYK 22 / 0 / 38 / 38

HEX #7B9D62

RGB 123 157 98

HSL 94.58, 0.23%, 0.5%

LAB 60.96, -22.76, 27.13

 

CMYK 10 / 36 / 0 / 40

HEX #896298

RGB 137 98 152

HSL 283.33, 0.22%, 0.49%

LAB 47.39, 25.88, -23.37

 

CMYK 10 / 32 / 0 / 33

HEX #9A74AB

RGB 154 116 171

HSL 281.45, 0.25%, 0.56%

LAB 54.35, 25.16, -23.62

 

CMYK 10 / 29 / 0 / 25

HEX #AB86BE

RGB 171 134 190

HSL 279.64, 0.3%, 0.64%

LAB 61.16, 24.49, -23.87

 

CMYK 10 / 27 / 0 / 18

HEX #BC98D1

RGB 188 152 209

HSL 277.89, 0.38%, 0.71%

LAB 67.84, 23.88, -24.13

 

CMYK 10 / 25 / 0 / 11

HEX #CDAAE4

RGB 205 170 228

HSL 276.21, 0.52%, 0.78%

LAB 74.4, 23.32, -24.39

 

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

CMYK 17 / 42 / 0 / 46

HEX #73508A

RGB 115 80 138

HSL 276.21, 0.27%, 0.43%

LAB 39.94, 26.19, -26.73

 

CMYK 18 / 48 / 0 / 53

HEX #623E77

RGB 98 62 119

HSL 277.89, 0.31%, 0.35%

LAB 32.64, 27.07, -26.59

 

CMYK 19 / 56 / 0 / 61

HEX #512C64

RGB 81 44 100

HSL 279.64, 0.39%, 0.28%

LAB 25.17, 27.99, -26.41

 

CMYK 21 / 68 / 0 / 68

HEX #401A51

RGB 64 26 81

HSL 281.45, 0.51%, 0.21%

LAB 17.57, 28.79, -26.04

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 6 / 37 / 0 / 39

HEX #93629C

RGB 147 98 156

HSL 290.69, 0.23%, 0.5%

LAB 48.68, 30.04, -23.65

 

CMYK 0 / 37 / 4 / 39

HEX #9C6296

RGB 156 98 150

HSL 306.21, 0.23%, 0.5%

LAB 49.5, 31.85, -18.76

 

CMYK 0 / 37 / 14 / 39

HEX #9C6286

RGB 156 98 134

HSL 322.76, 0.23%, 0.5%

LAB 48.91, 28.95, -10.15

 

CMYK 0 / 37 / 24 / 39

HEX #9C6276

RGB 156 98 118

HSL 339.31, 0.23%, 0.5%

LAB 48.4, 26.35, -1.35

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 26 / 37 / 0 / 39

HEX #74629C

RGB 116 98 156

HSL 258.62, 0.23%, 0.5%

LAB 45.43, 20.06, -28.97

 

CMYK 36 / 37 / 0 / 39

HEX #64629C

RGB 100 98 156

HSL 242.07, 0.23%, 0.5%

LAB 44.01, 15.23, -31.29

 

CMYK 37 / 37 / 0 / 39

HEX #62629C

RGB 98 98 156

HSL 240, 0.23%, 0.5%

LAB 43.85, 14.65, -31.55

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 24 / 56 / 0 / 31

HEX #874DB1

RGB 135 77 177

HSL 274.8, 0.39%, 0.5%

LAB 43.7, 42.91, -43.96

 

CMYK 30 / 72 / 0 / 22

HEX #8A38C6

RGB 138 56 198

HSL 274.65, 0.56%, 0.5%

LAB 41.7, 58.69, -59.44

 

CMYK 35 / 83 / 0 / 15

HEX #8D24DA

RGB 141 36 218

HSL 274.62, 0.72%, 0.5%

LAB 41.19, 70.68, -71.81

 

CMYK 40 / 94 / 0 / 6

HEX #900FEF

RGB 144 15 239

HSL 274.55, 0.88%, 0.5%

LAB 42, 79.69, -82.43

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 6 / 13 / 0 / 47

HEX #807688

RGB 128 118 136

HSL 273.33, 0.07%, 0.5%

LAB 51.06, 7.45, -8.42

 

CMYK 10 / 0 / 17 / 45

HEX #7D8B73

RGB 125 139 115

HSL 95, 0.09%, 0.5%

LAB 56.15, -9.76, 11.15

 

CMYK 24 / 0 / 41 / 37

HEX #7AA05E

RGB 122 160 94

HSL 94.55, 0.26%, 0.5%

LAB 61.73, -25.2, 30.25

 

CMYK 34 / 0 / 59 / 29

HEX #77B44A

RGB 119 180 74

HSL 94.53, 0.42%, 0.5%

LAB 67.32, -38.08, 46.96

 

CMYK 36 / 37 / 0 / 39

HEX #64629C

RGB 100 98 156

HSL 242.07, 0.23%, 0.5%

LAB 44.01, 15.23, -31.29

 

CMYK 26 / 37 / 0 / 39

HEX #73629C

RGB 115 98 156

HSL 257.59, 0.23%, 0.5%

LAB 45.33, 19.75, -29.12

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 6 / 37 / 0 / 39

HEX #93629C

RGB 147 98 156

HSL 290.69, 0.23%, 0.5%

LAB 48.68, 30.04, -23.65

 

CMYK 0 / 37 / 4 / 39

HEX #9C6296

RGB 156 98 150

HSL 306.21, 0.23%, 0.5%

LAB 49.5, 31.85, -18.76

 

CMYK 16 / 38 / 0 / 58

HEX #59426A

RGB 89 66 106

HSL 274.5, 0.23%, 0.34%

LAB 31.95, 18.41, -19.57

 

CMYK 16 / 37 / 0 / 49

HEX #6E5283

RGB 110 82 131

HSL 274.29, 0.23%, 0.42%

LAB 39.56, 21.68, -23.11

 

CMYK 16 / 37 / 0 / 39

HEX #83629C

RGB 131 98 156

HSL 274.14, 0.23%, 0.5%

LAB 46.92, 24.82, -26.52

 

CMYK 12 / 28 / 0 / 33

HEX #977BAC

RGB 151 123 172

HSL 274.29, 0.23%, 0.58%

LAB 55.81, 20.34, -21.97

 

CMYK 9 / 21 / 0 / 26

HEX #AB94BC

RGB 171 148 188

HSL 274.5, 0.23%, 0.66%

LAB 64.54, 16.15, -17.59

 

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

CMYK 0 / 37 / 29 / 39

HEX #9C626F

RGB 156 98 111

HSL 346.55, 0.23%, 0.5%

LAB 48.2, 25.3, 2.56

 

CMYK 37 / 0 / 31 / 39

HEX #629C6B

RGB 98 156 107

HSL 129.31, 0.23%, 0.5%

LAB 59.37, -29.6, 19.84

 

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

CMYK 0 / 16 / 37 / 39

HEX #9C8362

RGB 156 131 98

HSL 34.14, 0.23%, 0.5%

LAB 56.27, 4.66, 21.41

 

CMYK 37 / 0 / 16 / 39

HEX #629C83

RGB 98 156 131

HSL 154.14, 0.23%, 0.5%

LAB 59.9, -24.78, 7.15

 

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

CMYK 0 / 37 / 29 / 39

HEX #9C626F

RGB 156 98 111

HSL 346.55, 0.23%, 0.5%

LAB 48.2, 25.3, 2.56

 

CMYK 21 / 0 / 37 / 39

HEX #7B9C62

RGB 123 156 98

HSL 94.14, 0.23%, 0.5%

LAB 60.67, -22.25, 26.74

 

CMYK 37 / 0 / 8 / 39

HEX #629C8F

RGB 98 156 143

HSL 166.55, 0.23%, 0.5%

LAB 60.21, -22.04, 0.81

 

CMYK 16 / 38 / 0 / 38

HEX #84629D

RGB 132 98 157

HSL 274.58, 0.23%, 0.5%

LAB 47.07, 25.38, -26.87

 

CMYK 0 / 35 / 37 / 39

HEX #9C6662

RGB 156 102 98

HSL 4.14, 0.23%, 0.5%

LAB 48.83, 21.24, 11.22

 

CMYK 21 / 0 / 37 / 39

HEX #7B9C62

RGB 123 156 98

HSL 94.14, 0.23%, 0.5%

LAB 60.67, -22.25, 26.74

 

CMYK 37 / 3 / 0 / 39

HEX #62989C

RGB 98 152 156

HSL 184.14, 0.23%, 0.5%

LAB 59.39, -16.74, -7.77

 

Description

Color code: HEX #84629D | qconv.com Color code: HEX #84629D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 98 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 98 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 38 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 38% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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