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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846AA0 it is the complementary color #7B955F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846AA0 shade: #896A9B, #9A7CAE, #AB8EC1, #BCA0D4 and #CDB2E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846AA0 shade: #846AA0, #73588D, #62467A, #513467 and #402254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846AA0 shade: #83699F, #92699F, #9F699E, #9F698F and #9F6981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846AA0 shade: #83699F, #75699F and #69699F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846AA0 shade matches the following richer shades: #83699F, #8255B3, #8242C7, #812EDA and #801AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846AA0 shade: #83699F, #847D8B, #859177, #85A564 and #86B850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846AA0 shade: #696D9F, #74699F, #82699F, #91699F and #9F699F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846AA0 shade: #5A476F, #6F5788, #83699F, #9882AF and #AD9CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846AA0 shade: #846AA0, #9F697B and #699F6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846AA0 shade: #846AA0, #9F8269 and #699F82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846AA0 shade: #846AA0, #9F697B, #869F69 and #699F8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846AA0 shade: #846AA0, #9F696B, #869F69 and #699F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

Complementary color

CMYK 17 / 0 / 36 / 42

HEX #7B955F

RGB 123 149 95

HSL 88.89, 0.22%, 0.48%

LAB 58.54, -19.11, 25.59

 

CMYK 12 / 32 / 0 / 39

HEX #896A9B

RGB 137 106 155

HSL 277.96, 0.2%, 0.51%

LAB 49.49, 21.84, -21.91

 

CMYK 11 / 29 / 0 / 32

HEX #9A7CAE

RGB 154 124 174

HSL 276, 0.24%, 0.58%

LAB 56.43, 21.19, -22.15

 

CMYK 11 / 26 / 0 / 24

HEX #AB8EC1

RGB 171 142 193

HSL 274.12, 0.29%, 0.66%

LAB 63.22, 20.6, -22.4

 

CMYK 11 / 25 / 0 / 17

HEX #BCA0D4

RGB 188 160 212

HSL 272.31, 0.38%, 0.73%

LAB 69.89, 20.06, -22.66

 

CMYK 11 / 23 / 0 / 9

HEX #CDB2E7

RGB 205 178 231

HSL 270.57, 0.52%, 0.8%

LAB 76.43, 19.56, -22.93

 

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

CMYK 18 / 38 / 0 / 45

HEX #73588D

RGB 115 88 141

HSL 270.57, 0.23%, 0.45%

LAB 42.07, 22.08, -25.23

 

CMYK 20 / 43 / 0 / 52

HEX #62467A

RGB 98 70 122

HSL 272.31, 0.27%, 0.38%

LAB 34.77, 22.91, -25.14

 

CMYK 21 / 50 / 0 / 60

HEX #513467

RGB 81 52 103

HSL 274.12, 0.33%, 0.3%

LAB 27.25, 23.83, -25.05

 

CMYK 24 / 60 / 0 / 67

HEX #402254

RGB 64 34 84

HSL 276, 0.42%, 0.23%

LAB 19.53, 24.82, -24.93

 

CMYK 18 / 34 / 0 / 38

HEX #83699F

RGB 131 105 159

HSL 268.89, 0.22%, 0.52%

LAB 48.8, 21.37, -25.38

 

CMYK 8 / 34 / 0 / 38

HEX #92699F

RGB 146 105 159

HSL 285.56, 0.22%, 0.52%

LAB 50.35, 26.3, -22.85

 

CMYK 0 / 34 / 1 / 38

HEX #9F699E

RGB 159 105 158

HSL 301.11, 0.22%, 0.52%

LAB 51.77, 30.45, -19.96

 

CMYK 0 / 34 / 10 / 38

HEX #9F698F

RGB 159 105 143

HSL 317.78, 0.22%, 0.52%

LAB 51.22, 27.64, -11.98

 

CMYK 0 / 34 / 19 / 38

HEX #9F6981

RGB 159 105 129

HSL 333.33, 0.22%, 0.52%

LAB 50.76, 25.24, -4.39

 

CMYK 18 / 34 / 0 / 38

HEX #83699F

RGB 131 105 159

HSL 268.89, 0.22%, 0.52%

LAB 48.8, 21.37, -25.38

 

CMYK 26 / 34 / 0 / 38

HEX #75699F

RGB 117 105 159

HSL 253.33, 0.22%, 0.52%

LAB 47.48, 16.91, -27.53

 

CMYK 34 / 34 / 0 / 38

HEX #69699F

RGB 105 105 159

HSL 240, 0.22%, 0.52%

LAB 46.46, 13.24, -29.2

 

CMYK 18 / 34 / 0 / 38

HEX #83699F

RGB 131 105 159

HSL 268.89, 0.22%, 0.52%

LAB 48.8, 21.37, -25.38

 

CMYK 27 / 53 / 0 / 30

HEX #8255B3

RGB 130 85 179

HSL 268.72, 0.38%, 0.52%

LAB 44.94, 37.63, -43.2

 

CMYK 35 / 67 / 0 / 22

HEX #8242C7

RGB 130 66 199

HSL 268.87, 0.54%, 0.52%

LAB 42.41, 52.72, -58.93

 

CMYK 41 / 79 / 0 / 15

HEX #812EDA

RGB 129 46 218

HSL 268.95, 0.7%, 0.52%

LAB 40.71, 65.72, -72.67

 

CMYK 46 / 89 / 0 / 7

HEX #801AEE

RGB 128 26 238

HSL 268.87, 0.86%, 0.52%

LAB 40.41, 75.94, -84.56

 

CMYK 18 / 34 / 0 / 38

HEX #83699F

RGB 131 105 159

HSL 268.89, 0.22%, 0.52%

LAB 48.8, 21.37, -25.38

 

CMYK 5 / 10 / 0 / 45

HEX #847D8B

RGB 132 125 139

HSL 270, 0.06%, 0.52%

LAB 53.42, 5.45, -6.62

 

CMYK 8 / 0 / 18 / 43

HEX #859177

RGB 133 145 119

HSL 87.69, 0.11%, 0.52%

LAB 58.57, -9.28, 12.36

 

CMYK 19 / 0 / 39 / 35

HEX #85A564

RGB 133 165 100

HSL 89.54, 0.27%, 0.52%

LAB 64.01, -22.7, 30.15

 

CMYK 27 / 0 / 57 / 28

HEX #86B850

RGB 134 184 80

HSL 88.85, 0.42%, 0.52%

LAB 69.42, -33.84, 46.81

 

CMYK 34 / 31 / 0 / 38

HEX #696D9F

RGB 105 109 159

HSL 235.56, 0.22%, 0.52%

LAB 47.55, 10.8, -27.5

 

CMYK 27 / 34 / 0 / 38

HEX #74699F

RGB 116 105 159

HSL 252.22, 0.22%, 0.52%

LAB 47.39, 16.59, -27.68

 

CMYK 18 / 34 / 0 / 38

HEX #82699F

RGB 130 105 159

HSL 267.78, 0.22%, 0.52%

LAB 48.7, 21.05, -25.54

 

CMYK 9 / 34 / 0 / 38

HEX #91699F

RGB 145 105 159

HSL 284.44, 0.22%, 0.52%

LAB 50.25, 25.97, -23.03

 

CMYK 0 / 34 / 0 / 38

HEX #9F699F

RGB 159 105 159

HSL 300, 0.22%, 0.52%

LAB 51.81, 30.64, -20.49

 

CMYK 19 / 36 / 0 / 56

HEX #5A476F

RGB 90 71 111

HSL 268.5, 0.22%, 0.36%

LAB 33.62, 16.84, -20.11

 

CMYK 18 / 36 / 0 / 47

HEX #6F5788

RGB 111 87 136

HSL 269.39, 0.22%, 0.44%

LAB 41.17, 20.16, -23.64

 

CMYK 18 / 34 / 0 / 38

HEX #83699F

RGB 131 105 159

HSL 268.89, 0.22%, 0.52%

LAB 48.8, 21.37, -25.38

 

CMYK 13 / 26 / 0 / 31

HEX #9882AF

RGB 152 130 175

HSL 269.33, 0.22%, 0.6%

LAB 57.79, 17.28, -20.66

 

CMYK 9 / 18 / 0 / 25

HEX #AD9CBF

RGB 173 156 191

HSL 269.14, 0.21%, 0.68%

LAB 66.84, 12.96, -15.76

 

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

CMYK 0 / 34 / 23 / 38

HEX #9F697B

RGB 159 105 123

HSL 340, 0.22%, 0.52%

LAB 50.57, 24.28, -1.1

 

CMYK 34 / 0 / 31 / 38

HEX #699F6D

RGB 105 159 109

HSL 124.44, 0.22%, 0.52%

LAB 60.7, -28.39, 20.59

 

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

CMYK 0 / 18 / 34 / 38

HEX #9F8269

RGB 159 130 105

HSL 27.78, 0.22%, 0.52%

LAB 56.44, 7.38, 17.72

 

CMYK 34 / 0 / 18 / 38

HEX #699F82

RGB 105 159 130

HSL 147.78, 0.22%, 0.52%

LAB 61.14, -24.34, 9.53

 

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

CMYK 0 / 34 / 23 / 38

HEX #9F697B

RGB 159 105 123

HSL 340, 0.22%, 0.52%

LAB 50.57, 24.28, -1.1

 

CMYK 16 / 0 / 34 / 38

HEX #869F69

RGB 134 159 105

HSL 87.78, 0.22%, 0.52%

LAB 62.41, -18.56, 25.38

 

CMYK 34 / 0 / 11 / 38

HEX #699F8D

RGB 105 159 141

HSL 160, 0.22%, 0.52%

LAB 61.41, -21.96, 3.73

 

CMYK 18 / 34 / 0 / 37

HEX #846AA0

RGB 132 106 160

HSL 268.89, 0.22%, 0.52%

LAB 49.19, 21.34, -25.35

 

CMYK 0 / 34 / 33 / 38

HEX #9F696B

RGB 159 105 107

HSL 357.78, 0.22%, 0.52%

LAB 50.14, 21.93, 7.78

 

CMYK 16 / 0 / 34 / 38

HEX #869F69

RGB 134 159 105

HSL 87.78, 0.22%, 0.52%

LAB 62.41, -18.56, 25.38

 

CMYK 34 / 0 / 1 / 38

HEX #699F9D

RGB 105 159 157

HSL 177.78, 0.22%, 0.52%

LAB 61.86, -18.2, -4.64

 

Description

Color code: HEX #846AA0 | qconv.com Color code: HEX #846AA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 106 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 106 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 34 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 34% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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