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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846C2E it is the complementary color #7B93D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846C2E shade: #896C29, #9A7E3C, #AB904F, #BCA262 and #CDB475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846C2E shade: #846C2E, #735A1B, #624808, #513600 and #402400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846C2E shade: #846C2E, #84552E, #843D2E and #842E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846C2E shade: #846C2E, #84832E, #6D842E, #56842E and #3F842E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846C2E shade matches the following richer shades: #846C2E, #92721F, #A07811 and #AF7F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846C2E shade: #846C2E, #75653C, #675F4B, #585959 and #4A5268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846C2E shade: #843E2E, #84542E, #846B2E, #84822E and #6E842E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846C2E shade: #473A18, #655323, #846C2E, #A28539 and #BE9C46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846C2E shade: #846C2E, #35842E and #492E84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846C2E shade: #846C2E, #2E846B and #6B2E84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846C2E shade: #846C2E, #35842E, #2E4684 and #7C2E84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846C2E shade: #846C2E, #2E8440, #2E4684 and #842E71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

Complementary color

CMYK 41 / 30 / 0 / 18

HEX #7B93D1

RGB 123 147 209

HSL 223.26, 0.48%, 0.65%

LAB 61.38, 7.32, -34.53

 

CMYK 0 / 21 / 70 / 46

HEX #896C29

RGB 137 108 41

HSL 41.88, 0.54%, 0.35%

LAB 47.24, 3.94, 40.52

 

CMYK 0 / 18 / 61 / 40

HEX #9A7E3C

RGB 154 126 60

HSL 42.13, 0.44%, 0.42%

LAB 54.15, 2.76, 39.31

 

CMYK 0 / 16 / 54 / 33

HEX #AB904F

RGB 171 144 79

HSL 42.39, 0.37%, 0.49%

LAB 60.93, 1.8, 37.98

 

CMYK 0 / 14 / 48 / 26

HEX #BCA262

RGB 188 162 98

HSL 42.67, 0.4%, 0.56%

LAB 67.59, 1.02, 36.66

 

CMYK 0 / 12 / 43 / 20

HEX #CDB475

RGB 205 180 117

HSL 42.95, 0.47%, 0.63%

LAB 74.13, 0.37, 35.38

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 22 / 77 / 55

HEX #735A1B

RGB 115 90 27

HSL 42.95, 0.62%, 0.28%

LAB 39.64, 3.27, 38.4

 

CMYK 0 / 27 / 92 / 62

HEX #624808

RGB 98 72 8

HSL 42.67, 0.85%, 0.21%

LAB 32.37, 5.01, 38.41

 

CMYK 0 / 33 / 100 / 68

HEX #513600

RGB 81 54 0

HSL 40, 1%, 0.16%

LAB 24.91, 7.33, 34.39

 

CMYK 0 / 44 / 100 / 75

HEX #402400

RGB 64 36 0

HSL 33.75, 1%, 0.13%

LAB 17.23, 10.16, 25.29

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 36 / 65 / 48

HEX #84552E

RGB 132 85 46

HSL 27.21, 0.48%, 0.35%

LAB 40.57, 15.46, 30.37

 

CMYK 0 / 54 / 65 / 48

HEX #843D2E

RGB 132 61 46

HSL 10.47, 0.48%, 0.35%

LAB 34.88, 29.24, 23.55

 

CMYK 0 / 65 / 65 / 48

HEX #842E2E

RGB 132 46 46

HSL 0, 0.48%, 0.35%

LAB 31.94, 36.94, 19.87

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 1 / 65 / 48

HEX #84832E

RGB 132 131 46

HSL 59.3, 0.48%, 0.35%

LAB 53.31, -10.97, 44.48

 

CMYK 17 / 0 / 65 / 48

HEX #6D842E

RGB 109 132 46

HSL 76.05, 0.48%, 0.35%

LAB 51.78, -21.65, 42.3

 

CMYK 35 / 0 / 65 / 48

HEX #56842E

RGB 86 132 46

HSL 92.09, 0.48%, 0.35%

LAB 50.31, -30.99, 40.27

 

CMYK 52 / 0 / 65 / 48

HEX #3F842E

RGB 63 132 46

HSL 108.14, 0.48%, 0.35%

LAB 49.2, -38.9, 38.74

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 22 / 79 / 43

HEX #92721F

RGB 146 114 31

HSL 43.3, 0.65%, 0.35%

LAB 49.79, 4.18, 47.72

 

CMYK 0 / 25 / 89 / 37

HEX #A07811

RGB 160 120 17

HSL 43.22, 0.81%, 0.35%

LAB 52.89, 6.83, 55.49

 

CMYK 0 / 27 / 98 / 31

HEX #AF7F03

RGB 175 127 3

HSL 43.26, 0.97%, 0.35%

LAB 56.39, 9.56, 61.55

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 14 / 49 / 54

HEX #75653C

RGB 117 101 60

HSL 43.16, 0.32%, 0.35%

LAB 43.38, 0.36, 25.48

 

CMYK 0 / 8 / 27 / 60

HEX #675F4B

RGB 103 95 75

HSL 42.86, 0.16%, 0.35%

LAB 40.53, -0.35, 12.63

 

CMYK 1 / 0 / 0 / 65

HEX #585959

RGB 88 89 89

HSL 180, 0.01%, 0.35%

LAB 37.74, -0.4, -0.14

 

CMYK 29 / 21 / 0 / 59

HEX #4A5268

RGB 74 82 104

HSL 224, 0.17%, 0.35%

LAB 34.98, 2.43, -13.75

 

CMYK 0 / 53 / 65 / 48

HEX #843E2E

RGB 132 62 46

HSL 11.16, 0.48%, 0.35%

LAB 35.1, 28.69, 23.81

 

CMYK 0 / 36 / 65 / 48

HEX #84542E

RGB 132 84 46

HSL 26.51, 0.48%, 0.35%

LAB 40.32, 16.05, 30.07

 

CMYK 0 / 19 / 65 / 48

HEX #846B2E

RGB 132 107 46

HSL 42.56, 0.48%, 0.35%

LAB 46.47, 2.53, 37.08

 

CMYK 0 / 2 / 65 / 48

HEX #84822E

RGB 132 130 46

HSL 58.6, 0.48%, 0.35%

LAB 53.02, -10.43, 44.18

 

CMYK 17 / 0 / 65 / 48

HEX #6E842E

RGB 110 132 46

HSL 75.35, 0.48%, 0.35%

LAB 51.85, -21.23, 42.4

 

CMYK 0 / 18 / 66 / 72

HEX #473A18

RGB 71 58 24

HSL 43.4, 0.49%, 0.19%

LAB 25.05, 0.9, 22.89

 

CMYK 0 / 18 / 65 / 60

HEX #655323

RGB 101 83 35

HSL 43.64, 0.49%, 0.27%

LAB 36.13, 1.2, 30.29

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 0 / 18 / 65 / 36

HEX #A28539

RGB 162 133 57

HSL 43.43, 0.48%, 0.43%

LAB 56.83, 2.21, 44.02

 

CMYK 0 / 18 / 63 / 25

HEX #BE9C46

RGB 190 156 70

HSL 43, 0.48%, 0.51%

LAB 65.88, 2.81, 48.65

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 60 / 0 / 65 / 48

HEX #35842E

RGB 53 132 46

HSL 115.12, 0.48%, 0.35%

LAB 48.83, -41.74, 38.22

 

CMYK 45 / 65 / 0 / 48

HEX #492E84

RGB 73 46 132

HSL 258.84, 0.48%, 0.35%

LAB 26.84, 33.46, -44.18

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 65 / 0 / 19 / 48

HEX #2E846B

RGB 46 132 107

HSL 162.56, 0.48%, 0.35%

LAB 49.67, -32.01, 6

 

CMYK 19 / 65 / 0 / 48

HEX #6B2E84

RGB 107 46 132

HSL 282.56, 0.48%, 0.35%

LAB 31.22, 41.63, -36.9

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 60 / 0 / 65 / 48

HEX #35842E

RGB 53 132 46

HSL 115.12, 0.48%, 0.35%

LAB 48.83, -41.74, 38.22

 

CMYK 65 / 47 / 0 / 48

HEX #2E4684

RGB 46 70 132

HSL 223.26, 0.48%, 0.35%

LAB 30.94, 11.95, -37.68

 

CMYK 6 / 65 / 0 / 48

HEX #7C2E84

RGB 124 46 132

HSL 294.42, 0.48%, 0.35%

LAB 33.78, 45.99, -32.66

 

CMYK 0 / 18 / 65 / 48

HEX #846C2E

RGB 132 108 46

HSL 43.26, 0.48%, 0.35%

LAB 46.75, 1.95, 37.39

 

CMYK 65 / 0 / 52 / 48

HEX #2E8440

RGB 46 132 64

HSL 132.56, 0.48%, 0.35%

LAB 48.83, -41.02, 29.15

 

CMYK 65 / 47 / 0 / 48

HEX #2E4684

RGB 46 70 132

HSL 223.26, 0.48%, 0.35%

LAB 30.94, 11.95, -37.68

 

CMYK 0 / 65 / 14 / 48

HEX #842E71

RGB 132 46 113

HSL 313.26, 0.48%, 0.35%

LAB 34.09, 44.8, -20.19

 

Description

Color code: HEX #846C2E | qconv.com Color code: HEX #846C2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 108 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 108 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 65 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 65% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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