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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846DDD it is the complementary color #7B9222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846DDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846DDD shade: #896DD8, #9A7FEB, #AB91FE, #BCA3FF and #CDB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846DDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846DDD shade: #846DDD, #735BCA, #6249B7, #5137A4 and #402591

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846DDD shade: #856EDD, #A26EDD, #C06EDD, #DD6EDB and #DD6EBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846DDD shade: #856EDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846DDD shade matches the following richer shades: #856EDD, #7C5FEB and #7451F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846DDD shade: #856EDD, #8D7CCE, #968BC0, #9E99B1 and #A7A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846DDD shade: #6E93DD, #6E75DD, #846EDD, #A26EDD and #BF6EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846DDD shade: #4F2FC9, #684CD5, #856EDD, #A18FE4 and #BDB1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846DDD shade: #846DDD, #DD6EB0 and #84DD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846DDD shade: #846DDD, #DD846E and #6EDD84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846DDD shade: #846DDD, #DD6EB0, #C6DD6E and #6EDD9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846DDD shade: #846DDD, #DD6E8F, #C6DD6E and #6EDDBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

Complementary color

CMYK 16 / 0 / 77 / 43

HEX #7B9222

RGB 123 146 34

HSL 72.32, 0.62%, 0.35%

LAB 56.96, -23.5, 52.64

 

CMYK 37 / 50 / 0 / 15

HEX #896DD8

RGB 137 109 216

HSL 255.7, 0.58%, 0.64%

LAB 53.18, 35.2, -51.32

 

CMYK 34 / 46 / 0 / 8

HEX #9A7FEB

RGB 154 127 235

HSL 255, 0.73%, 0.71%

LAB 59.93, 34.18, -51.13

 

CMYK 33 / 43 / 0 / 0

HEX #AB91FE

RGB 171 145 254

HSL 254.31, 0.98%, 0.78%

LAB 66.57, 33.25, -50.98

 

CMYK 26 / 36 / 0 / 0

HEX #BCA3FF

RGB 188 163 255

HSL 256.3, 1%, 0.82%

LAB 72.3, 28.04, -42.42

 

CMYK 20 / 29 / 0 / 0

HEX #CDB5FF

RGB 205 181 255

HSL 259.46, 1%, 0.85%

LAB 78.02, 23.06, -33.42

 

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

CMYK 43 / 55 / 0 / 21

HEX #735BCA

RGB 115 91 202

HSL 252.97, 0.51%, 0.57%

LAB 46.17, 36.56, -54.68

 

CMYK 46 / 60 / 0 / 28

HEX #6249B7

RGB 98 73 183

HSL 253.64, 0.43%, 0.5%

LAB 39.21, 37.92, -54.93

 

CMYK 51 / 66 / 0 / 36

HEX #5137A4

RGB 81 55 164

HSL 254.31, 0.5%, 0.43%

LAB 32.17, 39.37, -55.11

 

CMYK 56 / 74 / 0 / 43

HEX #402591

RGB 64 37 145

HSL 255, 0.59%, 0.36%

LAB 25.13, 40.8, -55.1

 

CMYK 40 / 50 / 0 / 13

HEX #856EDD

RGB 133 110 221

HSL 252.43, 0.62%, 0.65%

LAB 53.34, 35, -53.91

 

CMYK 27 / 50 / 0 / 13

HEX #A26EDD

RGB 162 110 221

HSL 268.11, 0.62%, 0.65%

LAB 56.14, 42.33, -49.28

 

CMYK 13 / 50 / 0 / 13

HEX #C06EDD

RGB 192 110 221

HSL 284.32, 0.62%, 0.65%

LAB 59.51, 50.37, -43.74

 

CMYK 0 / 50 / 1 / 13

HEX #DD6EDB

RGB 221 110 219

HSL 301.08, 0.62%, 0.65%

LAB 63.04, 57.97, -36.81

 

CMYK 0 / 50 / 14 / 13

HEX #DD6EBD

RGB 221 110 189

HSL 317.3, 0.62%, 0.65%

LAB 61.82, 53.03, -21.77

 

CMYK 40 / 50 / 0 / 13

HEX #856EDD

RGB 133 110 221

HSL 252.43, 0.62%, 0.65%

LAB 53.34, 35, -53.91

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 40 / 50 / 0 / 13

HEX #856EDD

RGB 133 110 221

HSL 252.43, 0.62%, 0.65%

LAB 53.34, 35, -53.91

 

CMYK 47 / 60 / 0 / 8

HEX #7C5FEB

RGB 124 95 235

HSL 252.43, 0.78%, 0.65%

LAB 50.06, 45.56, -67.11

 

CMYK 53 / 67 / 0 / 2

HEX #7451F9

RGB 116 81 249

HSL 252.5, 0.93%, 0.65%

LAB 47.54, 55.78, -79.08

 

CMYK 40 / 50 / 0 / 13

HEX #856EDD

RGB 133 110 221

HSL 252.43, 0.62%, 0.65%

LAB 53.34, 35, -53.91

 

CMYK 32 / 40 / 0 / 19

HEX #8D7CCE

RGB 141 124 206

HSL 252.44, 0.46%, 0.65%

LAB 56.62, 24.88, -40.19

 

CMYK 22 / 28 / 0 / 25

HEX #968BC0

RGB 150 139 192

HSL 252.45, 0.3%, 0.65%

LAB 60.56, 15.35, -26.07

 

CMYK 11 / 14 / 0 / 31

HEX #9E99B1

RGB 158 153 177

HSL 252.5, 0.13%, 0.65%

LAB 64.34, 6.63, -11.82

 

CMYK 1 / 0 / 3 / 34

HEX #A7A8A3

RGB 167 168 163

HSL 72, 0.03%, 0.65%

LAB 68.65, -1.29, 2.45

 

CMYK 50 / 33 / 0 / 13

HEX #6E93DD

RGB 110 147 221

HSL 220, 0.62%, 0.65%

LAB 61.14, 7.63, -41.66

 

CMYK 50 / 47 / 0 / 13

HEX #6E75DD

RGB 110 117 221

HSL 236.22, 0.62%, 0.65%

LAB 53.23, 25.51, -54.19

 

CMYK 40 / 50 / 0 / 13

HEX #846EDD

RGB 132 110 221

HSL 251.89, 0.62%, 0.65%

LAB 53.25, 34.76, -54.06

 

CMYK 27 / 50 / 0 / 13

HEX #A26EDD

RGB 162 110 221

HSL 268.11, 0.62%, 0.65%

LAB 56.14, 42.33, -49.28

 

CMYK 14 / 50 / 0 / 13

HEX #BF6EDD

RGB 191 110 221

HSL 283.78, 0.62%, 0.65%

LAB 59.39, 50.1, -43.93

 

CMYK 61 / 77 / 0 / 21

HEX #4F2FC9

RGB 79 47 201

HSL 252.47, 0.62%, 0.49%

LAB 33.8, 54.24, -74.39

 

CMYK 51 / 64 / 0 / 16

HEX #684CD5

RGB 104 76 213

HSL 252.26, 0.62%, 0.57%

LAB 42.64, 46.15, -66.76

 

CMYK 40 / 50 / 0 / 13

HEX #856EDD

RGB 133 110 221

HSL 252.43, 0.62%, 0.65%

LAB 53.34, 35, -53.91

 

CMYK 29 / 37 / 0 / 11

HEX #A18FE4

RGB 161 143 228

HSL 252.71, 0.61%, 0.73%

LAB 64.02, 25.12, -40.77

 

CMYK 20 / 25 / 0 / 7

HEX #BDB1EC

RGB 189 177 236

HSL 252.2, 0.61%, 0.81%

LAB 75.03, 16.19, -27.9

 

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

CMYK 0 / 50 / 20 / 13

HEX #DD6EB0

RGB 221 110 176

HSL 324.32, 0.62%, 0.65%

LAB 61.36, 51.08, -15.07

 

CMYK 40 / 0 / 50 / 13

HEX #84DD6E

RGB 132 221 110

HSL 108.11, 0.62%, 0.65%

LAB 80.6, -47.42, 45.93

 

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

CMYK 0 / 40 / 50 / 13

HEX #DD846E

RGB 221 132 110

HSL 11.89, 0.62%, 0.65%

LAB 64.16, 31.91, 26.51

 

CMYK 50 / 0 / 40 / 13

HEX #6EDD84

RGB 110 221 132

HSL 131.89, 0.62%, 0.65%

LAB 80.01, -50.55, 34.17

 

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

CMYK 0 / 50 / 20 / 13

HEX #DD6EB0

RGB 221 110 176

HSL 324.32, 0.62%, 0.65%

LAB 61.36, 51.08, -15.07

 

CMYK 10 / 0 / 50 / 13

HEX #C6DD6E

RGB 198 221 110

HSL 72.43, 0.62%, 0.65%

LAB 84.4, -23.94, 51.41

 

CMYK 50 / 0 / 30 / 13

HEX #6EDD9A

RGB 110 221 154

HSL 143.78, 0.62%, 0.65%

LAB 80.38, -46.71, 23.37

 

CMYK 40 / 51 / 0 / 13

HEX #846DDD

RGB 132 109 221

HSL 252.32, 0.62%, 0.65%

LAB 53.02, 35.34, -54.43

 

CMYK 0 / 50 / 35 / 13

HEX #DD6E8F

RGB 221 110 143

HSL 342.16, 0.62%, 0.65%

LAB 60.34, 46.72, 2.41

 

CMYK 10 / 0 / 50 / 13

HEX #C6DD6E

RGB 198 221 110

HSL 72.43, 0.62%, 0.65%

LAB 84.4, -23.94, 51.41

 

CMYK 50 / 0 / 15 / 13

HEX #6EDDBB

RGB 110 221 187

HSL 161.62, 0.62%, 0.65%

LAB 81.08, -39.87, 6.99

 

Description

Color code: HEX #846DDD | qconv.com Color code: HEX #846DDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 109 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 109 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 51 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 51% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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