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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846F72 it is the complementary color #7B908D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846F72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846F72 shade: #896F6D, #9A8180, #AB9393, #BCA5A6 and #CDB7B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846F72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846F72 shade: #846F72, #735D5F, #624B4C, #513939 and #402726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846F72 shade: #856F72 and #856F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846F72 shade: #856F72, #856F78, #856F7E, #856F84 and #806F85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846F72 shade matches the following richer shades: #856F72, #995B64, #AD4756, #C03348 and #D42039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846F72 shade: #856F72, #718380, #5D968E, #4AAA9C and #36BEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846F72 shade: #856F7E, #856F78, #856F72, #85716F and #85776F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846F72 shade: #58494B, #6E5C5F, #856F72, #998487 and #AB9B9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846F72 shade: #846F72, #84856F and #6F7B85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846F72 shade: #846F72, #72856F and #6F7285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846F72 shade: #846F72, #84856F, #6F8582 and #706F85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846F72 shade: #846F72, #7D856F, #6F8582 and #776F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

Complementary color

CMYK 15 / 0 / 2 / 44

HEX #7B908D

RGB 123 144 141

HSL 171.43, 0.09%, 0.52%

LAB 58.11, -8.11, -0.93

 

CMYK 0 / 19 / 20 / 46

HEX #896F6D

RGB 137 111 109

HSL 4.29, 0.11%, 0.48%

LAB 49.24, 9.91, 4.98

 

CMYK 0 / 16 / 17 / 40

HEX #9A8180

RGB 154 129 128

HSL 2.31, 0.11%, 0.55%

LAB 56.22, 9.39, 4.11

 

CMYK 0 / 14 / 14 / 33

HEX #AB9393

RGB 171 147 147

HSL 0, 0.13%, 0.62%

LAB 63.04, 8.94, 3.3

 

CMYK 0 / 12 / 12 / 26

HEX #BCA5A6

RGB 188 165 166

HSL 357.39, 0.15%, 0.69%

LAB 69.72, 8.54, 2.55

 

CMYK 0 / 11 / 10 / 20

HEX #CDB7B9

RGB 205 183 185

HSL 354.55, 0.18%, 0.76%

LAB 76.28, 8.18, 1.85

 

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

CMYK 0 / 19 / 17 / 55

HEX #735D5F

RGB 115 93 95

HSL 354.55, 0.11%, 0.41%

LAB 41.69, 9.29, 2.23

 

CMYK 0 / 23 / 22 / 62

HEX #624B4C

RGB 98 75 76

HSL 357.39, 0.13%, 0.34%

LAB 34.29, 9.9, 3.14

 

CMYK 0 / 30 / 30 / 68

HEX #513939

RGB 81 57 57

HSL 0, 0.17%, 0.27%

LAB 26.65, 10.66, 4.21

 

CMYK 0 / 39 / 41 / 75

HEX #402726

RGB 64 39 38

HSL 2.31, 0.25%, 0.2%

LAB 18.72, 11.63, 5.53

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 17 / 17 / 48

HEX #856F6F

RGB 133 111 111

HSL 0, 0.09%, 0.48%

LAB 48.89, 8.64, 3.23

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 17 / 10 / 48

HEX #856F78

RGB 133 111 120

HSL 335.45, 0.09%, 0.48%

LAB 49.14, 10.26, -1.75

 

CMYK 0 / 17 / 5 / 48

HEX #856F7E

RGB 133 111 126

HSL 319.09, 0.09%, 0.48%

LAB 49.33, 11.4, -5.04

 

CMYK 0 / 17 / 1 / 48

HEX #856F84

RGB 133 111 132

HSL 302.73, 0.09%, 0.48%

LAB 49.52, 12.59, -8.31

 

CMYK 4 / 17 / 0 / 48

HEX #806F85

RGB 128 111 133

HSL 286.36, 0.09%, 0.48%

LAB 49.07, 10.95, -9.63

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 41 / 35 / 40

HEX #995B64

RGB 153 91 100

HSL 351.29, 0.25%, 0.48%

LAB 45.87, 26.57, 5.79

 

CMYK 0 / 59 / 50 / 32

HEX #AD4756

RGB 173 71 86

HSL 351.18, 0.42%, 0.48%

LAB 44.32, 43.06, 12.57

 

CMYK 0 / 73 / 63 / 25

HEX #C03348

RGB 192 51 72

HSL 351.06, 0.58%, 0.48%

LAB 44.29, 56.55, 21.71

 

CMYK 0 / 85 / 73 / 17

HEX #D42039

RGB 212 32 57

HSL 351.67, 0.74%, 0.48%

LAB 46.08, 66.72, 33.86

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 14 / 0 / 2 / 49

HEX #718380

RGB 113 131 128

HSL 170, 0.07%, 0.48%

LAB 53.28, -7.17, -0.59

 

CMYK 38 / 0 / 5 / 41

HEX #5D968E

RGB 93 150 142

HSL 171.58, 0.23%, 0.48%

LAB 58.13, -20.61, -1.7

 

CMYK 56 / 0 / 8 / 33

HEX #4AAA9C

RGB 74 170 156

HSL 171.25, 0.39%, 0.48%

LAB 63.84, -31.66, -1.31

 

CMYK 72 / 0 / 10 / 25

HEX #36BEAB

RGB 54 190 171

HSL 171.62, 0.56%, 0.48%

LAB 69.86, -40.25, -0.85

 

CMYK 0 / 17 / 5 / 48

HEX #856F7E

RGB 133 111 126

HSL 319.09, 0.09%, 0.48%

LAB 49.33, 11.4, -5.04

 

CMYK 0 / 17 / 10 / 48

HEX #856F78

RGB 133 111 120

HSL 335.45, 0.09%, 0.48%

LAB 49.14, 10.26, -1.75

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 15 / 17 / 48

HEX #85716F

RGB 133 113 111

HSL 5.45, 0.09%, 0.48%

LAB 49.43, 7.47, 4.01

 

CMYK 0 / 11 / 17 / 48

HEX #85776F

RGB 133 119 111

HSL 21.82, 0.09%, 0.48%

LAB 51.07, 3.98, 6.36

 

CMYK 0 / 17 / 15 / 65

HEX #58494B

RGB 88 73 75

HSL 352, 0.09%, 0.32%

LAB 32.59, 6.71, 1.17

 

CMYK 0 / 16 / 14 / 57

HEX #6E5C5F

RGB 110 92 95

HSL 350, 0.09%, 0.4%

LAB 40.89, 7.85, 1

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 14 / 12 / 40

HEX #998487

RGB 153 132 135

HSL 351.43, 0.09%, 0.56%

LAB 57.1, 8.5, 1.33

 

CMYK 0 / 9 / 8 / 33

HEX #AB9B9D

RGB 171 155 157

HSL 352.5, 0.09%, 0.64%

LAB 65.38, 6.22, 1.08

 

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

CMYK 1 / 0 / 17 / 48

HEX #84856F

RGB 132 133 111

HSL 62.73, 0.09%, 0.48%

LAB 54.9, -4.41, 11.76

 

CMYK 17 / 8 / 0 / 48

HEX #6F7B85

RGB 111 123 133

HSL 207.27, 0.09%, 0.48%

LAB 50.97, -2.19, -6.95

 

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

CMYK 14 / 0 / 17 / 48

HEX #72856F

RGB 114 133 111

HSL 111.82, 0.09%, 0.48%

LAB 53.49, -11.37, 9.58

 

CMYK 17 / 14 / 0 / 48

HEX #6F7285

RGB 111 114 133

HSL 231.82, 0.09%, 0.48%

LAB 48.4, 3.07, -10.8

 

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

CMYK 1 / 0 / 17 / 48

HEX #84856F

RGB 132 133 111

HSL 62.73, 0.09%, 0.48%

LAB 54.9, -4.41, 11.76

 

CMYK 17 / 0 / 2 / 48

HEX #6F8582

RGB 111 133 130

HSL 171.82, 0.09%, 0.48%

LAB 53.78, -8.56, -1.04

 

CMYK 16 / 17 / 0 / 48

HEX #706F85

RGB 112 111 133

HSL 242.73, 0.09%, 0.48%

LAB 47.63, 5.21, -11.94

 

CMYK 0 / 16 / 14 / 48

HEX #846F72

RGB 132 111 114

HSL 351.43, 0.09%, 0.48%

LAB 48.87, 8.77, 1.41

 

CMYK 6 / 0 / 17 / 48

HEX #7D856F

RGB 125 133 111

HSL 81.82, 0.09%, 0.48%

LAB 54.33, -7.16, 10.88

 

CMYK 17 / 0 / 2 / 48

HEX #6F8582

RGB 111 133 130

HSL 171.82, 0.09%, 0.48%

LAB 53.78, -8.56, -1.04

 

CMYK 11 / 17 / 0 / 48

HEX #776F85

RGB 119 111 133

HSL 261.82, 0.09%, 0.48%

LAB 48.24, 7.69, -10.96

 

Description

Color code: HEX #846F72 | qconv.com Color code: HEX #846F72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 111 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 111 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 14 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 14% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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