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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84746A it is the complementary color #7B8B95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84746A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84746A shade: #897465, #9A8678, #AB988B, #BCAA9E and #CDBCB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84746A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84746A shade: #84746A, #736257, #625044, #513E31 and #402C1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84746A shade: #85746A, #856D6A and #856A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84746A shade: #85746A, #857B6A, #85836A, #7F856A and #78856A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84746A shade matches the following richer shades: #85746A, #987057, #AB6B43, #BF6730 and #D2621D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84746A shade: #85746A, #71797E, #5E7D91, #4A82A4 and #3786B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84746A shade: #856A6E, #856D6A, #85746A, #857B6A and #85826A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84746A shade: #574C45, #6E6058, #85746A, #99897F and #AB9E96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84746A shade: #84746A, #75856A and #6A6B85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84746A shade: #84746A, #6A8574 and #746A85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84746A shade: #84746A, #75856A, #6A7A85 and #7A6A85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84746A shade: #84746A, #6D856A, #6A7A85 and #816A85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

Complementary color

CMYK 17 / 7 / 0 / 42

HEX #7B8B95

RGB 123 139 149

HSL 203.08, 0.11%, 0.53%

LAB 56.93, -3.54, -7.28

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 13 / 22 / 40

HEX #9A8678

RGB 154 134 120

HSL 24.71, 0.14%, 0.54%

LAB 57.34, 5.25, 10.32

 

CMYK 0 / 11 / 19 / 33

HEX #AB988B

RGB 171 152 139

HSL 24.38, 0.16%, 0.61%

LAB 64.14, 4.85, 9.4

 

CMYK 0 / 10 / 16 / 26

HEX #BCAA9E

RGB 188 170 158

HSL 24, 0.18%, 0.68%

LAB 70.81, 4.49, 8.54

 

CMYK 0 / 8 / 14 / 20

HEX #CDBCB1

RGB 205 188 177

HSL 23.57, 0.22%, 0.75%

LAB 77.35, 4.17, 7.73

 

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

CMYK 0 / 15 / 24 / 55

HEX #736257

RGB 115 98 87

HSL 23.57, 0.14%, 0.4%

LAB 42.87, 4.92, 8.78

 

CMYK 0 / 18 / 31 / 62

HEX #625044

RGB 98 80 68

HSL 24, 0.18%, 0.33%

LAB 35.5, 5.48, 9.89

 

CMYK 0 / 23 / 40 / 68

HEX #513E31

RGB 81 62 49

HSL 24.38, 0.25%, 0.25%

LAB 27.89, 6.19, 11.17

 

CMYK 0 / 31 / 53 / 75

HEX #402C1E

RGB 64 44 30

HSL 24.71, 0.36%, 0.18%

LAB 19.98, 7.17, 12.72

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 0 / 18 / 20 / 48

HEX #856D6A

RGB 133 109 106

HSL 6.67, 0.11%, 0.47%

LAB 48.22, 8.97, 5.23

 

CMYK 0 / 20 / 20 / 48

HEX #856A6A

RGB 133 106 106

HSL 0, 0.11%, 0.47%

LAB 47.41, 10.74, 4.08

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 0 / 8 / 20 / 48

HEX #857B6A

RGB 133 123 106

HSL 37.78, 0.11%, 0.47%

LAB 52.05, 0.84, 10.68

 

CMYK 0 / 2 / 20 / 48

HEX #85836A

RGB 133 131 106

HSL 55.56, 0.11%, 0.47%

LAB 54.3, -3.7, 13.82

 

CMYK 5 / 0 / 20 / 48

HEX #7F856A

RGB 127 133 106

HSL 73.33, 0.11%, 0.47%

LAB 54.37, -7.22, 13.84

 

CMYK 10 / 0 / 20 / 48

HEX #78856A

RGB 120 133 106

HSL 88.89, 0.11%, 0.47%

LAB 53.82, -9.98, 12.99

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 0 / 26 / 43 / 40

HEX #987057

RGB 152 112 87

HSL 23.08, 0.27%, 0.47%

LAB 50.63, 12.47, 20.08

 

CMYK 0 / 37 / 61 / 33

HEX #AB6B43

RGB 171 107 67

HSL 23.08, 0.44%, 0.47%

LAB 51.36, 21.54, 32.81

 

CMYK 0 / 46 / 75 / 25

HEX #BF6730

RGB 191 103 48

HSL 23.08, 0.6%, 0.47%

LAB 52.94, 31, 45.24

 

CMYK 0 / 53 / 86 / 18

HEX #D2621D

RGB 210 98 29

HSL 22.87, 0.76%, 0.47%

LAB 54.58, 40.57, 55.95

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 10 / 4 / 0 / 51

HEX #71797E

RGB 113 121 126

HSL 203.08, 0.05%, 0.47%

LAB 50.32, -1.9, -3.76

 

CMYK 35 / 14 / 0 / 43

HEX #5E7D91

RGB 94 125 145

HSL 203.53, 0.21%, 0.47%

LAB 50.79, -5.86, -14.36

 

CMYK 55 / 21 / 0 / 36

HEX #4A82A4

RGB 74 130 164

HSL 202.67, 0.38%, 0.47%

LAB 51.95, -8.41, -23.75

 

CMYK 70 / 27 / 0 / 28

HEX #3786B8

RGB 55 134 184

HSL 203.26, 0.54%, 0.47%

LAB 53.3, -7.63, -33.23

 

CMYK 0 / 20 / 17 / 48

HEX #856A6E

RGB 133 106 110

HSL 351.11, 0.11%, 0.47%

LAB 47.52, 11.41, 1.84

 

CMYK 0 / 18 / 20 / 48

HEX #856D6A

RGB 133 109 106

HSL 6.67, 0.11%, 0.47%

LAB 48.22, 8.97, 5.23

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 0 / 8 / 20 / 48

HEX #857B6A

RGB 133 123 106

HSL 37.78, 0.11%, 0.47%

LAB 52.05, 0.84, 10.68

 

CMYK 0 / 2 / 20 / 48

HEX #85826A

RGB 133 130 106

HSL 53.33, 0.11%, 0.47%

LAB 54.02, -3.14, 13.42

 

CMYK 0 / 13 / 21 / 66

HEX #574C45

RGB 87 76 69

HSL 23.33, 0.12%, 0.31%

LAB 33.19, 3.28, 5.84

 

CMYK 0 / 13 / 20 / 57

HEX #6E6058

RGB 110 96 88

HSL 21.82, 0.11%, 0.39%

LAB 41.82, 4.18, 6.63

 

CMYK 0 / 13 / 20 / 48

HEX #85746A

RGB 133 116 106

HSL 22.22, 0.11%, 0.47%

LAB 50.12, 4.88, 7.95

 

CMYK 0 / 10 / 17 / 40

HEX #99897F

RGB 153 137 127

HSL 23.08, 0.11%, 0.55%

LAB 58.22, 4.29, 7.55

 

CMYK 0 / 8 / 12 / 33

HEX #AB9E96

RGB 171 158 150

HSL 22.86, 0.11%, 0.63%

LAB 65.99, 3.34, 5.88

 

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

CMYK 12 / 0 / 20 / 48

HEX #75856A

RGB 117 133 106

HSL 95.56, 0.11%, 0.47%

LAB 53.6, -11.14, 12.64

 

CMYK 20 / 20 / 0 / 48

HEX #6A6B85

RGB 106 107 133

HSL 237.78, 0.11%, 0.47%

LAB 46.01, 5.52, -14.45

 

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

CMYK 20 / 0 / 13 / 48

HEX #6A8574

RGB 106 133 116

HSL 142.22, 0.11%, 0.47%

LAB 53.06, -13.31, 6

 

CMYK 13 / 20 / 0 / 48

HEX #746A85

RGB 116 106 133

HSL 262.22, 0.11%, 0.47%

LAB 46.6, 9.61, -13.47

 

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

CMYK 12 / 0 / 20 / 48

HEX #75856A

RGB 117 133 106

HSL 95.56, 0.11%, 0.47%

LAB 53.6, -11.14, 12.64

 

CMYK 20 / 8 / 0 / 48

HEX #6A7A85

RGB 106 122 133

HSL 204.44, 0.11%, 0.47%

LAB 50.31, -3.34, -7.97

 

CMYK 8 / 20 / 0 / 48

HEX #7A6A85

RGB 122 106 133

HSL 275.56, 0.11%, 0.47%

LAB 47.16, 11.75, -12.57

 

CMYK 0 / 12 / 20 / 48

HEX #84746A

RGB 132 116 106

HSL 23.08, 0.11%, 0.47%

LAB 50.02, 4.47, 7.8

 

CMYK 18 / 0 / 20 / 48

HEX #6D856A

RGB 109 133 106

HSL 113.33, 0.11%, 0.47%

LAB 53.02, -14.17, 11.75

 

CMYK 20 / 8 / 0 / 48

HEX #6A7A85

RGB 106 122 133

HSL 204.44, 0.11%, 0.47%

LAB 50.31, -3.34, -7.97

 

CMYK 3 / 20 / 0 / 48

HEX #816A85

RGB 129 106 133

HSL 291.11, 0.11%, 0.47%

LAB 47.84, 14.29, -11.47

 

Description

Color code: HEX #84746A | qconv.com Color code: HEX #84746A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 116 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 116 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 20 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 20% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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