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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84701A it is the complementary color #7B8FE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84701A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84701A shade: #897015, #9A8228, #AB943B, #BCA64E and #CDB861

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84701A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84701A shade: #84701A, #735E07, #624C00, #513A00 and #402800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84701A shade: #84701A, #84531A, #84361A, #841A1A and #841A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84701A shade: #84701A, #7B841A, #5E841A, #42841A and #25841A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84701A shade matches the following richer shades: #84701A, #90770D and #9D7F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84701A shade: #84701A, #776826, #6A6033, #5D5840 and #50504D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84701A shade: #84361A, #84521A, #846E1A, #7C841A and #60841A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84701A shade: #3F350C, #615213, #84701A, #A68D20 and #C8AA27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84701A shade: #84701A, #1A841A and #441A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84701A shade: #84701A, #1A846E and #6E1A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84701A shade: #84701A, #1A841A, #1A2F84 and #841A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84701A shade: #84701A, #1A8439, #1A2F84 and #841A64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

Complementary color

CMYK 46 / 38 / 0 / 10

HEX #7B8FE5

RGB 123 143 229

HSL 228.68, 0.67%, 0.69%

LAB 61.23, 15.42, -45.9

 

CMYK 0 / 18 / 85 / 46

HEX #897015

RGB 137 112 21

HSL 47.07, 0.73%, 0.31%

LAB 48.21, 0.72, 49.46

 

CMYK 0 / 16 / 74 / 40

HEX #9A8228

RGB 154 130 40

HSL 47.37, 0.59%, 0.38%

LAB 55.06, -0.74, 49.49

 

CMYK 0 / 13 / 65 / 33

HEX #AB943B

RGB 171 148 59

HSL 47.68, 0.49%, 0.45%

LAB 61.79, -1.91, 48.73

 

CMYK 0 / 12 / 59 / 26

HEX #BCA64E

RGB 188 166 78

HSL 48, 0.45%, 0.52%

LAB 68.4, -2.86, 47.65

 

CMYK 0 / 10 / 53 / 20

HEX #CDB861

RGB 205 184 97

HSL 48.33, 0.52%, 0.59%

LAB 74.9, -3.64, 46.45

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 0 / 18 / 94 / 55

HEX #735E07

RGB 115 94 7

HSL 48.33, 0.89%, 0.24%

LAB 40.68, 0.17, 46.15

 

CMYK 0 / 22 / 100 / 62

HEX #624C00

RGB 98 76 0

HSL 46.53, 1%, 0.19%

LAB 33.49, 2.29, 42.13

 

CMYK 0 / 28 / 100 / 68

HEX #513A00

RGB 81 58 0

HSL 42.96, 1%, 0.16%

LAB 26.09, 4.77, 35.49

 

CMYK 0 / 38 / 100 / 75

HEX #402800

RGB 64 40 0

HSL 37.5, 1%, 0.13%

LAB 18.4, 7.49, 26.69

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 0 / 37 / 80 / 48

HEX #84531A

RGB 132 83 26

HSL 32.26, 0.67%, 0.31%

LAB 39.86, 15.48, 39.78

 

CMYK 0 / 59 / 80 / 48

HEX #84361A

RGB 132 54 26

HSL 15.85, 0.67%, 0.31%

LAB 33.18, 31.86, 33.21

 

CMYK 0 / 80 / 80 / 48

HEX #841A1A

RGB 132 26 26

HSL 0, 0.67%, 0.31%

LAB 28.69, 43.97, 28.58

 

CMYK 0 / 80 / 80 / 48

HEX #841A1A

RGB 132 26 26

HSL 0, 0.67%, 0.31%

LAB 28.69, 43.97, 28.58

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 7 / 0 / 80 / 48

HEX #7B841A

RGB 123 132 26

HSL 65.09, 0.67%, 0.31%

LAB 52.72, -16.67, 51.36

 

CMYK 29 / 0 / 80 / 48

HEX #5E841A

RGB 94 132 26

HSL 81.51, 0.67%, 0.31%

LAB 50.64, -29.26, 48.69

 

CMYK 50 / 0 / 80 / 48

HEX #42841A

RGB 66 132 26

HSL 97.36, 0.67%, 0.31%

LAB 49.17, -39.61, 46.8

 

CMYK 72 / 0 / 80 / 48

HEX #25841A

RGB 37 132 26

HSL 113.77, 0.67%, 0.31%

LAB 48.22, -47.24, 45.55

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 0 / 17 / 91 / 44

HEX #90770D

RGB 144 119 13

HSL 48.55, 0.83%, 0.31%

LAB 50.86, -0.17, 54.08

 

CMYK 0 / 19 / 100 / 38

HEX #9D7F00

RGB 157 127 0

HSL 48.54, 1%, 0.31%

LAB 54.39, 1.2, 59.77

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 0 / 13 / 68 / 53

HEX #776826

RGB 119 104 38

HSL 48.89, 0.52%, 0.31%

LAB 44.18, -2.39, 38.12

 

CMYK 0 / 9 / 52 / 58

HEX #6A6033

RGB 106 96 51

HSL 49.09, 0.35%, 0.31%

LAB 40.69, -2.72, 26.99

 

CMYK 0 / 5 / 31 / 64

HEX #5D5840

RGB 93 88 64

HSL 49.66, 0.18%, 0.31%

LAB 37.26, -2.25, 14.68

 

CMYK 0 / 0 / 4 / 69

HEX #50504D

RGB 80 80 77

HSL 60, 0.02%, 0.31%

LAB 33.94, -0.64, 1.76

 

CMYK 0 / 59 / 80 / 48

HEX #84361A

RGB 132 54 26

HSL 15.85, 0.67%, 0.31%

LAB 33.18, 31.86, 33.21

 

CMYK 0 / 38 / 80 / 48

HEX #84521A

RGB 132 82 26

HSL 31.7, 0.67%, 0.31%

LAB 39.61, 16.07, 39.54

 

CMYK 0 / 17 / 80 / 48

HEX #846E1A

RGB 132 110 26

HSL 47.55, 0.67%, 0.31%

LAB 47.15, -0.32, 46.61

 

CMYK 6 / 0 / 80 / 48

HEX #7C841A

RGB 124 132 26

HSL 64.53, 0.67%, 0.31%

LAB 52.8, -16.22, 51.47

 

CMYK 27 / 0 / 80 / 48

HEX #60841A

RGB 96 132 26

HSL 80.38, 0.67%, 0.31%

LAB 50.76, -28.44, 48.85

 

CMYK 0 / 16 / 81 / 75

HEX #3F350C

RGB 63 53 12

HSL 48.24, 0.68%, 0.15%

LAB 22.41, -0.97, 26.19

 

CMYK 0 / 15 / 80 / 62

HEX #615213

RGB 97 82 19

HSL 48.46, 0.67%, 0.23%

LAB 35.25, -1.19, 36.89

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 0 / 15 / 81 / 35

HEX #A68D20

RGB 166 141 32

HSL 48.81, 0.68%, 0.39%

LAB 59.22, -1.67, 56.73

 

CMYK 0 / 15 / 81 / 22

HEX #C8AA27

RGB 200 170 39

HSL 48.82, 0.67%, 0.47%

LAB 70.3, -1.83, 65.6

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 80 / 0 / 80 / 48

HEX #1A841A

RGB 26 132 26

HSL 120, 0.67%, 0.31%

LAB 48, -49.13, 45.27

 

CMYK 48 / 80 / 0 / 48

HEX #441A84

RGB 68 26 132

HSL 263.77, 0.67%, 0.31%

LAB 22.42, 43.15, -51.41

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 80 / 0 / 17 / 48

HEX #1A846E

RGB 26 132 110

HSL 167.55, 0.67%, 0.31%

LAB 49.31, -34.27, 3.68

 

CMYK 17 / 80 / 0 / 48

HEX #6E1A84

RGB 110 26 132

HSL 287.55, 0.67%, 0.31%

LAB 28.69, 50.75, -40.93

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 80 / 0 / 80 / 48

HEX #1A841A

RGB 26 132 26

HSL 120, 0.67%, 0.31%

LAB 48, -49.13, 45.27

 

CMYK 80 / 64 / 0 / 48

HEX #1A2F84

RGB 26 47 132

HSL 228.11, 0.67%, 0.31%

LAB 23.4, 24.82, -49.94

 

CMYK 0 / 80 / 0 / 48

HEX #841A84

RGB 132 26 132

HSL 300, 0.67%, 0.31%

LAB 32.5, 55.31, -34.62

 

CMYK 0 / 15 / 80 / 48

HEX #84701A

RGB 132 112 26

HSL 48.68, 0.67%, 0.31%

LAB 47.71, -1.47, 47.12

 

CMYK 80 / 0 / 57 / 48

HEX #1A8439

RGB 26 132 57

HSL 137.55, 0.67%, 0.31%

LAB 48.28, -45.72, 32.03

 

CMYK 80 / 64 / 0 / 48

HEX #1A2F84

RGB 26 47 132

HSL 228.11, 0.67%, 0.31%

LAB 23.4, 24.82, -49.94

 

CMYK 0 / 80 / 24 / 48

HEX #841A64

RGB 132 26 100

HSL 318.11, 0.67%, 0.31%

LAB 30.79, 50.42, -16.99

 

Description

Color code: HEX #84701A | qconv.com Color code: HEX #84701A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 112 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 112 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 80 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 80% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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