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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84704A it is the complementary color #7B8FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84704A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84704A shade: #897045, #9A8258, #AB946B, #BCA67E and #CDB891

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84704A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84704A shade: #84704A, #735E37, #624C24, #513A11 and #402800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84704A shade: #826E49, #825F49, #825049 and #824949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84704A shade: #826E49, #827E49, #778249, #688249 and #588249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84704A shade matches the following richer shades: #826E49, #937338, #A37928, #B47E17 and #C48307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84704A shade: #826E49, #726959, #61646A, #515F7A and #405A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84704A shade: #825049, #825F49, #826E49, #827D49 and #788249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84704A shade: #4D422B, #68583A, #826E49, #9C8558 and #AE986F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84704A shade: #84704A, #528249 and #574982

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84704A shade: #84704A, #49826E and #6E4982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84704A shade: #84704A, #528249, #495D82 and #794982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84704A shade: #84704A, #498252, #495D82 and #824979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

Complementary color

CMYK 32 / 21 / 0 / 29

HEX #7B8FB5

RGB 123 143 181

HSL 219.31, 0.28%, 0.6%

LAB 59.15, 2.02, -22.19

 

CMYK 0 / 18 / 50 / 46

HEX #897045

RGB 137 112 69

HSL 37.94, 0.33%, 0.4%

LAB 48.68, 3.93, 27.51

 

CMYK 0 / 16 / 43 / 40

HEX #9A8258

RGB 154 130 88

HSL 38.18, 0.27%, 0.47%

LAB 55.62, 3.17, 26.13

 

CMYK 0 / 13 / 37 / 33

HEX #AB946B

RGB 171 148 107

HSL 38.44, 0.28%, 0.55%

LAB 62.42, 2.55, 24.86

 

CMYK 0 / 12 / 33 / 26

HEX #BCA67E

RGB 188 166 126

HSL 38.71, 0.32%, 0.62%

LAB 69.09, 2.03, 23.68

 

CMYK 0 / 10 / 29 / 20

HEX #CDB891

RGB 205 184 145

HSL 39, 0.38%, 0.69%

LAB 75.64, 1.58, 22.57

 

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

CMYK 0 / 18 / 52 / 55

HEX #735E37

RGB 115 94 55

HSL 39, 0.35%, 0.33%

LAB 41.1, 3.05, 25.44

 

CMYK 0 / 22 / 63 / 62

HEX #624C24

RGB 98 76 36

HSL 38.71, 0.46%, 0.26%

LAB 33.76, 4.09, 26.94

 

CMYK 0 / 28 / 79 / 68

HEX #513A11

RGB 81 58 17

HSL 38.44, 0.65%, 0.19%

LAB 26.2, 5.53, 28.31

 

CMYK 0 / 38 / 100 / 75

HEX #402800

RGB 64 40 0

HSL 37.5, 1%, 0.13%

LAB 18.4, 7.49, 26.69

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 27 / 44 / 49

HEX #825F49

RGB 130 95 73

HSL 23.16, 0.28%, 0.4%

LAB 43.38, 11.24, 18.16

 

CMYK 0 / 38 / 44 / 49

HEX #825049

RGB 130 80 73

HSL 7.37, 0.28%, 0.4%

LAB 39.52, 20.12, 12.95

 

CMYK 0 / 44 / 44 / 49

HEX #824949

RGB 130 73 73

HSL 0, 0.28%, 0.4%

LAB 37.83, 24.21, 10.61

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 3 / 44 / 49

HEX #827E49

RGB 130 126 73

HSL 55.79, 0.28%, 0.4%

LAB 52, -6.69, 29.33

 

CMYK 8 / 0 / 44 / 49

HEX #778249

RGB 119 130 73

HSL 71.58, 0.28%, 0.4%

LAB 52.25, -13.62, 29.44

 

CMYK 20 / 0 / 44 / 49

HEX #688249

RGB 104 130 73

HSL 87.37, 0.28%, 0.4%

LAB 51.14, -19.83, 27.8

 

CMYK 32 / 0 / 44 / 49

HEX #588249

RGB 88 130 73

HSL 104.21, 0.28%, 0.4%

LAB 50.12, -26.02, 26.3

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 22 / 62 / 42

HEX #937338

RGB 147 115 56

HSL 38.9, 0.45%, 0.4%

LAB 50.39, 5.54, 36.85

 

CMYK 0 / 26 / 75 / 36

HEX #A37928

RGB 163 121 40

HSL 39.51, 0.61%, 0.4%

LAB 53.62, 8.43, 48.39

 

CMYK 0 / 30 / 87 / 29

HEX #B47E17

RGB 180 126 23

HSL 39.36, 0.77%, 0.4%

LAB 56.77, 12.73, 57.98

 

CMYK 0 / 33 / 96 / 23

HEX #C48307

RGB 196 131 7

HSL 39.37, 0.93%, 0.4%

LAB 59.87, 16.83, 64.48

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 8 / 22 / 55

HEX #726959

RGB 114 105 89

HSL 38.4, 0.12%, 0.4%

LAB 44.8, 0.67, 10.28

 

CMYK 8 / 6 / 0 / 58

HEX #61646A

RGB 97 100 106

HSL 220, 0.04%, 0.4%

LAB 42.3, 0.15, -3.79

 

CMYK 34 / 22 / 0 / 52

HEX #515F7A

RGB 81 95 122

HSL 219.51, 0.2%, 0.4%

LAB 40.15, 1.64, -16.93

 

CMYK 54 / 35 / 0 / 45

HEX #405A8B

RGB 64 90 139

HSL 219.2, 0.37%, 0.4%

LAB 38.32, 5.26, -30.2

 

CMYK 0 / 38 / 44 / 49

HEX #825049

RGB 130 80 73

HSL 7.37, 0.28%, 0.4%

LAB 39.52, 20.12, 12.95

 

CMYK 0 / 27 / 44 / 49

HEX #825F49

RGB 130 95 73

HSL 23.16, 0.28%, 0.4%

LAB 43.38, 11.24, 18.16

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 4 / 44 / 49

HEX #827D49

RGB 130 125 73

HSL 54.74, 0.28%, 0.4%

LAB 51.72, -6.13, 28.97

 

CMYK 8 / 0 / 44 / 49

HEX #788249

RGB 120 130 73

HSL 70.53, 0.28%, 0.4%

LAB 52.33, -13.2, 29.56

 

CMYK 0 / 14 / 44 / 70

HEX #4D422B

RGB 77 66 43

HSL 40.59, 0.28%, 0.24%

LAB 28.51, 0.9, 15.74

 

CMYK 0 / 15 / 44 / 59

HEX #68583A

RGB 104 88 58

HSL 39.13, 0.28%, 0.32%

LAB 38.25, 1.92, 19.82

 

CMYK 0 / 15 / 44 / 49

HEX #826E49

RGB 130 110 73

HSL 38.95, 0.28%, 0.4%

LAB 47.47, 2.42, 23.54

 

CMYK 0 / 15 / 44 / 39

HEX #9C8558

RGB 156 133 88

HSL 39.71, 0.28%, 0.48%

LAB 56.63, 2.34, 27.47

 

CMYK 0 / 13 / 36 / 32

HEX #AE986F

RGB 174 152 111

HSL 39.05, 0.28%, 0.56%

LAB 63.84, 2.08, 24.59

 

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

CMYK 37 / 0 / 44 / 49

HEX #528249

RGB 82 130 73

HSL 110.53, 0.28%, 0.4%

LAB 49.79, -28.18, 25.8

 

CMYK 33 / 44 / 0 / 49

HEX #574982

RGB 87 73 130

HSL 254.74, 0.28%, 0.4%

LAB 34.81, 19.7, -30.11

 

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

CMYK 44 / 0 / 15 / 49

HEX #49826E

RGB 73 130 110

HSL 158.95, 0.28%, 0.4%

LAB 50.11, -23.77, 5.01

 

CMYK 15 / 44 / 0 / 49

HEX #6E4982

RGB 110 73 130

HSL 278.95, 0.28%, 0.4%

LAB 37.28, 26.9, -26.05

 

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

CMYK 37 / 0 / 44 / 49

HEX #528249

RGB 82 130 73

HSL 110.53, 0.28%, 0.4%

LAB 49.79, -28.18, 25.8

 

CMYK 44 / 28 / 0 / 49

HEX #495D82

RGB 73 93 130

HSL 218.95, 0.28%, 0.4%

LAB 39.34, 2.83, -23.1

 

CMYK 7 / 44 / 0 / 49

HEX #794982

RGB 121 73 130

HSL 290.53, 0.28%, 0.4%

LAB 38.62, 30.46, -23.85

 

CMYK 0 / 15 / 44 / 48

HEX #84704A

RGB 132 112 74

HSL 39.31, 0.28%, 0.4%

LAB 48.25, 2.26, 24.02

 

CMYK 44 / 0 / 37 / 49

HEX #498252

RGB 73 130 82

HSL 129.47, 0.28%, 0.4%

LAB 49.49, -29.68, 20.3

 

CMYK 44 / 28 / 0 / 49

HEX #495D82

RGB 73 93 130

HSL 218.95, 0.28%, 0.4%

LAB 39.34, 2.83, -23.1

 

CMYK 0 / 44 / 7 / 49

HEX #824979

RGB 130 73 121

HSL 309.47, 0.28%, 0.4%

LAB 39.4, 31.66, -17.03

 

Description

Color code: HEX #84704A | qconv.com Color code: HEX #84704A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 112 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 112 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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