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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8472B7 it is the complementary color #7B8D48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8472B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8472B7 shade: #8972B2, #9A84C5, #AB96D8, #BCA8EB and #CDBAFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8472B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8472B7 shade: #8472B7, #7360A4, #624E91, #513C7E and #402A6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8472B7 shade: #8371B6, #9571B6, #A871B6, #B671B1 and #B6719E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8472B7 shade: #8371B6 and #7171B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8472B7 shade matches the following richer shades: #8371B6, #7B60C7, #724ED8, #6A3DEA and #622CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8472B7 shade: #8371B6, #8B82A4, #949493, #9CA582 and #A4B670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8472B7 shade: #7185B6, #7172B6, #8271B6, #9571B6 and #A771B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8472B7 shade: #5A488C, #6B56A7, #8371B6, #9B8CC4 and #B3A8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8472B7 shade: #8472B7, #B67197 and #7BB671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8472B7 shade: #8472B7, #B68271 and #71B682

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8472B7 shade: #8472B7, #B67197, #A5B671 and #71B690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8472B7 shade: #8472B7, #B67182, #A5B671 and #71B6A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

Complementary color

CMYK 13 / 0 / 49 / 45

HEX #7B8D48

RGB 123 141 72

HSL 75.65, 0.32%, 0.42%

LAB 55.82, -17.9, 34.44

 

CMYK 23 / 36 / 0 / 30

HEX #8972B2

RGB 137 114 178

HSL 261.56, 0.29%, 0.57%

LAB 52.47, 22.5, -30.7

 

CMYK 22 / 33 / 0 / 23

HEX #9A84C5

RGB 154 132 197

HSL 260.31, 0.36%, 0.65%

LAB 59.35, 21.82, -30.76

 

CMYK 21 / 31 / 0 / 15

HEX #AB96D8

RGB 171 150 216

HSL 259.09, 0.46%, 0.72%

LAB 66.08, 21.2, -30.84

 

CMYK 20 / 29 / 0 / 8

HEX #BCA8EB

RGB 188 168 235

HSL 257.91, 0.63%, 0.79%

LAB 72.69, 20.63, -30.95

 

CMYK 19 / 27 / 0 / 0

HEX #CDBAFE

RGB 205 186 254

HSL 256.76, 0.97%, 0.86%

LAB 79.19, 20.12, -31.09

 

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

CMYK 30 / 41 / 0 / 36

HEX #7360A4

RGB 115 96 164

HSL 256.76, 0.27%, 0.51%

LAB 45.21, 23.06, -34.05

 

CMYK 32 / 46 / 0 / 43

HEX #624E91

RGB 98 78 145

HSL 257.91, 0.3%, 0.44%

LAB 38, 24, -34.16

 

CMYK 36 / 52 / 0 / 51

HEX #513C7E

RGB 81 60 126

HSL 259.09, 0.35%, 0.36%

LAB 30.61, 25.08, -34.32

 

CMYK 40 / 61 / 0 / 58

HEX #402A6B

RGB 64 42 107

HSL 260.31, 0.44%, 0.29%

LAB 23.02, 26.31, -34.5

 

CMYK 28 / 38 / 0 / 29

HEX #8371B6

RGB 131 113 182

HSL 255.65, 0.32%, 0.58%

LAB 51.85, 22.28, -34.02

 

CMYK 18 / 38 / 0 / 29

HEX #9571B6

RGB 149 113 182

HSL 271.3, 0.32%, 0.58%

LAB 53.58, 27.74, -31.2

 

CMYK 8 / 38 / 0 / 29

HEX #A871B6

RGB 168 113 182

HSL 287.83, 0.32%, 0.58%

LAB 55.6, 33.7, -27.91

 

CMYK 0 / 38 / 3 / 29

HEX #B671B1

RGB 182 113 177

HSL 304.35, 0.32%, 0.58%

LAB 57.01, 37.21, -22.73

 

CMYK 0 / 38 / 13 / 29

HEX #B6719E

RGB 182 113 158

HSL 320.87, 0.32%, 0.58%

LAB 56.31, 33.84, -12.81

 

CMYK 28 / 38 / 0 / 29

HEX #8371B6

RGB 131 113 182

HSL 255.65, 0.32%, 0.58%

LAB 51.85, 22.28, -34.02

 

CMYK 38 / 38 / 0 / 29

HEX #7171B6

RGB 113 113 182

HSL 240, 0.32%, 0.58%

LAB 50.33, 17.12, -36.52

 

CMYK 28 / 38 / 0 / 29

HEX #8371B6

RGB 131 113 182

HSL 255.65, 0.32%, 0.58%

LAB 51.85, 22.28, -34.02

 

CMYK 38 / 52 / 0 / 22

HEX #7B60C7

RGB 123 96 199

HSL 255.73, 0.48%, 0.58%

LAB 47.88, 34.69, -50.16

 

CMYK 47 / 64 / 0 / 15

HEX #724ED8

RGB 114 78 216

HSL 255.65, 0.64%, 0.58%

LAB 44.21, 47.74, -65.88

 

CMYK 55 / 74 / 0 / 8

HEX #6A3DEA

RGB 106 61 234

HSL 255.61, 0.8%, 0.58%

LAB 41.75, 60.19, -80.17

 

CMYK 61 / 82 / 0 / 2

HEX #622CFB

RGB 98 44 251

HSL 255.65, 0.96%, 0.58%

LAB 40.19, 70.97, -92.36

 

CMYK 28 / 38 / 0 / 29

HEX #8371B6

RGB 131 113 182

HSL 255.65, 0.32%, 0.58%

LAB 51.85, 22.28, -34.02

 

CMYK 15 / 21 / 0 / 36

HEX #8B82A4

RGB 139 130 164

HSL 255.88, 0.16%, 0.58%

LAB 56.22, 10.46, -16.84

 

CMYK 0 / 0 / 1 / 42

HEX #949493

RGB 148 148 147

HSL 60, 0%, 0.58%

LAB 61.29, -0.19, 0.52

 

CMYK 5 / 0 / 21 / 35

HEX #9CA582

RGB 156 165 130

HSL 75.43, 0.16%, 0.58%

LAB 66.21, -9.44, 17.11

 

CMYK 10 / 0 / 38 / 29

HEX #A4B670

RGB 164 182 112

HSL 75.43, 0.32%, 0.58%

LAB 71.23, -17.72, 33.58

 

CMYK 38 / 27 / 0 / 29

HEX #7185B6

RGB 113 133 182

HSL 222.61, 0.32%, 0.58%

LAB 55.75, 5.18, -28.06

 

CMYK 38 / 37 / 0 / 29

HEX #7172B6

RGB 113 114 182

HSL 239.13, 0.32%, 0.58%

LAB 50.6, 16.51, -36.1

 

CMYK 29 / 38 / 0 / 29

HEX #8271B6

RGB 130 113 182

HSL 254.78, 0.32%, 0.58%

LAB 51.76, 21.98, -34.17

 

CMYK 18 / 38 / 0 / 29

HEX #9571B6

RGB 149 113 182

HSL 271.3, 0.32%, 0.58%

LAB 53.58, 27.74, -31.2

 

CMYK 8 / 38 / 0 / 29

HEX #A771B6

RGB 167 113 182

HSL 286.96, 0.32%, 0.58%

LAB 55.49, 33.38, -28.09

 

CMYK 36 / 49 / 0 / 45

HEX #5A488C

RGB 90 72 140

HSL 255.88, 0.32%, 0.42%

LAB 35.4, 24.05, -35.29

 

CMYK 36 / 49 / 0 / 35

HEX #6B56A7

RGB 107 86 167

HSL 255.56, 0.32%, 0.5%

LAB 42.11, 27.69, -40.77

 

CMYK 28 / 38 / 0 / 29

HEX #8371B6

RGB 131 113 182

HSL 255.65, 0.32%, 0.58%

LAB 51.85, 22.28, -34.02

 

CMYK 21 / 29 / 0 / 23

HEX #9B8CC4

RGB 155 140 196

HSL 256.07, 0.32%, 0.66%

LAB 61.4, 17.29, -27

 

CMYK 15 / 20 / 0 / 18

HEX #B3A8D2

RGB 179 168 210

HSL 255.71, 0.32%, 0.74%

LAB 71.04, 12.29, -19.87

 

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

CMYK 0 / 38 / 17 / 29

HEX #B67197

RGB 182 113 151

HSL 326.96, 0.32%, 0.58%

LAB 56.08, 32.69, -9.1

 

CMYK 32 / 0 / 38 / 29

HEX #7BB671

RGB 123 182 113

HSL 111.3, 0.32%, 0.58%

LAB 68.65, -32.66, 29.21

 

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

CMYK 0 / 29 / 38 / 29

HEX #B68271

RGB 182 130 113

HSL 14.78, 0.32%, 0.58%

LAB 59.07, 17.82, 17.16

 

CMYK 38 / 0 / 29 / 29

HEX #71B682

RGB 113 182 130

HSL 134.78, 0.32%, 0.58%

LAB 68.44, -33.02, 19.77

 

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

CMYK 0 / 38 / 17 / 29

HEX #B67197

RGB 182 113 151

HSL 326.96, 0.32%, 0.58%

LAB 56.08, 32.69, -9.1

 

CMYK 9 / 0 / 38 / 29

HEX #A5B671

RGB 165 182 113

HSL 74.78, 0.32%, 0.58%

LAB 71.32, -17.21, 33.19

 

CMYK 38 / 0 / 21 / 29

HEX #71B690

RGB 113 182 144

HSL 146.96, 0.32%, 0.58%

LAB 68.74, -30.3, 12.57

 

CMYK 28 / 38 / 0 / 28

HEX #8472B7

RGB 132 114 183

HSL 255.65, 0.32%, 0.58%

LAB 52.24, 22.24, -33.99

 

CMYK 0 / 38 / 29 / 29

HEX #B67182

RGB 182 113 130

HSL 345.22, 0.32%, 0.58%

LAB 55.45, 29.51, 2.22

 

CMYK 9 / 0 / 38 / 29

HEX #A5B671

RGB 165 182 113

HSL 74.78, 0.32%, 0.58%

LAB 71.32, -17.21, 33.19

 

CMYK 38 / 0 / 9 / 29

HEX #71B6A5

RGB 113 182 165

HSL 165.22, 0.32%, 0.58%

LAB 69.24, -25.75, 1.78

 

Description

Color code: HEX #8472B7 | qconv.com Color code: HEX #8472B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 114 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 114 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 38 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 38% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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