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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #847F1F it is the complementary color #7B80E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #847F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #847F1F shade: #897F1A, #9A912D, #ABA340, #BCB553 and #CDC766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #847F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #847F1F shade: #847F1F, #736D0C, #625B00, #514900 and #403700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #847F1F shade: #847F1F, #84631F, #84481F, #842D1F and #841F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #847F1F shade: #847F1F, #6D841F, #52841F, #37841F and #1F8421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #847F1F shade matches the following richer shades: #847F1F, #918B11 and #9E9604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #847F1F shade: #847F1F, #76732C, #696739, #5C5B46 and #4F4F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #847F1F shade: #84491F, #84641F, #847F1F, #6E841F and #53841F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #847F1F shade: #413E0F, #625F17, #847F1F, #A59F26 and #C7BF2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #847F1F shade: #847F1F, #1F842E and #561F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #847F1F shade: #847F1F, #1F847F and #7F1F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #847F1F shade: #847F1F, #1F842E, #1F2484 and #841F75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #847F1F shade: #847F1F, #1F844C, #1F2484 and #841F56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

Complementary color

CMYK 45 / 43 / 0 / 12

HEX #7B80E0

RGB 123 128 224

HSL 237.03, 0.62%, 0.68%

LAB 57.11, 22.81, -49.64

 

CMYK 0 / 7 / 81 / 46

HEX #897F1A

RGB 137 127 26

HSL 54.59, 0.68%, 0.32%

LAB 52.48, -7.54, 51.61

 

CMYK 0 / 6 / 71 / 40

HEX #9A912D

RGB 154 145 45

HSL 55.05, 0.55%, 0.39%

LAB 59.26, -8.7, 51.62

 

CMYK 0 / 5 / 63 / 33

HEX #ABA340

RGB 171 163 64

HSL 55.51, 0.46%, 0.46%

LAB 65.92, -9.61, 50.93

 

CMYK 0 / 4 / 56 / 26

HEX #BCB553

RGB 188 181 83

HSL 56, 0.44%, 0.53%

LAB 72.47, -10.35, 49.93

 

CMYK 0 / 3 / 50 / 20

HEX #CDC766

RGB 205 199 102

HSL 56.5, 0.51%, 0.6%

LAB 78.92, -10.96, 48.81

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 5 / 90 / 55

HEX #736D0C

RGB 115 109 12

HSL 56.5, 0.81%, 0.25%

LAB 45.09, -8.35, 48.46

 

CMYK 0 / 7 / 100 / 62

HEX #625B00

RGB 98 91 0

HSL 55.71, 1%, 0.19%

LAB 37.98, -6.68, 45.31

 

CMYK 0 / 10 / 100 / 68

HEX #514900

RGB 81 73 0

HSL 54.07, 1%, 0.16%

LAB 30.67, -4.61, 39.26

 

CMYK 0 / 14 / 100 / 75

HEX #403700

RGB 64 55 0

HSL 51.56, 1%, 0.13%

LAB 23.08, -2.39, 31.86

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 25 / 77 / 48

HEX #84631F

RGB 132 99 31

HSL 40.4, 0.62%, 0.32%

LAB 44.13, 6.28, 41.73

 

CMYK 0 / 45 / 77 / 48

HEX #84481F

RGB 132 72 31

HSL 24.36, 0.62%, 0.32%

LAB 37.19, 22.14, 34.7

 

CMYK 0 / 66 / 77 / 48

HEX #842D1F

RGB 132 45 31

HSL 8.32, 0.62%, 0.32%

LAB 31.53, 36.55, 28.66

 

CMYK 0 / 77 / 77 / 48

HEX #841F1F

RGB 132 31 31

HSL 0, 0.62%, 0.32%

LAB 29.37, 42.44, 26.25

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 17 / 0 / 77 / 48

HEX #6D841F

RGB 109 132 31

HSL 73.66, 0.62%, 0.32%

LAB 51.67, -22.65, 48.31

 

CMYK 38 / 0 / 77 / 48

HEX #52841F

RGB 82 132 31

HSL 89.7, 0.62%, 0.32%

LAB 49.97, -33.68, 46.09

 

CMYK 58 / 0 / 77 / 48

HEX #37841F

RGB 55 132 31

HSL 105.74, 0.62%, 0.32%

LAB 48.78, -42.59, 44.5

 

CMYK 77 / 0 / 75 / 48

HEX #1F8421

RGB 31 132 33

HSL 121.19, 0.62%, 0.32%

LAB 48.14, -47.8, 42.89

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 4 / 88 / 43

HEX #918B11

RGB 145 139 17

HSL 57.19, 0.79%, 0.32%

LAB 56.61, -10.65, 57.85

 

CMYK 0 / 5 / 97 / 38

HEX #9E9604

RGB 158 150 4

HSL 56.88, 0.95%, 0.32%

LAB 60.86, -10.82, 63.83

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 3 / 63 / 54

HEX #76732C

RGB 118 115 44

HSL 57.57, 0.46%, 0.32%

LAB 47.36, -8.69, 38.65

 

CMYK 0 / 2 / 46 / 59

HEX #696739

RGB 105 103 57

HSL 57.5, 0.3%, 0.32%

LAB 42.76, -6.6, 26.16

 

CMYK 0 / 1 / 24 / 64

HEX #5C5B46

RGB 92 91 70

HSL 57.27, 0.14%, 0.32%

LAB 38.2, -3.54, 12.29

 

CMYK 5 / 5 / 0 / 67

HEX #4F4F53

RGB 79 79 83

HSL 240, 0.02%, 0.32%

LAB 33.73, 0.89, -2.35

 

CMYK 0 / 45 / 77 / 48

HEX #84491F

RGB 132 73 31

HSL 24.95, 0.62%, 0.32%

LAB 37.43, 21.56, 34.95

 

CMYK 0 / 24 / 77 / 48

HEX #84641F

RGB 132 100 31

HSL 40.99, 0.62%, 0.32%

LAB 44.4, 5.7, 42

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 17 / 0 / 77 / 48

HEX #6E841F

RGB 110 132 31

HSL 73.07, 0.62%, 0.32%

LAB 51.74, -22.22, 48.41

 

CMYK 37 / 0 / 77 / 48

HEX #53841F

RGB 83 132 31

HSL 89.11, 0.62%, 0.32%

LAB 50.03, -33.3, 46.16

 

CMYK 0 / 5 / 77 / 75

HEX #413E0F

RGB 65 62 15

HSL 56.4, 0.63%, 0.16%

LAB 25.57, -5.44, 28.05

 

CMYK 0 / 3 / 77 / 62

HEX #625F17

RGB 98 95 23

HSL 57.6, 0.62%, 0.24%

LAB 39.31, -8.16, 39.18

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 4 / 77 / 35

HEX #A59F26

RGB 165 159 38

HSL 57.17, 0.63%, 0.4%

LAB 64.11, -11.56, 59.15

 

CMYK 0 / 4 / 77 / 22

HEX #C7BF2E

RGB 199 191 46

HSL 56.86, 0.62%, 0.48%

LAB 75.82, -12.92, 68.35

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 77 / 0 / 65 / 48

HEX #1F842E

RGB 31 132 46

HSL 128.91, 0.62%, 0.32%

LAB 48.25, -46.46, 37.41

 

CMYK 35 / 77 / 0 / 48

HEX #561F84

RGB 86 31 132

HSL 272.67, 0.62%, 0.32%

LAB 25.64, 44.06, -46.06

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 77 / 0 / 4 / 48

HEX #1F847F

RGB 31 132 127

HSL 177.03, 0.62%, 0.32%

LAB 49.89, -28.74, -5.42

 

CMYK 4 / 77 / 0 / 48

HEX #7F1F84

RGB 127 31 132

HSL 297.03, 0.62%, 0.32%

LAB 32.16, 52.68, -35.21

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 77 / 0 / 65 / 48

HEX #1F842E

RGB 31 132 46

HSL 128.91, 0.62%, 0.32%

LAB 48.25, -46.46, 37.41

 

CMYK 77 / 73 / 0 / 48

HEX #1F2484

RGB 31 36 132

HSL 237.03, 0.62%, 0.32%

LAB 20.9, 32.7, -54.04

 

CMYK 0 / 77 / 11 / 48

HEX #841F75

RGB 132 31 117

HSL 308.91, 0.62%, 0.32%

LAB 32.19, 51.32, -25.69

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 77 / 0 / 42 / 48

HEX #1F844C

RGB 31 132 76

HSL 146.73, 0.62%, 0.32%

LAB 48.66, -41.7, 22.32

 

CMYK 77 / 73 / 0 / 48

HEX #1F2484

RGB 31 36 132

HSL 237.03, 0.62%, 0.32%

LAB 20.9, 32.7, -54.04

 

CMYK 0 / 77 / 35 / 48

HEX #841F56

RGB 132 31 86

HSL 327.33, 0.62%, 0.32%

LAB 30.78, 47, -7.91

 

Description

Color code: HEX #847F1F | qconv.com Color code: HEX #847F1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 127 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 127 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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