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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #848A2C it is the complementary color #7B75D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #848A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #848A2C shade: #898A27, #9A9C3A, #ABAE4D, #BCC060 and #CDD273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #848A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #848A2C shade: #848A2C, #737819, #626606, #515400 and #404200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #848A2C shade: #858B2C, #8B772C, #8B5E2C, #8B442C and #8B2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #848A2C shade: #858B2C, #6B8B2C, #518B2C, #388B2C and #2C8B39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #848A2C shade matches the following richer shades: #858B2C, #929A1D and #9FA90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #848A2C shade: #858B2C, #787C3A, #6B6D49, #5E5E58 and #515067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #848A2C shade: #8B5D2C, #8B762C, #868B2C, #6D8B2C and #538B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #848A2C shade: #494C18, #676C22, #858B2C, #A3AA35 and #BCC445

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #848A2C shade: #848A2C, #2C8B43 and #6A2C8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #848A2C shade: #848A2C, #2C868B and #8B2C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #848A2C shade: #848A2C, #2C8B43, #302C8B and #8B2C73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #848A2C shade: #848A2C, #2C8B60, #302C8B and #8B2C57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

Complementary color

CMYK 42 / 45 / 0 / 17

HEX #7B75D3

RGB 123 117 211

HSL 243.83, 0.52%, 0.64%

LAB 53.64, 25.6, -47.83

 

CMYK 1 / 0 / 72 / 46

HEX #898A27

RGB 137 138 39

HSL 60.61, 0.56%, 0.35%

LAB 55.73, -12.91, 50

 

CMYK 1 / 0 / 63 / 39

HEX #9A9C3A

RGB 154 156 58

HSL 61.22, 0.46%, 0.42%

LAB 62.47, -13.74, 49.45

 

CMYK 2 / 0 / 56 / 32

HEX #ABAE4D

RGB 171 174 77

HSL 61.86, 0.39%, 0.49%

LAB 69.09, -14.38, 48.51

 

CMYK 2 / 0 / 50 / 25

HEX #BCC060

RGB 188 192 96

HSL 62.5, 0.43%, 0.56%

LAB 75.6, -14.89, 47.41

 

CMYK 2 / 0 / 45 / 18

HEX #CDD273

RGB 205 210 115

HSL 63.16, 0.51%, 0.64%

LAB 82.01, -15.3, 46.25

 

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

CMYK 4 / 0 / 79 / 53

HEX #737819

RGB 115 120 25

HSL 63.16, 0.66%, 0.28%

LAB 48.45, -13.96, 47.56

 

CMYK 4 / 0 / 94 / 60

HEX #626606

RGB 98 102 6

HSL 62.5, 0.89%, 0.21%

LAB 41.39, -12.76, 46.25

 

CMYK 4 / 0 / 100 / 67

HEX #515400

RGB 81 84 0

HSL 62.14, 1%, 0.16%

LAB 34.17, -11.11, 41.8

 

CMYK 3 / 0 / 100 / 74

HEX #404200

RGB 64 66 0

HSL 61.82, 1%, 0.13%

LAB 26.7, -9.21, 35.32

 

CMYK 4 / 0 / 68 / 45

HEX #858B2C

RGB 133 139 44

HSL 63.79, 0.52%, 0.36%

LAB 55.72, -14.95, 47.87

 

CMYK 0 / 14 / 68 / 45

HEX #8B772C

RGB 139 119 44

HSL 47.37, 0.52%, 0.36%

LAB 50.53, -1.24, 42.65

 

CMYK 0 / 32 / 68 / 45

HEX #8B5E2C

RGB 139 94 44

HSL 31.58, 0.52%, 0.36%

LAB 43.76, 13.22, 35.32

 

CMYK 0 / 51 / 68 / 45

HEX #8B442C

RGB 139 68 44

HSL 15.16, 0.52%, 0.36%

LAB 37.49, 28.17, 28.14

 

CMYK 0 / 68 / 68 / 45

HEX #8B2C2C

RGB 139 44 44

HSL 0, 0.52%, 0.36%

LAB 32.86, 40.25, 22.57

 

CMYK 4 / 0 / 68 / 45

HEX #858B2C

RGB 133 139 44

HSL 63.79, 0.52%, 0.36%

LAB 55.72, -14.95, 47.87

 

CMYK 23 / 0 / 68 / 45

HEX #6B8B2C

RGB 107 139 44

HSL 80.21, 0.52%, 0.36%

LAB 53.79, -26.16, 45.26

 

CMYK 42 / 0 / 68 / 45

HEX #518B2C

RGB 81 139 44

HSL 96.63, 0.52%, 0.36%

LAB 52.28, -36.17, 43.22

 

CMYK 60 / 0 / 68 / 45

HEX #388B2C

RGB 56 139 44

HSL 112.42, 0.52%, 0.36%

LAB 51.25, -43.9, 41.81

 

CMYK 68 / 0 / 59 / 45

HEX #2C8B39

RGB 44 139 57

HSL 128.21, 0.52%, 0.36%

LAB 51.03, -45.2, 35.39

 

CMYK 4 / 0 / 68 / 45

HEX #858B2C

RGB 133 139 44

HSL 63.79, 0.52%, 0.36%

LAB 55.72, -14.95, 47.87

 

CMYK 5 / 0 / 81 / 40

HEX #929A1D

RGB 146 154 29

HSL 63.84, 0.68%, 0.36%

LAB 61.06, -17.73, 58.59

 

CMYK 6 / 0 / 92 / 34

HEX #9FA90E

RGB 159 169 14

HSL 63.87, 0.85%, 0.36%

LAB 66.35, -20.04, 66.66

 

CMYK 4 / 0 / 68 / 45

HEX #858B2C

RGB 133 139 44

HSL 63.79, 0.52%, 0.36%

LAB 55.72, -14.95, 47.87

 

CMYK 3 / 0 / 53 / 51

HEX #787C3A

RGB 120 124 58

HSL 63.64, 0.36%, 0.36%

LAB 50.35, -11.55, 35.1

 

CMYK 2 / 0 / 33 / 57

HEX #6B6D49

RGB 107 109 73

HSL 63.33, 0.2%, 0.36%

LAB 45, -7.1, 19.9

 

CMYK 0 / 0 / 6 / 63

HEX #5E5E58

RGB 94 94 88

HSL 60, 0.03%, 0.36%

LAB 39.73, -1.22, 3.43

 

CMYK 21 / 22 / 0 / 60

HEX #515067

RGB 81 80 103

HSL 242.61, 0.13%, 0.36%

LAB 34.93, 5.88, -13.14

 

CMYK 0 / 33 / 68 / 45

HEX #8B5D2C

RGB 139 93 44

HSL 30.95, 0.52%, 0.36%

LAB 43.51, 13.81, 35.04

 

CMYK 0 / 15 / 68 / 45

HEX #8B762C

RGB 139 118 44

HSL 46.74, 0.52%, 0.36%

LAB 50.25, -0.67, 42.36

 

CMYK 4 / 0 / 68 / 45

HEX #868B2C

RGB 134 139 44

HSL 63.16, 0.52%, 0.36%

LAB 55.8, -14.5, 47.98

 

CMYK 22 / 0 / 68 / 45

HEX #6D8B2C

RGB 109 139 44

HSL 78.95, 0.52%, 0.36%

LAB 53.92, -25.33, 45.44

 

CMYK 40 / 0 / 68 / 45

HEX #538B2C

RGB 83 139 44

HSL 95.37, 0.52%, 0.36%

LAB 52.38, -35.47, 43.35

 

CMYK 4 / 0 / 68 / 70

HEX #494C18

RGB 73 76 24

HSL 63.46, 0.52%, 0.2%

LAB 31, -9.22, 29.54

 

CMYK 5 / 0 / 69 / 58

HEX #676C22

RGB 103 108 34

HSL 64.05, 0.52%, 0.28%

LAB 43.83, -12.45, 39.15

 

CMYK 4 / 0 / 68 / 45

HEX #858B2C

RGB 133 139 44

HSL 63.79, 0.52%, 0.36%

LAB 55.72, -14.95, 47.87

 

CMYK 4 / 0 / 69 / 33

HEX #A3AA35

RGB 163 170 53

HSL 63.59, 0.52%, 0.44%

LAB 67.12, -17.39, 56.57

 

CMYK 4 / 0 / 65 / 23

HEX #BCC445

RGB 188 196 69

HSL 63.78, 0.52%, 0.52%

LAB 76.44, -18.95, 60.37

 

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

CMYK 68 / 0 / 52 / 45

HEX #2C8B43

RGB 44 139 67

HSL 134.53, 0.52%, 0.36%

LAB 51.16, -43.73, 30.44

 

CMYK 24 / 68 / 0 / 45

HEX #6A2C8B

RGB 106 44 139

HSL 279.16, 0.52%, 0.36%

LAB 31.18, 43.96, -41.31

 

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

CMYK 68 / 4 / 0 / 45

HEX #2C868B

RGB 44 134 139

HSL 183.16, 0.52%, 0.36%

LAB 51.21, -24.24, -10.44

 

CMYK 0 / 68 / 4 / 45

HEX #8B2C86

RGB 139 44 134

HSL 303.16, 0.52%, 0.36%

LAB 36.01, 51.05, -30.23

 

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

CMYK 68 / 0 / 52 / 45

HEX #2C8B43

RGB 44 139 67

HSL 134.53, 0.52%, 0.36%

LAB 51.16, -43.73, 30.44

 

CMYK 65 / 68 / 0 / 45

HEX #302C8B

RGB 48 44 139

HSL 242.53, 0.52%, 0.36%

LAB 24.62, 32.28, -52.27

 

CMYK 0 / 68 / 17 / 45

HEX #8B2C73

RGB 139 44 115

HSL 315.16, 0.52%, 0.36%

LAB 35.06, 47.95, -19.86

 

CMYK 4 / 0 / 68 / 46

HEX #848A2C

RGB 132 138 44

HSL 63.83, 0.52%, 0.36%

LAB 55.34, -14.86, 47.46

 

CMYK 68 / 0 / 31 / 45

HEX #2C8B60

RGB 44 139 96

HSL 152.84, 0.52%, 0.36%

LAB 51.66, -38.17, 15.13

 

CMYK 65 / 68 / 0 / 45

HEX #302C8B

RGB 48 44 139

HSL 242.53, 0.52%, 0.36%

LAB 24.62, 32.28, -52.27

 

CMYK 0 / 68 / 37 / 45

HEX #8B2C57

RGB 139 44 87

HSL 332.84, 0.52%, 0.36%

LAB 33.94, 44.13, -3.7

 

Description

Color code: HEX #848A2C | qconv.com Color code: HEX #848A2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 138 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 138 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 68 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 68% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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