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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #848BEB it is the complementary color #7B7414. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #848BEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #848BEB shade: #898BE6, #9A9DF9, #ABAFFF, #BCC1FF and #CDD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #848BEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #848BEB shade: #848BEB, #7379D8, #6267C5, #5155B2 and #40439F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #848BEB shade: #848BEB, #9884EB, #B484EB, #D084EB and #EB84E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #848BEB shade: #848BEB and #8484EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #848BEB shade matches the following richer shades: #848BEB and #7881F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #848BEB shade: #848BEB, #8F95DF, #9B9FD3, #A6A9C8 and #B2B3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #848BEB shade: #84C3EB, #84A8EB, #848CEB, #9784EB and #B284EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #848BEB shade: #3D48DF, #6069E5, #848BEB, #A7ACF0 and #CBCEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #848BEB shade: #848BEB, #EB84DF and #B5EB84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #848BEB shade: #848BEB, #EB848C and #8CEB84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #848BEB shade: #848BEB, #EB84DF, #EBE284 and #84EB90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #848BEB shade: #848BEB, #EB84C0, #EBE284 and #84EBAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

Complementary color

CMYK 0 / 6 / 84 / 52

HEX #7B7414

RGB 123 116 20

HSL 55.92, 0.72%, 0.28%

LAB 47.95, -8.22, 48.99

 

CMYK 40 / 40 / 0 / 10

HEX #898BE6

RGB 137 139 230

HSL 238.71, 0.65%, 0.72%

LAB 61.22, 21.52, -46.41

 

CMYK 38 / 37 / 0 / 2

HEX #9A9DF9

RGB 154 157 249

HSL 238.11, 0.89%, 0.79%

LAB 67.89, 20.69, -46.26

 

CMYK 33 / 31 / 0 / 0

HEX #ABAFFF

RGB 171 175 255

HSL 237.14, 1%, 0.84%

LAB 73.89, 16.63, -40.03

 

CMYK 26 / 24 / 0 / 0

HEX #BCC1FF

RGB 188 193 255

HSL 235.52, 1%, 0.87%

LAB 79.64, 11.5, -31.03

 

CMYK 20 / 17 / 0 / 0

HEX #CDD3FF

RGB 205 211 255

HSL 232.8, 1%, 0.9%

LAB 85.4, 6.87, -22.14

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 47 / 44 / 0 / 15

HEX #7379D8

RGB 115 121 216

HSL 236.44, 0.56%, 0.65%

LAB 54.32, 22.72, -49.61

 

CMYK 50 / 48 / 0 / 23

HEX #6267C5

RGB 98 103 197

HSL 236.97, 0.46%, 0.58%

LAB 47.4, 23.94, -49.89

 

CMYK 54 / 52 / 0 / 30

HEX #5155B2

RGB 81 85 178

HSL 237.53, 0.39%, 0.51%

LAB 40.35, 25.38, -50.22

 

CMYK 60 / 58 / 0 / 38

HEX #40439F

RGB 64 67 159

HSL 238.11, 0.43%, 0.44%

LAB 33.15, 27.13, -50.57

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 35 / 44 / 0 / 8

HEX #9884EB

RGB 152 132 235

HSL 251.65, 0.72%, 0.72%

LAB 60.94, 30.79, -49.55

 

CMYK 23 / 44 / 0 / 8

HEX #B484EB

RGB 180 132 235

HSL 267.96, 0.72%, 0.72%

LAB 63.51, 38.33, -45.31

 

CMYK 11 / 44 / 0 / 8

HEX #D084EB

RGB 208 132 235

HSL 284.27, 0.72%, 0.72%

LAB 66.45, 46.23, -40.49

 

CMYK 0 / 44 / 1 / 8

HEX #EB84E9

RGB 235 132 233

HSL 301.17, 0.72%, 0.72%

LAB 69.5, 53.64, -34.4

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 44 / 44 / 0 / 8

HEX #8484EB

RGB 132 132 235

HSL 240, 0.72%, 0.72%

LAB 59.35, 25.8, -52.17

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 51 / 48 / 0 / 4

HEX #7881F6

RGB 120 129 246

HSL 235.71, 0.88%, 0.72%

LAB 58.37, 28.13, -59.88

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 36 / 33 / 0 / 13

HEX #8F95DF

RGB 143 149 223

HSL 235.5, 0.56%, 0.72%

LAB 63.89, 15.39, -38.3

 

CMYK 27 / 25 / 0 / 17

HEX #9B9FD3

RGB 155 159 211

HSL 235.71, 0.39%, 0.72%

LAB 66.88, 10.06, -26.95

 

CMYK 17 / 16 / 0 / 22

HEX #A6A9C8

RGB 166 169 200

HSL 234.71, 0.24%, 0.72%

LAB 69.93, 5.35, -16.14

 

CMYK 5 / 5 / 0 / 26

HEX #B2B3BC

RGB 178 179 188

HSL 234, 0.07%, 0.72%

LAB 73.11, 1.38, -4.7

 

CMYK 44 / 17 / 0 / 8

HEX #84C3EB

RGB 132 195 235

HSL 203.3, 0.72%, 0.72%

LAB 76.03, -9.81, -26.14

 

CMYK 44 / 29 / 0 / 8

HEX #84A8EB

RGB 132 168 235

HSL 219.03, 0.72%, 0.72%

LAB 68.69, 4.97, -37.48

 

CMYK 44 / 40 / 0 / 8

HEX #848CEB

RGB 132 140 235

HSL 235.34, 0.72%, 0.72%

LAB 61.36, 21.1, -48.98

 

CMYK 36 / 44 / 0 / 8

HEX #9784EB

RGB 151 132 235

HSL 251.07, 0.72%, 0.72%

LAB 60.85, 30.53, -49.69

 

CMYK 24 / 44 / 0 / 8

HEX #B284EB

RGB 178 132 235

HSL 266.8, 0.72%, 0.72%

LAB 63.31, 37.77, -45.64

 

CMYK 73 / 68 / 0 / 13

HEX #3D48DF

RGB 61 72 223

HSL 235.93, 0.72%, 0.56%

LAB 39.5, 45.54, -77.74

 

CMYK 58 / 54 / 0 / 10

HEX #6069E5

RGB 96 105 229

HSL 235.94, 0.72%, 0.64%

LAB 49.79, 32.51, -64.27

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 30 / 28 / 0 / 6

HEX #A7ACF0

RGB 167 172 240

HSL 235.89, 0.71%, 0.8%

LAB 72.24, 13.42, -34.51

 

CMYK 17 / 16 / 0 / 4

HEX #CBCEF6

RGB 203 206 246

HSL 235.81, 0.7%, 0.88%

LAB 83.7, 6.97, -19.95

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 5 / 8

HEX #EB84DF

RGB 235 132 223

HSL 306.99, 0.72%, 0.72%

LAB 69.11, 51.91, -29.49

 

CMYK 23 / 0 / 44 / 8

HEX #B5EB84

RGB 181 235 132

HSL 91.46, 0.72%, 0.72%

LAB 87.44, -34.5, 44.37

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 40 / 8

HEX #EB848C

RGB 235 132 140

HSL 355.34, 0.72%, 0.72%

LAB 66.56, 40.2, 13.26

 

CMYK 40 / 0 / 44 / 8

HEX #8CEB84

RGB 140 235 132

HSL 115.34, 0.72%, 0.72%

LAB 85.33, -47.98, 41.27

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 5 / 8

HEX #EB84DF

RGB 235 132 223

HSL 306.99, 0.72%, 0.72%

LAB 69.11, 51.91, -29.49

 

CMYK 0 / 4 / 44 / 8

HEX #EBE284

RGB 235 226 132

HSL 54.76, 0.72%, 0.72%

LAB 88.79, -9.77, 46.87

 

CMYK 44 / 0 / 39 / 8

HEX #84EB90

RGB 132 235 144

HSL 126.99, 0.72%, 0.72%

LAB 85.17, -48.52, 35.04

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 18 / 8

HEX #EB84C0

RGB 235 132 192

HSL 325.05, 0.72%, 0.72%

LAB 68, 46.94, -13.93

 

CMYK 0 / 4 / 44 / 8

HEX #EBE284

RGB 235 226 132

HSL 54.76, 0.72%, 0.72%

LAB 88.79, -9.77, 46.87

 

CMYK 44 / 0 / 26 / 8

HEX #84EBAF

RGB 132 235 175

HSL 145.05, 0.72%, 0.72%

LAB 85.71, -43.14, 19.95

 

Description

Color code: HEX #848BEB | qconv.com Color code: HEX #848BEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 139 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 139 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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