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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #848D1A it is the complementary color #7B72E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #848D1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #848D1A shade: #898D15, #9A9F28, #ABB13B, #BCC34E and #CDD561

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #848D1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #848D1A shade: #848D1A, #737B07, #626900, #515700 and #404500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #848D1A shade: #858E1A, #8E771A, #8E581A, #8E391A and #8E1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #848D1A shade: #858E1A, #658E1A, #468E1A, #278E1A and #1A8E2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #848D1A shade matches the following richer shades: #858E1A and #909B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #848D1A shade: #858E1A, #798027, #6E7235, #626542 and #575750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #848D1A shade: #8E581A, #8E761A, #868E1A, #678E1A and #488E1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #848D1A shade: #43480D, #646B13, #858E1A, #A5B120 and #C6D326

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #848D1A shade: #848D1A, #1A8E39 and #671A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #848D1A shade: #848D1A, #1A868E and #8E1A86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #848D1A shade: #848D1A, #1A8E39, #211A8E and #8E1A6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #848D1A shade: #848D1A, #1A8E5B, #211A8E and #8E1A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

Complementary color

CMYK 46 / 50 / 0 / 10

HEX #7B72E5

RGB 123 114 229

HSL 244.7, 0.69%, 0.67%

LAB 53.92, 32.59, -57.52

 

CMYK 3 / 0 / 85 / 45

HEX #898D15

RGB 137 141 21

HSL 62, 0.74%, 0.32%

LAB 56.51, -15.26, 56.54

 

CMYK 3 / 0 / 75 / 38

HEX #9A9F28

RGB 154 159 40

HSL 62.52, 0.6%, 0.39%

LAB 63.19, -16.33, 57.29

 

CMYK 3 / 0 / 67 / 31

HEX #ABB13B

RGB 171 177 59

HSL 63.05, 0.5%, 0.46%

LAB 69.77, -17.18, 57.09

 

CMYK 4 / 0 / 60 / 24

HEX #BCC34E

RGB 188 195 78

HSL 63.59, 0.49%, 0.54%

LAB 76.24, -17.85, 56.39

 

CMYK 4 / 0 / 54 / 16

HEX #CDD561

RGB 205 213 97

HSL 64.14, 0.58%, 0.61%

LAB 82.61, -18.4, 55.44

 

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

CMYK 7 / 0 / 94 / 52

HEX #737B07

RGB 115 123 7

HSL 64.14, 0.89%, 0.25%

LAB 49.28, -16.14, 52.87

 

CMYK 7 / 0 / 100 / 59

HEX #626900

RGB 98 105 0

HSL 64, 1%, 0.21%

LAB 42.31, -14.59, 48.48

 

CMYK 7 / 0 / 100 / 66

HEX #515700

RGB 81 87 0

HSL 64.14, 1%, 0.17%

LAB 35.13, -12.82, 42.51

 

CMYK 7 / 0 / 100 / 73

HEX #404500

RGB 64 69 0

HSL 64.35, 1%, 0.14%

LAB 27.7, -11, 36.2

 

CMYK 6 / 0 / 82 / 44

HEX #858E1A

RGB 133 142 26

HSL 64.66, 0.69%, 0.33%

LAB 56.49, -17.41, 55.04

 

CMYK 0 / 16 / 82 / 44

HEX #8E771A

RGB 142 119 26

HSL 48.1, 0.69%, 0.33%

LAB 50.71, -0.74, 50.22

 

CMYK 0 / 38 / 82 / 44

HEX #8E581A

RGB 142 88 26

HSL 32.07, 0.69%, 0.33%

LAB 42.47, 17.17, 42.72

 

CMYK 0 / 60 / 82 / 44

HEX #8E391A

RGB 142 57 26

HSL 16.03, 0.69%, 0.33%

LAB 35.5, 34.33, 36.1

 

CMYK 0 / 82 / 82 / 44

HEX #8E1A1A

RGB 142 26 26

HSL 0, 0.69%, 0.33%

LAB 30.79, 47.11, 31.42

 

CMYK 6 / 0 / 82 / 44

HEX #858E1A

RGB 133 142 26

HSL 64.66, 0.69%, 0.33%

LAB 56.49, -17.41, 55.04

 

CMYK 29 / 0 / 82 / 44

HEX #658E1A

RGB 101 142 26

HSL 81.21, 0.69%, 0.33%

LAB 54.23, -31.14, 52.15

 

CMYK 51 / 0 / 82 / 44

HEX #468E1A

RGB 70 142 26

HSL 97.24, 0.69%, 0.33%

LAB 52.64, -42.39, 50.12

 

CMYK 73 / 0 / 82 / 44

HEX #278E1A

RGB 39 142 26

HSL 113.28, 0.69%, 0.33%

LAB 51.67, -50.28, 48.85

 

CMYK 82 / 0 / 69 / 44

HEX #1A8E2C

RGB 26 142 44

HSL 129.31, 0.69%, 0.33%

LAB 51.55, -50.85, 41.92

 

CMYK 6 / 0 / 82 / 44

HEX #858E1A

RGB 133 142 26

HSL 64.66, 0.69%, 0.33%

LAB 56.49, -17.41, 55.04

 

CMYK 7 / 0 / 92 / 39

HEX #909B0C

RGB 144 155 12

HSL 64.62, 0.86%, 0.33%

LAB 61.13, -19.59, 62.36

 

CMYK 6 / 0 / 82 / 44

HEX #858E1A

RGB 133 142 26

HSL 64.66, 0.69%, 0.33%

LAB 56.49, -17.41, 55.04

 

CMYK 5 / 0 / 70 / 50

HEX #798027

RGB 121 128 39

HSL 64.72, 0.53%, 0.33%

LAB 51.44, -14.78, 45.28

 

CMYK 4 / 0 / 54 / 55

HEX #6E7235

RGB 110 114 53

HSL 63.93, 0.37%, 0.33%

LAB 46.45, -10.99, 32.9

 

CMYK 3 / 0 / 35 / 60

HEX #626542

RGB 98 101 66

HSL 65.14, 0.21%, 0.33%

LAB 41.68, -7.41, 19.47

 

CMYK 0 / 0 / 8 / 66

HEX #575750

RGB 87 87 80

HSL 60, 0.04%, 0.33%

LAB 36.78, -1.44, 4.06

 

CMYK 0 / 38 / 82 / 44

HEX #8E581A

RGB 142 88 26

HSL 32.07, 0.69%, 0.33%

LAB 42.47, 17.17, 42.72

 

CMYK 0 / 17 / 82 / 44

HEX #8E761A

RGB 142 118 26

HSL 47.59, 0.69%, 0.33%

LAB 50.43, -0.17, 49.97

 

CMYK 6 / 0 / 82 / 44

HEX #868E1A

RGB 134 142 26

HSL 64.14, 0.69%, 0.33%

LAB 56.57, -16.96, 55.14

 

CMYK 27 / 0 / 82 / 44

HEX #678E1A

RGB 103 142 26

HSL 80.17, 0.69%, 0.33%

LAB 54.35, -30.33, 52.31

 

CMYK 49 / 0 / 82 / 44

HEX #488E1A

RGB 72 142 26

HSL 96.21, 0.69%, 0.33%

LAB 52.73, -41.76, 50.22

 

CMYK 7 / 0 / 82 / 72

HEX #43480D

RGB 67 72 13

HSL 65.08, 0.69%, 0.17%

LAB 29.05, -10.59, 32.39

 

CMYK 7 / 0 / 82 / 58

HEX #646B13

RGB 100 107 19

HSL 64.77, 0.7%, 0.25%

LAB 43.17, -14.14, 44.3

 

CMYK 6 / 0 / 82 / 44

HEX #858E1A

RGB 133 142 26

HSL 64.66, 0.69%, 0.33%

LAB 56.49, -17.41, 55.04

 

CMYK 7 / 0 / 82 / 31

HEX #A5B120

RGB 165 177 32

HSL 64.97, 0.69%, 0.41%

LAB 69.15, -21, 65.41

 

CMYK 6 / 0 / 82 / 17

HEX #C6D326

RGB 198 211 38

HSL 64.51, 0.69%, 0.49%

LAB 81.15, -23.53, 75.21

 

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

CMYK 82 / 0 / 60 / 44

HEX #1A8E39

RGB 26 142 57

HSL 136.03, 0.69%, 0.33%

LAB 51.68, -49.27, 36.06

 

CMYK 27 / 82 / 0 / 44

HEX #671A8E

RGB 103 26 142

HSL 279.83, 0.69%, 0.33%

LAB 28.31, 51.5, -47.83

 

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

CMYK 82 / 6 / 0 / 44

HEX #1A868E

RGB 26 134 142

HSL 184.14, 0.69%, 0.33%

LAB 50.95, -25.56, -12.62

 

CMYK 0 / 82 / 6 / 44

HEX #8E1A86

RGB 142 26 134

HSL 304.14, 0.69%, 0.33%

LAB 34.42, 57.76, -32.71

 

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

CMYK 82 / 0 / 60 / 44

HEX #1A8E39

RGB 26 142 57

HSL 136.03, 0.69%, 0.33%

LAB 51.68, -49.27, 36.06

 

CMYK 77 / 82 / 0 / 44

HEX #211A8E

RGB 33 26 142

HSL 243.62, 0.69%, 0.33%

LAB 20.1, 42.12, -61.61

 

CMYK 0 / 82 / 22 / 44

HEX #8E1A6F

RGB 142 26 111

HSL 316.03, 0.69%, 0.33%

LAB 33.22, 54.38, -20.14

 

CMYK 6 / 0 / 82 / 45

HEX #848D1A

RGB 132 141 26

HSL 64.7, 0.69%, 0.33%

LAB 56.12, -17.34, 54.67

 

CMYK 82 / 0 / 36 / 44

HEX #1A8E5B

RGB 26 142 91

HSL 153.62, 0.69%, 0.33%

LAB 52.2, -43.21, 18.63

 

CMYK 77 / 82 / 0 / 44

HEX #211A8E

RGB 33 26 142

HSL 243.62, 0.69%, 0.33%

LAB 20.1, 42.12, -61.61

 

CMYK 0 / 82 / 46 / 44

HEX #8E1A4C

RGB 142 26 76

HSL 334.14, 0.69%, 0.33%

LAB 31.83, 50.31, 0.43

 

Description

Color code: HEX #848D1A | qconv.com Color code: HEX #848D1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 141 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 141 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 82% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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