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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849178 it is the complementary color #7B6E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849178 shade: #899173, #9AA386, #ABB599, #BCC7AC and #CDD9BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849178 shade: #849178, #737F65, #626D52, #515B3F and #40492C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849178 shade: #849078, #8A9078, #909078, #908978 and #908378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849178 shade: #849078, #7D9078, #789079, #789080 and #789087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849178 shade matches the following richer shades: #849078, #83A464, #82B850, #81CC3C and #80E029

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849178 shade: #849078, #847D8C, #85699F, #8655B3 and #8741C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849178 shade: #909078, #8A9078, #849078, #7D9078 and #789079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849178 shade: #5A6452, #6F7B64, #849078, #98A38F and #ADB5A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849178 shade: #849178, #789089 and #90788D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849178 shade: #849178, #788490 and #907884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849178 shade: #849178, #789089, #857890 and #90787F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849178 shade: #849178, #789090, #857890 and #907878

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

Complementary color

CMYK 9 / 19 / 0 / 47

HEX #7B6E87

RGB 123 110 135

HSL 271.2, 0.1%, 0.48%

LAB 48.4, 10.16, -11.87

 

CMYK 6 / 0 / 21 / 43

HEX #899173

RGB 137 145 115

HSL 76, 0.12%, 0.51%

LAB 58.8, -8.41, 14.98

 

CMYK 6 / 0 / 18 / 36

HEX #9AA386

RGB 154 163 134

HSL 78.62, 0.14%, 0.58%

LAB 65.58, -8.48, 14.01

 

CMYK 6 / 0 / 15 / 29

HEX #ABB599

RGB 171 181 153

HSL 81.43, 0.16%, 0.65%

LAB 72.23, -8.55, 13.1

 

CMYK 6 / 0 / 14 / 22

HEX #BCC7AC

RGB 188 199 172

HSL 84.44, 0.19%, 0.73%

LAB 78.76, -8.61, 12.24

 

CMYK 6 / 0 / 12 / 15

HEX #CDD9BF

RGB 205 217 191

HSL 87.69, 0.25%, 0.8%

LAB 85.18, -8.67, 11.43

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 9 / 0 / 20 / 50

HEX #737F65

RGB 115 127 101

HSL 87.69, 0.11%, 0.45%

LAB 51.57, -9.48, 12.68

 

CMYK 10 / 0 / 25 / 57

HEX #626D52

RGB 98 109 82

HSL 84.44, 0.14%, 0.37%

LAB 44.44, -9.47, 13.73

 

CMYK 11 / 0 / 31 / 64

HEX #515B3F

RGB 81 91 63

HSL 81.43, 0.18%, 0.3%

LAB 37.1, -9.46, 14.89

 

CMYK 12 / 0 / 40 / 71

HEX #40492C

RGB 64 73 44

HSL 78.62, 0.25%, 0.23%

LAB 29.51, -9.4, 16.18

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 4 / 0 / 17 / 44

HEX #8A9078

RGB 138 144 120

HSL 75, 0.1%, 0.52%

LAB 58.7, -6.64, 12.03

 

CMYK 0 / 0 / 17 / 44

HEX #909078

RGB 144 144 120

HSL 60, 0.1%, 0.52%

LAB 59.19, -4.31, 12.78

 

CMYK 0 / 5 / 17 / 44

HEX #908978

RGB 144 137 120

HSL 42.5, 0.1%, 0.52%

LAB 57.25, -0.41, 10.06

 

CMYK 0 / 9 / 17 / 44

HEX #908378

RGB 144 131 120

HSL 27.5, 0.1%, 0.52%

LAB 55.6, 2.99, 7.72

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 13 / 0 / 17 / 44

HEX #7D9078

RGB 125 144 120

HSL 107.5, 0.1%, 0.52%

LAB 57.72, -11.58, 10.5

 

CMYK 17 / 0 / 16 / 44

HEX #789079

RGB 120 144 121

HSL 122.5, 0.1%, 0.52%

LAB 57.39, -13.23, 9.42

 

CMYK 17 / 0 / 11 / 44

HEX #789080

RGB 120 144 128

HSL 140, 0.1%, 0.52%

LAB 57.56, -11.86, 5.67

 

CMYK 17 / 0 / 6 / 44

HEX #789087

RGB 120 144 135

HSL 157.5, 0.1%, 0.52%

LAB 57.74, -10.42, 1.93

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 20 / 0 / 39 / 36

HEX #83A464

RGB 131 164 100

HSL 90.94, 0.26%, 0.52%

LAB 63.59, -22.96, 29.58

 

CMYK 29 / 0 / 57 / 28

HEX #82B850

RGB 130 184 80

HSL 91.15, 0.42%, 0.52%

LAB 69.19, -35.31, 46.49

 

CMYK 37 / 0 / 71 / 20

HEX #81CC3C

RGB 129 204 60

HSL 91.25, 0.59%, 0.52%

LAB 74.94, -46.1, 61.12

 

CMYK 43 / 0 / 82 / 12

HEX #80E029

RGB 128 224 41

HSL 91.48, 0.75%, 0.52%

LAB 80.77, -55.5, 72.56

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 6 / 11 / 0 / 45

HEX #847D8C

RGB 132 125 140

HSL 268, 0.06%, 0.52%

LAB 53.46, 5.66, -7.15

 

CMYK 16 / 34 / 0 / 38

HEX #85699F

RGB 133 105 159

HSL 271.11, 0.22%, 0.52%

LAB 49, 22.02, -25.06

 

CMYK 25 / 53 / 0 / 30

HEX #8655B3

RGB 134 85 179

HSL 271.28, 0.38%, 0.52%

LAB 45.39, 38.71, -42.46

 

CMYK 32 / 67 / 0 / 22

HEX #8741C7

RGB 135 65 199

HSL 271.34, 0.54%, 0.52%

LAB 42.85, 54.23, -58.19

 

CMYK 0 / 0 / 17 / 44

HEX #909078

RGB 144 144 120

HSL 60, 0.1%, 0.52%

LAB 59.19, -4.31, 12.78

 

CMYK 4 / 0 / 17 / 44

HEX #8A9078

RGB 138 144 120

HSL 75, 0.1%, 0.52%

LAB 58.7, -6.64, 12.03

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 13 / 0 / 17 / 44

HEX #7D9078

RGB 125 144 120

HSL 107.5, 0.1%, 0.52%

LAB 57.72, -11.58, 10.5

 

CMYK 17 / 0 / 16 / 44

HEX #789079

RGB 120 144 121

HSL 122.5, 0.1%, 0.52%

LAB 57.39, -13.23, 9.42

 

CMYK 10 / 0 / 18 / 61

HEX #5A6452

RGB 90 100 82

HSL 93.33, 0.1%, 0.36%

LAB 41.05, -7.56, 8.93

 

CMYK 10 / 0 / 19 / 52

HEX #6F7B64

RGB 111 123 100

HSL 91.3, 0.1%, 0.44%

LAB 50.06, -9, 11.1

 

CMYK 8 / 0 / 17 / 44

HEX #849078

RGB 132 144 120

HSL 90, 0.1%, 0.52%

LAB 58.23, -8.94, 11.31

 

CMYK 7 / 0 / 12 / 36

HEX #98A38F

RGB 152 163 143

HSL 93, 0.1%, 0.6%

LAB 65.63, -7.68, 9.06

 

CMYK 4 / 0 / 9 / 29

HEX #ADB5A5

RGB 173 181 165

HSL 90, 0.1%, 0.68%

LAB 72.66, -5.75, 7.18

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 17 / 0 / 5 / 44

HEX #789089

RGB 120 144 137

HSL 162.5, 0.1%, 0.52%

LAB 57.79, -10, 0.87

 

CMYK 0 / 17 / 2 / 44

HEX #90788D

RGB 144 120 141

HSL 307.5, 0.1%, 0.52%

LAB 53.26, 13.16, -7.91

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 17 / 8 / 0 / 44

HEX #788490

RGB 120 132 144

HSL 210, 0.1%, 0.52%

LAB 54.56, -1.73, -7.93

 

CMYK 0 / 17 / 8 / 44

HEX #907884

RGB 144 120 132

HSL 330, 0.1%, 0.52%

LAB 52.98, 11.44, -3.06

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 17 / 0 / 5 / 44

HEX #789089

RGB 120 144 137

HSL 162.5, 0.1%, 0.52%

LAB 57.79, -10, 0.87

 

CMYK 8 / 17 / 0 / 44

HEX #857890

RGB 133 120 144

HSL 272.5, 0.1%, 0.52%

LAB 52.32, 9.79, -11.18

 

CMYK 0 / 17 / 12 / 44

HEX #90787F

RGB 144 120 127

HSL 342.5, 0.1%, 0.52%

LAB 52.83, 10.52, -0.35

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 17 / 0 / 0 / 44

HEX #789090

RGB 120 144 144

HSL 180, 0.1%, 0.52%

LAB 57.99, -8.48, -2.85

 

CMYK 8 / 17 / 0 / 44

HEX #857890

RGB 133 120 144

HSL 272.5, 0.1%, 0.52%

LAB 52.32, 9.79, -11.18

 

CMYK 0 / 17 / 17 / 44

HEX #907878

RGB 144 120 120

HSL 0, 0.1%, 0.52%

LAB 52.64, 9.3, 3.47

 

Description

Color code: HEX #849178 | qconv.com Color code: HEX #849178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 145 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 145 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 17 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 17% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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