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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849C2F it is the complementary color #7B63D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849C2F shade: #899C2A, #9AAE3D, #ABC050, #BCD263 and #CDE476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849C2F shade: #849C2F, #738A1C, #627809, #516600 and #405400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849C2F shade: #849D2E, #9D972E, #9D792E, #9D5C2E and #9D3E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849C2F shade: #849D2E, #679D2E, #499D2E, #2E9D32 and #2E9D4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849C2F shade matches the following richer shades: #849D2E, #8EAD1E and #97BE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849C2F shade: #849D2E, #7B8C3F, #727C4F, #696B60 and #5F5B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849C2F shade: #9D7A2E, #9D972E, #859D2E, #679D2E and #4A9D2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849C2F shade: #4F5D1B, #697D25, #849D2E, #9FBC38 and #B1CB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849C2F shade: #849C2F, #2E9D5C and #882E9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849C2F shade: #849C2F, #2E859D and #9D2E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849C2F shade: #849C2F, #2E9D5C, #462E9D and #9D2E6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849C2F shade: #849C2F, #2E9D7D, #462E9D and #9D2E4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

Complementary color

CMYK 41 / 52 / 0 / 18

HEX #7B63D0

RGB 123 99 208

HSL 253.21, 0.54%, 0.6%

LAB 49.12, 35.42, -53.34

 

CMYK 12 / 0 / 73 / 39

HEX #899C2A

RGB 137 156 42

HSL 70, 0.58%, 0.39%

LAB 61.01, -22.09, 54.03

 

CMYK 11 / 0 / 65 / 32

HEX #9AAE3D

RGB 154 174 61

HSL 70.62, 0.48%, 0.46%

LAB 67.63, -22.71, 53.65

 

CMYK 11 / 0 / 58 / 25

HEX #ABC050

RGB 171 192 80

HSL 71.25, 0.47%, 0.53%

LAB 74.15, -23.19, 52.84

 

CMYK 10 / 0 / 53 / 18

HEX #BCD263

RGB 188 210 99

HSL 71.89, 0.55%, 0.61%

LAB 80.56, -23.55, 51.84

 

CMYK 10 / 0 / 48 / 11

HEX #CDE476

RGB 205 228 118

HSL 72.55, 0.67%, 0.68%

LAB 86.89, -23.83, 50.75

 

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

CMYK 17 / 0 / 80 / 46

HEX #738A1C

RGB 115 138 28

HSL 72.55, 0.66%, 0.33%

LAB 53.93, -23.23, 51.6

 

CMYK 18 / 0 / 93 / 53

HEX #627809

RGB 98 120 9

HSL 71.89, 0.86%, 0.25%

LAB 47.04, -22.27, 50.12

 

CMYK 21 / 0 / 100 / 60

HEX #516600

RGB 81 102 0

HSL 72.35, 1%, 0.2%

LAB 40, -20.95, 46.15

 

CMYK 24 / 0 / 100 / 67

HEX #405400

RGB 64 84 0

HSL 74.29, 1%, 0.16%

LAB 32.77, -19.37, 40.13

 

CMYK 16 / 0 / 71 / 38

HEX #849D2E

RGB 132 157 46

HSL 73.51, 0.55%, 0.4%

LAB 60.97, -24.48, 52.36

 

CMYK 0 / 4 / 71 / 38

HEX #9D972E

RGB 157 151 46

HSL 56.76, 0.55%, 0.4%

LAB 61.22, -10.51, 53.26

 

CMYK 0 / 23 / 71 / 38

HEX #9D792E

RGB 157 121 46

HSL 40.54, 0.55%, 0.4%

LAB 52.99, 6.01, 44.9

 

CMYK 0 / 41 / 71 / 38

HEX #9D5C2E

RGB 157 92 46

HSL 24.86, 0.55%, 0.4%

LAB 45.66, 22.54, 37.04

 

CMYK 0 / 61 / 71 / 38

HEX #9D3E2E

RGB 157 62 46

HSL 8.65, 0.55%, 0.4%

LAB 39.26, 38.58, 29.79

 

CMYK 16 / 0 / 71 / 38

HEX #849D2E

RGB 132 157 46

HSL 73.51, 0.55%, 0.4%

LAB 60.97, -24.48, 52.36

 

CMYK 34 / 0 / 71 / 38

HEX #679D2E

RGB 103 157 46

HSL 89.19, 0.55%, 0.4%

LAB 59.15, -36.05, 49.93

 

CMYK 54 / 0 / 71 / 38

HEX #499D2E

RGB 73 157 46

HSL 105.41, 0.55%, 0.4%

LAB 57.78, -46.03, 48.07

 

CMYK 71 / 0 / 68 / 38

HEX #2E9D32

RGB 46 157 50

HSL 122.16, 0.55%, 0.4%

LAB 57, -52.13, 45.35

 

CMYK 71 / 0 / 50 / 38

HEX #2E9D4F

RGB 46 157 79

HSL 137.84, 0.55%, 0.4%

LAB 57.33, -48.32, 31.88

 

CMYK 16 / 0 / 71 / 38

HEX #849D2E

RGB 132 157 46

HSL 73.51, 0.55%, 0.4%

LAB 60.97, -24.48, 52.36

 

CMYK 18 / 0 / 83 / 32

HEX #8EAD1E

RGB 142 173 30

HSL 73.01, 0.7%, 0.4%

LAB 66.31, -28.85, 62.82

 

CMYK 21 / 0 / 93 / 25

HEX #97BE0D

RGB 151 190 13

HSL 73.22, 0.87%, 0.4%

LAB 71.85, -33.57, 70.9

 

CMYK 16 / 0 / 71 / 38

HEX #849D2E

RGB 132 157 46

HSL 73.51, 0.55%, 0.4%

LAB 60.97, -24.48, 52.36

 

CMYK 12 / 0 / 55 / 45

HEX #7B8C3F

RGB 123 140 63

HSL 73.25, 0.38%, 0.4%

LAB 55.41, -18.32, 38.54

 

CMYK 8 / 0 / 36 / 51

HEX #727C4F

RGB 114 124 79

HSL 73.33, 0.22%, 0.4%

LAB 50.17, -11.68, 23.37

 

CMYK 2 / 0 / 10 / 58

HEX #696B60

RGB 105 107 96

HSL 70.91, 0.05%, 0.4%

LAB 44.75, -2.96, 5.9

 

CMYK 15 / 19 / 0 / 56

HEX #5F5B70

RGB 95 91 112

HSL 251.43, 0.1%, 0.4%

LAB 39.72, 6.29, -11.34

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2E

RGB 157 122 46

HSL 41.08, 0.55%, 0.4%

LAB 53.26, 5.44, 45.18

 

CMYK 0 / 4 / 71 / 38

HEX #9D972E

RGB 157 151 46

HSL 56.76, 0.55%, 0.4%

LAB 61.22, -10.51, 53.26

 

CMYK 15 / 0 / 71 / 38

HEX #859D2E

RGB 133 157 46

HSL 72.97, 0.55%, 0.4%

LAB 61.04, -24.06, 52.45

 

CMYK 34 / 0 / 71 / 38

HEX #679D2E

RGB 103 157 46

HSL 89.19, 0.55%, 0.4%

LAB 59.15, -36.05, 49.93

 

CMYK 53 / 0 / 71 / 38

HEX #4A9D2E

RGB 74 157 46

HSL 104.86, 0.55%, 0.4%

LAB 57.82, -45.74, 48.12

 

CMYK 15 / 0 / 71 / 64

HEX #4F5D1B

RGB 79 93 27

HSL 72.73, 0.55%, 0.24%

LAB 37.06, -15.81, 34.66

 

CMYK 16 / 0 / 70 / 51

HEX #697D25

RGB 105 125 37

HSL 73.64, 0.54%, 0.32%

LAB 49.26, -20.45, 43.49

 

CMYK 16 / 0 / 71 / 38

HEX #849D2E

RGB 132 157 46

HSL 73.51, 0.55%, 0.4%

LAB 60.97, -24.48, 52.36

 

CMYK 15 / 0 / 70 / 26

HEX #9FBC38

RGB 159 188 56

HSL 73.18, 0.54%, 0.48%

LAB 71.98, -27.8, 60.19

 

CMYK 13 / 0 / 60 / 20

HEX #B1CB52

RGB 177 203 82

HSL 72.89, 0.54%, 0.56%

LAB 77.68, -25.96, 56

 

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

CMYK 71 / 0 / 41 / 38

HEX #2E9D5C

RGB 46 157 92

HSL 144.86, 0.55%, 0.4%

LAB 57.53, -46.04, 25.24

 

CMYK 13 / 71 / 0 / 38

HEX #882E9D

RGB 136 46 157

HSL 288.65, 0.55%, 0.4%

LAB 37.16, 53.78, -42.49

 

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

CMYK 71 / 15 / 0 / 38

HEX #2E859D

RGB 46 133 157

HSL 192.97, 0.55%, 0.4%

LAB 51.6, -17.62, -20.32

 

CMYK 0 / 71 / 15 / 38

HEX #9D2E85

RGB 157 46 133

HSL 312.97, 0.55%, 0.4%

LAB 39.27, 54.72, -24.29

 

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

CMYK 71 / 0 / 41 / 38

HEX #2E9D5C

RGB 46 157 92

HSL 144.86, 0.55%, 0.4%

LAB 57.53, -46.04, 25.24

 

CMYK 55 / 71 / 0 / 38

HEX #462E9D

RGB 70 46 157

HSL 252.97, 0.55%, 0.4%

LAB 28.62, 40.44, -56.72

 

CMYK 0 / 71 / 29 / 38

HEX #9D2E6F

RGB 157 46 111

HSL 324.86, 0.55%, 0.4%

LAB 38.32, 51.65, -12.07

 

CMYK 15 / 0 / 70 / 39

HEX #849C2F

RGB 132 156 47

HSL 73.21, 0.54%, 0.4%

LAB 60.68, -23.92, 51.67

 

CMYK 71 / 0 / 20 / 38

HEX #2E9D7D

RGB 46 157 125

HSL 162.7, 0.55%, 0.4%

LAB 58.2, -38.76, 7.86

 

CMYK 55 / 71 / 0 / 38

HEX #462E9D

RGB 70 46 157

HSL 252.97, 0.55%, 0.4%

LAB 28.62, 40.44, -56.72

 

CMYK 0 / 71 / 50 / 38

HEX #9D2E4E

RGB 157 46 78

HSL 342.7, 0.55%, 0.4%

LAB 37.25, 48.03, 7.29

 

Description

Color code: HEX #849C2F | qconv.com Color code: HEX #849C2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 156 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 156 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 70 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 70% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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