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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84A5D6 it is the complementary color #7B5A29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84A5D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84A5D6 shade: #89A5D1, #9AB7E4, #ABC9F7, #BCDBFF and #CDEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84A5D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84A5D6 shade: #84A5D6, #7393C3, #6281B0, #516F9D and #405D8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84A5D6 shade: #84A5D6, #848FD6, #8F84D6, #A584D6 and #BB84D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84A5D6 shade: #84A5D6, #848FD6 and #8484D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84A5D6 shade matches the following richer shades: #84A5D6, #77A2E3, #6AA0F0 and #5C9DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84A5D6 shade: #84A5D6, #91A8C8, #9FAABB, #ACADAE and #B9AFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84A5D6 shade: #84D2D6, #84BCD6, #84A6D6, #8490D6 and #8E84D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84A5D6 shade: #4678C1, #658ECB, #84A5D6, #A3BCE0 and #C2D2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84A5D6 shade: #84A5D6, #C484D6 and #C7D684

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84A5D6 shade: #84A5D6, #D684A6 and #A6D684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84A5D6 shade: #84A5D6, #C484D6, #D6B484 and #96D684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84A5D6 shade: #84A5D6, #D684CF, #D6B484 and #84D68B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

Complementary color

CMYK 0 / 27 / 67 / 52

HEX #7B5A29

RGB 123 90 41

HSL 35.85, 0.5%, 0.32%

LAB 40.71, 7.96, 32.94

 

CMYK 34 / 21 / 0 / 18

HEX #89A5D1

RGB 137 165 209

HSL 216.67, 0.44%, 0.68%

LAB 67.15, 0.93, -25.53

 

CMYK 32 / 20 / 0 / 11

HEX #9AB7E4

RGB 154 183 228

HSL 216.49, 0.58%, 0.75%

LAB 73.76, 0.64, -25.71

 

CMYK 31 / 19 / 0 / 3

HEX #ABC9F7

RGB 171 201 247

HSL 216.32, 0.83%, 0.82%

LAB 80.26, 0.39, -25.91

 

CMYK 26 / 14 / 0 / 0

HEX #BCDBFF

RGB 188 219 255

HSL 212.24, 1%, 0.87%

LAB 86.29, -2.4, -20.89

 

CMYK 20 / 7 / 0 / 0

HEX #CDEDFF

RGB 205 237 255

HSL 201.6, 1%, 0.9%

LAB 92.03, -6.68, -12.16

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 41 / 25 / 0 / 24

HEX #7393C3

RGB 115 147 195

HSL 216, 0.4%, 0.61%

LAB 60.3, 1.26, -28.39

 

CMYK 44 / 27 / 0 / 31

HEX #6281B0

RGB 98 129 176

HSL 216.15, 0.33%, 0.54%

LAB 53.42, 1.72, -28.31

 

CMYK 48 / 29 / 0 / 38

HEX #516F9D

RGB 81 111 157

HSL 216.32, 0.32%, 0.47%

LAB 46.38, 2.29, -28.27

 

CMYK 54 / 33 / 0 / 46

HEX #405D8A

RGB 64 93 138

HSL 216.49, 0.37%, 0.4%

LAB 39.16, 3.03, -28.27

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 38 / 33 / 0 / 16

HEX #848FD6

RGB 132 143 214

HSL 231.95, 0.5%, 0.68%

LAB 61.14, 13.43, -37.65

 

CMYK 33 / 38 / 0 / 16

HEX #8F84D6

RGB 143 132 214

HSL 248.05, 0.5%, 0.68%

LAB 59.16, 22.86, -40.7

 

CMYK 23 / 38 / 0 / 16

HEX #A584D6

RGB 165 132 214

HSL 264.15, 0.5%, 0.68%

LAB 61.1, 29.14, -37.52

 

CMYK 13 / 38 / 0 / 16

HEX #BB84D6

RGB 187 132 214

HSL 280.24, 0.5%, 0.68%

LAB 63.28, 35.71, -33.95

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 38 / 33 / 0 / 16

HEX #848FD6

RGB 132 143 214

HSL 231.95, 0.5%, 0.68%

LAB 61.14, 13.43, -37.65

 

CMYK 38 / 38 / 0 / 16

HEX #8484D6

RGB 132 132 214

HSL 240, 0.5%, 0.68%

LAB 58.29, 19.87, -42.13

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 48 / 29 / 0 / 11

HEX #77A2E3

RGB 119 162 227

HSL 216.11, 0.66%, 0.68%

LAB 65.99, 2.9, -37.35

 

CMYK 56 / 33 / 0 / 6

HEX #6AA0F0

RGB 106 160 240

HSL 215.82, 0.82%, 0.68%

LAB 65.36, 5.11, -45.53

 

CMYK 64 / 38 / 0 / 1

HEX #5C9DFD

RGB 92 157 253

HSL 215.78, 0.98%, 0.68%

LAB 64.55, 8.44, -53.95

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 28 / 16 / 0 / 22

HEX #91A8C8

RGB 145 168 200

HSL 214.91, 0.33%, 0.68%

LAB 68.16, -0.66, -18.96

 

CMYK 15 / 9 / 0 / 27

HEX #9FAABB

RGB 159 170 187

HSL 216.43, 0.17%, 0.68%

LAB 69.26, -0.32, -10.02

 

CMYK 1 / 1 / 0 / 32

HEX #ACADAE

RGB 172 173 174

HSL 210, 0.01%, 0.68%

LAB 70.67, -0.16, -0.64

 

CMYK 0 / 5 / 13 / 27

HEX #B9AFA1

RGB 185 175 161

HSL 35, 0.15%, 0.68%

LAB 71.92, 1.16, 8.45

 

CMYK 38 / 2 / 0 / 16

HEX #84D2D6

RGB 132 210 214

HSL 182.93, 0.5%, 0.68%

LAB 79.53, -22.94, -9.57

 

CMYK 38 / 12 / 0 / 16

HEX #84BCD6

RGB 132 188 214

HSL 199.02, 0.5%, 0.68%

LAB 73.37, -11.65, -18.82

 

CMYK 38 / 22 / 0 / 16

HEX #84A6D6

RGB 132 166 214

HSL 215.12, 0.5%, 0.68%

LAB 67.3, 0.31, -28.09

 

CMYK 38 / 33 / 0 / 16

HEX #8490D6

RGB 132 144 214

HSL 231.22, 0.5%, 0.68%

LAB 61.4, 12.85, -37.24

 

CMYK 34 / 38 / 0 / 16

HEX #8E84D6

RGB 142 132 214

HSL 247.32, 0.5%, 0.68%

LAB 59.07, 22.58, -40.83

 

CMYK 64 / 38 / 0 / 24

HEX #4678C1

RGB 70 120 193

HSL 215.61, 0.5%, 0.52%

LAB 50.2, 6.34, -43.24

 

CMYK 50 / 30 / 0 / 20

HEX #658ECB

RGB 101 142 203

HSL 215.88, 0.5%, 0.6%

LAB 58.44, 2.97, -35.85

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 27 / 16 / 0 / 12

HEX #A3BCE0

RGB 163 188 224

HSL 215.41, 0.5%, 0.76%

LAB 75.54, -0.45, -20.79

 

CMYK 17 / 10 / 0 / 8

HEX #C2D2EA

RGB 194 210 234

HSL 216, 0.49%, 0.84%

LAB 83.71, -0.5, -13.63

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 8 / 38 / 0 / 16

HEX #C484D6

RGB 196 132 214

HSL 286.83, 0.5%, 0.68%

LAB 64.24, 38.45, -32.39

 

CMYK 7 / 0 / 38 / 16

HEX #C7D684

RGB 199 214 132

HSL 70.98, 0.5%, 0.68%

LAB 82.86, -17.8, 38.81

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 0 / 38 / 22 / 16

HEX #D684A6

RGB 214 132 166

HSL 335.12, 0.5%, 0.68%

LAB 64.61, 36, -4.61

 

CMYK 22 / 0 / 38 / 16

HEX #A6D684

RGB 166 214 132

HSL 95.12, 0.5%, 0.68%

LAB 80.66, -30.05, 35.54

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 8 / 38 / 0 / 16

HEX #C484D6

RGB 196 132 214

HSL 286.83, 0.5%, 0.68%

LAB 64.24, 38.45, -32.39

 

CMYK 0 / 16 / 38 / 16

HEX #D6B484

RGB 214 180 132

HSL 35.12, 0.5%, 0.68%

LAB 75.2, 5.65, 29.06

 

CMYK 30 / 0 / 38 / 16

HEX #96D684

RGB 150 214 132

HSL 106.83, 0.5%, 0.68%

LAB 79.75, -35.58, 34.18

 

CMYK 38 / 23 / 0 / 16

HEX #84A5D6

RGB 132 165 214

HSL 215.85, 0.5%, 0.68%

LAB 67.03, 0.87, -28.51

 

CMYK 0 / 38 / 3 / 16

HEX #D684CF

RGB 214 132 207

HSL 305.12, 0.5%, 0.68%

LAB 65.98, 42.69, -25.62

 

CMYK 0 / 16 / 38 / 16

HEX #D6B484

RGB 214 180 132

HSL 35.12, 0.5%, 0.68%

LAB 75.2, 5.65, 29.06

 

CMYK 38 / 0 / 35 / 16

HEX #84D68B

RGB 132 214 139

HSL 125.12, 0.5%, 0.68%

LAB 78.96, -40.26, 29.38

 

Description

Color code: HEX #84A5D6 | qconv.com Color code: HEX #84A5D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 165 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 165 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 23 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 23% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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