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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84A719 it is the complementary color #7B58E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84A719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84A719 shade: #89A714, #9AB927, #ABCB3A, #BCDD4D and #CDEF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84A719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84A719 shade: #84A719, #739506, #628300, #517100 and #405F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84A719 shade: #85A819, #A8A519, #A87E19, #A85719 and #A83119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84A719 shade: #85A819, #5EA819, #37A819, #19A821 and #19A847

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84A719 shade matches the following richer shades: #85A819 and #8DB809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84A719 shade: #85A819, #7D9828, #758938, #6D7948 and #656957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84A719 shade: #A87D19, #A8A319, #87A819, #60A819 and #3AA819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84A719 shade: #4C600E, #688413, #85A819, #A1CC1E and #B5E033

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84A719 shade: #84A719, #19A857 and #9019A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84A719 shade: #84A719, #1987A8 and #A81987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84A719 shade: #84A719, #19A857, #3A19A8 and #A8196A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84A719 shade: #84A719, #19A882, #3A19A8 and #A8193F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

Complementary color

CMYK 47 / 62 / 0 / 10

HEX #7B58E6

RGB 123 88 230

HSL 254.79, 0.74%, 0.62%

LAB 48.14, 47.87, -67.42

 

CMYK 18 / 0 / 88 / 35

HEX #89A714

RGB 137 167 20

HSL 72.24, 0.79%, 0.37%

LAB 64.17, -28.37, 63.16

 

CMYK 17 / 0 / 79 / 27

HEX #9AB927

RGB 154 185 39

HSL 72.74, 0.65%, 0.44%

LAB 70.67, -29.27, 64.52

 

CMYK 16 / 0 / 71 / 20

HEX #ABCB3A

RGB 171 203 58

HSL 73.24, 0.58%, 0.51%

LAB 77.09, -29.96, 64.8

 

CMYK 15 / 0 / 65 / 13

HEX #BCDD4D

RGB 188 221 77

HSL 73.75, 0.68%, 0.58%

LAB 83.41, -30.5, 64.46

 

CMYK 14 / 0 / 60 / 6

HEX #CDEF60

RGB 205 239 96

HSL 74.27, 0.82%, 0.66%

LAB 89.65, -30.93, 63.77

 

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

CMYK 23 / 0 / 96 / 42

HEX #739506

RGB 115 149 6

HSL 74.27, 0.92%, 0.3%

LAB 57.22, -29.29, 59.29

 

CMYK 25 / 0 / 100 / 49

HEX #628300

RGB 98 131 0

HSL 75.11, 1%, 0.26%

LAB 50.49, -27.96, 54.62

 

CMYK 28 / 0 / 100 / 56

HEX #517100

RGB 81 113 0

HSL 76.99, 1%, 0.22%

LAB 43.59, -26.48, 48.88

 

CMYK 33 / 0 / 100 / 63

HEX #405F00

RGB 64 95 0

HSL 79.58, 1%, 0.19%

LAB 36.51, -24.98, 42.98

 

CMYK 21 / 0 / 85 / 34

HEX #85A819

RGB 133 168 25

HSL 74.69, 0.74%, 0.38%

LAB 64.21, -30.36, 62

 

CMYK 0 / 2 / 85 / 34

HEX #A8A519

RGB 168 165 25

HSL 58.74, 0.74%, 0.38%

LAB 65.99, -13.79, 64.56

 

CMYK 0 / 25 / 85 / 34

HEX #A87E19

RGB 168 126 25

HSL 42.38, 0.74%, 0.38%

LAB 55.4, 7.34, 55.7

 

CMYK 0 / 48 / 85 / 34

HEX #A85719

RGB 168 87 25

HSL 26.01, 0.74%, 0.38%

LAB 45.92, 29.15, 47.62

 

CMYK 0 / 71 / 85 / 34

HEX #A83119

RGB 168 49 25

HSL 10.07, 0.74%, 0.38%

LAB 38.88, 47.46, 41.46

 

CMYK 21 / 0 / 85 / 34

HEX #85A819

RGB 133 168 25

HSL 74.69, 0.74%, 0.38%

LAB 64.21, -30.36, 62

 

CMYK 44 / 0 / 85 / 34

HEX #5EA819

RGB 94 168 25

HSL 91.05, 0.74%, 0.38%

LAB 62.04, -45.11, 59.28

 

CMYK 67 / 0 / 85 / 34

HEX #37A819

RGB 55 168 25

HSL 107.41, 0.74%, 0.38%

LAB 60.68, -55.87, 57.55

 

CMYK 85 / 0 / 80 / 34

HEX #19A821

RGB 25 168 33

HSL 123.36, 0.74%, 0.38%

LAB 60.18, -60.1, 54.68

 

CMYK 85 / 0 / 58 / 34

HEX #19A847

RGB 25 168 71

HSL 139.3, 0.74%, 0.38%

LAB 60.49, -56.27, 39.65

 

CMYK 21 / 0 / 85 / 34

HEX #85A819

RGB 133 168 25

HSL 74.69, 0.74%, 0.38%

LAB 64.21, -30.36, 62

 

CMYK 23 / 0 / 95 / 28

HEX #8DB809

RGB 141 184 9

HSL 74.74, 0.91%, 0.38%

LAB 69.44, -34.91, 69.2

 

CMYK 21 / 0 / 85 / 34

HEX #85A819

RGB 133 168 25

HSL 74.69, 0.74%, 0.38%

LAB 64.21, -30.36, 62

 

CMYK 18 / 0 / 74 / 40

HEX #7D9828

RGB 125 152 40

HSL 74.46, 0.58%, 0.38%

LAB 58.95, -25.31, 52.46

 

CMYK 15 / 0 / 59 / 46

HEX #758938

RGB 117 137 56

HSL 74.81, 0.42%, 0.38%

LAB 53.98, -19.96, 40.22

 

CMYK 10 / 0 / 40 / 53

HEX #6D7948

RGB 109 121 72

HSL 74.69, 0.25%, 0.38%

LAB 48.75, -13.09, 25.39

 

CMYK 4 / 0 / 17 / 59

HEX #656957

RGB 101 105 87

HSL 73.33, 0.09%, 0.38%

LAB 43.59, -5.07, 9.61

 

CMYK 0 / 26 / 85 / 34

HEX #A87D19

RGB 168 125 25

HSL 41.96, 0.74%, 0.38%

LAB 55.14, 7.9, 55.48

 

CMYK 0 / 3 / 85 / 34

HEX #A8A319

RGB 168 163 25

HSL 57.9, 0.74%, 0.38%

LAB 65.43, -12.75, 64.09

 

CMYK 20 / 0 / 85 / 34

HEX #87A819

RGB 135 168 25

HSL 73.85, 0.74%, 0.38%

LAB 64.34, -29.54, 62.17

 

CMYK 43 / 0 / 85 / 34

HEX #60A819

RGB 96 168 25

HSL 90.21, 0.74%, 0.38%

LAB 62.14, -44.43, 59.39

 

CMYK 65 / 0 / 85 / 34

HEX #3AA819

RGB 58 168 25

HSL 106.15, 0.74%, 0.38%

LAB 60.76, -55.23, 57.64

 

CMYK 21 / 0 / 85 / 62

HEX #4C600E

RGB 76 96 14

HSL 74.63, 0.75%, 0.22%

LAB 37.72, -19.59, 40.29

 

CMYK 21 / 0 / 86 / 48

HEX #688413

RGB 104 132 19

HSL 74.87, 0.75%, 0.3%

LAB 51.26, -25.36, 51.56

 

CMYK 21 / 0 / 85 / 34

HEX #85A819

RGB 133 168 25

HSL 74.69, 0.74%, 0.38%

LAB 64.21, -30.36, 62

 

CMYK 21 / 0 / 85 / 20

HEX #A1CC1E

RGB 161 204 30

HSL 74.83, 0.74%, 0.46%

LAB 76.59, -35.59, 72.14

 

CMYK 19 / 0 / 77 / 12

HEX #B5E033

RGB 181 224 51

HSL 74.91, 0.74%, 0.54%

LAB 83.64, -36.04, 73.5

 

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

CMYK 85 / 0 / 48 / 34

HEX #19A857

RGB 25 168 87

HSL 146.01, 0.74%, 0.38%

LAB 60.69, -53.79, 31.9

 

CMYK 14 / 85 / 0 / 34

HEX #9019A8

RGB 144 25 168

HSL 289.93, 0.74%, 0.38%

LAB 36.84, 64.17, -49.55

 

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

CMYK 85 / 20 / 0 / 34

HEX #1987A8

RGB 25 135 168

HSL 193.85, 0.74%, 0.38%

LAB 52.24, -17.32, -25.73

 

CMYK 0 / 85 / 20 / 34

HEX #A81987

RGB 168 25 135

HSL 313.85, 0.74%, 0.38%

LAB 39.19, 63.76, -25.49

 

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

CMYK 85 / 0 / 48 / 34

HEX #19A857

RGB 25 168 87

HSL 146.01, 0.74%, 0.38%

LAB 60.69, -53.79, 31.9

 

CMYK 65 / 85 / 0 / 34

HEX #3A19A8

RGB 58 25 168

HSL 253.85, 0.74%, 0.38%

LAB 25.02, 52.43, -69.36

 

CMYK 0 / 85 / 37 / 34

HEX #A8196A

RGB 168 25 106

HSL 326.01, 0.74%, 0.38%

LAB 37.95, 60.31, -9.28

 

CMYK 21 / 0 / 85 / 35

HEX #84A719

RGB 132 167 25

HSL 74.79, 0.74%, 0.38%

LAB 63.85, -30.3, 61.66

 

CMYK 85 / 0 / 23 / 34

HEX #19A882

RGB 25 168 130

HSL 164.06, 0.74%, 0.38%

LAB 61.5, -44.64, 9.7

 

CMYK 65 / 85 / 0 / 34

HEX #3A19A8

RGB 58 25 168

HSL 253.85, 0.74%, 0.38%

LAB 25.02, 52.43, -69.36

 

CMYK 0 / 85 / 63 / 34

HEX #A8193F

RGB 168 25 63

HSL 344.06, 0.74%, 0.38%

LAB 36.7, 56.7, 16.51

 

Description

Color code: HEX #84A719 | qconv.com Color code: HEX #84A719 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 167 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 167 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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